ALEXA 35 Showreel 2024

[@redbandmedia79]

Just fantastic! Well done ARRI.

[@georgemalcolmtv]

We love you ARRI! Great work Thomas!

[@RubayatOnin25]

Love it!!!

[@OwenTooth]

I can't believe you've featured my zero budget short (Okay, Debbie, how did that make you feel?) with all these movies. Mind genuinely blown!

[@waynecake5867]

Zero budget movie shot on Alexa 35? Mind genuinely blown!

[@deonvnzl]

I can't believe they didn't include footage from my low budget music video 😆

[@tunnellightstudios5183]

Beautiful footage.

[@FilmSpook]

*100% Pure Epicness* 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

[@EnTown]

I Love 17-stop dynamic range🥰🥰🥰🥰

[@JonPais]

It’s 14-15 stops.

[@audionixy]

@@JonPais Plus Arri LogC

[@theclosing2454]

@@JonPaismore like 16 its been tested by CineD

[@JonPais]

@ wrong buddy. it’s between 14-15 stops. fact.

[@JonPais]

@ Imatest/Xyla result is 15 stops, but the 15th stop is already sitting on/inside the noise floor, so it’s what Art Adams, lens specialist at ARRI, would call a gravy stop - not to be counted upon - whereas the stops above the noise floor are what he calls paycheck stops. Even renowned colorist Walter Volpatto (Picture Shop) calls all that digging around in the noise floor to pull up information a bunch of bull. To see a real test of the Alexa 35, look up Alfonso Parra’s thorough examination. CineD are clowns.

[@hudsonhower]

Stellar as always - love our A35. (please add games)

[@BlaineWestropp1]

amazing

[@Slimgosa]

An amazing presentation compilation 😁🎉

[@storylitfilms]

Thank you for including some of my work!

[@BryceMiguelWilliams]

Dream Camera 🎉❤

[@videoscollection7323]

Eesy To Use...Love it....

[@KyleProhaska]

lol 35mm footage at 1:18 from A Quiet Place 2. :P

[@360DigitalStudios]

Yes I caught that too. How did that slip in? Unless it was a very early prototype from 4 years ago or more?

[@ARRIChannel]

Hey there - good catch! This shot was provided as part of the trailer for A Quiet Place: Day One, which was shot on ALEXA 35 and released this year, and we missed that it was from the previous film. Apologies!

[@KyleProhaska]

@@ARRIChannel it happens :) Great reel!

[@devinhill9514]

The goats 🐐

[@spoofproductions6972]

can I have one, because this still remains my favorite semi-consumer Cinema camera

[@davinfitch]

I didn't know 'A Quiet Place Part ii' @1:19 used a digital arri camera. Or that the Alexa 35 has been around for that long.

[@WEDraskaz]

very cool

[@sa.t.2507]

Did Tarantino choose the thumbnail for this video?

[@jijivishant]

lovely

[@mathispyt8603]

So this is the real level of image quality youtube allows us to see now ? 4K hdr is just crazy

[@cristianmariusbalaceanu8810]

BEEING A FAN O ARRI I HOPE LIKE IN 2025 ARRI TO DO BIG STEP SEEING ARRI 8K CAMERA - 2025 IS SPECIAL YEAR OF THIS CENTURY.

[@lucatravaglini_filmmaker]

What do you need 8K for?

[@wed2w]

The jitter of the pixel clock won't make 8k motion looks very smooth for now. Something still needs improvement to make 8k actually good

[@360DigitalStudios]

Looking great, but that shot of Cillian Murphy running is from Quiet Place part II, and was shot on either the Mini or more likely film. Unless there was a early, early prototype out there in 2019 or 18?

[@KaceyBakerFilms]

Wow

[@eugenekubak7857]

Arri alexa is still the best

[@novapixel16]

can I have one of those 35? I can give you some footage after lol

[@lamodification]

If u got a million dollar light crew you could also achieve those looks easily with a sony fx3. The alexa35 is probably more use to no budget available light projects which ironically can't afford it.

[@DaCarnival]

Being able to achieve a look VS repeatably, easily and comfortably achieving a look, with a full professional integration on set and in post is the difference between an FX3 and an Alexa35. It doesn't seem like a big difference when looking at a camera test, but it's a no brainer at the full-budget level.

[@lamodification]

@@DaCarnival yeah that’s why 28 years later is shot on iPhone 🙄

[@DaCarnival]

@@lamodification Why would you mention an absolute outlier example to prove your point? Literally every other film at that budget level this year will be shot on a cinema camera, probably 80% on an Arri. 28 Years Later is shot on an iPhone because 28 Days later was shot on a consumer handycam in 2002 - it is super lo-fi and looks like "trash" in the best way. They want a modern way to do the same kind of stunt, hence iPhone.

[@lamodification]

@@DaCarnival it proves perfectly that it doesn’t matter when you got 3 trucks of light whether you shoot on a 17 stops dynamic range cam or on an iphone coz u paint the scene with light how u want it anyway. But it doesn’t matter when you shoot documentary style with available light and 3 gaffers etc. But u would know if you ever did colorgrading, film a doc or a tvc commercial.

[@NPC_averagemale003]

And the Lamborghini dealership is still wondering what I meant by "sorry i wanna be able to pull back details from the window"

[@art.lagutin]

Tell me, please, from which clip are the B&W color footages?

[@silvankampung5222]

Batara Goempar ICS I SAMSARA

[@art.lagutin]

@@silvankampung5222 TY

[@CameraNewsDeals]

Great visually when put out of context, goes to show the image alone cannot save a film. Most of the films shown here weren't exactly well regarded when they came out.

[@TheSpiritawake]

My iPhone cannot do this, why?

[@hooni-mining]

hi

[@Bangyuck]

쌌다

[@maxmeyer6395]

Can I get one for free?

[@emirbublis154]

Long live Alev 3. This camera feels like 50fps digital look. Sorry Arri. Better luck next time.

[@Emilioh888]

I thought it was only me but most of the footage looks very digital, especially the first part.

[@DaCarnival]

That has much more to do with the current trends in color grading and treatment than the sensor. Objectively, the Alev4 is superior in every single way - then you decide on "filmic" nostalgia in post or not.

[@lucatravaglini_filmmaker]

What's wrong with digital look, since It's digital?

[@jonhattanrai]

These guys put up a reel as if they needed to prove how good their gear is.... 🤣

[@tomasfiser2156]

nobody notice greenscreen teeth?

[@guilvalente]

100% for the rich.

[@Asturev]

Whats the point? People think iphones are better and dont care if they arent

[@lucatravaglini_filmmaker]

Lol

[@dangerruss5]

Good Lord all the coloring is dusty sepia af. Not exactly an amazing show of color reproduction.

[@StephanBuchin]

Color grading is so outdated.

[@DavidK-wg8wz]

@@StephanBuchin lmao what

[@JonPais]

?

[@FelixCervantes]

Not your best showreel. Your other showreels made me want to go buy the camera, this one did not.