Ale Carr - 'Pärlepolskan' by Roger Tallroth

[@loveandgrace1]

Fantastiskt vackert, ~och sååå bra spelat! 🥰

[@dreamerscircus]

Tusen tack, Elin! :-)

[@nigredo75]

Beautiful ❤️

[@dreamerscircus]

Thanks a lot :-)

[@LotteStarck]

Like silhouettes of spring water

[@dreamerscircus]

That's beautifully put, Lotte!

[@richwesterman1391]

Tack! ♥

[@dreamerscircus]

Tack själv!

[@domicard57]

WOW ! so inspiring, beautiful tune...

[@dreamerscircus]

It's a beauty!

[@paddyburgin565]

Extraordinary beauty thank you so much.

[@dreamerscircus]

Thank you very much!

[@tapioaalto2656]

Nice. Thank you sir.

[@dreamerscircus]

Thanks for watching!

[@jeanloudescamps4957]

Wonderful ! Thanx

[@dreamerscircus]

Thanks for watching :-)

[@konstantes]

Genialno

[@dreamerscircus]

Thank you!

[@romantea3506]

Is it an octave mandolin?

[@dreamerscircus]

Almost, it's got an extra pair of strings in the bottom end as well, so five courses, and the tuning is DGDAD. It's called a cittern :-)

[@everwake9463]

Wonderful execution. How is your fret-wear? Ådin might have to re-fret that beast, or adjust the nut and/or bridge. Especially on your second course of strings, there's consistent loss of syntony. I've found it on my flamenco guitar: sounds fine "open", but when I capo III or V, the slight difference (due to fret) wear causes the intonation to be off. Best wishes.

[@alecarrmusic]

Thanks! I know what you mean. My fret wear is terrible on the first course, but hopefully this will get better the next time we re-fret as we'll be going for bronze frets then (SINTOM). With regards to the second course I think it's mainly caused by me applying too much finger pressure :-) An old habit from playing all these ornaments which requires full force. This is also what causes the fret wear on the first course. Thanks for the feedback!

[@guennadikalinine1716]

!!!

[@dreamerscircus]

!