An interview w/ Siggy Ferstl

I'm speaking with Siggy Ferstl, Senior Colorist at Company 3 and colorist of Wednesday, The Boys, Narcos, Lost in Space and more. Hear about Siggy's long journey in the industry and how he continues to innovate.
This episode is brought to you by Portrait Displays www.portrait.com
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[@CreepyCoolPictures]

Love this. I was Siggy’s Assistant Colorist on Togo!! Man, what an intensely detailed post process that was. He also has that dry humor that always made me question if he actually liked me or not, haha. Talk about an innovated colorist. Siggy always has his finger on the pulse of creating interesting color workflows mixed with Fusion comps.

[@gabmwrider]

Outstanding and informative interview, thanks to both of you for the time spent. For future consideration, it would be interesting to have some of your guests actually demonstrate how they might achieve what they're talking about on a live system.

[@biswajit07]

actually... i so want Jill to breakdown some of her cool techniques and show us live how to get certain things done! 🐱

[@GizmoMaxx]

I really relates to when he says.. that's not bad colours, is about the consistence through out the story line. it has always bothers me when "creatives has the opposite view on this approach on Ad or Commercial gigs. As I never had anybody on this caliber to say it but it has always in the back of my head. Thank you for this Amazing Interview Cullen Kelly 🌈

[@asuhfarias]

Thank you for sharing this.

[@thanushcopilot]

Amazing one, Looking forward for an Interview with Tom Poole!

[@LindsayBrooks]

Love this interview! House of Flying Daggers was one of my favorites that year. This has me eager to go back to the basics and reorient my flow. Thanks!

[@CullenKelly]

Glad you enjoyed it!

[@zonatourvirtual2959]

Great content. Thank you 🙏

[@ReivaxDralla]

It would be really informative to cut in the shots you discuss in the interview, the shotdeck cinematography interviews do this super well

[@RafalGendarz]

I love to work on the shows! … it shows 🎉

[@treyvollmerDP]

This is amazing!

[@Mrbenbarbie]

For the portions concerning working under the camera luts (like Wednesday), what would be the correct CST setup for such to include a DWG working space? Source - CST to DWG - CST to SOURCE TYPE - Then camera lut to 2020/709 desire?

[@dawstory168]

My most favorite colorist siggy fertsl

[@stefanocson6237]

great

[@ianconn951]

It does sound made up haha Spot on!