Alfred Kim_Aida_Celeste Aida madrid 2017

2017 Aida in Real Madrid
Musical director : Nocola Luisotti
Stage director : Hugo de Ana
Aida : Anna Pirozzi
Amneris : Ekaterina Semenchuk
Radames : Alfred Kim

[@alexburkett9201]

Ive just found this. Wonderful! Thank you ❤

[@TV-gf5nf]

Thank you too!!

[@ensemblenoubeaute2061]

와!!! 정말 최고이십니다. 브라보가 저절로 나옵니다!!👍👍

[@TV-gf5nf]

자주자주 와주세요

[@user-yi1yh6mg5d]

Bravo

[@user-hm8eh1zb8c]

동영상으로도 압도되는 우주클래스 선생님 너무 멋있습니다ㅜㅜ

[@TV-gf5nf]

유성민 고맙뜸미다!!!

[@user-hm3zf9pd4r]

Bravo 👏

[@user-mj1nu1in9y]

김호중님 팬입니다~~ 클래식 음악 잘모르지만 bravo bravo~~~♡ 감동적입니다~~~~♡

[@TV-gf5nf]

제노래도 많이 들어주세용!

[@pukik99]

와 넘 멋쪄 ^^ 감동

[@luisalfonsocorbachorodrigu9655]

Bravo Alfred Kim, lo vi en 'Andrea Chenier' en Sevilla

[@TV-gf5nf]

Thank you!

[@TH-ec5rz]

세계 최고의 테너이십니다 ㅜ

[@TV-gf5nf]

고마워요!

[@user-di4pp1lk4b]

부르기 급급한 이 어려운 아리아.. 자연스러운 연기에 음악은 유유히 흘러가고... 현장에서 듣지못한게 너무 아쉽습니다.

[@TV-gf5nf]

현장에 들으실수있게 한국연주도 많이 만들어볼께요~ 고맙뜸미다!

[@giovannifassari6971]

Il sibemolle finale è calante..... voce di gola

[@TV-gf5nf]

Giovanni Fassari 👏😃

[@giovannifassari6971]

@@TV-gf5nf io sono tenore

[@TV-gf5nf]

Giovanni Fassari Non mi piace questo video. 😎🤟

[@grr8048]

Giovanni Fassari Be nice. Forte and gola are two different things.I bet you are not Radames tenor. Of course it is written as Morendo at the end of this aria, but many, even the legends, sang with forte because this aria is in the beginning of the whole challenging opera, following trio. The tenor's voice mostly is not likely fully warmed up yet, and singing the ending phrase with forte instead of morendo is mostly by choice.

[@enabnas]

​@@giovannifassari6971 Show me your link of video

[@user-fk4fn3vn3f]

My conviction got stronger that the modern tenors are inferior to the legendary tenors of the past like corelli, mario del monaco, when listening to this video

[@grr8048]

김범석Your comment is from your own ignorance. Those two tenors were from the same teacher, Melocchi. Corelli did not take direct lessons from him, but he rather copied and studied one of his students' lessons. Later Corelli directly asked for. lots of advices from Del Monaco when he needed them. If you cannot come up with other names, then your preference is Melocchi method, nothing else. I can go on and on, but this is already sufficient for you sticking to your old recording with less information, very little of how they really sounded like. The reason Kim is really good is from his rare quality of squillo as well as his ability to deliver his own thoughts in singing in his still young age.