24th Baithak - Ashwini Bhide Deshpande "Jaipur - Atrauli Gharana" (English Subtitle)

Sound : Ajay Gulekar
Videography : PrivianRecords

[@Fan4club]

These artists are priceless and these sessions deserve a far higher standard of sound engineering/recording that befits their quality.

[@Navroze]

I fully agree that the sound and image quality is much to be desired and the standard should be upped quickly. These are once in a life-time sessions and should be recorded in the best quality possible.

[@maheshchaube2456]

She is just like a 12 yrs old girl at heart so beautiful

[@pallavisreetambraparni6995]

Mahesh Chaube ashwini tai is such a sweet and humble human being

[@sandeepbhat1412]

She is a typical maharashtrian in that sense, super talented and super humble at the same time , I have met her once and touched her feet.

[@anushreejoshi3265]

Buddhimattechi Prachiti aahe

[@pallavisreetambraparni6995]

i love ashwini tai's style of singing. her voice is as sweet as honey. i absolutely love her style. i was lucky enough to enough her concert in US and hope to when she comes again.

[@shubhanan]

Another examplary demonstration of art + intellect + perfection

[@Jaspreetsinghmusic]

Loved listening to Ashwini Ji and loved all the musical performances she gave in this session! Learnt quite a lot of things from her! I have watched this episode so many times and always enjoyed listening it

[@srichakrahubli]

What an impeccabe lady!! What an immaculate artiste!!

[@ananyasamajdar7467]

Absolutely beautiful singing by Dr Ashwini Ji ! She embodies dignity and musicality

[@arunjoshi4143]

Really Khem kalyan raag is pleasant and heart touching

[@divyagautamshenoy]

Thank you for these educational Baithak sessions with established musicians. I have watched a majority of these sessions and have a couple of suggestions. In addition to asking the same old generalized questions regarding Gharana system, fusion music etc., these performing artists should also be asked about how they plan their Riaz, specific areas they work on, how to identify strengths and weaknesses etc? The audio quality should be better. A mic stand for the host would help because the questions are not heard most of the time due to mic position. Thank you!

[@kuntalmusic5449]

She is a goddess 🙏🙏🙏❤

[@pt.arvindparikh]

You would realise that participation in Baithak on several issues like- personal relationships, willingness of the invitee, availablity, etc etc. We have had success where any or all of these apply. The response to your query is therefore self evident

[@asamvav]

Sir, we are extremely grateful for providing us these enriched indepth discussions for free and making it available all over the world. I am a very basic level music student in kolkata and would never had the good fortune of listening to such great maestros explaining such intricate things. It is only by God's grace that we are getting such material here. Whatever you have accomplished and will continue to do in the future at this platform is a treasury for the posterity. I thank you from the bottom of my heart. Pranam. 🙏

[@DaarShnik]

Please call a flute player tooo... Its a very difficult and different instrument .... It would be great to have a long session with a flute player telling us how they learned and how they do certain stuff

[@drmansingh779]

काया बात है दो रंगों का मिश्रण प्रातकाल का आनंद मिल गया है । बहुत संडर लगा ह्रदय को चू गया । धन्यवाद ।

[@kartikgajbe7827]

5:30 raag khem kalyan 41:00 raag manikouns 1:25:00 raag yaman 33:27 lalit

[@gauravgerera4945]

Thankyou so much

[@venkatsunderam7427]

41:09 there’s a Rishabh ..GMRS..Malkauns doesn’t have a Rishabh to my knowledge. I think it is probably Rageshree.

[@dasguptaanuran]

@@venkatsunderam7427 That was my first feeling as well

[@kartikgajbe7827]

@@venkatsunderam7427 thats raag manikouns combination of raag chandrakouns and charukouns

[@venkatsunderam7427]

@@kartikgajbe7827 I see. Thank you.

[@sagaratIISc]

I request Pandit ji to host Smt. Aditi Kaikini Upadhya for a session on Agra gharana and specially on the thought process of the late stalwart of the gharana Pt. Dinkar Kaikini and his compositions. Aditiji is a frequent visitor and performer in the states

[@piyushbhargava9729]

any body tell me adress jaipur gharana please

[@sanjay4178]

Such type of videos are really very good & provide in depth perception of Indian Classical Music.A million thanks & pranams to Pt.Arvind Parikh Ji.

[@sohrab-siddique-music]

This is an absolutely amazing opportunity for people like us, to get a first hand experience from these amazing and highly talented/regarded musicians. Pt. Arvind jee, thank you for blessing us with this goldmine of knowledge and experience!

[@kuldeepmore2927]

Thank you very much for these sessions! It becomes easy to understand the thought process of established singers behind the elaboration of a raag.

[@EhsenMaanePonglee]

What a great artist! I consider myself blessed to have come across Ashwini Ji!

[@Bantustube]

Grateful to Shri Arvind Parekh Ji for organizing such programs, and anybody who is interested in learning from Ashwini Bhide Ji, can learn from her truthfulness and honesty.

[@chandrasekharankalloorath7020]

These baithaks were links to the generations ahead and sometimes before, I am very happy to see my favorite female Hindusthani artist Madam Aswini Bheede, in this baithak. Thanks. from a fan of her from Kottayam, Kerala.

[@ahmaurya]

I look forward to these videos! Thanks and regards from Pittsburgh.

[@adv.pourushranka4031]

Thank you so much Pt. Arvind Ji for sharing this invaluable session with Ashwini Tai. Looking forward for more such videos.Thanks once again.

[@ranjitpatel2863]

This is amazing listening to these artists,many of these we dont get to see in Uk.so thank you.🙏.

[@bhimpalas]

A lot to learn , Ashwiniji in her elements. Thank you Arvindji for uploading these treasures

[@Statusmines]

नमस्कार, पंडित अजय चक्रवर्तीजी वाला विडियो में बहुत लोगों ने देखा है क्योंकि उन्होंने हिन्दी में बात की है । ये कार्यक्रम हिन्दी में रखें क्योंकि ये महत्वपूर्ण ज्ञान पहले पुरे भारत में पहुँचे तो बहुत अच्छा होगा ।

[@manjunathbhat1067]

👌🙏👌🙏🙏🙏

[@Merripasand]

Thanks a Million indeed.Thanks.Looking forward to have regular uploads.........

[@nehadesai1057]

She is V. simple and V. Intelligent Pranams

[@pallavisreetambraparni6995]

yes

[@supratikdas572]

True Artist.Learn a lot.Greatfull.

[@simplychemistrybydeepikach3172]

She's great ...Sadar pranams

[@gauravmg]

such a talented personality. Bhide ma'm, aplyala shaat shaat pranaam.

[@PamalkaKarunanayake]

wahhhh.... kya baath hai madam..!!!

[@rameshwaghmare9432]

Ashwini is the gold standard of Khayal singing.

[@Aman-et3rq]

वाक़ई आनंद आ गया ❤️

[@rameshwaghmare9432]

Arvind-Ji himself, a disciples of Ustad Vilayat Khan Saheb, is a legendary sitarist in his own artist.

[@user-xt5ok7ok8b]

Ras & Bhav or mood lies in the Lyrics and one has to justify it one has to overcome all the mmods before seating for presentation(this is purly spiritual state of mind).thx.

[@suruchipende3884]

Very good n soulful singing 👍 Thanks mam n namaskar 🙏🙏🙏🙏🌹🌹🌹🌹🌹Sangli.

[@chandrasekharrao9980]

Wonderful session very pleasant & energetic presentation by Ashwiniji as useual

[@prasadsawant3396]

Can anyone share a good audio or video file of Ashwini ji🙏🏻 singing her composition in raag lalit.. absolutely loved tht bandish

[@shrirangbhave]

Please invite Pt.Suresh Bapat from Thane who is a senior disciple of Ethnomusicologist Dr.Ashok Ranade and also has been ably trained under Pt.Prabhakar Karekar, he will surely bring out intricacies and beauty of raag and bandishes in his skilfully melodious and extravagant renditions!

[@universe999]

Thank you Sir

[@TrinaChatterjee]

Mam you are my God. I used to learn from your aunt Mukta Madam. Once she had introduced me to you since you had come to meet her. Long back. But I have to admit you are one of my Gurus. Thanks for enriching my life.🙏❤🙏. Please give me the opportunity to touch your feet.

[@boneyboneybali9270]

My idol!😍😍😍😇😇😇

[@boneyboneybali9270]

kya baat !!

[@sudhirjalawadi1532]

Respected Sir Request you to please come up with session including Maliniji Rajurkar, Rajshekhar Mansurji,Venkatesh kumarji and Prabhaji Atre.

[@NS-xh7lr]

keep on uploading. God bless you. please invite ustad Rashid khan as well. cheers

[@simplychemistrybydeepikach3172]

Charan sparsh 🙏

[@jyotisharadbailur5369]

Beautiful presentation of khem kalyan

[@gauravattrey]

Wow great singing

[@sarangdiwakar408]

khupach chan

[@kaleutkarsha]

very nice initiative by arvind ji. thank you so much. cant explain how useful it is. sir, could u also invite ajoy chakraborty ?

[@manjindermann2]

awesome

[@srichakrahubli]

Thank you, Arvindji!! Pl host Venkteshkumar ji, Kaivalya Kumar ji, Jayteerth Mevundi ji, praveen Godkhindi ji!!

[@adya_sings]

🙏🙏

[@kotharidhaval2364]

Great channel to learn and take understanding of Hindustani Classical music, I would like to suggest that to upgrade video quality if possible! Thanks.

[@Priyopotsangbam]

kothari dhaval switch your device to HD mode... it's a Full HD quality video... thanks

[@nirjharaloy6108]

A great endeavour to understand music. This programme had noise during recording. It would have been greater if the recording was clear. Please invite Manjiri Asnare Kelkar to the Baithak.

[@DaarShnik]

Kabhi mike saaf hota hai kabhi awaaj bahut bekar ho jaati hai... Please ye ek anmol khajana aap Jod rahe hain.. Koshish kijiye ki uski quality bhi utni hi achhi ho ...

[@AbhishekPatange93]

Arvind ji, Pls call Girija Devi..Kind request.

[@rituchaudhry1755]

🙏🕉

[@krishnakumar-ze1gk]

🙏💐💐💐

[@harekrishna3047]

🙏🎖🙏🎖🙏

[@bestclasseswithpooja8030]

Thank you sir ,but mera ek anurodh hai aapse ki hum bharatratna humsab ki priya lata g ko bhi sunna chahte hai,yadi aisa soubhagya hume prapt ho to paye to badi krapa hogi aapki..

[@rohanpol6749]

Panditji, can we get opportunity to listen to Pandit Satyasheel Deshpande here?

[@amolkarve4852]

Saadar pranaam Pandit Arvindji. Thank you for your generosity in sharing these baithaks. Loved this session too, and Ashwini tai is just going from strength to strength. I loved her Lalit vichaar and her rendering of her bandish. Thank you once again. Would like to come touch your feet when I am in Mumbai next. Wish you lots of good health! with best wishes, Amol Karve, London

[@nerdywatercolorist6551]

If anyone could upload the bol of the bandish balam lagi :)

[@rprabhu77]

Wonderful program. Eternally grateful to Arvindji. Thank you. Only problem in the video is that the audio is not as good as it was in previous episodes.

[@pt.arvindparikh]

Thank you for your feedback, unfortunately there was a glitche with the sound system and the audio was not recorded properly by the sound person, the only audible sound was the one which was recorded in Video by "PrivianRecords". We will make sure to make it better in the upcoming session.

[@rprabhu77]

Thank you, Arvindji, for very quick reply. I look forward to many such sessions in future. No words can express my gratitude (and I can't thank enough) for making these invaluable recordings available to all. Pranaam.

[@suprajajay]

Hi folks, I know a bit of carnatic music but i want to learn this type of singing. Are there any online classes for this type of siging?

[@2020abcd]

Can someone list the name of the harmonium and tabla player please?

[@satvikkakade8657]

Who is on harmonium

[@krishnapartha]

Top class sharing. God bless KZbin and its power users. :-)

[@amshumalini]

Krishna Parthasarathy.

[@aditidivekar6985]

U bet... :)

[@musicforsai]

Request you to please have a session with pt Ulhas Kashalkar, pt Kedar bodas

[@boneyboneybali9270]

eishwary mahashabde Totally agree with you😊

[@aaditdalal9063]

There was a baithak with Pt Ulhas Kashalkar. You will find it on KZbin

[@tanaypinglay5405]

She was undoubtedly good but I simply found the questions asked to be so 1) close-ended 2) asked solely to confirm the person’s strong conviction/ belief in his idea about a particular thing. They were in no way asked to seek the performer’s point of view. For ex: 1) do you not think....? 2) wouldn’t it be correct to say.....? And so many others. Listening to the questions themselves made me feel so restricted and confined. And this was observed in other baithak programs. A tad disappointed

[@veenahangal]

Wonderful mehafil...n soulful singing🙏

[@swapnilsahasrabuddhe7831]

Tanay, correctly said.

[@tekadeaniruddha]

Very true. He always does this. I’ve been seeing many baithak videos and found this.

[@maanasmohan9696]

i wonder why baithak series are not resuming....missing these beautiful sessions...please resume these sessions🙂🙂🙏🙏🙏

[@adishumathe4104]

Which bandish is sung in the begining?

[@apekshitkhare6287]

Plz also add the Bhimpalasi Sitar piece played before this session

[@apekshitkhare6287]

Thanks, please check if it got uploaded or is it still for private viewing, because it cant be found on youtube.

[@krishnapartha]

Khem Kalyan :-)

[@dvchauhan35]

They must ask Dr. Rajam for a session.

[@dvchauhan35]

Please approach Dr. N. Rajam and her family for a baithak, so that not only instrumentalists but also vocalists may learn from her since she is one of the ablest disciples of Pt. Omkanath Thakur. Please let this request reach Panditji. Thank you very much.

[@satyabratachatterjee651]

Kaun sa taal me hae ye on12 me raag Iman type ??

[@madeupshaheer]

15.5 matras yogtal

[@AdityaVijayBhandari09]

the last tarana in yaman was in which taal??

[@jigneshsolanki5619]

Jogtaal it's a cycle of 15½ matra

[@seemavishwagurukul9916]

It is Yogtaal. The taal is composed by pt. Khaprumama Parvatkar from Goa.

[@pallavisreetambraparni6995]

i love ashwini tai because she picks rare raags and rare taals that no other artist sings

[@adityakakade90]

Parikh ji please invite sanjeev abhyankar ji

[@lacchaaparatha]

Which raag Ashwini ji sang at 18:30??

[@dvchauhan35]

It's called Khem Kalyan

[@hemantjoshi23]

alladiya khan saheb is wrongly indicated as allah rakha saheb . the subtitle needs to be corrected. ustd. allah rakha saheb is the father of ustd zakir hussain .

[@user-xt5ok7ok8b]

Aa..ha..ha...ha..kya bandish hai.?

[@ErPratikBDhere]

Also take venkatesh kumar baithak🙏🙏

[@vrajparekh5267]

Which is the raag that she started singing at 41:00 min

[@manasphadke782]

It is Charukauns. It is a jod rag comprising of charukeshi and chandrakauns.

[@IndianClassical97]

It's actually Manikauns. It's one of Tai's discoveries.

[@Statusmines]

Plzzzz Hindi Mai Rakhe Taki aapke Views Badhe Aur Kai Ase log he jise Ye Sab Samaj mai bhai aaye

[@beenasharma8310]

Which raga did she sing at last

[@boneyboneybali9270]

She sang Raag Yaman

[@ayeshwiranga5036]

@@boneyboneybali9270 what is that thaal?

[@bhavyakumarsaini1639]

@@ayeshwiranga5036 It's Yog taal of 15.5 beats.

[@ayeshwiranga5036]

@@bhavyakumarsaini1639 ❤🙏

[@bhavyakumarsaini1639]

@@ayeshwiranga5036 😊

[@nilanjankmukherjee234]

Shri Santosh Banerjee should be invited..

[@rohantara5846]

The whole program was very good.. Organising such baithaks is really a very generous and important move. My only request to the reputed musicians is that whenever they sing or play any achhop or aprachalit Raga in any aprachalit taal, they should give a view of it to the audience instead of starting straight away. I know most of the people sitting in the baithak are musicians or music students, but since these videos are being uploaded on KZbin for the general people too, they should give an introduction of at least the lesser popular Ragas and Talas. Like though I knew she was singing Khem Kalyan in the beginning, I still have doubt regarding the tala in which she sang. Or may be the case that the introduction part was edited out before being uploaded here. Whatsoever, these little things matter a lot. I hope my request is considered. Thank you.

[@sams161]

Rohan Tara khem kalyan traditional composition balamva...is by ustad alladiya kha sahab...and usually sung in madhyalay addha teen taal. some also sing it in ikwai...but kishori tai and ashwini tai sing in madhyalay addha teen taal

[@rohantara5846]

saumitra kulkarni You mean Addha Teen tal ? 16 beats..It's sounding different but..May be I was lost in her wonderful rendition.

[@sams161]

Rohan Tara Yes madhyalay addha... speciality of this bandish...since I am a grand disciple of kishori tai...and well acquainted with Ashwini tai... I can tell aunthentically that they sing it in madhyalay addha

[@rohantara5846]

saumitra kulkarni And the tarana in Yaman in the last is in 15 and half beats ?

[@sams161]

Rohan Tara yes 15.5 beats...its a taal designed by lay bhaskar khapru mama parvatkar. gaan tapasvini mogubai has sung this. there is another clip of Ashwini tai singing at gaan Saraswati mahotsav in which she has explained the bol s

[@boneyboneybali9270]

which raag she sang in the first???

[@aniruddhavyas3801]

Raga Khem Kalyan

[@boneyboneybali9270]

Aniruddha Vyas thank you so much for telling me😊

[@chaitanyagosavi405]

anmol bali Which taal?

[@pranavmusical95]

The taal for this bandish is Ikwai or Dheema Teentaal

[@manasphadke782]

It's addha teentaal

[@sliceoflife1808]

30:24

[@maheshchaube2456]

Have a baithak with lataji even if it's to be organised at her residence

[@pt.arvindparikh]

Lataji is too great an artist for us approach her.

[@maheshchaube2456]

@@pt.arvindparikh but I bet she would simply love to talk to you while you ask questions and Play sitar for her when she sings if at all ... Would create an everlasting heritage

[@maheshchaube2456]

@@pt.arvindparikh what ever you are doing is simply adorable pranam guruji

[@RhythmSamMusicClasses]

That would be great, it's worth the effort by the concerned team, please atleast consider this.

[@RhythmSamMusicClasses]

Also I think sheher Sen ji and pt Ajoy chakraborty can be called again.. I know if you call them 100 times they will still have something new to share.. But atleast one time more there is lot to learn.

[@mayurnathganti3342]

For the sake of variety, please include Carnatic musicians also.

[@rupeshshindeofficial7180]

Shooted in so low light😢

[@jackyjackymack1033]

Jaipur gharana singers usually sing more and talk less unlike other gharana singers. (Gharana is just a way guys so calm down )

[@rahulbharadwaj222]

@57:10 did Pt. Arvind say “Rashid Khan saab is from a different stream?”?

[@pt.arvindparikh]

No I did not say that. What I said was that Rashibhai will be invited by NCPA. where Zakirbhai, Hariji Shivji etc. participated.

[@rahulbharadwaj222]

Pt. Arvind Parikh - All Inclusive Talim - Baithak thank you for clarifying panditji! Please invite Smt. Arati Ankalikar Tikekar if possible, would love to hear her thoughts and experiences with the Gharana as well!

[@sumanikasethi5452]

What a shining soul!Her humility, her honesty ,her sparkling music!!!!

[@maheshdesai493]

Some comments are too presumptuous. E.g. to say that gharanas do not have a distinctive bhava resulting from their particular way of expression of a raag is not correct at all.

[@VikasKumar-ro2oc]

Hum gana hindi ka gatey hai....rehte bhi hindustan me hai ....par bolte kyu English me hai.... Agr Hindi me baithak ho to jada beheter hota

[@DilipKumar-td5dn]

Plz Hindi bolane ki kosis karye

[@jackyjackymack1033]

Tanpura is too much tuned ,overlapping her sweet singing

[@rupeshshindeofficial7180]

Her javari of voice is very amazing...so that's why it merges into tanpura

[@maheshdesai493]

She does not sound convincing. Her ideas about music seem casual rather than seriously thought out.