Alfredo Kraus - Master Class em Roma

[@tenorschofield]

Muchas gracias por compartir esta maravillosa clase maestra por el inmortal maestro Alfredo Kraus (tuve la suerte de participar de sus clases marstrad en 1996 en Santander y con el en Madrid...pero ver este video me refresca toda su tecnica y enseñanzas...el,su señora doña Rositay Susso,siempre estaran en mi corazòn pese a su partida)Muchas gracias!!!,Viva Kraus!!!

[@segu82]

2:47 "non esiste nel canto un suono per la A e un altro per la O; è un suono unico"...

[@짱구는목말라-u8e]

4:00 I love it

[@danielmsms]

¿alguien ha subido el video completo de este reportaje? me gustaria verlo completo. un maestro Kraus.

[@lucianonahuelgomez1374]

So effortless, such an understanding of his instrument. One of the greatest tenors ever❤

[@Wotan123456789]

Un grande, GRANDE.

[@segu82]

3:36 "un trono vicino al sAl"...

[@mfranco0001]

Absolutamente de acuerdo con tu feedback final, maestro! Grande, Kraus!

[@soldierchentipullo]

gran maestro!!

[@adrianday3118]

I feel so crushed for the tenor. The nerves and tension are evident. 🫣

[@pietroterranova8357]

Pensare la nota sulla fronte (terzo occhio) , pensato molto alto, molto chiaro, schiacciarlo e poi allargarlo sulla cassa armonica..... una tecnica eccellente direi !!!!!

[@Dadacomero]

se ne vanno presto i migliori...Dio solo sa quanto avrei voluto partecipare ad una sua lezione

[@anaranjo]

Really hobo 1975? please upload one of your videos to see you singing and showing your technique

[@Dadacomero]

what?

[@danielmariamateos6540]

Hola a todos!!! podríais decirme cuál es la pieza que canta la soprano a partir del 05:18?? Muchas gracias!!!

[@correasilvio2010]

Adieu Notre petite Table di Manon di Massenet.

[@danielmariamateos6540]

@@correasilvio2010 Muchísimas gracias!!!!

[@XneoclassicaloverX]

Grande el gran maestro Kraus!

[@leonardlim1996]

The guy in blue sweater rocks hahahaha

[@sopranosd]

A. He is demonstrating and B. subjective abstract images work for lots of singers, and even though he talks about piu ciaro, he does get a more released sound from crazy Butterfly singer He's trying to get them to raise their soft palates and roll their sound up from a released jaw, using images and vowels to help them. The enor is execrable! Don't know how he managed to get a place singing in this class.

[@victorberistain9536]

La chica que canta “Un Bel Di” de Butterfly tiene la voz súper afuera, pero claro, escuela de Kraus, escuela perfecta, la misma maestría que tuvo al cantar “Celeste Aïda”, es un aria que canta como Kraus, no busca ser Del Mónaco o Corelli (como muchos que son ligeros y ahuecan el pecho para hacer sonar más oscura la voz), Kraus fue una voz increíble, posiblemente una de las más perfectas de la historia.

[@MrandMrsNovato]

sal sal sal SAAAAL!!!!!

[@TransferenciasTransferencias]

Sal sal sal, jejejejejejeejje

[@christophermendozaya]

+Daniel Levintow GET OUT GET OUT!!

[@germanmauriciodiaz2425]

Jajaja

[@buhnedej]

sal but the word writen is SOL.

[@danieljosuefernandezbarrer547]

Sal :D

[@Jacob-ry3lu]

Who advised that tenor in the blue sweater to sing perhaps the most difficult and demanding Verdi tenor aria??? These young singers need several several years of singing art songs and practicing scales before they move on up to the demanding repetoire. Cutting corners in training only leads to more issues later on and bad habits.

[@AindriasHirt]

That is a baritone aria in French. And he's right. The baritone was singing in the back of his throat. He wasn't sliding into his head voice. Kraus was right.

[@Jacob-ry3lu]

@@AindriasHirt I'm talking about the man at 3:35 singing Celeste Aida..

[@AindriasHirt]

@@Jacob-ry3lu Whoops. My bad. You are correct. I was looking the wrong person. Sorry.

[@passione6923]

Grande cantanre!!!! grande maestro!!!!Kraus

[@nikonero78]

It's not too difficult to understand...for example to her he says "there is not a sound to A vowel and other one to O. There is just only one sound for both. He says too that you need to think high notes very clear; and the way to do them is preparing "the harmony house" as narrowing the head horizontally...

[@mateojovic7853]

The best vocal technique!

[@Bulacio_Elias]

Mateo Jović no, the best vocal techniche, is the techniche of Pavarotti,the techniche of Kraus is for his own voice, but is other voice try his techniche maybe get incredible damages

[@santisramos5832]

@@Bulacio_Elias the tecnic of Pavarotti i similar to kraus. For you knowing

[@tenorschofield]

GRANDISSIMO ALFREDO KRAUS!!!

[@roxy570germany8]

pregunta del siglo, ¿cómo se llama el alumno que falló la nota?

[@ivancuetowicq]

Juan Diego Flores, tenor peruano

[@zuraiashvili8106]

Its is very interesting that Kraus seems little amused by that student :D

[@bradleymonroe6443]

Were there two tenors one that sounds good and the other that needs more practice?

[@robertfisher8260]

English Subtitles please

[@MyristicMystic]

Guy in the powder blue sweater had no place there, and may even be a baritone. He demonstrated preference for the muscles used by baritones and basses, not tenors. Kraus asking him to do that was like asking a dog to do it, though the dog would likely sound more pleasant, with whatever noises it made.

[@AindriasHirt]

He was a baritone. Avant de Quitter is from Gounod's Faust. Originally composed in English. It's for a baritone. Master classes often move between voice types.

[@joshuafurtado-mendes9327]

@@AindriasHirt I may be wrong here but I think the comment above is referring to the guy at 3:28.

[@nikonero78]

Le pasó que NO entendió bien lo que Kraus le dice...y si lo entendió no pudo realizarlo porque no es facil. Lo que hizo el maestro fue ilustrarle con su voz lo que le estaba pidiendo que hiciera. No hay mejor manera de aprender que por medio del ejemplo practico.

[@jonathanaguirre1210]

No en realidad no le explico bien hay mucha tensión en la mandíbula en el alumno y además solo lo humilló en frente de todos

[@iTube22100]

3:36 Ma che coraggio che ha questo ragazzo, forse credeva di essere alla Corrida (trasmissione TV) dove la gente pur di esibirsi non ha il senso né del ridicolo né della decenza. E il Sig. Kraus che lo prende anche sul serio invece di cacciarlo a pedate. Troppo signore.

[@matteogritani1635]

e perché scusa? Non si dovrebbe mai umiliare un ragazzo che sta cercando di imparare qualcosa. è troppo facile insegnare a chi vocalmente è già messo a posto. Il difficile arriva quando devi insegnare a chi ha una voce bloccata come in questo caso. Al massimo dovrebbe cacciare a pedate l'insegnante di quel ragazzo.

[@VenusLover17]

Thanks

[@Gualtierimusic]

Nombre del aria en la que se equivoca el joven. Por favor

[@ternitamas]

Aida de Verdi. Celeste Aida

[@루키영재]

진짜 지린다 ㅋㅋㅋㅋ

[@권태형-z9i]

ㅎㅇ

Hahaha

[@emiblindside]

hahaha poor guy XD that was very difficult

[@Albert-lm4ik]

Bravo

[@minoxidil323]

Holy....... Is diego Flores 3.45

[@oliverdelica2289]

😂😂😂

[@oliverdelica2289]

@Barone Vitellio Scarpia ahh yes that's for sure

[@jihyunlee9669]

What you want 4:01

[@HansJosefKasper]

Beim Tenor zeigt sich dann sehr deutlich der generell große Nachteil der einseitigen Vordersitzfixierung der Stimme durch Resonanz- und somit Stimmblockaden in der Höhe. Kraus selbst hat großes Glück, dass er nicht auf einseitige Vordersitzfixierung der Stimme geprägt ist und deshalb immer von früher her genauso nach hinten öffnet, wie er nach Vorne fixiert. Er bemerkt aber die Einseitigkeit nicht bei Sängern und somit kickst in dem Fall der Tenor. Die Frauenstimmen haben Glück, dass sie aus der Tiefe schon mit Kopfresonanz mischen. Nur das verhindert bei ihnen Kickser. Das ist kontraproduktiver Gesangsunterricht!!!

[@germanmauriciodiaz2425]

Dios mío ese muchacho que intento interpretar el aria de Radamés que hace allí??? Seguro se coló con los estudiantes de verdad

[@caballerofito]

Mario es barítono!!!!! No se´como se metió a cantar semejante aria !!!!!!!

[@Donnadie2quemasda3]

Y el Maestro no hizo bien en dejarlo cantar, cayendo en el ridículo y luciéndose él. Nadie es perfecto.

[@jobeshufe06]

¿Te refieres al que cantaba "Celeste Aïda"? ¿Cómo se llama? ¿Tiene vídeos en KZbin?🤔

[@Omorel]

De acuerdo. Si llegó a una clase magistral es porque el chico ya tenía fundamentos técnicos vocales. Con una mejor instrucción, estoy segurísimo que el muchacho podía ser un barítono, tenía la voz, la afinación e incluso la colocación. Un barítono bien instruido puede llegar al La o al Si B con un conocimiento de la técnica del paso de la voz. No toda persona puede obtener resultados con la técnica de la voz en la máscara.

[@jesusalbertoareizanino2399]

@@Omorel soy baritono y solo llegó al G4 increíble que un baritono llegué al A4 o B4 eso sería interesante de escuchar

[@enzocorvalan4954]

@@jesusalbertoareizanino2399 El mejor ejemplo es Plácido Domingo. Un barítono pleno que fue amoldando su voz hacia arias de tenor

[@matiasmariani08]

"un trono vicino al soooooollllllll" just like that. Facil no?

[@SleepDisorderedBreathing]

Un trono vicino al FOH, un trono vicino al FOHHHHHHHH!!

[@TheOnlyVistosi]

04:16 ma quello a destra non è Vilanzon?

[@gualtiermalde645]

No kkk

[@gotpowerwashing90]

Student,Who cracked probably committed suicide

[@snrnsjd]

😂😂😂

[@oliverdelica2289]

Let's hope not

[@peter-el7ym]

Always the voice is blocked by the epiglottis and, because it is fundamentally insensate, nobody recognizes it. Worse, their ear needs to be fed because everyone is terrified about how they sound, so .... ungulatto.

[@alanrodrigues2829]

Celeste Aida

[@popoffrules]

The danger with people who do what they do so naturally, and in such an idiosincratic way, is that they say it the way they feel it, wihtout giving context. I can understand what he means when he says that they are darkening too much, or letting it drop down the throat, but I fear that more often than not Kraus gave those he was teaching the impulse to sing an open passagio, rathar than a vibrant steely forward sound, which is what I hope he mmeant.

[@beachfanatic2010]

The first soprano is really pushing her voice a lot. Madame Butterfly is a DRAMATIC soprano role NOT a lyric or lirico Spinto whatever! It is a very heavy role. Why is she singing that?

[@raiserock8855]

Aguante kraus

[@sidieeh-husd13]

쌀 쌀~ ㅋㅋㅋㅋㅋㅋㅋㅋ

[@o0ozz81]

생각이나 ㅋㅋㅋㅋ 살 ~~~~

[@chrislee4912]

男高音王子

[@MariaCaIIas]

With all respect for his great artistry, he’s terribly misleading the singers guiding them to go higher in the resonance while in order to achieve that he shouldn’t be looking for the placement in the head, but their breath support from their guts!!

[@Mariano-ge6de]

No estoy de acuerdo con usted. La voz en la mascara hace que tu voz dure más y no se dañe.

[@patriciasalgado5623]

KRAUS :(

[@jesusmunoz2400]

El mejor tenor lírico ligero de todos los tiempos.

[@jotge.3444]

Er erklärt genau das Falsche. Dieser hohe Ansatz möglichst noch mit Kraft geht nur, wenn die Stimme richtig geöffnet ist. Und dann erklärt er nichts, sondern demonstriert nur und lässt sich beklatschen. Genau so wie ein Unterricht nicht sein soll. Außerdem war er bekannt für seinen näselnden Klang, das ist Geschmackssache.

[@Mariano-ge6de]

Usted no tiene ni idea de canto y estoy seguro que jamás escuchó a Kraus en vivo. Estará acostumbrado a cantantes con canto engolado y monocorde

[@operalover3966]

He is so nasal. He should have been forbidden from teaching. He didn't help any of the students anyway he just "showed off" (if one could like those screamy tones anyway)

[@jesusmunoz2400]

Canto in maschera, no nasal.

[@魚-c3d]

@@jesusmunoz2400 pretty much the same thing. There's always gonna be some nasality if you sing in the mask, wherever you try to place the sound (cheek bones, forehead etc). He'd telling them "think higher think higher" but higher than the jaw it's the nose!

[@eliascastillorivera7130]

@@魚-c3d depends on what one means to say when saying in maschera. I've understood that it doesn't refer to nasality at all, but that, as there's actually more space in the back and top of the pharynx (high and horizontally expanded velum) the propioceptions of high harmonics gives a sensation of vibration in the face, because of sympathetic vibrations. Is the same as Volpi means when he says that, if one wants to sing a good EE vowel it should be inside an AH vowel, it's the same space configuration. That's why Kraus insists to his students to go towards a more bright (chiaro) AH, instead of an arrotondamento that could be not well done if it involves closing horizontally the pharynx. Nasality could happen if, by trying to attempt this same thing, you lower even a bit the velum and, to help getting high harmonics, you kill your lower harmonics by closing even more horizontally your pharynx, and changing squillo for twang. That's what JDF does. In the voice, those minimum changes make the whole difference.

[@Jeff4014]

Corelli in 1970 finished his career because he didnt use the mask! Search on youtube la donna è mobile 1971...corelli sucks and struggles... He even sing la.donna è mobile in B flat ...shameful! You HAVE TO SING IN THE MASK IF YOU WANT TO HAVE AMAZING LONG VOCAL CAREER

[@Mariano-ge6de]

Usted está obsesionado con Kraus y es un ignorante.