3 EQ Mistakes We All Make!

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1. Overusing Sweep EQ
I realize that as a beginner you are encouraged by everyone to use sweep EQs, but they are not always beneficial for your mix. I actually can’t remember the last time I used a sweep EQ! If I take any EQ band and boost it to 5, 10, 15, 20 dB, no matter how narrow it is, I don’t have to move something very far before it is completely and utterly obnoxious. If you are sweeping to find bad things, you will always find bad things. After applying that sweep EQ, the track will likely sound flat and lifeless.
Instead, trust yourself and your ears! When you hear something horrible, that is when you look for where it is and fix it. If you are not hearing anything offensive, don’t go looking for things that are offensive. Trust yourself and make decisions based on what you hear.
2. Not Using High and Low Passing
Any tracks you mix are going to have buildup in certain frequencies, and in that low end - from about 20 to 200 Hertz - it can be an absolute mess. This is where you go in and start getting creative! If you are listening to an instrument and you are not hearing a reason for it to have excessive low end or excessive high end, get rid of it and you will create some real clarity. There is a lot of confusion about this, but high passing and low passing and gentle EQ moves are very useful, and are such powerful tools when it comes to shaping your low and high end.
3. Applying EQ to Solve Problems That Aren’t Persistent in the Mix
If we EQ to fix problems that are only present in certain areas, the part can start to sound really narrow and thin. For example, on a chord, it might seem like good idea to take out certain frequencies, but if the same guitar player plays an arpeggio immediately after that and concentrates on high strings, suddenly all the low end or low mids that were reinforcing that beautiful high line are taken away. In cases like this, you have to be selective of where you apply the EQ, and don’t be afraid to automate so that the EQ is applied only where it is truly needed!
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[@Producelikeapro]

What are some of your favorite EQ tricks?

[@CrushingAxes]

Having a distorted bass with low and high pass, boosting the mids for more clarity !

[@kariayamkaridugong3575]

eq on toms.. there always "tong" 'tong".. 😂

[@GiuseppeVigliotti]

Reverbs need always an eq. Tracks no.

[@GetSongsDone]

I've really been cheating a lot with AI lately

[@acommon]

Splitting a channel and processing the highs different from the lows :)

[@largepoodle6036]

Here's the biggest EQ mistake of all time - eqing with your eyes instead of your ears.

[@Producelikeapro]

Agreed 100%!! Find the frequency using your ears!

[@largepoodle6036]

@@Producelikeapro indeed, I suppose in rare circumstances such as a 20hz / 20khz cut, 30hz / 18khz cut, etc you can rely on just the numbers there because we know frequencies below 20hz and above 20khz cannot be heard, and are therefore unnecessary and you can't use your ears to listen in that scenario, either lol. i guess that's one case where you'd use your eyes to EQ. I've seen some people commenting that they can hear below 20hz or above 20khz and I've got my doubts about that, but who knows, they're not my ears lmao.

[@JoeySchmidt74]

@@largepoodle6036 I can hear sub 20 on good days, but I'm 46 and I'm lucky if I can make out anything around 14kHz!

[@Writtenmirror]

@@largepoodle6036 My speakers don't pick it up so definitely using my eyes to rule out those sub frequencies and the upper frequency limits. I do listen for how much further in from 20kHz I can cut but yeah that's just being pragmatic. I agree with you

[@largepoodle6036]

@@JoeySchmidt74 so it's just 14kHz you have trouble hearing? Or you can't hear anything above 14kHz in general?

[@markshortall3384]

The biggest game changer of a tip ive ever learned is: 1. Duplicate the bass into 2 tracks, Low and high, low pass the low at 200htz and high pass the high at 350htz. 2. Limit the low end at about - 10db with something like an L1 and set the release on the limiter really slow, but make the release meter falls in time with the song (so somewhere between 700ms-1000ms). This works on about 90% of mixes. You can process the high track however you want then (chorus, doubler, 1176 eg.). This evens out bass so nicely, espically with a subwoofer. Id be interested to hear anyones thoughts who try it!

[@PinballLunatic]

Works well, do the same trick with the bass drum as well :)

[@markshortall3384]

@@PinballLunatic never thought that, cool!

[@Producelikeapro]

Hi Mark, yes! I’ve been teaching how to mix Bass like this since my earliest videos! It’s wonderful to see it being adopted by so many people! Many thanks, Warren

[@Producelikeapro]

PinballLunatic yes, we have a video with Bob Marlette showing that technique as well! Works wonderfully

[@markshortall3384]

@@Producelikeapro A friend showed me that, he must have learned it from you! Great tip, thanks Warren!

[@jpr1est783]

'Don't go looking for things to be offensive.' Great EQ tip. Try telling Twitter users the same, though. xD

[@Producelikeapro]

Haha genius Jie Pon!!

[@yrussq]

Oh, yeah >_

[@Producelikeapro]

@@yrussq hahaha

[@ryde2012]

I totally agree I’ve stop doing that unless I hear something really annoying during the mix

[@benjclarke5825]

haha I thought the same thing - you can apply that basic axiom to all of your life: don't go looking for things to be offensive!

[@randychurchill9426]

I don't sweep to pull out offensive stuff. I only do it to identify the frequency of something offensive that I already hear.

[@Producelikeapro]

Perfect! That is exactly right my friend!

[@JahmBProducts]

Yup that's how it should be done. I'm not sure why ppl sweep in order to hear bad frequencies. If they're in there, you should already hear it lol

[@steamer2k319]

You can also use sweep EQ to find good frequencies. Once found, optionally revert the boost in the first source and apply a cut at the same frequency bands in competing sources to create more room for the first source in that band.

[@jorgepeterbarton]

@@steamer2k319 this is much more effective but people told "cut dont boost" too dogmatically. The prob with sweeping for these notches of resonance to cut, is high Q scanning always is AWFUL SOUNDING- you basicaly ending up notching any prominent overtone because they all suck when listening to a high Q boosted, scanning. If anything dont boost to scan, just cut to scan for a cut- then maybe once found use the boost scan to fine tune.

[@phil42069205]

Yes sir.

[@mozwall_2560]

the first couple of minutes when you swept through the frequencies really made me laugh

[@Producelikeapro]

Haha great! That was exactly my intention!

[@apchan]

@@Producelikeapro made me laugh too 😀😀

[@simong8527]

Yes LOL ugly, oh ugly again !

[@billsmith2815]

😂

[@CoLD.SToRAGE]

I was watching that, and thinking... who the hell does that? But I guess if you've seen it happen, then er... someone does. LOL!

[@universeman657]

I generally sweep by cutting rather than boosting. I don’t generally do it, but if I can’t find a frequency without sweeping, I find it’s a lot better to turn a band down and sweep until I don’t miss what is being cut, then back off. In my experience, it will always sound like there is a hole in the frequency response until you hit the right frequency, and if you never hit that point, no cutting is really needed.

[@dchadpage]

I hate videos with titles like, "You're doing this wrong!" Because they're usually just rebranded "one weird trick" type things with clickbait titles to get views. I appreciate the subtle difference in title here, "We all do this" instead of the accusatory "you're doing this wrong". Wouldn't have clicked on this if it wasn't this channel. And I'm glad I did because I learned a lot. Thanks, Warren!

[@steve_anderson]

Explaining while demonstrating in real time made this a treat to watch! Even a Cro-Magnon like myself can learn something. Much thanks! 🙂

[@ajlsoundwave]

Spot on. Finding homes for each instrument especially utilizing HP and LP filters first is the best advice - great topic!

[@moscowphil85]

Truth! In a very beginning I was mixing like this too, cutting a lot of things with a narrow shape band dips, and every time it was ruining the sound.

[@Producelikeapro]

Thanks ever so much for sharing

[@nuvisionprinting]

Love your work Warren! Thanks for helping many many artists! Always a great informative video even for those that have been doing it for years! You sometimes forget why you do it!

[@matsfrommusic]

This is the best EQ tips I’ve seen on KZbin. These first points are simple basic stuff but sometimes missed and affects the whole mix on a fundamental level. Basically you just made your starting point a lot worse, which you can’t really make up for despite your best efforts. Sadly I learned (and still learning) this 25 years in, and if I’m really honest, to some degree I’m still doing it. I feel this video was made just for me.

[@adijames]

18 minutes of genius wisdom 👌🏻🙏🏻

[@Producelikeapro]

Aw shucks!! Thanks ever so much James!

[@d2ruben]

Dude!! Your Chanel is pure gold!! You have. I idea how much knowledge I get every time I watch your videos 🙏🏽

[@Producelikeapro]

Wow! Thanks ever so much

[@jmvgj99]

Thank you so much Warren :)) your videos are simply amazing! I've been watching since I've started mixing and while obviously getting better at it your videos are still as helpful and as important as they are for someone who has no experience. Thank you 💞

[@tripwillie2]

Thanks again Warren for an outstanding lesson. Trusting my ears is a constant struggle, but the techniques you outlined will help.

[@MartinLuxen]

"Don't be afraid to automate". That's something for on a t-shirt ;) Thank you Warren, great tips!

[@connorswanson]

This might be the most important eq video I’ve ever watched!! xD

[@Producelikeapro]

Thanks ever so much Connor!! That is an amazing compliment!!

[@adamjones7701]

Same

[@zzghost8593]

Fr

[@alexisalvarez6336]

"... and don't be afraid to automate." I needed to hear this.

[@dustinphillips]

These are 100% spot on. I've fallen victim to the "overly sweeping for offensive freqs" far too many times instead of letting the mix tell me what's offensive. Great video, as always. -dustin phillips

[@Jiggidy22]

wow thank you. that sweeping eq section made me embarrassed of myself

[@Producelikeapro]

It’s ok we’ve all done it!!

[@millmoormichael6630]

I’ve actually seen a lot of folks do that, you get a great sounding track and suddenly it seems crap.. 😅

[@joelonsdale]

I definitely sweep, but not to discover a rogue frequency, just to find one I've already identified and can physically sing. I also occasionally do some broad notching out when two instruments are arguing over an EQ space, perhaps notching out 2 dB on one whilst boosting the other by 2dB or something like that...

[@erickmazur807]

Nice

[@dannyday1984]

So happy that you showed how ridiculous the frequency sweep technique is. Cheers to that!

[@anaqim]

Thanks for confirming my instincts regarding eq low and hi cuts, which I've been too uncertain about to fully trust, due to not finding any real affirmations, until now. Love your videos!

[@brianpylant4617]

A great way to avoid these kinds of mistakes (especially 1 and 2) is to always do a balance mix, using the faders and pan controls only, before you ever load a single plugin of any kind. All of these decisions need to be made in the context of the mix; the time for soloing tracks to get more surgical happens later.

[@user-mb8rf7qk5q]

Great GREAT advice. I do this and my mixes always come out really crisp and accurate. I think simple is better.

[@SeverinGomboc_Musik]

in my beginning in mixing sweeping helped me to hear some frequencies better. But I'm guiltiy of equing way too much. But the sweeping trained my ears - at least I think it. Now I am trying to hear it without sweeping and without soloing the instrument. I am getting better at it, but it is still a long way. Thanks for the video, greetings from Austria

[@dpinskey]

Thank you so much for the tip on automating the EQ. Super useful.

[@bobhodgkins]

Really fantastic video! Love how you demonstrated the effect of stacking up a bunch of supposedly good eq choices, and how it lead to lackluster results. Been down that sweep rabbit hole myself and pretty quickly saw the problem with it.

[@roberthunt1540]

Do you know why it's obnoxious? Because the frequency's too loud! 😆

[@Producelikeapro]

Hahahaha Exactly my friend!!

[@joeferris5086]

He knows that i think

[@PhilRichardson44]

First three minutes, hilarious "arggh ugly, urgggh ugly!"

[@Producelikeapro]

Haha thanks Philip!

[@billsmith2815]

🤣🤣🤣

[@DavidAgiusMusic]

And this is why I’ve just signed up to your Produce Like A Pro academy. Everything you explain is thorough and makes complete sense!! Thanks Warren 😊

[@thomaspersson1533]

I am so glad i watched this! Cause i used to do this all the time but eventually figured out ,just like you show here, that every frequency sounds horrible when boosted,lol. Glad I trust my ears. Thanks 🙏

[@chromeCoYotE]

"this incredibly horrible weird phasy mess of disgustingness" xD

[@Producelikeapro]

Haha thanks!!

[@bukkaratsuppa6414]

Yeah, i loved that one too.

[@neilwilkes]

Comb Filter Central!

[@matinuskathundrrphukk3233]

I find your vids very helpful ! At this time I'm forced to do everything with apps in my android phone. It's hard, lost all my equipment in a fire, miss my dog; but trying to stay creative. Thanks

[@Producelikeapro]

Sorry to hear that! Wishing you all the best

[@jameschawkinsart]

Thank you! I have been pulling down things I actually hear and sometimes see, but never really swept for frequencies. Glad I'm not alone. Also, I could probably soften my high / low pass curves and get back into EQ automation. All good stuff.

[@KnowItAllBeats]

I’m only 5 minutes into the video and I’ve already learned so much from you! I‘m guilty of forcefully cutting out ugly frequencies in my melodies, but your explanation of why not to do that makes total sense to me. I love your style of teaching! I turned on the notification bell and can’t wait to see your next video. You’re awesome Warren! 👏

[@MHasseldam]

Great stuff as usual, Warren! Top Notch! 1) Sweeping IS great for "Search & Destroy" - if you detect a problem with an unwanted pitch or resonance, before you're even thinking about EQ'ing, sweeping to find the precise frequency to scoop out is a great technique! But I agree, it should be used sparse, and not as a tool to go look for trouble! 2) The key to a clean mix is definitely in the realm of filtering - mainly high passing! Although, it is not something that partout should be added to every track IMHO! If there's no bothering low end information on the track, I wouldn't filter it! Optionally double check on an FFT. I often see people try to filter some low end information that's not even there, with steep steep 96dB filters, and it'll create horrible filter resonances and cause phase shifting like hell, which could severely harm your tracks. It might not be audible right away, but low cutting something unnecessary could make your tracks peaks significantly louder because of phase shifting, which could then distort or trigger dynamic processings in unwanted ways etc. Not many people seem to know about this - maybe a topic for a future video? Also, sometimes shelves can do wonders too! 3) Fantastic tip! Creative use of EQ, and in a small way the EQ actually be comes a part of the compositional work! Great!

[@SeanMariani]

This is a lot like life. If you go looking for problems you'll find them. Look for solutions. 🙏🏼🙏🏼

[@Producelikeapro]

Very well said!!

[@AlexeySolovievMusic]

Thank you so much Warren for all of your valuable tips and trick I use everything you show in your tutorials in my production and it works perfectly for my mixes.

[@Captain_Terp]

Slopes are EVERYTHING. Selecting the right slope filter (shape AND rate) made the biggest difference to the overall sound. This became much more apparent with large format digital consoles in the live scenario. Once my ears got dialled into exactly what you're talking about, my channel strips consisted of gain, high pass, low pass and pan. My mixes had never been better.

[@Producelikeapro]

Fantastic! Agreed 100%! Very well said

[@Steyreon]

Nice tips! I sweep rather with a cut than with a peak to find where the sound opens up :)

[@Producelikeapro]

Thanks ever so much for sharing

[@jackfisher9833]

I gave you the Like number 400, and I love your stuff.. I hope you are doing marelously well too.. Best studio teacher on the web.

[@Producelikeapro]

Thanks ever so much Jack!!

[@AliciaLegend]

oh god.. thank you. So many tutorials from people that are just searching for ugly frequencies and I tried it myself - ending up being super confused. It's not a fun thing to do and it takes away the character of a sound. Thank you, this was refreshing. And btw: I love how worn your headphones look like and the whole ambience of your studio. Rly sympathetic :) stay healthy!

[@HitTheRoadMusicStudio]

Wonderful tips, absolutely agree with the sweeping ! Was lucky to get a golden tip when I started Mixing to avoid sweeping and rather listening and guessing the frequency that I like to take out from the track: EQ off, subtract/add frequency, turn EQ on in the track - adjust - takes more time, but more time always pays out on a long run !

[@liveattheinternational]

Your Vlogs are amazing tutorials Ive paid a truck load to learn a tenth of what I've learned watching these Videos Waren. Much appreciated. Sending these to my son who lives in the Studio and is starting out. Going to sign up for your course also. The sound on the vlog is perfect accept it drops slightly on the music inserts. . Having said that it could be this shit box of a tv I'm watching on. Have an incredible day Warren.👍

[@Producelikeapro]

www.swvstudios.com wow!! Thanks ever so much for your wonderful comment!!! You Rock

[@slimskinny]

I swear when I first started recording at home my mixes were great even with cheap equipment. Once I started doing too much mixes got horrible. I think we forget dont get too technical and enjoy the music.

[@wjniemi]

Excellent debunk of the sweep & subtract method.

[@mortalflower1]

This was the right advice at the right time for me, as I'd somewhat succumbed to the sweeping madness. Thank you, as always!

[@stephencline685]

I laughed pretty hard at the 4th and on "Ugly! Horrible! Let's cut that"

[@Producelikeapro]

Haha thanks ever so much Stephen!

[@Stanhawk500]

Such vividly clear and concise advice! thank you!

[@twitchgrass3849]

Breeeeeliant advice. Even better hands-on showing us how you do some of it ....low and high passing...invaluable! Shaping low end like a sculptor digs into clay. Thank you!!

[@serge1643]

Thanks

[@Producelikeapro]

Thanks ever so much Serge!!

[@adamjones7701]

I’m obsessed with that epiano sound

[@Producelikeapro]

Nice! Thanks ever so much Adam!

[@philu4621]

In the purest way possible...I love this man

[@CNCChazz]

Timely video for me, thank you. Just last night I was fighting with a guitar track and my choices seemed to be lifeless or muddy, this has given me some important things to consider.

[@joshdrewpic]

"Trust your ears" as had the biggest impact on my mixing. Cuts out a lot of that self doubt.

[@HolySmokeOfficial]

Just like cleaning the back of the studio, we're afraid to sweep... Scared of what we might find! ☮️♥️🤘🏼

[@Pitalopin187uu3]

Thank you for the awesome pointers and advice!

[@Singerville]

Marvelous tips as always Warren - many thanks!

[@artofpretention]

Yeah I completely stopped doing this years ago. I focus more on getting a good original sound and correcting things from the start.

[@Producelikeapro]

Amazing! Thanks ever so much for sharing

[@higltypig]

sweeping is a fantastic way to find a resonance in your room

[@davidkeller8084]

Yes this is about all its good for, and this is done in pre mixing and gain staging, it is very tedious and boring, it can take a lot of time but, the end results can be well worth the time.

[@andresnusspaumerpilon3773]

You have a lot of great ideas men! You blow my mind. Salute you from uruguay

[@geloaguass]

i always listen/watch to your videos every night, and i think im improving 😬

[@adamsmith7058]

Cool how you turned that eq into a comb filter in the beginning. 😂 Good point though. Never liked the sweep method. Only eq if it needs it.

[@Producelikeapro]

Haha yes, indeed!!

[@johnhowarthmusic8706]

Why BOOST when sweeping? I've learned to SOLO the suspect frequency as it IS. But that's easier when soloing the track. So, 'context' is important? (I am a relative novice; so I've learned from A.I. (Izotope) and great guys like you, to do these things myself.) Thank you.

[@andypomeroy7447]

This will improve my mixes! Thank you.

[@ADGreen-es6hm]

Warren I’m glad you brought this EQ problem up thanks a lot

[@heinrichsmit2]

I also discovered this whole sweeping myth because I've seen this technique been taught on youtube videos, however it seemed abit off to me. Every frequency has a purpose. These days I'm only thinking about it in the sense of brightness and darkness, I'm not scooping everything like back in the day.

[@Producelikeapro]

Haha exactly! It's unfortunate that people are teaching things they yet have to learn themselves! Haha C'est la vie!

[@heinrichsmit2]

@@Producelikeapro So true haha!

[@Producelikeapro]

Heinrich The Guitarist exactly!!

[@neovxr]

you sweep for ringing-frequencies that would pinch your ears with the contamporary listening devices. but you need to know what they really are. some come from cheap mics, some come from poorly prepared recording rooms, some are perhaps a trait from the vocalist. do resonances support the music in this instrument or vocal, or do they distract? the auto-de-ring algorithm (Nectar; TDR Nova GE..) probably does not know this well enough.

[@dizibangman3302]

I looooove you you’re my daddy in mixing world for real 😍😂

[@Producelikeapro]

Haha thanks very much!

[@alexgarber7910]

Thank You for sharing knowledge! Very useful!

[@jeanalvinioalain8670]

Nice video Warren. Very helpful.

[@eegoal]

I don't make mistakes. I do things a little "differently" lol . I'm just kidding. Awesome video

[@Producelikeapro]

Haha I hear you! You and me both!!

[@espenstoro]

Ear training doesn't just apply to music theory. I can (finally!) hear a sound and think "something sounds weird around 400-ish", and it'll be pretty close, no need for endless sweeping that will confuse you and bring out any harmonic you touch. EQ needs practice. I think the key is to be quick about it. You don't wanna listen to the same stuff in detail too much, it leads to instant blindness. Quick and rough EQ moves, keeping in mind the simple concepts of darker, brighter, less mud, things like that. It's 90% of the EQ work for me, and it's done during the first 10 minutes. Details come later, if it's even needed. And for god's sake, use the shelf more. High pass out the useless junk, but use the shelf to control the level of the fundamental notes instead of getting rid of them completely.

[@espenstoro]

@Dbomb Danny Thank you for your valuable contribution

[@ReeWebster]

Great Sweep eq tips. People forget its boosting to the point everything sounds bad. Use it to ‘help’ identify a freq thats still horribly present when the eq isn’t engaged.

[@javierherredia]

YOU HAVE A REALLY CLEAN SOUND. SUPER INFORMATIVE

[@halpearson4226]

Most common EQ mistake: using high-passes when there's no LF clash, killing the character of the sound.

[@emrazum]

unless you're doing weird bit reduction sound design that has subsonic reflections/low harmonics

[@kensmechanicalaffair]

Understandable, sometimes i do that to cause the sound to not be picked up on a low or high end crossover within a component system.

[@stormshadow2k]

What mic is on that snare? It sounds drop dead gorgeous.

[@Producelikeapro]

It is an SM57!

[@JoeySchmidt74]

@@Producelikeapro Aahh, the snare workhorse strikes again.

[@Dave-Rough-Diamond-Dunn]

That's what they taught me to use in 1987! And a 58 for vocals! Can't beat the classics.

[@ManuSDP]

You’re having fun and I’m having fun watching. Awesome as always Warren!

[@robfr5740]

Super instructive, thanks a lot, i've learned so many great things with your video !

[@Producelikeapro]

Thanks ever so much Rob!

[@longlostrobots8146]

Don’t look for anything offensive is great advice for life 😂

[@Producelikeapro]

Haha yes, indeed

[@deathcrush79]

I can't help but notice, why do you solo the tracks when you EQ them? Don't you need the context of the whole mix too?

[@Producelikeapro]

I’m teaching, it’s much easier for people to hear the differences in solo! Especially if they are fairly new to mixing

[@Skykingsound]

The video I've been waiting for! Now compression mistakes (not including forgetting to compress).

[@nabsdmusik]

Thank you very much, very helpful, I always struggle with EQ, trust your ears defiantly helps.

[@AnitaPotterProductions]

1: All that notching and you might as well mute the track :P I still need to train my ears to hear when to automate frequencies. That's the one thing I haven't done with an EQ yet.

[@randychurchill9426]

Man, automating eq like that would be a pain and a half. I'd probably use a dynamic eq instead.

[@AnitaPotterProductions]

@@randychurchill9426 I don't think it would be any different than doing volume automation on a vocal or anything you want to bring up or take down or turn off completely.

[@randychurchill9426]

@@AnitaPotterProductions Possibly, but what if you identify multiple troublesome frequencies on the same track? Watching a Soothe2 frequency feedback and imagining trying to do that with automation makes my head spin. lol

[@AnitaPotterProductions]

@@randychurchill9426 Hahahaha that is true. Might end up getting cross eyed and my head would explode ;)

[@Producelikeapro]

Hi Randy Churchill you’ll still have to automate it on and off! Soothe 2 is amazing! I highly recommend it, however the point of this video shows that sometimes you need that additional fullness to reinforce thinner sounding notes! So you’d have to turn off and therefore automate Soothe during those moments!

[@pentagonoenllamas]

Instead of automating, I tend to prefer to split the take in separate tracks. Maybe the verses, chorus, and solo all need completely different signal chains, and if I want to modify the volume of a part, it's a lot more handy to have it in its own fader.

[@motherofcups9374]

Woooooooow..... I needed this sooooooooo bad! Can't wait to watch the ''Common comp mistakes''!!! BRAVO

[@Appleloucious]

Many many thanks for this great video! One Love! Always forward, never ever backward!!

[@just4dalaughters431]

Hahahahaha oh, ugly, horrible! ..I love it😂

[@Producelikeapro]

Haha yes, indeed

[@J-DUB-F1]

I'm still a bit guilty of SWEEPITIS, but I've gotten better over the years ;:-)

[@Producelikeapro]

Haha nicely put John!

[@JoeySchmidt74]

You may need a sweepectomy.

[@jimwideboysullivan3165]

Finally someone said it!!! I've thought about this on sweeping eq notching for a while. What happens when the pitch changes on the source material? Eq needs to be dynamic

[@PhilRichardson44]

Great video as always, thanks Warren!

[@karlosdanklou8095]

funnyyyyyy😁😁

[@Producelikeapro]

Haha thanks ever so much

[@rfzw]

The late "hope you're doing marvelously well" in the intro threw me off.

[@MrVleker]

The more I learn the more I realize there is so much more to learn! Thanks for all the tutorials :) Also it's great you put the text in the description. #1 is one I'm for sure guilty of!

[@anthemmakersmusic]

When cash permits I promise to take your class. Thank you for all the tips, I am learning so much.

[@edtamboni4752]

Well now, don't all you guys who've been saying boost-sweep-cut for years feel foolish? And....why is it that all of a sudden all the KZbin teachers are now saying don't do it...seems like just in the last few weeks they're all saying don't do it that way.

[@Producelikeapro]

Hi Ed, I wonder who's been saying that? Every professional I know (list hundreds of names we all know ever! Haha) not one of them uses this technique, unless they are specifically trying to pin point a frequency that are unable to hear, maybe once every year or two? Haha

[@Jake_Godsil_Music]

Produce Like A Pro I know musician on a mission recommends it in a lot of their videos. They’re mostly aimed at beginners and quick tips to get views

[@RudalPL]

I've noticed this as well. It's like 3rd video in last 7 or 8 days I've seen that says "don't sweep and cut".

[@Producelikeapro]

Hi@@RudalPL are you suggesting I'm copying someone? Haha Who's posting these videos? I do love KZbin, it's amazing, however I don't have enough time between recording and mixing to see what the professional KZbinrs are doing! I would love to know! Many thanks, Warren

[@Producelikeapro]

Hi@@Jake_Godsil_Music yes, it's something we shouldn't be teaching to beginners, it's not making the mixes better. The best to learn is to do less and learn how to do more when you can hear the differences you are creating!

[@mcsweet1966]

From all the things I learned from you Warren the hardest by far was to thrust myself but I`m getting there ... Have a Great Day !

[@kevinsens63]

Thank you very much for this lesson!! I especially found the EQ sweeping mistake very interesting.

[@Producelikeapro]

Haha thanks ever so much! I’m glad to be able to help

[@fredriklundberg3995]

I just had a teaching a couple of weeks ago, a friend contacted me and my producer collegue. He wanted to know how we made our mix´s because he couldnt get it to shine properly. So we went to hes place and took 2,5 hours of showing him just 1 trick. Why, how, and where. LPF and HPF !!! It was like an whole world was opening up, right before his eyes and mindset of mixing. It was a beautiful and powerfull EUREKA moment for him. Keep up the AWESOME job you are doing. Your tips are MARVELOUS!