3 Easy Ways To Transform Chord Progressions You Should Know

[@WriteASong]

Learn more about major key songwriting kzbin.info/aero/PLxJaS3gjOSqrlcTTa9FSq27V5ZN2oa_QM

[@MennaBusiness-w9t]

thanks. The Best channel deserves billions of views

[@WriteASong]

You're welcome

[@TigerRogers0660]

Another excellent video!! I'm learning all the time.

[@WriteASong]

Thanks, I'm glad the videos are helping you!

[@damonshanabarger2604]

31:19) These are very important over the next several minutes, as I was thinking (the V of the V in a Major key of the parallel axis shift of a legitimate natural minor key progression I've been composing) Not truly Aeolian, but of a reverse engineering approach. I can see maybe another angle as this may not actually work since this only replaces the half-diminished Locrian chord. This would basically move the flat five up to a five and the minor third up to a Major third. Hmm, I just thought of something else. What about voice leading.

[@markcbeaumont4670]

Dont most popular musicians go by oblique rather than i and ii, a and b, or figured bass

[@kierenmoore3236]

2:50 … I’ve personally never seen inversions notated this way; could get pretty difficult to read, eg iV could look like a Subdominant reference, rather than a first-inversion Dominant … I was under the impression that little “a, b, c” superscripts were used for 1st, 2nd, 3rd inversions (American?) … ?! Cheers.

[@WriteASong]

I have seen the lowercase i notation used so referenced it but as you suggest it can become confusing in certain situations. Because of this I tend to use slash chords. I have heard of the lowercase letter notation but I'm not sure of it's origins.

[@NavyColdWARVETERAN]

You’ll get used to the notation and you’ll be glad that we have it🎉 spend a few days with it by next week it’ll be second nature