I forgot about this sound. Love it.

Very nice 👍

This is just some of the most remarkable conducting on record. I heard him many many times conducting the New York Philharmonic. What a joy. He knows "what love tell me."

Los melomanos exigentes que solo queremos escuchar las mejores ejecuciones jamas grabadas ya estamos acostumbrados a deleitarnos con el genial Eugene Ormandy.

What's the first song called?

Oh que oui j aime tellement ❤❤❤❤❤

Wonderful Selection of Favourite Music Treasured Memories,🎶🎼🎶💥🥰🌹💃🎺🎻🌹🌹

A me piace e sono uomo ho notato che le donne lo amano alla follia

Aunque no muy conocida. De las mejores versiones que he oido.

Im 21, Since my teenager years , iv always been a huge fan of Ennio Morricone's music. I truly believe he is one of the great composers in the history of music and his place belongs next to Verdi, Wagner, Puccini, Rossini and all those geniuses. Last year, i went through a difficult period, probably the most difficult one in my life. I was depressed, lost and felt a lack of sense in life. I had ups and downs but some days i would just rust in my room and do nothing. Despair was not a stranger. And somehow listening specifically to this score in that dark time was like a therapy. I felt like this music was saying what i was going through. This deep and grey score , dramatic, rough , dry ... But yet if you listen there is some hope near the end ! It goes an octave higher, the violins are more present , it goes from minor to major. HOPE !! Before finishing in a sad note again. This is exactly how i felt... Today i feel mush better, i am more in harmony with life. Music is magic, it's expresses thing so precise that no word could do. Thank you Ennio We all have up some rough periodes . If you read this comment, i wish you all the best of luck and i hope you find meaning in your life :)

Another nice 👍 trip down memory lane,here!It must be the 1980”s that this album was made?

21:38

muito bom meu amigo saludo do brasil hermano jotinha e seu teclado

Clássicos eternos

Clássicos eternos

It was good that this concert 🎵 was done a long,time,ago!Because,Tomita is gone,now.But,this does keep his memory alive!Which is good for we Tomita fan’s!Yes,to this,too!

😅

Que impresionante, maravilloso suena

Where is it. Music but no dance?

Where is it?

My dad had this on vinyl back when I was a kid in the 1970s, and even as a child, I used to listen to this all the time. It's such a good piece for creating mental images. As I got older I could see the influence it must have had on movie soundtrack composers.

GREAT FOR ABBA FANS

This is one of my favorites...

Excellent.

Such amazing and beautiful soundtrack. 03/10/2024 👏🎼👏🎼👏

For my favorite rapists ;) #jackvann #jacknfriends #nitrozeus

A1 Also Sprach Zarathustra: Opening Composed By - Richard Strauss 2:10 A2 The Planets: Saturn, The Bringer Of Old Age Composed By - Gustav Holst 3:50 A3 The Rite Of Spring: Dance Of The Young Girls Composed By - Igor Stravinsky 3:15 A4 Cranes In Their Nest Shakuhachi - Goro Yamaguchi 4:35 A5 Daphnis And Chloe Suite No. 2: General Dance Composed By - Maurice Ravel 3:50 A6 The Lark Ascending Composed By - Ralph Vaughan Williams Violin - Mariko Senju 7:05 A7 Close Encounters Of The Third Kind Composed By - John Williams 3:15 A8 Violin Concerto No. 1: Moderato; Allegro Moderato Composed By - Sergei Prokofiev Violin - Mariko Senju 7:43 B1 Tristan Und Isolde: Liebestod Composed By - Richard Wagner 7:37 B2 The Planets: Mars, The Bringer Of War; Jupiter, The Bringer Of Jollity Composed By - Gustav Holst 7:08 B3 Symphony No. 9: "Ode To Joy" Alto Vocals - Birgit Greiner Baritone Vocals - Riccardo Lombardi Chorus - Linz State Theater Chorus Conductor - Ernst Dunshirn Soprano Vocals - Linda Roark-Strummer Tenor Vocals - William Ingle 18:27 B4 Firebird Suite: Finale Composed By - Igor Stravinsky 1:19

On September 8, 1984, Isao Tomita presented (this) live, outdoor concert on the shore of the Danube River in Linz, Austria, for an audience of 80,000 people. The concert was called The Mind of the Universe, and through his interpretations of classical music, Mr. Tomita was attempting to describe the 15-billion-year history of the universe. He employed 13 channels of sound, including one from a helicopter 1,500 feet above the river, multi-channels on either side of the river and on a ship that also carried the violinist, shakuhachi player and a chorus of 100 Austrian singers. Special lighting, lasers, fireworks and other visual effects enhanced the sound presentation. Tomita's "stage", where he controlled the sound, was a specially constructed pyramid suspended from a crane near the river. "The Mind Of The Universe" was the first in a series of concerts called "Ars Electronica". It was recorded live by the Australian Broadcasting Corporation (ORF). Artist name appears on labels as "Tomita & The Plasma Symphony Orchestra"

40 min piano playing

The Best ❤❤❤

Too many commercial interruptions

The organ really does it. I assume Bruno Nicolai provided this, he was the organ player on many Morricone recordings. Morricone had a thing for certain locales, in particular the sea: Sardegna, Achille Lauro Affaire, Orca, Cacciatori di Navi, Isola. And yes, deserts. Sahara, Il Principe del Deserto, I Guardiani del Cielo and this one. I lost my 'Tartari' CD, thanks for uploading!

❤❤

Love this sdtrk

Another great chapter in Isao Tomita's sonic world!

La verdad sea dicha: no eligieron la mejor etapa de Genesis.

Bo exceptionnelle de ennio

Compré el cd y siempre lo pongo. Me encanta la Filarmónica

Nunca he traducido esta canción lo haré luego, pero a mí sí música me produce sensación de vitalidad y fuerza.

Es lamentable que el tango esta én el cielo mientras Argentina este en el,infierno dél,peronismo insano..

I love his concertos and chamber music. I tried warming up to his symphonies but I don't know... Maybe it is English being the language used instead of Latin or German... Feels somewhat off.

This movie I have watched many times. I love all the characters, the songs, the dancing, and Vanessa Williams was sensational, perfect for the character. As a young girl I wish I had the opportunity to to take dance classes because I believe my whole world would have been exciting!❤😂

Hello everyone. Do anyone know name song 3. Please let me know, thank you 😊😊

this concert totally rules

Perhaps the best composer of descriptive music, it is always a trill for me to listen and travel with it.

Grazie Maestro per questa musica che porta l ' anima a viaggiare nell' immensità del tempo !!!!!!!

Wie ein Kaminfeuer, oder Lagerfeuer. Getragen träumen, einfach. Malen und schreiben geht auch.

Il commento è sempre lo stesso,magnifica musica,questa era suonata con il suo amico Relia come si intendeva e si volevano bene .bello peccato che nel vidio

The sound of haven 😀😀😀😀😴😍

In one sense, this whole composition is in very bad taste. But on the other hand, that is just flippancy and cheap criticism because, in fact, this is one supremely gifted moment of symphonic hyperbole after another. Unbelievable melodic invention, thrillingly full and knicker-wetting orchestral writing (stunning in fact), and jaw-dropping harmonic daring. It is like the dazzling technique of Salvador Dali or Picasso, but in the sonic sphere rather than paint. Or like Hitchcock (especially Psycho or Vertigo or North by Northwest), but in music rather than film. The same absolute mastery as, ohh, Wagner in the Liebestod of Tristan und Isolde, or Stravinsky in Petruska, or Strauss in Ein Heldenleben, or Walton in Belshazzar's Feast. Or indeed Korngold in the score of the film "King's Row" - another early-to-mid 20th Century, quite parallel, rather shamelessly exhibitionist, delectably sensuous, and staggeringly gifted "Prince of Ultra-Kitsch". An intriguing genius composer, part high Viennese artist and part dedicated Hollywood craftsman, and refuge from that murderous Nazi insanity and mass psychosis, who aims (as do all great artists) straight for engagement with transcendental powers and themes that are swimming and cavorting in our collective subconsciousness. Powers epitomised by Wagner's wickedly seductive and mocking and irrepressibly energetic and vociferous Rhine maidens and Valkyrie. No surprise that they are superhuman expressions of womanly power and insight - the custodians of the core of humanity. To understand Respighi's score, one should realise that one purpose, of that flagrantly shocking aim for the subconscious, is to set up a dialogue between our ego-perspectives and the more opulent and extensive but often submerged elements of our psychical lives. Sometimes that purpose aims at enlightenment - "Oh my goddess, so we are capable of thinking and feeling and existing on those higher dimensions!" In that sense, great orchestral music is the supreme collective public project in Western art of psychoanalysis and desublimation and enlightenment, beside which Freud's couch in Swiss Cottage was a mere trifle and trinket! It is a fact, flowing from our hypothesised evolved collective social being, moulded over perhaps 250,000 years of adaptation amidst our happy sub-Saharan African tribal lives, that any person capable of sitting still in the Royal Festival Hall auditorium (especially in those expensive cantilevered box seats), hearing this work played by, perhasp, the LSO or LPO, without also wanting in every nervous impulse to spring form their seat, in tears and delight, to dance and make love with everyone nearby, is a bit anaesthetised. Maybe one too many modagons with their chilled glass of Pino Grigio in the intermission? BTW, the luxuriousness, decadence and technical brilliance of Alma-Tadema's painting "Spring" (1894) are entirely apt as an accompanying illustrating of this music. In particular, experiencing the final movement "La Befana" is to be transported on a hypersonic, ultra-erotic fast tango, of supreme madness and ecstasy, round and round the flaming orgiastic atomic furnaces of the sun, in the arms (no less) of Aphrodite and Athena! Unbelievable, and well beyond the powers of rational language to fully express, and well outside the grasp of the thin faculties of our superficial ego-perspective. In terms of throwing the audience out of the concert house auditorium, having driven these "complacent bourgeois ears, minds and hearts" insane by an enthusiasmos engendered by divinely inspire music, I drolly submit that even the Magician of Bayreuth (hardly famed for his recognition of other musicians dead or alive unless as a backhanded compliment to his consummate brilliance) would have grudgingly muttered, "I wish I had written that". Delicious and wickedly excessive! Mana from the heavens, and from the mocking goddesses of Olympus and the Nile Valley, for our hungry sensuous souls! Love, andrea