I would recommend to turn of the delay and the distortion when practicing. I found this the best way to get maximum control of my legato playing. And it really strengthens my fingers.
@RealDeathMetalLover5 жыл бұрын
I try to play and practise the legato on my guitar unplugged, it´s very hard and annoying but when you turn the amp, the sound you get is very consistent and with high volume!
@snow57724 жыл бұрын
i'd say you should practice sometimes with distortion since its noisier so it will help with not having strings ringing out and stuff
@snakey80954 жыл бұрын
@@snow5772 slight overdrive could help showing muting mistakes, but a saturated distortion would compress the signal thus not showing how your fretting finger's strength translates to volume.
@PKoz2 жыл бұрын
Learning how to play cleanly with distortion/overdrive is more important
@notayoutuberjohn2 жыл бұрын
i have the opposite problem with muting :')
@violinoscar7 жыл бұрын
I remember reading an A.H. interview in Guitar Player magazine in he early 80s. He said he developed the downward hammer on because he hated the mee - oow sound (as he described it) of the pull-off technique.
@fernandomoreno77537 жыл бұрын
rip allan. and sick lesson man it was very helpful
@AdamIronside7 жыл бұрын
Thanks man.
@jakemf17 жыл бұрын
A giant work in progress but I listen to Tim Miller and he was right play as light and as lazy as you can with your left hand that has helped me a huge amount!
@naiyalexic7 жыл бұрын
beautiful tone.
@jeffandmatthardyrule8 жыл бұрын
This was definitely eye-opening.
@LewisCannonMusic7 жыл бұрын
Great lesson. And nice tone on that guitar, and playing
@skatarest774 жыл бұрын
Beyond excellent tips! Such a cool idea to play each note descending. I remember specifically doing this and being told its wrong to not bar the oncoming note. Very interesting idea.
@voronOsphere6 жыл бұрын
Great Tips!!! Allan is one of me all time favorites!!!! Thanks!
@jalguitarman7 жыл бұрын
Very helpful. Thank you.
@AdamIronside7 жыл бұрын
My pleasure.
@vizzo7 Жыл бұрын
great video. i have to try it. did you use lots of distortion?what were your B M T settings?
@JoeSzilagy7 жыл бұрын
That makes sense as I thought I once read an interview with Allan (R.I.P. today, sadly), where he said he hated 'pull offs' and never used them. So, obviously he was simply lifting his fingers off while hammering down on the next note(s) on the way down.
@Maggot27675 жыл бұрын
I dont get it, so its all hammer on´s? Is that right?
@gabriell87144 жыл бұрын
@@Maggot2767 Yes precisely ! Exaclty like you would do a scale on a piano except that your hand is inverted and you have to mute the extra strings noises haha. Your fingers have to be all independents from each others. It's a bit counter intuitive at first if ,like me, you have learn the Vai and Satriani way of doing legato.
@aaronbergAPB7 жыл бұрын
Excellent post. Props from Phili', USA. RIP Allan
@AdamIronside7 жыл бұрын
Thanks fella. More to come.
@richardholmes45608 жыл бұрын
Step one. Be Allan Holdsworth. Ha!
@AdamIronside8 жыл бұрын
HAha, if you can achieve step one, you probably don't need my videos!
@sumoblues7 жыл бұрын
actually, step one, is chop off head stock. okay carry on...
@blackie757 жыл бұрын
step one, don't try to be like anyone. that's what allan would have told you.
@MrPyroguru6 жыл бұрын
Allan Holdsworth actually had some tips for people.... Keep your picked notes as loud as your hammered notes for an even volume.... Never use pull offs because the pitch changes.... The more notes on a string the better.... Think four notes a single string.... Real legato sounds like hand tapping.
@KingJorman7 жыл бұрын
this is all very interesting and seems to answer a lot of questions I've had about how Holdsworth generated and accomplished his original and impressive soloing feats, but I have some questions: Why use a pick at all? What's the criteria for when a string is picked? Adam, anybody?
@AdamIronside7 жыл бұрын
I probably need to re-shoot this video with better explanations think. Ideally you wouldn't use a pick at all as that changes the way the note sounds and is attacked. The only criteria is 'pick when you have to.' I'm sure if you sit and REALLY practice you will be able to do this without picking at all. I can just about do it without picking when travelling down in pitch / up towards my face if looking down at the guitar. But something about the mechanics of moving the other way I haven't yet been able to accomplish.
@AdamIronside7 жыл бұрын
Oh, one more thing. you can soften the effect by using your finger flesh to pick rather than using a pick. This is something Per Nilssen seems to do quite a bit to get a really soft attack (Jeff Beck and others do this a lot too, though they are not using it for the purposes of legato, obviously).
@KingJorman7 жыл бұрын
Actually just asking the question and your simple reply helps a lot...Use the pick as it suits one for emotional expression. It's not wrong to pick. It's just as wrong to never pick. If the object is emotional music then there is a place for all sorts of picking and not picking. Growing up I really enjoyed Steve Howe and realize that he often used picking to highlight certain notes, certain rhythms. It's all good if music is the goal. If efficiency is the only goal, the music lacks emotional dynamics. People generally don't want to hear legato all the time, just like they don't want to hear Al Di Meola, alternate style picking all the time. Guitarists develop their unique voices with choices like these. Check out Wes, check out Django, Check out Allan, check out Joe Pass, Pat Martino, Metheny...all have original voices by way of picking, note choice, etc. I like that Allan went against the grain of the habitual electric guitar collective by going full tilt into legato and wide unusual fingerings that generated unheard contours for electric guitar. He found his own sound!
@meowwoem63726 жыл бұрын
i'd thought about trying to play legato similar to that with only hammer ons. i toyed with it and never got anywhere of consequence.
@teh_hem8 жыл бұрын
You.... just now sir you have a new subscriber...
@AdamIronside8 жыл бұрын
Thanks, and welcome.
@Troitics7 жыл бұрын
M. Harrison doesn't use pull offs at all when playing legato. That makes a huge difference (soundly speaking).... Thanks for the video!
@AdamIronside7 жыл бұрын
Marshall is a beast, I'm pretty sure this is how I first heard of this concept. Cheers.
@MercutioUK20068 жыл бұрын
It's an interesting topic - I think part of the issue for guitarists is that strictly speaking Legato simply means "bound together" or "connected" or even "In a smooth flowing manner without breaks" but of course the etymology of the term on guitar refers (inaccurately) to only pull-offs and hammer-ons - Mr. Gambale certainly manages to play legato with sweep picking :) A more useful differentiation for us (Or at least, for me lol) is the "slurring" type of legato a la Satriani or Petrucci where the pull-offs elicit a slight "meow" as the notes are pulled slightly sharp (even to a minuscule degree) and then the "real" Legato that Marshall talks about where only hammer-ons are used. Worth noting is that almost universally the actions on the instruments are very low and there's more gain in the tone than most realise - why make the mechanics too difficult right? There are exceptions (Mr Quayle uses a comfortable action with 11's I believe, and certainly not a huge amount of gain) but I don't regard his playing as "pure" legato as he incorporates hybrid picking as well as hammers and pulls for more dynamics. That method is probably a lot easier than Holdsworth's methodology as he used to practice accents simply through hitting one note harder or softer than the rest in a given line which I've always found difficult.
@AdamIronside8 жыл бұрын
All good info mate. And yeah, Legato more means 'every note the same' in 'classical' sense of the word. That is quite hard to achieve with picking as even a slight swing in dynamics totally spoils the feel, but you are right, gambale does achieve this! Another key part of legato is the overlapping of notes which was popular amongst piano players, which is why I called it the piano technique haha.
@DystoKhan8 жыл бұрын
The all "hammer for nowhere" thing make sense...after few hearing I totally get the difference. Gonna work on that ! Thank you !
@AdamIronside8 жыл бұрын
Good job man. It deffo makes a lot of sense and the difference is much more obvious when using your own fingers. It's well worth practicing.
@-Schnitzel-7 жыл бұрын
Could you make a tutorial on how to get that sort of tone? I've tried adding delay (software pedal on garageband), but it just ends up repeating a scratchy/nasty treble-y tone a bunch of times..
@AdamIronside7 жыл бұрын
I'll add it to the list of videos to do mate for sure. Its basically loads of mids and some delay trickery. Its always harder in software because the top end is so hyped. Don't be frightened to cut out a lot of treble using an EQ.
@keanbalentine56674 жыл бұрын
How do you get that rich tone?
@kurglekreutzer63448 жыл бұрын
Thanks these were interesting tips! Holdsworth's legato technique is definitely not something to overlook! Cheers!
@AdamIronside8 жыл бұрын
Glad you enjoyed it mate, the man is a legend.
@gabriell87144 жыл бұрын
One thing that has help me with that technique is to do arpeggios sequence (except ones that have barre sequence in it) with only hammer on. It's a bit "easier" than doing a scale but it really help with the synchronisation of the fingers. Also, put 9's or 8's and drop the hell out of that action ;) Great video :) !
@AdamIronside4 жыл бұрын
Great idea Gabriel! I always remember that lick in the Satriani song where he does just that. Mystical Potato Head or something?
@justinelliott71368 жыл бұрын
Good video, but I'd agree below, turn off the delay/verb and use the bridge pickup but enjoyed it!
@AdamIronside8 жыл бұрын
HAha never, there is no such thing as too much delay. Point taken though for instructional purposes you are probably right.
@justinelliott71368 жыл бұрын
For me, just this week I've started turning off my delay on my lead sound and just using a splash of verb. I'm a lot happy with my lead tone now and records well too. But you're right in mix, plenty of delay does sound cool. I do love those headless guitars :)
@fridaymiles7 жыл бұрын
Fantastic instruction but yes-the processing was hugely distracting.
@ArcaeonUK4 жыл бұрын
Awesome lesson mate
@guylevinberg10937 жыл бұрын
I dunno i think i still hear pull off on the section on 4:00 - 4:20. I dont really thinks that people really completely use all hammer ons. Even the great Brett Garsed explained he uses it
@thenain197 жыл бұрын
Hey man! What guitar are you using?
@-Schnitzel-7 жыл бұрын
i think that's a Strandberg Boden OS7, its an awesome guitar, I recommend it
@FeralPyg7 жыл бұрын
As previous comment - good vid, but the delay makes it more difficult to hear what's going on.
@ssdtrain17 жыл бұрын
I like what you doing, but gets way too much delay and Reverb to try and understand the gist of it
@AdamIronside7 жыл бұрын
Thanks man, yeah it has been mentioned several times. In newer lesson videos there is no delays etc during the lesson. I plan on re-shooting this video at some point :)
@Shred0077 жыл бұрын
Had to add you pal im a fellow guitarist and local to you, a geordie from dunston , check my two vids
@AdamIronside7 жыл бұрын
Nice to have some local Holdsworth fans!
@yoda17997 жыл бұрын
I felt like a lot of this came from Marshall Harrison's "Holdsworthian Legato" video
@AdamIronside7 жыл бұрын
I've seen Marshall's video, far better player than I can ever hope to be!
@whynottalklikeapirat5 жыл бұрын
Well - if you have two people describing the same volkswagen it's gonna sound pretty similar too ....
@Claymor6218 жыл бұрын
Canny playing and advice marra cheers.
@jaydfn6 жыл бұрын
useful info , but kill the delay
@armandom288 жыл бұрын
good info but for fuck's sake turn the delay off.....
@AdamIronside7 жыл бұрын
Haha, never!
@AdamIronside7 жыл бұрын
Haha cheers. Yeah I've tried it before but never managed to get a sound I enjoy. I'll have to have another go but for future tutorials will turn the delay trails off.
@armandom287 жыл бұрын
good man......
@ProfessorOKaine6 жыл бұрын
Cool Stuff! Yeah.. I'd just knock the mix down by half. Otherwise, the student has a REAL DIFFICULT time discerning what is going on.
@scottnoricsson20234 жыл бұрын
nice, but I'll stick to my Al di Meola thingy
@scampthelazycat98916 жыл бұрын
why so much delay ?
@AdamIronside6 жыл бұрын
The question is not why I have so much, but why others have so little! Just kidding, this has been addressed before, the newer lesson videos on the channel are delay free....largely. Also, Holdsworth had more delay than just about anyone.
@MisterNiles7 жыл бұрын
I took your advice and became Allan Holdsworth and combined the hammer on and piano technique so I would fall within your defined parameters. I still can't play Holdsworth legato. You didn't tell me I needed a guitar. Thanks for trying though.
@AdamIronside7 жыл бұрын
Haha good effort. You need a guitar, then you need to play it like you wish it was a saxophone and you are still a bit bitter about it.
@guitarraspoa6 жыл бұрын
a lot of delay..... affff my ears!
@jimmyfavereau5 жыл бұрын
as iF! : )
@5starcomment7 жыл бұрын
Brett Garsed ftw...
@steppbrooEFT8 жыл бұрын
Ridiculous in legato? Check Tom Quayle & Tim Miller
@AdamIronside8 жыл бұрын
Totally man! Tim Miller has a very Holdsworth approach. Tom Quayle sounds similar also though I haven't heard him analyse his technique (he might do this in his modern legato videos however). Good recommendations!
@alonsomiranda25987 жыл бұрын
Sean Lew yes but HOLDSWORTH IS THE LEGATO MAN
@UltimateJgx6 жыл бұрын
No one is close to Allan Holdsworth. Do not be silly.
@timn50086 жыл бұрын
Way to much delay and reverb. Good God.
@nethbt6 жыл бұрын
Of course the key to a good legato is a good rig (good compression, good pickups response, good Amp, Distortion /OD)... Those legato must recreate the sound of a picked note at least. You can't execute a good legato on a shitty gear.. FACT
@AdamIronside6 жыл бұрын
It certainly can help, but I've got to disagree to a certain extent. The classical guys have been legato-ing way longer than us plank-spankers and they don't have any distortion, any compression. Just good, well rehearsed technique.
@nethbt6 жыл бұрын
Adam Ironside yeah but you are only limited to what your gear can do. I'm sure Tom Quayle won't touch a Boss Metal Zone + a cheap Solid state amp even if he gets paid for it.
@fernandoa.50895 жыл бұрын
Doesn't sound like holdsworth, because you use a lot of pull offs