the official video in the Canal + Cinema channel cant be viewed in USA, My country
@gopalmehrotra80828 күн бұрын
A fit tribute to a great film director and true humanist.
@tumarbongrox607410 күн бұрын
ALot of male actors were fLags then....but they had to hide it by dating women
@RB-im5mk11 күн бұрын
It's not tragic. It was a lovely time for her and her fans. Yes, it is sad, it has ended, like all things have to do. Thank You Mary.
@SolitudeSometimesIs13 күн бұрын
♥ the Buster pointing hand
@seabreeze929614 күн бұрын
Mary Pickford's silent movies available on youtube for full viewing
@toddconner388017 күн бұрын
I love Terry Gilliam, all his work, and this film. That “drum” at the beginning he talks about is not a drum at all. It is a traditional staff of the stage manager, three blows against the floor, followed by a series more to “call down the gods.” This is a tradition in French theatre, but “the gods” in the English theatre is the upper tier of the theatre where the poor people watched the show…or in France: “paradis”. So there’s so much more to it than he says…but he does hit the nail on the head when he says this is a film of poetry: of word, of gesture, of image, of everything- Look at the images of “the gods” or “paradis” again…they are shot with such love of the people who used to make up the theatre, that is, simple every-day people, the sort that Garance talks of to Baptiste. I realized none of this when I first saw the movie, but that very idea of affection for simple people and their importance reached me, intuitively, poetically, i was a nobody, and it completely changed my life. I rarely go to the theatre now, even though I am an actor, because the theatre excludes the every-day people, charging three figures for tickets, which is antithetical to theatre. Cinema is becoming the same. Watch this movie again and again. It is magic!
@toddconner388017 күн бұрын
I love Terry Gilliam, all his work, and this film. That “drum” at the beginning he talks about is not a drum at all. It is a traditional staff of the stage manager, series of blows followed by three distinct blows against the floor, to “call down the gods.” This is a tradition in French theatre, but “the gods” in the English theatre is the upper tier of the theatre where the poor people watched the show…or in France: “paradis”. So there’s so much more to it than he says…but he does hit the nail on the head when he says this is a film of poetry: of word, of gesture, of image, of everything- Look at the images of “the gods” or “paradis” again…they are shot with such love of the people who used to make up the theatre, that is, simple every-day people, the sort that Garance talks of to Baptiste. I realized none of this when I first saw the movie, but that very idea of affection for simple people and their importance reached me, intuitively, poetically, i was a nobody, and it completely changed my life. I rarely go to the theatre now, even though I am an actor, because the theatre excludes the every-day people, charging three figures for tickets, which is antithetical to theatre. Cinema is becoming the same. Watch this movie again and again. It is magic!
@willieluncheonette584318 күн бұрын
used to be one of my 13 all time favorite films. Maybe it still is but now I vacillate between Grand Illusion, The River and this one.
@jjmboston952618 күн бұрын
loved his performances. thanks for posting
@mizofan19 күн бұрын
Excellent video, merci! A wonderful film. Good that the great Mizoguchi is mentioned here, championed by French New Wave directors, deserves to be better known and appreciated in the Anglophone world and elsewhere these days. For me his Sansho Dayu is the peak of cinema, Murnau's Sunrise magnificent too. A pity Boudu, an obvious influence on L'Atalante, especially with Simon in both, isn't much loved nowadays.
@debbie202722 күн бұрын
Thank you !
@tamaskovacs612024 күн бұрын
One of the last genius of his generation.
@ArisandBeth24 күн бұрын
Where can I find the whole video of this?
@alecwilliams711126 күн бұрын
Thank you for this documentary. Veidt was a great actor, and I'm glad to see him remembered. My favorite of his performances in THE SPY IN BLACK.
@pepechen28 күн бұрын
Buñuel, what I like, apart from the work of course, that, as an artist he had exactly and precisely 0,00000 of bullshit.
@emiliobello253828 күн бұрын
Why are there no more French musicals?
@BAMB9396Ай бұрын
WOW, what a handsome man he was...👀🙆🏼♀️💕
@darvizhАй бұрын
هر لحظه امکان داشت استاد برگرده دوتا بزنه تو گوش مصاحبه کننده
@Redwoods2024Ай бұрын
In the run up to election 2024, we are actually LIVING in this movie.
@Nope_Nope_Nope_Nope_NopeАй бұрын
He bought Riefenstahl’a bs hook line & sinker
@FiasquoАй бұрын
that should be me.....
@monkeyvankoАй бұрын
Heart touching speeches, heart touching personality, like his extra ordinary movies...
@moonchild9237Ай бұрын
Francoise Dorleac (1942 - 1967) 💔😪🙏
@user-th5hx7kl1lАй бұрын
Merci beaucoup pour l'histoire de Margot Ruth Kidder as Lous Lane in Superman 1978❤❤❤❤❤❤❤❤❤😊❤❤❤❤❤❤❤❤❤ Millions of blessings, Esther St Juste
@stephanecivel4712Ай бұрын
Binoche on dirait qu'elle a été sortie de son lit de force
@EmilioBello-q6kАй бұрын
Nice
@SuperTyminАй бұрын
Anna Maria, dziękuję za piękne słowa o Twoim ojcu. Prawdopodobnie i tak tego nie przeczytasz, nawet jeśli to napiszę. Dla mnie, nastolatki, która kochała (i nadal kocha) francuskie kino i literaturę, Gérard był symbolem piękna i czystości. Pamiętam Twoje zdjęcia małej blondynki z rodzicami, także po śmierci ojca. Przez ostatnie 50 lat wielokrotnie zastanawiała się: „Co się dzieje z dziećmi Gérarda, Anny i Oliwiera? Jak wygląda ich życie? Więc miło cię widzieć. Czy jesteś jak mama? Myślę, że tak. Uśmiecham się do Ciebie i pozdrawiam. Krystyna z Polski.
@SuperTyminАй бұрын
Anna Maria, merci pour les belles paroles sur ton père. Vous ne le lirez probablement pas même si je l’écris. Pour moi, adolescent qui aimait (et aime toujours) le cinéma et la littérature française, Gérard était un symbole du beau et du pur. Je me souviens de tes photos d'une petite fille blonde avec ses parents, également après la mort de son père. Au cours des 50 dernières années, elle a pensé à plusieurs reprises : « Qu'arrive-t-il aux enfants de Gérard, Anna et Oliwier ? Comment est leur vie ? C'est donc un plaisir de vous voir. Es-tu comme maman ? Je pense que oui. Je te souris et te dis bonjour. Krystyna de Pologne.
@randolphpinkle4482Ай бұрын
Tatsuya Nakadai was the weak link in the movie. He tried so hard to portray a film noir type of Bogart character that he became a ridiculous caricature. If anyone needed direction, it was him.
@parmoa551Ай бұрын
من عاشق شنیدن صدای کیارستمی هستم و با تمام وجودم آرامش می گیرم. کاش این قدر راحت این جواهر را از دست نمی دادیم 😢
@attiliofiordirosa2977Ай бұрын
Sorry to ask what is the name of This Movie also what year did it come out?
@lachambreverteАй бұрын
The name and year of the movie are right in the title heading of this video: Eyes Without a Face (1960). The original French title is Les yeux sans visage.
@stevek6518Ай бұрын
Masterpiece
@fernandochapa1433Ай бұрын
Possibly the greatest director ever
@primetime_mitchАй бұрын
A truely captivating man
@omertaword583Ай бұрын
Μαζι με τον Μαρλον θεωρω οτι ηταν τα πιο τρελα νιατα εκεινξης της εποχης
@bigherbАй бұрын
Really good movie but hard to find. This will help more people see it
@juguetesypoetasbecerra2940Ай бұрын
hermosoooo
@FedericoIrisOsmoTinelli2 ай бұрын
Une fois, j'ai rencontré la grande poétesse (Mariangela Gualtieri) et, à un certain moment, elle a dit : "Le poète ne s'intéresse pas à la durée." Je fais référence à la durée de sa vie.
@rioapril70452 ай бұрын
First of all, I have never seen a single actor be so good at their craft. Second, her comment about how collective thought and intention can change the word was a deeply profound move and a transformative act. Love Sandra Huller
@suzannesadiiqa2 ай бұрын
He died the day I was born...3 April 1943.
@nikolakristofori17152 ай бұрын
Thanks
@airbeoneairbeone28722 ай бұрын
autre référence citée par F.Truffaut CITIZEN KANE - Orson Welles - 1941 kzbin.info/www/bejne/bpXbmWairMmCfNksi=z6Yq4DOdKy-HWxaC
@airbeoneairbeone28722 ай бұрын
Référence citée par F. Truffaut ZERO DE CONDUITE - Jean Vigo (1933) kzbin.info/www/bejne/kJ7NkGmAn6poncUsi=2_hw937HjpUNGGlo
@airbeoneairbeone28722 ай бұрын
ça m'évoque aussi ce chef d'œuvre LES BALLONS ROUGES - Albert Lamorisse (1956) kzbin.info/www/bejne/mnjdimywpZlpgassi=xLPuAo0YgBzut7ZO
@ghigiotto2 ай бұрын
Molto interessante, grazie
@alexbowman75822 ай бұрын
“Is he alive? can he still film?”
@janvisingh34642 ай бұрын
after watching this video, I learnt her dialogues 😂
@chloebarbey2 ай бұрын
"On va s'taper du poulet pendant que la rts va se taper un sandwich"
@robertgainer27832 ай бұрын
‘Children of Paradise’ is such a poor translation. ‘Children of the Gods’ is better. The ‘paradise’ that is referred to in the title is not paradise as we know it in English, but the highest tier in the theatre where the very poorest patrons would sit. The rich would be in the private boxes, the bourgeoisie in the stalls and circle, and in the upper echelons would be the poorest. This is known as ‘the gods’ in English, a reference to both the height of the vantage point and the Greek origins of theatre.
@soijustlistenedto...2 ай бұрын
im so in move with this film!!! the nuance in how she changes her voice. just wow