5.1 Editing, mixing and mastering in Adobe Premiere Pro part 01 of 02

This is the first in a 2 part tutorial of how to edit, mix and master 5.1 surround sound for broadcast in Adobe Premiere Pro. I start with a blank project and take you all the way to client review deliverable and final delivery to a broadcaster.
Table of contents:
00:00 - 01:38 Introduction
01:39 - 05:16 Creating a timeline preset for 5.1 surround
05:28 - 09:05 Editing in the 5.1 timeline
09:06 - 09:48 Exporting OMF and AAF to Protools
09:52 - 11:34 Importing 5.1 file from audio post / Protools
11:35 - 12:01 Ending

[@alaricfilmsltda7307]

One word: Master... Thank you so much for explaining such complex process so simply. Bravo!

[@ravindrarao2860]

SUPER EXPLAIN

[@leroykincaide]

Thank you for your help on this... You literally don't know how valuable this video was for my latest edit. I have smashed that sub and I look forward to seeing more of your content.

[@proedittips2178]

Thank you I appreciate that!

[@FlyingEyes27]

Thank you, me as beginner in 5.1 helps that a lot. :)

[@ms.mxrvelle]

thank you so much this is a lifesaver!!

[@ndolaboy]

Superb explanation. Thank you!

[@npv476]

This is so helpful, thank you! is there a chance you could do one for film use? There is little information on how to work with materials that go into cinemas.

[@LucasHardy]

This was great. Thank you!

[@lacanuck1]

Look at you!

[@lacanuck1]

Great instruction - how I would want to hear it.

[@henryhonig6208]

Great Video! Very informative. I am looking forward to your 5.1 Adobe Audition video. Is that still in the works?

[@proedittips2178]

Thank you! I haven’t started the audition one unfortunately. I really should though. Audition is a great tool and when setup correctly is great at 5.1. If you have a specific question about it let me know and I’ll try to answer it.

[@wijayasanuajitv6545]

How to rendering wrap to dcp for 5.1...