Am I in ANALOG Heaven? (Access Analog Review)

[@jinkubeats]

I think it is so smart, the next step would be for people who have hardware units they don't use or need to pay overheads, can join and have their hardware in the app. That way people can now book hardware units for specific people in the app

[@rmnbnz]

Agree

[@baiijoune]

Can’t stress enough how insanely trippy this is!! To be able to control right from your DAW wherever you are an expensive piece of hardware sitting right in an expensive studio some place else in the world! Can’t imagine how crazy it must feel for the people sitting in the room with these hardware being controlled in real time by a bedroom producer somewhere on this planet😵

[@NoizeLondon]

It’s quite something!!

[@dimitrichatzis8856]

My mind can't get around this... these are some next level things.

[@NoizeLondon]

The future for sure

[@robertl.6919]

And how do you know its not only the plugins versions ? I really would like to see their motorized setups and how ot works.

[@zoeym8003]

Glad to see new content! Hope you are doing well!!

[@NoizeLondon]

Thanks Zoey !

[@jorykevinberger7047]

Heads up! The trim knob on the HG-2 is NOT the amount of air like it is on the plugin. It’s a left / right tilt! I discovered this because the HG-2 (at the moment) pulled a bit to the right. So Chris suggested I use the trim to pull it left. We used pink noise to see how far pitched right and depending on the settings the trim knob all the way left isn’t enough. He’s going to hopefully get it serviced or have Eric guide him to reset the trim. Hard to tell in headphones. But be sure you know this. The plugin while a-b’ing centers. The air button is simply on or off on the hardware. Cheers! And welcome Canada. I grew up in Vancouver!

[@e_abstraction]

This is totally the first step in an awesome direction for producers in terms of analogue mastering. I am totally going to mess around with this!! ❤️

[@themodernworldband]

Totally agree with what you're saying about the black box plugin. Noticed straight away how you were able to crank the HW without destroying the mix.

[@JoachimPastor]

How do you know it’s not just processed through a plugin on the other side ? :)

[@sjkdhgalgci]

If you really wanna be sure, try with sine waves and see if you find any aliasing.

[@caspermaster-com]

Very good demo!

[@Gkhim]

Imagine something like this will appear but with synthesizers, drum machines and other electronic instruments!

[@JeffSmith-ii9ub]

one word... WOW! the tone of the track did not change but it sure did come ALIVE....i could master my EP affordably now

[@alexmagnifica]

Thank you. sorry/ why do you use 16 bit 48 but not 24 44? Was it mastered tracks and you did a final touch or you did premastering? and how do you export results? export realtime or offline?

[@NoizeLondon]

Most aggregators use 16bit 44

[@eviloutionise]

What's the track in this Fabio?

[@sixthfloormemories1566]

Heard about stuff like this before, insane possibilities nowadays!

[@NoizeLondon]

I think they’re gonna do synths as well in the future...

[@amirelhamid]

Hey Fabio, great content, as always. Been following you since day 1. Might be making use of your mastering service some time soon :) Keep it up! Could you please link the first artist's SoundCloud/Spotify/... ? That track's madness!!!

[@cocadaloca]

Would be awesome!!

[@chacra6studios79]

What AD/DA do they use?

[@NoizeLondon]

Lynx Aurora

[@muhammadsarmadhussain3400]

Actually Lynx Aroura and Antelope Galaxy 64 different on different hardware.

[@liminal12]

Noticed you didn't decide to use a limiter on the mastering chain, wondering if there was any reason or just because you were demonstrating?

[@NoizeLondon]

Wanted the output to be clean. I never master into a limiter

[@liminal12]

@@NoizeLondon Huh? But your Mastering in Logic series has a whole section on Limiters and is one of the reasons I always use the adaptive limiter on my bus! kzbin.info/www/bejne/ep_CiWyJjp6LqK8 Did something change your mind about limiters? Love your vids too thanks for all the help!

[@NoizeLondon]

@@liminal12 sure but I'm not showing you how to complete a master with limiters here... I'm showing what it would sound like passing through certain analog signals. The two processes are different.

[@liminal12]

@@NoizeLondon ah ok, sorry think I misunderstood that you don't master into limiters, thinking you meant you don't use a limiter on a mastering chain at all! My bad! Thanks again.

[@blankcheckguy69]

@@jmizzbeatsj-jigga7888 thts not what he said lol

[@mr.lofied5818]

Whats the best blogs to post house / dance tracks too?? Also getting this RN !!!

[@NoizeLondon]

I would suggest finding some good instagram pages, those are considered “blogs” these dsys

[@gkiss2030]

Does it really trump UAD, I mean, significantly? Can the hardware be "heard" compared to plugins?

[@NoizeLondon]

It feels smoother

[@gkiss2030]

@@NoizeLondon I must try it, then. Thanks!

[@danta7320]

Hello, good video! Does anyone which headphones are used?

[@NoizeLondon]

Audio Technica ATH-M50

[@danta7320]

@@NoizeLondon thank you!

[@jinkubeats]

I have a question about recall, let's say you open a session and you have not booked the time, and how many people can use one piece of gear at the same time?

[@NoizeLondon]

You can only use the gear if you reserved the time

[@jinkubeats]

@@NoizeLondon OK so when dealing with recalls, that would be a bit of a disadvantage, right. The gear would have to be free, during the time of recall turnover.

[@catman188]

This is some sci-fi future shit right here.

[@NoizeLondon]

Insane right

[@muhammadsarmadhussain3400]

Sharing something I learned the hard way. Access Analog is not suitable for 1:- mixing bus compression 2:- mastering Reasons? 1:- Conversion is not a Mastering Grade. 2:- Lynx Aroura 32 or Antelope Galaxy 64 are mixing grade converters. Best suitable for handling single instrument recording, effect processing. When you convert multinstrument audio through them you will loose clarity, depth, and details. Using SSL G Buss, Neve Buss Compressor or any other mastering hardware for mastering or mix bus effect through cheap multichannel AD-DA is just a waste of time and money. For mastering and mix bus compression InfraSonic and Magic Garden are better choices.

[@Den-il3zm]

Why did you packed all the equipment?

[@NoizeLondon]

Moved to Canada

[@alxkeda]

Noize Canada

[@alxkeda]

0:26 lol

[@NoizeLondon]

Indeed

[@kofiassor2164]

ok i subscribed...now teach on!

[@davydgromenko2694]

Thank you!

[@AllThatJuice208]

wtf is this fir real! The track is stupidly d0pe too! 05:20

[@mlrd6622]

Nice Video.

[@NoizeLondon]

Thanks !!

[@psychedelichipsterdog]

Wiggling my tail.

[@mostyles328]

How do you know these aren't just digital plugins on the backend? I'm an IT director and A/V engineer. the only way to do this is to have Realtime motorized actuators connected to all the hardware nobs and buttons.... or hack all these outboard gear and change their schematics, Then they aren't original units anymore and would change their sonic properties. I would say BS unless you see their backend processes!

[@rekanlanksbd]

it does have robotics on the back end

[@LokoTheChannel]

This system is patented, you can see this video where they show and explain it in the AES 2019 kzbin.info/www/bejne/oV6baGltbZimrMk

[@alexrogers9533]

intro take 107, be like 0:40

[@NoizeLondon]

Oh yeah we past the 300’s at least

[@alexrogers9533]

ahahah love the vids though man

[@artgod2890]

I don’t believe. It’s just no way this music is going through real analog so far away without loosing quality.

[@KeenApollo]

Then try it for yourself. You can not believe it all you want but you can't truly know until you actually try it.