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Sudha Ragunathan's rendering of the krithi " Mamavathu ", a composition of Mysore Vasudevachara , is set in Hindolam Ragam , Adi Talam from the album, "Sukha Bhaavam".
Kalaimamani, Sangeetha Choodamani, Padmashri, Sangeetha Kalanidhi Smt. Sudha Ragunathan, the leading light in the constellation of contemporary Carnatic Musicians, has taken gigantic strides in the realm of achievement not by chance but by sheer commitment, soaring intensity and focus of a Zen Master to excel, incessant activity of the grey cells and a singular capacity to translate her musical imagination into stunning vocal expression. She is the scion of a proud, tall guru parampara (her Guru being none other than the much respected, Padmabhushan, Dr. M.L.Vasanthakumari) but she has evolved and grown much taller, entirely because the leit motif in her music is her infinite capacity to never lose direction, concentrating exclusively on the pertinent and eschewing irrelevance. Sudha Ragunathan has been showered with awards and titles too numerous to enumerate, but she hardly ever allows her status of an icon to adversely influence her innate attributes of humility, congeniality, humaneness and approachability. It is true that her dynamic stage presence, dignity of deportment and pleasing demeanour have endeared her to one and all. She has been featured in many prestigious festivals in India and abroad, and has received international acclaim and appreciation. It is not an exaggeration that she has become a role model for the youthful aspirants of Carnatic Music in the present day scenario. Sudha Ragunathan’s most recent recognition is the National Award - “Padmabhushan ” from the President of India on 2015. Sudha Ragunathan, as the Poet said, is one who tirelessly strives and stretches her arms towards perfection.
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► Accompaniments: Violion : Embar Kannan, Mrudangam :Pathri Sathishkumar, Moharsibng : R Raman
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