1 HOUR WITH PRAETORIUS: Discover the master of baroque ballet

Discover a compilation of motivational and upbeat renaissance dances from Terpsichore Musarum by Michael Praetorius
👉Abonne toi ici: bit.ly/2eVQ072
© Copyright: 2018 OUTHERE
℗ Production: 1994 OUTHERE
↓TRACKLIST↓
1. Les gavottes 1 à 6 - La gilotte à 5 : 00:00
2. Passameze à 6 : 02:22
3. Gaillarde à 5 (I) : 04:13
4. Bransles gay 1 & 2 à 5 : 05:43
5. Ballet à 4 (I) : 07:07
6. Courante à 5 (I) : 08:50
7. Philou à 4 : 10:29
8. Courante à 4 : 11:46
9. Ballet à 4 (II) : 13:23
10. Bransles de la torche à 5 : 15:36
11. Bransles gay 1 & 3 à 5 : 18:05
12. Volte à 5 : 19:55
13. Ballet de Maistre Guillaume à 5 : 21:15
14. Ballet des Anglois à 4 : 23:29
15. Gaillarde à 4 : 26:09
16. Courante à 4 : 27:29
17. Les Passepiedz de Bretaigne à 5 : 29:31
18. Passameze à 5 : 31:31
19. Gaillarde à 5 (II) : 33:35
20. Bransles simples 1 & 2 à 5 : 34:52
21. Bransle de Montirande à 5 : 36:32
22. Bransles doubles de Poitou à 5 : 37:55
23. Bransles doubles 2 & 3 à 5 : 39:16
24. Bransle gentil à 4 : 41:19
25. Passameze pour les cornetz à 6 : 43:17
26. La rosette à 4 : 46:00
27. Courante à 5 (II) : 47:49
28. Pavane de Spaigne à 4 : 49:29
29. Spagnoletta à 4 : 51:47
30. La canarie à 4 : 54:08
31. La bourée à 5 : 56:40
32. Ballet des coqs à 5 : 59:05
33. Voltes à 5 : 01:00:32
34. Courantes à 5 : 01:02:07
35. Ballet des sorciers à 4 : 01:04:21
36. Ballet du Roy à 4 : 01:05:15
37. Ballet de la Reine à 4 : 01:07:16

[@metteholm4833]

My inner tape-recorder is playing this whenever I go out or visit the local supermarket, Brugsen (Denmark), so when I go, I say:"Come on, Michael. We are off to Brugsen" - and, inside my head, I see him in his fine clothing. One day, the same happened with Schubert - MAN! - That was strong! I hadn´t said "Come, Frantz". I just used his Marche Militaire 1 as elasticity trainer during walks, because of a damaged leg. I explained in the best german, I could muster - and he bowed his head and began walking down a smaller road. THAT was strong. Not hallucination - just strong inner picture!

[@davegallo8790]

How could anyone not like the music of Michael Praetorius?

[@douglaswulff6441]

16th Century Head banging tunes!😊

[@joe-vl3nd]

Very nice 👍🏴󠁧󠁢󠁥󠁮󠁧󠁿

[@WorldOfLiterature-wn2yx]

Such beautiful music. Thank you for making it available on KZbin.

[@Neilsowards]

Makes me want to dance. Brings a smile to my face automatically. Thank you.

[@ayethein7681]

I like ther way they combine the dance tunes.

[@samuelmwangi5860]

Am so happy to discover Pràetorius...incredibly awesome sweet music!

[@jorgecabrera8968]

It makes feel me alive and happy down here in Chile in the middle of this long winter.Thank´s for uplouding this joyful music

[@vickyobrist8225]

Saludos dessde Pucon ! Que gusto saber que hay chilenos que disfrutan y aprecian esta musica!☺

[@garrettscottgordon4460]

pop music in the 16th century. still relevant, still exciting, still inspiring. And music boxes exist that reproduce some of these tunes, long before CDs or even Vinyl. As the saying goes - All music was once new.

[@claudiapinho-memorias]

👏👏👏👏👏👏👏

[@garrettscottgordon4460]

disappointing that there is only one new listener since last month. please - spread the word, or should I say - THE MUSIC!

[@justinhicks1711]

Although this isn't cinematic, it's exciting and traditional sense outpaces much of the modern world's clamor in matters of peaceful and beneficial. I hope this kind of music makes it to many .

[@claudiapinho-memorias]

Que espetáculo! Um dos melhores álbuns de música para danças do renascimento que eu vi! Maravilhoso!!!!! Viva o grande músico Praetorius!!!!

[@markharder3676]

Also composer of my favorite Christmas song "Es ist ein Rose" (aka "Lo How a Rose E'er Blooming").

[@rodblievers620]

An hour of utter delight. Thank you.

[@pompereute]

très belle musique

[@metteholm4833]

He wrote one of the most heartwrenchingly beautiful danish christmas-carols: "En rose så jeg skyde op af den frosne jord" (I saw a rose coming up from the frozen soil and unfold - meaning Jesus.... es ist ein ros entsprungen). I love Praetorius´ music......SO much.

[@betteisacoff1969]

If you've never heard it, listen to Ding Dong the Witch Is Dead--a popular song from the '60s. You'll have a surprise!

[@risterion]

Una hora de pura magia.

[@eustacedsa6652]

Many Thanks For These Awesome and Amazing Renaissance Dances composed by Praetorius. I have liked this video and subscribed to your You Tube Channel. I have a request. Would it be possible to post a YT Video of The Complete Piano Trios Of Beethoven ?? Thanks in Advance.

[@klauswhitedreamer]

Beautiful ! ♥️

[@user-jn9bl6kt2n]

Восхитительная музыка!👏♥️🙏

[@markharder3676]

BTW, who are the musicians? Their renditions are so tasteful.

[@doinadorel3761]

Pretorius alt mixaj

[@kenbutler4259]

Beautiful, but not baroque. The Terpsichore was published in 1612 (early 17th Century). This was late Rennaissance, or if you must, the Manneristic period of artistic expression. A few distinguishing characteristics between Rennaissance and Baroque music 1. Wind instruments - especially woodwinds - went through a dramatic transformation. Instruments with a one octave range, such as crumhorns, disappeared. Instrument families were pared down and refined. Shawms and curtals became oboes and bassoons and the transverse flute began to supplant the recorder. 2. Ensembles became larger. A Rennaissance dance might require four of five musicians, while a concerto grosso might require a dozen or more. 3. Composers took full advantage of newer instrument designs with more technically demanding work. 4. Violins went from being a folk instrument to the backbone of the new ensembles, thanks to the talent of the Cremona violin makers. 5. It was no longer realistic to assume musicians would have instruments built to plan in tune with each other, so standard pitch and the ability of musicians to adjust intonation became more important. A standard pitch - A415 hz - emerged. 6. Music began to be written that had no other purpose that to entertain. Rennaissance music was written for the church, to be sung, or to accompany dancers. A sonata only exists to be played and to be heard.