Agnes Baltsa & Friedrich Gulda: Mozart - Ch`io mio scordi di te? (K. 505)

From the Munich Philharmonic Hall, 20.07.1989
Agnes Baltsa - soprano
Friedrich Gulda - piano
Munich Philharmonic Orchestra
W.A. Mozart - Concert aria "Ch`io mio scordi di te?" K. 505
Watch the full programme: • Agnes Baltsa & Friedri...
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[@annemariequiring2061]

Bravi tutti. A great example for excellent musicianship.

[@patriciagalli6916]

Baltsa is a wonderful singer. Love her!!!!!

[@zralokvemigraci]

Truly amazing performance of my favourite aria! Thank you for posting!!

[@jorgeandresossa]

Agnes Baltsa is amazing! Increíble.....

[@takeshitedada4595]

absolutely exellent

[@vaughangarrick]

Wonderful.

[@takeshitedada4595]

The best concert, composed by WAM, area played by two geneous Gulda and Agness.

[@scarboravel5008]

Marvalous recording, full of life with an improvisatory feeling. How strange at the end when Gulda started applauding the orchestra before they finished. I was quite startled.

[@stefanstamenic3640]

Masterfully executed. K 505 - Amadeus "variation" Soler and J.C.Bach: "Sventurata, in van mi legno" for soprano, 2 horns and orchestra (2 flutes, strings). 1783 the Austrian Emperor Joseph II founded a new opera company specialising in Italian opera buffa. Storace performed in 20 operas during her stay in Vienna. Angelica in Vicente Martín y Soler's "Il burbero di buon cuore". Soler "Una cosa rara"; Countess in Salieri's "La scuola de' gelosi"; Mozart's "Le nozze di Figaro"...There are a few comments about her voice, but only when she sang Sler's operas and not Mozart's - Count Karl von Zinzendorf: "I find the duo between Mandini and Storace so tender and so expressive that it poses a danger to the young members of the audience. One needs to have had some experience in order to see it with a cool head" ("Una cosa rara" duet). The representatives of music turned a deaf ear when Mozart said "Bravo - Una cosa rara" in "Don Giovanni"; they should have explained to us, presented, why Mozart said that. Instead, they forgot Soler's operas. 1786, 1787 Mozart and Salieri did went bankrupt, their operas were performed only 2 times each; Soler came and cleaned them with a broom, his operas were performed 100 times in 19 countries, translated into 9 languages. Soler: Una cosa rara (1786); Soler: "Il burbero di buon cuore" (1786); Soler: "L'arbore di Diana" (1787).

[@giovanniarioli2971]

Ti adoro Frederic ti ho sempre amato and a good surprise from Agnes.

[@railisissonen7661]

❤🎉😊🎉😮❤

[@fridafan1]

More Baltsa please!:D

[@LOFTmusicChannel]

Yes, she is great. Here is a concert gala with her: kzbin.info/www/bejne/j2jKZYqfmtinbJo

[@railisissonen7661]

❤🎉😊🎉😮❤😅🎉🎉🎉🎉🎉

[@HelloEveryonez678]

What's that thing he wore on his head?

[@martenkoen7987]

Prachtige uitvoering, anders maar even mooi als de uitvoering door Bartoli en Ushida

[@operettafan1]

Cecilia Bartoli˙s rendition of this aria is the best and its not hard to admit even though I am not a Bartoli-fan, but she sang it so extremely good, that its above any discussion. Baltsa sang it very well, its a pleasure to listen to, the only pitty is that she was sick here and could not give it the 100 percent she would have given on a good day, but still a very nice performance. Gulda is as usual - himself, extravagant, but a passionate musician and someone really special. I would, though, tone it down a bit, cause sometimes he crossed the limit with his free-spirited attitude. Its so funny how at the and he simply pushes Baltsa forwards (as if she was a child..) so she could bow and be applauded at. :-)

[@fernandopinheirobb]

TRISTEZA FATÍDICA Tristeza fatídica: pessoas não deixam os parentes morrer em paz E, ainda, ficam frustradas porque as autoridades sanitárias não As permitem acompanhar os mortos no sepultamento. Aqui jaz. A peste enfrenta outra peste: hipocrisia em ser honesto em vão. "Ch'io mi scordi di te? ... Non temer, amato bene", com ardor, A ária de Mozart é a resposta daquilo que nos coloca no chão: "Diga-me se um coração tão confiante pode suportar tanta dor. Você não deve temer. Você está para sempre em meu coração." O ego não sabe perder, as pessoas pensam que morrer assusta. Perder alguém, como se fosse coisa que se perde pelo caminho. O que é pior: a preocupação pelos mortos, isto em nada ajusta. Afinal, a morte é apenas a despedida sem público no cemitério. O sistema imunológico debilitado precisa reagir com o carinho A fim de debelar essa pandemia que nos chega com um critério. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - TRISTEZA FATÍDICA (poesia), de Fernando Pinheiro, - in O mundo de Morfeu, de Fernando Pinheiro.

[@giovic9802]

10:00

[@NyebolszinAntal1968]

Ch'io mi scordi di te. Not "mio".

[@sergei335]

Mne tozhe nyet.

[@bellinc78rpm]

She doesn't have the colouratura technique for this piece. The scales and runs are only hinted at.