Don’t struggle to get a great miked guitar sound! Check out five easy ways to capture your cab or combo, and watch more studio & recording lessons here 👉 kzbin.info/aero/PLlczpwSXEOybJLExI9WQwRA7ARVxPCPEG
@mikezaite13352 жыл бұрын
Great job Don and Mitch. This is what differentiates Sweetwater from other retailers, you educate and help musicians , not just try and sell them stuff.
@danielhughes52505 ай бұрын
Fantastic Video. The summary comparison as the end is excellent. I love how the narrator just gets down to business with no wasted time at all. 10/10
@MrFuzzleupagus8 ай бұрын
Mitch and Don are one of my main sources for information.
@Zildjian_DW2 жыл бұрын
Another great idea from Sweetwater! I love getting the most out of my equipment and these videos make certain that I do. My microphones now have new sounds. Especially on my drum kit. Thank you for all the informative videos like this one!
@lukkaturi2 жыл бұрын
This is so basic yet extremely helpful. Thank you for sharing 😁
@edsknife6 ай бұрын
Not sure why I watched other videos; this one's all I needed.
@PressuredSpeechBand5 ай бұрын
Yeah this was amazing and taught me so much. They kept it simple besides the phase problems. Not sure what that part means haha.
@Rivervish2 ай бұрын
Great Video !!!Sweetwater is Quality period.Keep it up Guys🎸💯🤘
@gregmican2 жыл бұрын
That Z28 MKII sounds awesome
@ShawnBrockMusic Жыл бұрын
Great job as always guys! I’m glad that you highlighted and showed what drastic differences can be achieved with the same equipment. it seems a lot of home recording enthusiast see one way, and become afraid that the one-way is the only way that will work. something I wanted to add, for those who do double rhythm tracks, you might want to consider micing differently for each track; that can be a big trick to giving you a bigger sound all together. This stuff is a world of fun, and I always appreciate your videos. Of course, I always appreciate making purchases from you as well lol.
@MrObelisk22902 жыл бұрын
Sm57 with Royer for close miking
@flaviopresutti2 жыл бұрын
Thank you so much! Really helps! Greetings from Uruguay!
@ralphrounds7092 жыл бұрын
Thanks, Mitch, great video 🙏
@meinbherpieg4723 Жыл бұрын
What great timing. This vide is just what I needed. Thank you sir.
@aragorn767 Жыл бұрын
That first two mic technique is called the Freidman technique. They make clips specifically for that and it's great for metal and other hi gain genres. You get a bright mic, and a dark mic.
@BrundonC2 жыл бұрын
Again with the amazing content. Sweetwater never fails to bring the heat.
@mickeymiguel27262 жыл бұрын
Great lesson, great knowledge.
@leocubiasmusiclifestyle74602 жыл бұрын
Loving this content
@jerrygamez5723 Жыл бұрын
Thanks for the video
@TheSoulsandRevive2 жыл бұрын
Very informative as per usual, cheers for this!
@echoheadband Жыл бұрын
Great vid, thanks!
@Jung2-samanhudisound2 жыл бұрын
i like sound of method 1 (angled) and method 4
@jeremy_p2 жыл бұрын
Great advice!!!!!! Thanks for this information!!!
@theHindenberg Жыл бұрын
this is helpful, but im a little confused with regards to the 2 mic technique when one mic is much further from the source than the other. doesn't this lead to phase issues?
@tmsglobal58482 жыл бұрын
Very helpful ideas. Thanks for sharing.
@sweetwater2 жыл бұрын
Thanks for checking it out! 👍
@alexdenton65862 жыл бұрын
Nice , I needed this
@martianmurray2 жыл бұрын
How do you address phase issues? Just move the mics around, or is it something with your DAW or interface?
@isaacbugalho2 жыл бұрын
@Brent Harmon's Music Corner that's a complete phase rotation, might help but won't fix it. Best way to phase align is to measure distance from source to closest mic, then from source to furthest mic, find the difference, calculate or use an app to convert that distance to milliseconds or samples, and use that number on the DAW to delay the closest mic. Just a note, if using front and back mic technique, add a Phase flip (on one of the mics) to what was said. Fine tune by ear some samples back and forth Sounds way more complicated than what it is really, remember 1foot is roughly 1 millisecond
@AJ-ch2cg Жыл бұрын
@@isaacbugalho good info. Just my opinion, but why bother with all that calculation (unless you have lots of time on your hands and enjoy that sort of thing), when method 1 alone sounds so good? Obviously the answer to that is experimentation and finding the right sound for the setup and space, but to me there's a clear winner here, and the simplicity makes it an easy choice for me.
@isaacbugalho Жыл бұрын
@@AJ-ch2cg Your ears should be the judge, there's no wrong, one of the most famous 80's snare sound is achieved with mics out of phase. That being said, if you want mics in phase, what I wrote is the way to go, just flipping the phase won't do it.
@vincepinedo48216 ай бұрын
nice vid. very helpful.
@psychorock834 ай бұрын
Very very cool video
@jamesnortonofficial15662 жыл бұрын
I love you Sweetwater 👍
@68Tboy Жыл бұрын
Why not plug in directly to a mixer? This confuses me so much. Especially with a bass amp. If I have a bass amp do I still need a second subwoofer for the PA system? Or are two main speakers good enough?
@sockstactical3 ай бұрын
In a guitar amp, a good chunk of the tone actually comes from the speakers and how they sound in the room, which is why most guitarists prefer micing an amp rather than going DI. I couldn’t really tell you what most bassists prefer, but assuming you’re going DI you’d probably want to have a subwoofer in your PA system to get the most bass.
@uvicjames3 ай бұрын
Plug what directly into a mixer? If you want to capture the output of an amplifier you will either need to capture the sound at the speakers with a mic or simulate a speaker. You can do the latter a few ways, including using a reactive load box to capture the signal passing through the speaker cable, sending it to a DAW or dedicated hardware box, and then using a simulator to model the speaker. If you just take a preamp out directly into a DAW it usually sounds terrible.
@9uidin9li9ht2 Жыл бұрын
My favorite was two mics on the cone. Seemed the biggest sounding.
@mikeapmusic9407 ай бұрын
Really useful information - thank you! Definitely going to avoid the last technique as it sounded like playing in a tin can.
@Manic_Mitch.official Жыл бұрын
What about using the shuresm57 b? The big one that podcasters use. That’s what I’ve been mic’ing up my amps with and I’m wondering if the sm57 might be better
@uvicjames3 ай бұрын
Lots of videos on that, comparing the two. SM7B is good for lots of applications, but the SM57 is the standard guitar cab mic. One reason is size... easier to put the SM57 on a cab in a live environment, isolation cab, etc.
@Manic_Mitch.official3 ай бұрын
@@uvicjames I ended up trying both. The 7b sounds terrible with guitar very muddy even after playing around with settings and position, 57 sounds really bright and awesome tho.
@OhBHayes2 жыл бұрын
Love it!
@AbdullahSawan2 жыл бұрын
How are you not getting guitar bleed from playing right next to the mics?
@Nathansillav2 жыл бұрын
By guitar bleed do you mean you can hear the guitar being played though the mic, if so you just turn that up up very loud, if the acoustic strumming is coming though your guitar amp mic that means your strumming is as loud as your amp,
@Nathansillav2 жыл бұрын
That amp would be sitting around 100db
@MrDaigoRiki2 жыл бұрын
Why no noise?
@bengagliardo10802 жыл бұрын
on a 4 speaker cab.. one speaker has a tendency to sound better than the rest.. find that one and mike that one... if you only got one mike like on stage. how the speakers are wired will determine which one has more balls. lol