I love how this game so often foregoes 3D spatialisation in favour of solid stereo sound effect!

Great to see this process. Thanks!

Start offering private lessons or create a course. For the money you can grab Ableton 12. I'm in pain watching you have to use 11 being as talanted as you are.

Personally I liked the first version as for a gun with a suppressor, but your edit does sound meaty, so kudos to you :)

really cool sounds man! Could you maybe do a tutorial like this or just generally sound design using free plugins? that would be an immense help! Also maybe showcase your reaper setup? recently got it and its a bit overwhelming ahaha

Thank you so much sir

Have you had a look at Filterverse?

hey Noah, thanks for another greatly inspiring video! really cool to see all these techniques, stole a bunch :)) also I found out, as @Noldy says, kHs Filter Table is pretty wild for this type of sounds. Just staking some parallel instances with the same table moving in different ways OR totally random complex 'filter tables', gets very nasty very fast! Also, thinking about sharing some more kHs Multipass/Snap Heap techniques in the future? Thanks man and have a great 2025!

i wonder if snap heap/multipass can load preset recursively like a preset contains the same preset that also contains itself inside

I got a lot out of this. Helped me get a little out of the box I was in. Now there is no such thing as too many filters.

the fact you made a 20 minute tutorial basically around the concepts of neuro basses without namedropping that once is really funny to me lmao coming from someone who makes sound design focused music and just getting into media sound design as of recently this is the kind of sound design that i feel like i'm pretty good at but this tutorial showed me a few cool things i'd never thought about before so thank you! great tutorial as always

every night I pray to my Noah Sitrin altar and feel grateful for even scraps of wisdom to fall my way

Excellent breakdown of everything! Great video!

great video! have you heard about filtertable from kilohearts? might interest you but im not sure if it has the interpolation stuff you talked about at the start.

Great stuff! For an easier time making parallel groups in Reaper check out the script called Paranormal. Always a pleasure watching your videos Noah, thanks.

Your recursive processing is always super interesting, I tend to not think about "cook it again!" as much, but I really need to :)

I've had my eye on the Minimal Audio Morph EQ for a while, looks like it could fit well into this repertoire. Loved the multipass tips!

new noah sitrin video lets fucking go

Whoa thanks. Didn't realize how badly I needed this tech but I have been wondering how to get these specific tones for a while now

You should check out Phase Plant's filter table then.

😎🤌

there's a plugin by bertom called eq curve analyzer that could prove helpful when trying to show off complex snapheap filter setups

Noah, it looks like you’re putting some plugins on your master chain (pro-mb, neutron, etc.) that are affecting the sound design of the gun in a linear sense, more specifically for areas of the auto firing sequence when frequency buildup starts to crop up. I did things like that whenever providing a client linear or in-daw video previews. I would start with a single shot, then lay those out for auto fire, and that’s when I’d notice the frequency buildup and apply some plugins overall to the auto fire sequence, perhaps similar to what you’re doing at the end of your video. But we were only asked to provide the single shot audio assets and the client would then sequence the auto fire in their game engine/middle ware. In a linear sense, applying plugins to an overall sequence is fine, but I always struggled with balancing out the end result auto fire in a game asset context, especially when we would only provide single shot assets and that would also have to work as the sound for in-game auto fire. Do you have any thoughts on what a better approach might be for an issue like that? How can I anticipate frequency buildup issues or other rapid fire gun audio type issues when you’re just starting with one single shot sfx ?

Hey Noah, awesome video as always, super cool and instructive. Merci

I love seeing source processing techniques. Thanks for a peek behind the scenes!

That sounds great! Thanks

Hi! Re the ending Q, my two cents are; Feedback from viewer submissions is definitely something I'm super interested in. I think if you created a submission window where you were transparent about it being reviewed publicly, it shouldn't be an issue for anyone. Honestly the public route I think might be the most beneficial for both the viewers and the submitter, even though it's stressful I think you do a great job of setting a constructive tone & it might really help ppl!

Well, this gun actually sounds way better and different than in a footage you used, you can easily find footage with correct sound. I know its educational video but its just misleading.

This is awesome, I just started working on some scifi gunshots today and this has a ton of great ideas and information, awesome video as always Noah and really enjoy the theme of going back to review work from a different stage in your career to see how you would have done things differently with your current skillset and knowledge.

a remaster, love it

Still doesn't sound very good if you were going for a replacement sound, it's lacking a lot of punch.

I think they went for realism in a some weird way. Lazers are high frequency waves after all. My last thing, plasma or electric arcs sound like drowning fire. Well, I way more like guns that kill ears too, but not your bass driven ear drummers.

These are always super interesting videos, I really appreciate your work to explain your thought process!

Super Dope! <3 thanks for those awesome videos <3 all the best and happy 2025! <3

I really dig the critique overview format. I think a lot of people could benefit from having their designs augmented by a trained ear/trusted third-party designer like yourself (of course, so long as they're fine with it being showcased publicly). It's a great idea and I'd love to see more of this stuff in addition to your usual content!

I love your sound design and all the work you do, crazy good, loved all the details. Thanks for all the tutorials and explanations! By the way, Where did you studied??

Funny AAAh plugins.

oh I wanted to mention as well that the underlying design principles here that I used to guide the revisions were largely from my friend (and excellent weapons designer) Geoff Garnett

Little touch, but so powerful difference!

It does sound much better now. Thanks for the explanation. One question, what plugins are you using there for spectrum and widht analysis? Do you have them as floating windows or are are you actually able to dock them in Reaper? I have my analysis tools in the FX Monitoring chain and that docked, but I can only see one at a time. EDIT: I just saw that you have a video about that on the channel already. Just edited my own screensets. Thanks a lot!

nice!

gold mine, thank you so much for sharing. super insightful!

Love this. Thanks for sharing!

great vid! good to know im on the right track re: resampling and modulating everything

now I want to see you make music with those

Brother thank you

Incredible sounds man! Thanks so much for this tutorial

first

Is it santa, no, it's way better, Noah is back again. <3

Great job!Thank you!