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In this invited lecture, hosted by the Pell Honors program at Salve Regina University, I present some of the key themes and concepts of Friedrich Nietzsche's first major work, The Birth of Tragedy out of the Spirit of Music.
We start with Nietzsche's distinction made early on between the Dionysian and Apollonian responses, which play a central role in this work, and particularly in the development of the genres of classic Greek poetry, leading up to the tragedy of Aeschylus and Sophocles.
We then look at the third major response, the one which takes us from the tragic to the theoretical point of view and mode of life, the Socratic, which Nietzsche will also call the Alexandrian -- and which he regards as the prevalent fundamental viewpoint of our own modern times.
According to Nietzsche, with Euripides, tragedy ends up dying a self-inflicted death. By rejecting the Dionysian depths and mystery, Euripides is abandoned by the Apollonian instead, and has to find new substitutes for what the interplay between Apollonian and Dionysian provided.
We close by considering the situation of modernity -- which threatens the danger of nihilism, as the spirit of science starts finding its limits, and the cheerfulness and optimism of the Socratic begins to give way to an existential nausea, pessimism, and groundlessness. Nietzsche's solution in this early work is to chart out a resuscitation of Apollonian myth emerging through the Dionysian basis of music, leading to a revival of tragedy. In his later self-criticism of the work, he suggests that he was off-base and that a more individual solution would be possible.
If you'd like to watch some more in-depth videos (4 1-hour sessions) on Nietzsche's Birth of Tragedy, they're available in my Existentialist Philosophy and Literature playlist: • Existentialist Philoso...