Pacific Music Festival
0:16
Жыл бұрын
Пікірлер
@dominiquemartin-bg8ol
@dominiquemartin-bg8ol 16 күн бұрын
trop de parlotte du prof et piano trop fort de plus le prof insiste trop sur des détails (au début)
@nemosnemos0192
@nemosnemos0192 16 күн бұрын
PMFよ、お願いだから、もっと新しい動画ONしてくださいな
@matto9734
@matto9734 25 күн бұрын
Great tone and expression! So helpful too!!! I´m learning trumpet and he made things very understandeable and clear. Great teacher, very supportive!
@miisan0409
@miisan0409 27 күн бұрын
いや流石に第4楽章速すぎでしょ…
@4tissuesHokkaidoJPN
@4tissuesHokkaidoJPN Ай бұрын
マーラーは好きなのにブルックナーは退屈すぎる。盛り上がっても同じメロディの繰り返し😂 同じ会場で2024年10月に札幌交響楽団の定期演奏会でも同じ曲が演奏されるけど、聴きに行くか迷っています。演奏する指揮者は好きなのですが🎉
@onceamusician5408
@onceamusician5408 Ай бұрын
Bruckner was a devout catholic. He was so devout that even in his own time, far more religious than our hedonistic age, he was viewed by some as excessive in devotion. every note he composed was expressly for the glory of God as he saw Him and that includes the mysterium tremendum ( google the term it can be found online) which utterly saturates his work and which is why Bruckner is my favourite composer any conductor who has no intuitive grasp of the mysterium tremendum (with or without catholic belief: I am no catholic) has no business conducting Bruckner IMO for such a person has no understanding of him at all
@onceamusician5408
@onceamusician5408 Ай бұрын
I was here for the 4th movement completion. It was too fast
@CleuzaNogueira-r6t
@CleuzaNogueira-r6t 2 ай бұрын
😮😮😮🚀🍸📸🎖️📈📊🧭🌪️🌋🌀
@miisan0409
@miisan0409 2 ай бұрын
4楽章速すぎ…
@onceamusician5408
@onceamusician5408 Ай бұрын
i would agree with you here. too many conductors go for the cheap thrills of going too fast these days
@oboist0
@oboist0 2 ай бұрын
마스터클래스 이 전에도 잘하는 플레이어다.
@iermanicus
@iermanicus 2 ай бұрын
No one understands English??? The idea of a translator is nowadays incredible considering that Blau is native German and uses English as I am native Spanish speaking 😅 the lady moving onstage putting the mic is quite disturbing.
@graduated_from_WASEDA_univ
@graduated_from_WASEDA_univ 2 ай бұрын
i listened to Bruckner’s Symphony No.9 at suntory hall in JPN on saturday 7th Sep. 2024
@AngeloMoabe
@AngeloMoabe 2 ай бұрын
You rocked it, you play the trombone very well, what a beautiful performance ❤❤❤❤
@アルマ-r8x
@アルマ-r8x 2 ай бұрын
第四楽章は実に面白い🤣ドレスデンアーメン🙏のメロディ🎼が出てきて素晴らしいと思う。
@remomazzetti8757
@remomazzetti8757 3 ай бұрын
The first movement begins at 1:43, not at 0.53.
@Tracotel
@Tracotel Ай бұрын
As I am prevented from publishing a response on the post of another KZbin channel where you recently replied to my comment about the 2021/2022 revision of the SPCM, I’m taking the opportunity to respond here. When I decided in 2007 to 'complete' Bruckner's ultimate Finale, one of the main reasons was that I felt the musical ideas were powerful and masterfully designed. Even in its fragmentary form, Nikolaus Harnoncourt, aided by the magnificent Vienna Philharmonic, demonstrated just how strong, logical, profound, and meaningful this music is. Completing this unfinished masterwork can only ever be a compromise; no one can replace a genius. The task is more challenging than with Mahler's 10th, as much of the precious material for Bruckner's Finale has been lost or stolen. I tried, as much as possible, to reveal the potential of the themes in the coda, and I hope I have succeeded in creating a fairly adequate superposition of the four themes, much like in the Eighth Symphony, as a crowning moment for the entire work in D major. kzbin.info/www/bejne/o6O4nnl-opl5jLM The claim that 'almost the entire coda was virtually there before our eyes' (and the word 'virtually' says it all!) is simply a new marketing narrative from J.A. Phillips, clearly lacking the slightest evidence. As I have written before, we only need to read Phillips' paper from November 2022 (published in The Bruckner Journal) to understand how little of the coda we actually possess. The most ethical approach is to be transparent about what has genuinely survived, what is (perhaps definitively) missing, and how uncertain and insufficient some of the sketches are.
@dronc
@dronc 3 ай бұрын
da piallo a roncolate
@matthiaskrug
@matthiaskrug 4 ай бұрын
Ein schrecklicher Lehrer. Die Fehler der Schüler zu karikieren, ist das Letzte. Das Mädchen ist völlig überfordert mit dem Stück, technisch und emotional.
@baguettelord9741
@baguettelord9741 4 ай бұрын
This is so cool because I’m learning Japanese at the same time 😀
@Leon-Hardt
@Leon-Hardt 5 ай бұрын
1:13:13 Sectoin edited, lack of timpanies entry with Main Theme in Choral.
@conw_y
@conw_y 5 ай бұрын
Marvellous!
@violino2003
@violino2003 6 ай бұрын
Крышку фортепиано хорошо бы опустить, или совсем закрыть
@cdtj1265
@cdtj1265 6 ай бұрын
Truly awful teacher
@matthiaskrug
@matthiaskrug 4 ай бұрын
Ein super schrecklicher Lehrer!
@bedgemanagadgen1028
@bedgemanagadgen1028 6 ай бұрын
Beautiful!! 👏👏
@東明政
@東明政 7 ай бұрын
これは自分も10年以上泣かされました。先生に言われるがままに息を下に向けようとすると脳が唇を横に引っ張ってしまいます。こういう時は思いきって顔を上に向けて普段はふっふ練習などをすると上の唇上方にあてて息が下に吹きこまれる流れが感じとれるようになりますし、いの形のアンブシュアがうの形になってきますし少し上を向く事によって自然に喉が開く向きを探しやすくなりました。
@yishihara55527
@yishihara55527 6 ай бұрын
複雑すぎるよ
@tom-fq9lf
@tom-fq9lf 7 ай бұрын
たのしみです!! そしてティル・フェルナーさん 日本語がお上手ですね
@injectchen
@injectchen 7 ай бұрын
47:06 👍👍👍
@takahiro6316
@takahiro6316 7 ай бұрын
Brave〜 ♪♪
@Chares800
@Chares800 8 ай бұрын
講師は神レベルだけど、生徒もクッソ上手いな
@tak6547
@tak6547 8 ай бұрын
残念ながらこの生徒さんにキュッヘルの求める音楽性とレベルがなく、せっかくの一流の音楽家のレッスンが勿体無いです。もっといいレッスンを聴きたかった。
@Einstein116
@Einstein116 8 ай бұрын
こんな指導が日本語で無料で視聴できるなんて、本当に素晴らしい時代です。
@Einstein116
@Einstein116 8 ай бұрын
こんなすごい先生のマスタークラスなのに再生数少な過ぎませんか。。。
@beamnanamin1616
@beamnanamin1616 9 ай бұрын
Thanks uploaded.But I think superior Dvořák's "Othello" Op.93 B.174 Shakespeare-related overture(but this overture is the last music of Dvořák's amazing idea,"Concert Overtures Trilogy". Dvořák's innovative ideas are underrated by music fans around the world! Dvořák has many underrated works.) more than this Tchaikovsky's. And we can say same thing: Serenade for Strings, these two genius melody makers in classical music history. Dvořák's Serenade for strings OP.22,B.52 is superior to Tchaikovsky's famous.
@dasteufelhund
@dasteufelhund 10 ай бұрын
I was told musicians in Japan during masterclass instruction are good with taking notes.
@Tomer_Schwartz
@Tomer_Schwartz 10 ай бұрын
Beautiful guys!!😍
@nemosnemos0192
@nemosnemos0192 11 ай бұрын
妙夢の彫刻の真ん中に座って演奏を聴いていたマダム、 特等席で、とても楽しんでいらっしゃいましたね!
@romaivars3413
@romaivars3413 11 ай бұрын
Amazing tomer!
@岩佐浩章-o2q
@岩佐浩章-o2q 11 ай бұрын
女性の方の演奏家さんの音は私に聞こえてこないというかw楽器が鳴ってないんじゃないかと思いますw先生の音と比べても吹いてる音がこちらに届いてこないwwwwww何が原因でそのように聞こえるのかは私には分かりませんがw
@れたす-p6t
@れたす-p6t 8 ай бұрын
耳鼻科に行った方がいいのでは?
@岩佐浩章-o2q
@岩佐浩章-o2q 8 ай бұрын
@@れたす-p6t それは貴方でしょ?wwwwww
@岩佐浩章-o2q
@岩佐浩章-o2q 8 ай бұрын
​@@れたす-p6tそれは貴方でしょ?www
@岩佐浩章-o2q
@岩佐浩章-o2q 8 ай бұрын
​@@れたす-p6t速いパッセージも吹けてないしw居るんだねえw音大生でこんなショボい方がwwwwww
@れたす-p6t
@れたす-p6t 8 ай бұрын
@@岩佐浩章-o2q だからあなたは耳鼻科に行った方がいいんでは?
@Fetzzer
@Fetzzer 11 ай бұрын
何故ピアノを全開にしてるんでしょうか?全然ヴァイオリンの音が聞こえないですし、ヴァイオリンももう少しガリガリ弾いても良いと思います。
@tak6547
@tak6547 8 ай бұрын
ソナタではピアノは全開にして弾くものです。明らかにヴァイオリンの力量が足りていないだけです。
@beamnanamin1616
@beamnanamin1616 Жыл бұрын
I love Dvořák's almost his music works very earlier to last works and his heartwarming character! of course,this music works I love too!
@Hakan-r3j
@Hakan-r3j Жыл бұрын
Teşekkürler.Tebrikler.
@erkanozorhan5836
@erkanozorhan5836 Жыл бұрын
Excellent! Congratulations👏
@cemaltnsoy2725
@cemaltnsoy2725 Жыл бұрын
Harika , tebrik ederim 🎉
@erenozdamar6322
@erenozdamar6322 Жыл бұрын
Perfect ! 👏👏👏
@АллаУторова-п7ц
@АллаУторова-п7ц Жыл бұрын
Bravo!!!
@gts5840
@gts5840 Жыл бұрын
Very beautiful! Thank you very much for your performance!👏👏👏
@IrynaKuryanova
@IrynaKuryanova Жыл бұрын
Braviiiiii!!!
@nemosnemos0192
@nemosnemos0192 Жыл бұрын
What a Peaceful Music Festival!
@あかさたな-i9o1k
@あかさたな-i9o1k Жыл бұрын
これは録音の問題なのかな でもキュッヒルが言うということは…やっぱりピアノがデカすぎるのか ボリュームしぼったらVnいなくなった🤣
@PEDALICA_tokyo
@PEDALICA_tokyo Жыл бұрын
通訳が意訳にしてもはしょりすぎ
@ラーメン三郎-h7c
@ラーメン三郎-h7c Жыл бұрын
まじでそれ思いましたw
@mariachepurina3182
@mariachepurina3182 Жыл бұрын
Brilliant performance!!All the musicians are great!! The extraordinary lightness of staccato and flexible dynamics perfectly reflect this well-known work! ❤❤❤