Mintys Visatoje Begalinioje....

Started listening, started comparing with Karajan's recording. Very different. Maybe i'll prefer Karajan in this case because that unwordly music seems more unwordly via Karajan's etherial opulence. Great to know to be able to keep listening to both with enjoyment, if i'll keep living for a while. Any more suggestions of great recordings of the Metamorphoses?

Die Sonne scheidet hinter dem Gebirge. In alle Täler steigt der Abend nieder Mit seinen Schatten, die voll Kühlung sind. O sieh! Wie eine Silberbarke schwebt Der Mond am blauen Himmelssee herauf. Ich spüre eines feinen Windes Weh’n Hinter den dunklen Fichten! Der Bach singt voller Wohllaut durch das Dunkel. Die Blumen blassen im Dämmerschein. Die Erde atmet voll von Ruh’ und Schlaf, Alle Sehnsucht will nun träumen, Die müden Menschen geh’n heimwärts, Um im Schlaf vergess’nes Glück Und Jugend neu zu lernen! Die Vögel hocken still in ihren Zweigen. Die Welt schläft ein! Es wehet kühl im Schatten meiner Fichten. Ich stehe hier und harre meines Freundes; Ich harre sein zum letzten Lebewohl. Ich sehne mich, o Freund, an deiner Seite Die Schönheit dieses Abends zu genießen. Wo bleibst du nur? Du läßt mich lang allein! Ich wandle auf und nieder mit meiner Laute Auf Wegen, die von weichem Grase schwellen. O Schönheit! O ewigen Liebens - Lebens trunk’ne Welt! Er stieg vom Pferd und reichte ihm den Trunk Des Abschieds dar. Er fragte ihn, wohin Er führe und auch warum es müßte sein. Er sprach, seine Stimme war umflort: Du, mein Freund, Mir war auf dieser Welt das Glück nicht hold! Wohin ich geh’? Ich geh’, ich wand’re in die Berge. Ich suche Ruhe für mein einsam Herz! Ich wandle nach der Heimat! Meiner Stätte! Ich werde niemals in die Ferne schweifen. Still ist mein Herz und harret seiner Stunde! Die liebe Erde allüberall Blüht auf im Lenz und grünt aufs neu! Allüberall und ewig Blauen licht die Fernen! Ewig… ewig…

Peut-on voir (un concert filmé) ...kempe diriger Richard Strauss ou quiconque d'autre su KZbin ? Les documents sont-ils inexistants ? Pourquoi ?

A Brilliant piece by Liszt. Check out the video "Franz Liszt: Enigmatic Genius"

What a great music for rebuilding Neo-eurasic Khaganate

Atonal gobbledegook.

Great making out music

Как изумительно тонко отражён стиль всей музыкальной эпохи на рубеже 19-20 века! Но истинный Рихард Штраус ещё впереди...

La mejor grabación hecha junto con la de Reiner.

That double triller after 9:25 must have been a real pain to perform correctly, very good

The final paragraph of Carl Sagan's Pale Blue Dot always rings in my head at the last pages of Der Abschied: "The Cosmos extends, for all practical purposes, forever. After a brief sedentary hiatus, we are resuming our ancient nomadic way of life. Our remote descendants, safely arrayed on many worlds through the Solar System and beyond, will be unified by their common heritage, by their regard for their home planet, and by the knowledge that, whatever other life may be, the only humans in all the Universe come from Earth. They will gaze up and strain to find the blue dot in their skies. They will love it no less for its obscurity and fragility. They will marvel at how vulnerable the repository of all our potential once was, how perilous our infancy, how humble our beginnings, how many rivers we had to cross before we found our way."

Wunderschön.❤LW

Truly one of the most outstandingly brilliant Composers to grace this Earth. Furthermore, let me extend my undying Gratitude to another Great Composer, Frank Zappa, who turned me on to Varése early in Our friendship. In fact, Varése’s influence on Zappa’s music is quite evident extending to some of His early Compositions. Zappa’s last Masterpiece, Civilization Phase III, is in essence, a Gracious Bow and Nod to the Great Composer. All of Varese’s Compositions will surely be studied and analyzed for eons to come as well as those of His Greatest Admirer, and student “Frank Zappa”. Thank you Mr Edgar Varese for your invaluable contribution to the World of Music.

Mov 1 tempo really is to grindingly slow But peculiar as it is in many places it s power is undeniable... Other movement s too ; particularly in the last one!

0:25

00:01:33 01. Vorspiel 00:12:13 02. Westwarts schweift der Blick 00:18:19 03. Frisch weht der Wind 00:28:15 04. Weh, Ach wehe Dies zu dulden! 00:35:01 05. Den als Tantris unerkannt ich entlassen 00:48:02 06. Auf! Auf! Ihr Frauen! 00:56:00 07. Herr Tristen trete nah! 01:05:21 08. War Morold dir so wert 01:18:18 09. Tristan! ... Isolde!

"The Kaiser didn't die of illness; He passed away having used up all of his lifespan. He didn't fall from illness. Everyone, please don't forget that."

La lecture est parfaite merci beaucoup !

Half the people in this comment section should go outside and look at the suj for the first time in their life

🗿🍷 🫱😝🫲 😰💀

낭만파 음악의 정수를 듣고 있습니다. 훌륭한 걸작입니다. 연주도 좋고요.

1888 version

Goyda

Una versión SUBLIME

Proud to be Eurazian!!!🔥🔥🔥🦌🦌💪💪🦌🦌

Y a t'il la suite ???

2:13 The Fourth Balkan War

LIKE 546 🎵🎶

The last words mahler: Mozart! Mozart!

13:25 WOW

This music look like aladdin exe bad ending and boss music

Cette musique est sublime et son interprétation est bouleversante ;

🤗❤‍🔥💫😇

complete bs, abrahamic theorist tried to kill classical music theory and such freakish music emerged, the same way modern art tried to kill classical art in order for abrahamic ethics to morph the soul of people

🔗

Gottlob Frick is the best, he gives me hope.

Questo del poema sinfonico Totentanz è un Franz Liztz d'un tenebroso titanismo romantico pieno di potenti suggestioni, anche le piu lente e rarefatte, che elevano al trascendente avendo prima attinto alla parte più profonda e inquieta, tormentata dell'anima umana. L'orchestrazione dell'opera in tal senso è davvero magistrale. Siamo di fronte all'opera di un vero genio. Ottima anche l'interpretazione del direttore e dell'orchestra.

Matthias Holle and Phillip Kang were brilliant in this Ring. In addition to being Fasolt and Fafner, Holle played Hunding and Kang played an impressive Hagen.

One of the most exciting and beautiful pieces in musical history.

@16:42 the texture here... the acerbic bass, the slightly harsh/shrill/biting winds. @17:03 the low Db-D in the bass multiple times (and A-Bb), until finally it resolves to a longer held Eb @17:17

Is this really music?It’s like iron on glass.I didn’t stand more,than 3 minutes.

The cut in the finale is grotesquely unmusical. Shame on any conductor who makes it.

Reminds me of Penderecki in some places

Hier ist uns Endgültiges auf tiefinnige Weise gesagt. "Ohne Musik wäre das Leben ein Irrtum"! jb

Žmonėms

The first section and its subsequent repetitions are ridiculously fast. Even the virtuosity of the Berliners cannot overcome the hysteria of this performance. Was Rattle trying to show that Mahler anticipated Shostakovich's more manic moments? Mahler doesn't need that sales pitch--or is Rattle trying to demonstrate that he knows better than Mahler? The contrasting slow sections are better played, but the whole movement sounds sloppy, which is the last word I would ordinarily apply to the Berlin Philharmonic players.

All these critics that "know" R. Wagner better than ´(then) Wolfgang and (today) Katharina Wagner ...🤭🙉

This remains the benchmark recording - so good

More than 12 years after discovering this piece, I still believe that the section starting around 15:00 is the darkest, deepest piece of music ever written.