2020 Concerto Competition // Salvador Flores, saxophone // Undergraduate Winner

Concerto Competition - Undergraduate Finals
Winner - Salvador Flores, saxophone
Concertino da Camera (1935)
Jacques Ibert (1890-1962)
accompanied by Elizabeth Ames

[@joaoes]

Bravi. As a pianist I must congratulate Elizabeth Ames for her wonderful playing of such a tricky piece.

[@mcdcurtis]

Thank you Salvador and Liz for this awesome performance. It's been difficult to find good recordings with piano and this has now become my favourite!

[@bambino100011]

Damn son! That was awesome :). I loved hearing the low register you played in this piece.

[@antoniojarvey]

A truly marvelous recording from a stunning player and friend! Congratulations Salvador!

[@jakebickham123]

love this recording! Very original sound! Absolutely love the edge in the low register. Fantabulous job!

[@natalyapitts3594]

👏 to both performers! What a wonderful ensemble work !

[@GoTeam383]

I have a new favorite Ibert recording. Bravo!

[@randimator9881]

Damn this is inspirational fr

[@noemorinjr]

What reed is he using on the Delangle mouthpiece? Insane sound

[@salvador.flores_]

I am using Vandoren Blue Box Strength 3’s on the Delangle Mouthpiece! Loved the response and sound that combination was giving me. I’m glad you enjoyed!

[@raphaelcardoso7927]

the page turn at 0:16 just perfect

[@Hedges4theHogs]

It was alright. I've seen better

[@prestopiano88]

Great piano work!

[@ericratliff217]

Was the chromatic run at 9:30 double tongued??

[@arthurmontoya7880]

beautiful control bro

[@dennisax84]

Great Performance!

[@southwestpiano]

Exciting, top notch performance. My favorite Ibert piece. Pianist also did a great job with the tricky chamber orchestra reduction. They both made it look easy. Enjoyed it. Sad that modern 'composers' don't seem to have the craftsmanship or inspiration to create anything remotely comparable. A troubling statement about our times.

[@edmondforest2912]

You’ve never heard of Barry Cockcroft, David Biedenbender or even michael Nyman right? There’s plenty of great composers nowadays, and the fact that you can’t see it is what’s truly troubling. Still, if you are to criticize those geniuses, i would kindly ask you to go ahead and fix that problem by creating anything comparable to Ibert’s chef-d’œuvre.

[@buttermilkjesus8880]

@@edmondforest2912 no way you put barry cockcroft in the same discussion as ibert ☠️☠️ i agree that "classical" saxophone seems to be growing more and more popular with a host of really cool rep to show for it though

[@odinson9686]

Good stuff.

[@katherineweintraub987]

Impeccable! 👏

[@ArvudeiTheLastKing]

What was the decision to not play the altissimo on the second page? Just curious! Amazing performance!

[@salvador.flores_]

When I perform this work paired with piano, I prefer the sound of that passage down the octave. When I play it with orchestra, I play it as written up the octave because of the timbres and ranges of the orchestral instruments. Just my personal musical preference :)

[@tidnid1869]

Because it’s fucking incredibly hard

[@ArvudeiTheLastKing]

@@tidnid1869 except it's not lol but it was! Definitely remember that!

[@johnstonliu8127]

4:18 Second Movement

[@chaseromans9360]

Excellent

[@Alexander_Granados]

Dude what did i just witness

[@captainculpeper1250]

As a Berklee grad and professional who has played and seen many performances... Nice job!

[@anthonymacias5334]

WOW this is sooo good 👏. Thw qltissimo is outstanding. One question, what model saxophone is t that?

[@salvador.flores_]

I play on a Yamaha Custom EX 1!

[@taz0il]

W Anthony

[@ReubenObelSax]

Qtissimo

[@user-te7jw7ej9k]

2:00

[@user-kj2qm9kp7i]

7:42

[@수홍-u1s]

7:41