English translation would be appreciated by many 😇
@pixberg88556 ай бұрын
Es handelt sich um eine 4-Röhren-Formation, bei der alle Flöten in der Mitte sofort auf Piccoloflöte umschalten, sodass keine 8 Flöten erforderlich sind. Bestätigt mit Frankfurter Bibliothekspartitur und WDR-Vorführung. Die Form eines Klavierkonzerts mit Gesang und großem Orchester findet sich in Beethovens Chorphantasie, Busonis Klavierkonzert, Skrjabins Sinfonie Nr. 5 „Feuerpoesie“ und dem vierblässigen Mystischen Drama. Google Translator@@tarukofusuki
@pixberg88556 ай бұрын
It is a 4-tube formation with all flutes in the middle immediately switching to piccolo, eliminating the need for 8 flutes. Confirmed with Frankfurt library score and WDR screening. The form of a piano concerto with vocals and a large orchestra can be found in Beethoven's Choral Fantasy, Busoni's Piano Concerto, Scriabin's Symphony No. 5 “Fire Poetry” and the four-pale Mystical Drama. Google Translator @@tarukofusuki
@olracsobi83526 ай бұрын
@@tarukofusuki implying: not by all
@alejov9233 жыл бұрын
Thanks for this wonderful recording! It's a pleasure to see an actual live performance of my favorite Nono piece.
@Rombik9710 жыл бұрын
This music is particularly difficult to understand, as the rest of Xenakis' music. This is because he worked using complex mathematical probability formulae and the result is usually a mixture of complex sound effects. When one listens to his music, he/she must always bear that in mind, since it is the essence of mathematics in pure non-consequential music (in some pieces he actually tries to use the most random way of putting together sonic features).
@Dregsonmalachite11 жыл бұрын
Yep It is. There's a recording of this exact one on grooveshark.
@kyleturner682911 жыл бұрын
Awesome playing! Hilarious loud stuff! But the piece is academic trash. Sound effects. Not music.
@wretched13spawn11 жыл бұрын
Is this Lindberg? I can't find my recording of him playing, but this sounds a lot like it.
@dressedtosmellgood11 жыл бұрын
youve done something better that you'd like to share with the class?
@dressedtosmellgood11 жыл бұрын
i would.
@Eaglejorge12 жыл бұрын
Iannis Xenakis, Eonta, 1963-4, used extreme mathematical formulas he called universal truths. He wrote repeating wild patterns in the trombone solo in Keren 1986 (Griffiths 176).
@NeverScoop12 жыл бұрын
@MrDawson17 i would
@MrDawson1712 жыл бұрын
a technically insane piece, nearly impossible to play, but the epitome of cliche trombone noise. who would want to hear this?