Analog vs. Digital Synths - Which is Right for You? - Daniel Fisher

[@sweetwater]

Spoiler: analog and digital synths are equally awesome when Daniel Fisher is in the room! Like, Comment, and Subscribe for more sweet content - and thanks for watching!

[@dantepearl4186]

I buy all my weapons from Sweetwater. You guys are gonna put me in bankruptcy. BTW thanks for the candy

[@drug.3797]

That's for damn sure!

[@ItsThatJahncke2]

I need to buy a moog matriarch here soon.

[@andriimotsyk3018]

Its so weird the matriarch has this ugly pitch bend stepping. Time goes by midi is still 127 point shit

[@lanchanoinguyen2914]

it's not true lol,depending on the type and brand of analogue synthesizer,they have different designs.BUT your statement about voices is totally wrong.Analog synth can have full 88 key press with only 12 oscillators,using divider ICs to get lower octaves.And in reality,we don't need that much polyphony.Analog synths are ways more better than digital at sounding.Digital sound is flat and poor while analog has deep,powerful sound that penetrates into our mind.We can use digital for managing presets but it's must be analog for the quality.

[@SamChaneyProductions]

1:05 "I'm trying to do this as simple as possible" 1:28 "If you get down to quantum levels..."

[@jonathanfrieze8497]

😭😭🤮 hahaha this guy if you take alot of what he says out of contexts it's hilarious

[@cyri11e]

I used to think that real life was analog too 🤪

[@futur_sunds]

😂😂

[@danneu8]

"Modulation: Where one thing wiggles something else." I don't think I've heard a better definition lol.

[@Zalezus]

Very succinct. Wiggle da waves

[@futur_sunds]

That’s some pretty intense sound design terminology right there

[@TheSmurfboard]

On a scale of 0 to 1 I'm rating digital a 1.

[@maxrice6990]

lol

[@mynameistechno]

01101100 01101111 01101100

[@danthreepwood2760]

That's still 50% positive :)

[@IconicPhotonic]

Nerds! jk guys.

[@ropeburn6684]

On a scale from 0 to infinity I'm rating analogue *over 9000*

[@RobFlaxMusic]

17:06 "You could have a different sound every day until the heat death of the universe, you know, I mean, it's... it's really that infinite. Um. So, just something to consider." -Daniel Fisher

[@colinstu]

Things got deep fast

[@davidalbrec]

I love how clear and objective you are on breaking down issues like this. There is so much dogmatic information about these types of questions on the Internet, that’s it’s nice to see someone, and a retailer at that, simply communicating the strengths and weaknesses of the various options available on the market. No fads, no hype, no manufacturer deals, just here are your options and what they do and don’t do.

[@KRAFTWERK2K6]

Yeah it was actually well elaborated, pointing out every aspect that needs to be considered. I'd say this is by far the most objective breakdown of both worlds of Sound synthesis and very helpful for beginners in particular.

[@cron205]

You mean SYNTHMA

[@helisoma]

yes even i knew all this stuff, the way it was presented by someone who clearly lives and enjoys synths makes it relaxing to listen to, like having a friend tell you his experience...thanks!

[@DoctorNemmo]

Well, the obvious answer is: both. GAS never ends.

[@pat2rome]

This is the absolute truth. My reaction to the Moog One? "oh my god WANT" My reaction to the Novation Summit? "oh my god WANT"

[@Rwtheking]

@@pat2rome if I had a Moog one I’d retire from new analogs and try to get into guitars which seem cheaper than selling both kidneys for an $8000 monster. They are expensive too but don’t cost nearly as much as a Moog One.

[@tranquilbrae5371]

I’ve been a guitarist for over 16 years. But this man, with the excellent presentation of all the important info, has made me want to start becoming a synth player as well. Thank you for this video 🤘

[@silas1414]

This is the best analogue v digital synth breakdown I’ve ever seen. Awesome presentation. My compliments to the Chef.

[@BobbyDoesMusic]

Both. Both is good. I've got a Minilogue (my first synth), and now a HydraSynth Desktop. Pretty sure my next one will be a beefy analog like the Matriarch, then I'll probably get a Peak or a Quantum, then another analog, then another digital... just alternate between them and you'll always (never) be satisfied. Great video, Daniel!

[@inthedoghouse1985]

Get the model D! Seriously

[@drug.3797]

Thinkin of starting with the minilogue as well.

[@audioartisan]

Indeed. The best of BOTH worlds.

[@mikeexits]

@@inthedoghouse1985 Or Poly D ;P Or even Neutron, that one's a real gem.

[@AuntAlnico4]

I got thy poly D and the hydrasynth explorer and I guess TD3 as well volcafm and I'm happy with all but I can see myself looking around and never being happy.

[@RetroPlus]

For me personally I go analog for mono synths and digital for polyphonic synths

[@kiko1935]

I feel like a better question for buying a synth is less "analog or digital" and "will you actually use this to make music"? Can you see yourself using this tool every day or at least everytime you are composing? For me, the hydrasynth, while a really great addition to the market with poly AT, ribbon and a wide variety of other features just did not suit my workflow or what I wanted. Great machine to jam on and experiment with but none of the sounds I programmed or presets I used made me inspired to use them. Conversely, everytime I use my alpha juno 2 I want to record it. I want to capture a bassline chord stab or lead from it. I've also felt that way with a korg dw-8000 I owned. So for people who are looking for a new synth I really wouldn't get too hung up on the internal circuitry and would more focus on if you can actually see yourself using it. Because what's the point is shelling out over a thousand dollars for a bleepy bloopy machine that doesn't help you finish any of your tracks?

[@IconicPhotonic]

If there was any doubt still, I think the Novation peak/summit and the UDO super 6 proved that digital (FPGA hybrid) synths sound every bit as good as analog now. But I'm with you on this. I think the hydrasynth is terrific value, and especially for a first synth, it is great because it does, like... everything. But I care more about workflow than the total number of features too. I have a Super 6 on preorder because it sounds great, and when I have a sound in mind, I want to be able to get there fast, without menu diving. But then there is still the sonic exploration there (and perhaps easier to get to) when you need it. The PolyBrute is an interesting addition to the market though. It seems to tick most of the boxes, and seems to be like the analog brother to the hydra in terms of features, with its expressive pad and ribbon controller.

[@Frakaphoto]

so true, each time I play matriarch I am leaking from my mouth

[@010203109]

@@IconicPhotonic The Hydrasynth has an exceptional workflow though. Very few synths that don't do the one knob per function thing have such a deep list of options and yet such a streamlined workflow. Menu diving amounts to push button for part of the signal path, and the parameters appear. 8 at once with page up and down keys if there's more to tweak than that. Then you set your macros for the 8 parameters you would actually want to play with live and you have that ready to go too. I'm a little confused about the topic of workflow being brought up here.

[@luvyesmusici4886]

Get a workstation if you want to evolve and actually make and create music. Or at least have the option to do so, instead of just making noise for the most part.

[@kelvin_darwin]

Big analog enthusiasts, knew why I wasn’t a big fan of digital, but now I want a Hydrasynth. I don’t have space for more gear so I guess I am living in a tent outside. Thank you Daniel Fisher you are destroying my liiiife! 🙃⛺️🏠

[@6pin66]

Gotta say , for people on the fence , you did really good with the amount you did and didn't show with the Hydrasynth . It's a really good demonstration of what you were saying about how far digital synths have come in the last 5 years or so . If you really went to town on the Hydra , you'd have some folks swayed to the dark side for sure :) . I went the cheaper route and got a Mircrofreak for now , but I think Hydra or Wavestate are in my post-covid budget plans .

[@MeneTekelUpharsin]

17:00 "The possibility of free turning knobs is that you could have a different sound everyday till the heat death of the universe" That's all I needed to hear, analog it is.

[@AmpheonELC]

I just ordered a DeepMind6 and I am excited to try my first synth out

[@jettsom]

What I do like with fully analog is you're clearly manipulating voltage in and out. You take control of the sound from A to Z with nothing in between (no processing, no digital A/D conversion, etc..) and it becomes your sound. It feels organic too, like playing any other acoustic instrument.

[@GoodAfternoonDave]

utter nonsense

[@RB-mm7ce]

@@GoodAfternoonDave why?

[@GoodAfternoonDave]

@@RB-mm7ce "What I do like with fully analog is you're clearly manipulating voltage in and out" There's a lot going on with an analog synths voltage that you're not able to manipulate and it's that instability people find desirable. " You take control of the sound" Digital processing is vastly more versatile than analog offering way more control for sound design. and what does no processing "from A to Z " mean?. A/D audio conversion has nothing to do with it. digital synthesis replaces controlled voltage with a microchip. And finally, because it's more versatile, a sound you make on a digital synth even more uniquely "becomes your sound"

[@mikehydropneumatic2583]

Great video as always. My KingKorg and Subsequent go very nice together. My take on this: Do you want to learn to play: buy poly digital. Do you want to learn synthesis: buy analog. Do you want to learn both: maybe buy VA (virtual analog).

[@giacomoneri1782]

You already learned and you got the money: buy 3, an analog, a digital and an hybrid. I mean i play guitar and i can't play those anyway, but i love the bass and leads of analogs, the orchestrals and the complex sounds in digitals, as well as the real instruments sampled or emulated, and the pads/strings in hybrids, the ones with digital oscillators paired to analog filters and effects. But actually you can also feed a digital synth/workstation into an analog unit for some more sauce

[@WalterGirao]

This 2022 black friday both the hydrasynth and the matriarch had very good discounts. So I got both!

[@dukeofpearl]

BOTH! Current synths...Jupiter 80, Matrixbrute, Minimoog, OB-6, jd800, tb03. Drums....808, tr-8 (all the extension packs) DMX. 🕶🎶✌🏻🎹

[@Hlecktro]

While I do have digital synths: Virus TI and Roland Ax-Edge, I use them both for playing and live performance purposes. With the Virus, it has literally every sound design feature I could ever want. But, with analog I get what no VST or digital synth can provide. You put it very well: Oscillators and modulations just mesh into each other with such a better resolution on Analog gear. Digital can create interesting modulations as well, but overall it sounds a lot more "mathematic", so it's a different sound, particularly at extreme settings.

[@Musik_Arbeiter]

Thanks for showing the differences between analog and digital Daniel! I appreciate the fact that this video is very unbiased in its presentation. Its refreshing to hear the viewpoints from someone who owns both analog and digital yet doesn't completely prefer one or the other. Many videos in this subject praise one or the other in some way, but its nice to listen and hear the differences between them both respectively. Overall it's good to appreciate the fact we have both analog and digital synthesizers available to us currently. 🎹🎶

[@jameshumfry1256]

I could listen to Daniel all day talk about what he loves.

[@nandodolleman7819]

I got the Deepmind 12, best of both worlds I guess, the HydraSynth is really temping. Really clear video, informative with great examples!

[@Somaiscariot]

This is the best explanation and comparison of analog and digits synths I’ve ever seen. (I also love the subtext that as technology advances, the differences between the two get smaller!)

[@CaidicusProductions]

The ASM Hydrasynth is just SUCH a nice synth. Thanks for this video!

[@csharp57]

I'm starting to want one... And those 2nd stimulus check are coming soon 🙈

[@cyborgchimpy]

I cracked a smile at your explanation of analogue around 1:30..."if you get to quantum levels it goes digital again." just whoa.

[@TheLokiBiz]

If you already own a midi controller and a bunch of VST synths and wanna get my first hardware synth, does it make more sense to go with analogue? I ask that because i'm assuming the sound of a virtual analogue would be easier to match with vst soft synths than a real analogue synth's... Is there logic to this thinking?

[@helisoma]

i'm new to vintage synth collecting this year, and started with the Korg Prophecy which is an economical digital synth but models things with MOSS technology which is kind of unique, then a Roland Juno-6 (analog), Roland JX-10 (analog) then the Roland JP-8000 (digital) with Waldorf Rocket (analog) and newer Behringer Model D (analog) and Roland JU-06A boutique (digital) sprinkled in between, so it's really dependent on the type of sounds that appeal to you....i like warmer more imperfect natural sounds hence the analog preference but some genres really require digital...edit: btw i would take a hydrasynth over a moog as it's just insane 😳

[@geraldgoodiii6993]

Shoulda had a DPO out there to show what a full analog oscillator can do. I’m sure you have used one but still to this day all these years later it still blows me away on how subtle to crazy it can get. Feels so natural too... and sounds that way (yay vactrols!) I do have tons of digital oscillators that can do nuts stuff analog can’t. I really appreciate how u show the benefits and drawbacks on both. The best synth is the one u use :) *rhetorical “u”.

[@farmerfreakeasy]

Another wonderful tutorial talk from MR Fisher. Technical specifications aside though, it's really down to your personal taste in character. An analog synth might sound sweeter, but the digital synth might have that gnarly distinction you've been looking for. Seriously though..... any analog synth which doesn't now grant you the option of saving presets in 2022 is surely being sadistic for the sake of snobbery.

[@davidmarquez2821]

Really loved this video. Another option: if you want to make "those sounds" you get very close by downloading the free Tyrell N6 virtual synth and the (basically) free Reaper DAW and do it on your computer with any cheap MIDI controller or even an on-screen keyboard. That won't replace the experience of a real analog synth but it will sound amazing and super close to true analog. Oh by the way, you may also put the TAL Chorus (free) and the TAL Reverb 4 to fatten and expand the sound. Oh and Tyrell has 8 voices, but you can put as many instances of it as you want so its virtually unlimited voices.

[@Ytrearneindre]

man, that hydrasynth sounds good

[@eugenephillips481]

Aliasing... thank you for the explanation and the side by side comparison for this concept. Very helpful!

[@fjfrancois]

Analog inspire me more to create than digital, well is just personal, since my first analog was a MS-10 back in 1985

[@KRAFTWERK2K6]

"Analog vs. Digital Synths - Which is Right for You?" The one you can AFFORD!!

[@claudianreyn4529]

Cheap and good I would go for analog.

[@nicholasdorazio10]

Lol right!Just got a poly D and i gotta say that this may not be the case after another ten years if Behringer keeps going.this is thing is Amazing for the price!

[@KRAFTWERK2K6]

@@nicholasdorazio10 Yeah indeed. I too got myself a Poly D in November and i have nothing but mad respect and love towards Behringer for actually making analog Synthesizers (and especially modernized clones of vintage classics) affordable for a lot more people. It won't be my last synth i bought from them. Now there's finally a chance to actually build up a real analog synth studio without having to sell your kidneys and your firstborn.

[@srrrb5953]

@@KRAFTWERK2K6 Yeah, But How If you have a chance to afford one of those?

[@KRAFTWERK2K6]

@@srrrb5953 THEN it is a matter of what suits your workflow and choice of sounds that you need. Which is more flexible and which is what you get along the best. I bought a Roland GAIA and a Behringer Poly D and both are the same price range and yet completely different. I love both but the Roland GAIA really is imho more flexible and it was a good choice i bought that one BEFORE the Behringer Poly D.

[@METALOZON]

8:10 Those kind of sounds are the reason I want an analog synthesizer. However, you did got me with that sound at 12:30

[@kre8a361]

The aliasing sounded like a random LFO modulating a wave table.. so cool!

[@VexylObby]

And while we often think of digital as only a mimicking attempt of analog, it often creates its own unique sound as well (even in the mimicking process). I'm starting to hear digital instruments that just are not possible with analog processes. It really depends what our intentions are when we create these synthesizers and instruments. Are we trying to mimic the other? Can we do that as well as try not to? The analog and the digital. Two different worlds that create their own contexts, neither of which are inherently "better". I hope we come to embrace the two mediums and see what potentials they both have. Also, I like to wonder these same comparisons and ask these same questions of the analog and digital world outside of music entirely. Interesting stuff. 😎

[@11000038]

Electric Vs acoustic guitars vid. Can't think why but no one seems to those!

[@DM-jo5ko]

About the steering wheel analogy where you said digital is like having stuttered steps in-between points, and analog is infinite points which makes it smoother. Modern digital DAW's smooth out those "stuttered points" to make it completely analogous to analog synths (at least when it comes to waveform recreation).

[@incompetentlogistics]

Daniel Fisher, you're a treasure in the world of synthesizers.

[@88keyz]

A few years ago if I watched this video I would have been confused now I can understand 90 percent of what he talking about lol thanks much. Appreciated 🙏🏾😷🙏🏾👍🏾

[@GertBoers]

Tbh, for me a few months ago. :D But I feel exactly the same!

[@foreverseethe]

This debate is guaranteed to cause flame wars in every forum!

[@81neuron]

Fantastic coverage of a vs d!❤

[@edglass8143]

Digital sounds so very cool and I think it’s the future but so far I haven’t heard any digital synth has the bollox to cut through the mix when used with analog synths the mix. Excellent explanation of aliasing.

[@jarekszymanski1989]

I'm really looking forward to buy the Moog. I'm blown away buy it's sound. The first sound Gaia produced in this video had me saying: Whoa this is whack! Nice video, I know for sure what I want.

[@michaelszudzik7773]

Very well spoken, really appreciate that definition of digital!

[@johnadams5489]

The reason Sweetwater has Daniel Fisher in the role that he fills at Sweetwater is that if he were in SALES, every customer would want him to be their Sales Engineer. All the other SE would quit. My experience with synths started back in the early days, when the Mini Moog first came out. It was new and different and worked well in a Studio environment, but would not stay in tune if taken out in cofd weather and played in a room where the temperature was not constant. Today's musicians don't know how much better it is today then it was in the beginning. Synths are a lot less expensive, have more features than you could figure out how to use, are reliable and sound great. I like hybrids like the Novation Summit, that has 3 digital Osc, 16 not poly, and a 5 Octave KB. Quality analog FX. Awesome for the price.

[@alainszyller615]

Great video. What about durability analog vs. digital ?

[@gregsullivan7408]

That aliasing sound sounds exactly like that cliched "random computer beeps" sound that they used in old movies. Cute.

[@mikehydropneumatic2583]

Old analog has more stepping than modern digital.

[@jesuslovestoastyaya]

@@mikehydropneumatic2583 analog by its definition doesn't have stepping

[@SPAZZOID100]

Mike Hydropneumatic no

[@RayyMusik]

There’s no ‘either or’ for me. I love to layer a crazy Hydrasynth wavescan patch with a simple Poly D pad, e.g.. Anyway, this is by far the best explanation of the differences I’ve ever heard, Daniel. 👍

[@CorbenEdward]

19:40 One of my coolest synths is a Roland D-10 and I embrace the aliasing on it when programming a patch. It sounds almost haunting!

[@andreasoberg2021]

Incredibly well explained. Thank you!

[@helisoma]

the Roland Gaia is actually a purely sample based synth 🙀🙀🙀 so yes it will show stepping and aliasing but still a cool synth 😎

[@GreenBlueWalkthrough]

Thanks for this and still the best explanation of the too types! Which it really sounds like the analog snyth steps on the digital snyth toes like the digital snyth steps on the software synyth toes... Which I'm deciding whether to get a Arturia KeyLab Essential 49 midi controller to go with my software syth or an ASM Hydrasynth Explorer digital heardwear snyth to add to my softwear snyth pretty much it's down to budget. But I thought it bring up a good point I decide against a analogue syth as I grew up with digital synth sounds and my use case in an armchair and moving the syth around my room. I don't think an anolg would work in that case as it would be to heavy and fragile... Which why a heardwear snyth at all? The unique sound and physical controls which is why the hydra sound is my choice it sounds great and covers all of what snyth today can do with an easy to use interface. Which goes back to my thought... It sounds like pick the snyth that fits your style above all else.

[@final_mile_music9713]

I sold my Rev2. I kept my SE-02 and my minilogue xd. The latter has two analogue and one digital oscillator. It’s fantastic. The rest of my set up is great quality plug ins and a fab s88 mkII hammer action keyboard. This set up covers all the bases for me.

[@phabyo_ferrer]

Thank you for the great video. I have been wondering if the same applies to the filters. Digital vs analog

[@traetrigon8816]

I was hoping I could be sold on digital but I’m convinced analog is the future still

[@kevingamache1512]

Both Deepmind 12 Korg wavestation A/D and vst Roland D05 Volca keys Minilogue Casio xwp1 Yamaha sy35 Stylophone Casio cz5000 Esi4000 Korg dss1 Ensoniq esq Roland jx10 Korg poly800ii Korg ms2000 And a few more Yeah a nice mix that gets me what i enjoy My fave digi's Roland D50/D05 Korg wavestation Fave anny's Deepmind12 Minilogue Korg poly61 Realistic mg1

[@yallimsorry5983]

Daniel your videos are always great, but I do wanna say throughout a lot of the video you seem to be talking about digital as exclusively how good digital is at emulating analog. But I think the joy of most digital synths is how *unlike* analog they sound. The DX7, PPG or Waldorf Blofield can make sounds analog synths could never possibly do. Then there's the lo-fi charm of old digital synths with analog filters like the Korg DW8000 or the Ensoniq SQ80.

[@wirenutz7869]

Analog synths have a "fatter" sound , less options ? Digital synths have more options and custom sound adjustments ?

[@RealityBoat]

Well since its an analog signal you can manipulate the sound in more ways than most digital, even in ways not intended like magnets(not recommend), analog effect chains or other synth moduals. Digital can emulate any sound but cant be tweaked as much in some ways if that makes sense

[@PaulTheSkeptic]

I think it's mainly about sound. Are you a fan of Ozric Tentacles or Emerson Lake and Palmer? A bit simplistic maybe but that's how I tend to think of it.

[@mrmaramind]

I’m like I totally want to use that sound.

[@freddiebozwell7049]

I had a Gaia, to learn about synthesis I would definitely recommend.

[@patternspatter710]

Tonight I'm going to try that fast-LFO-filter SFX with U-He REPRO synths with their HQ quality turned on (and off). (PS. Great demonstration and excellent teaching! Thank you so much.)

[@dwyanehan2560]

it really helps! thank you so much!

[@Komagb]

Great vid! Extremely well explained, good analogies, and that aliasing demonstration was on point!

[@FLBocaRaton]

Thank you for making this content, it was very clear and informative.

[@thefool2007]

Excellent explanations. I bet he is an awesome instructor.

[@sweetwater]

"It's twew! It's twew!" Thanks, Rick. Back atcha'! -_Daniel_

[@drug.3797]

2:11 in, best damn explanation of different configurations of analog and digital options!

[@spoon1310]

Hi I am from the Bahamas. The hydrasynt is the one I Love most. Want to buy one.

[@camlong89]

I have a Korg Minilogue XD and a Korg Opsix, but if i were giving advice to someone just starting out, i'd say get an Arturia Microfreak, Zoom MS70-cdr pedal, and Korg Monologue. Buy used if possible. Can find all 3 for $650 or less.

[@nebula0697]

There was no talk about the legendary warmth of analog. Is that not a thing any more? To my ears it is. I like how my Circuit cuts through and I can definitely create highly precise patches with it (especially if I get into the editor) but I can't get any of the basses to sound as warm as my Neutron or Minibrute 2. (even though I have more choices of basic timbres)

[@pcuimac]

Warmth = unstable aka low oscillator quality! A(f)/delta_f That's also why analog has beefy bass from the start. The amplifier just has to use much more energy to put into those badly defined frequency peaks!

[@RealityBoat]

There is the issue of damaging the circuit through general use. Somtimes it sounds better somtimes it permanently makes it worse. Abit of a gamble

[@edsknife]

I personally need a lot of polyphony, so I just go digital and make up for it with effects.

[@RealityBoat]

Somtimes i feel like i can tell the difference when listning to music. Like yep thats definitely analogue but somtimes it may be placibo. When digital synths are saturated, reverbed, chorus ect it can be pretty convincing to think its analog

[@pedroberoes49]

The way i put it is, if ur somewhat limited by money, get a digital synth for polyphonic purposes like a hydra and a mono analog for melodic or bass purposes then you will get the best of both worlds because to me analog poly synths are kinda pointless when u have digital synths with way more sound capabilities. Saying that if u have infinite money, just get an 8 voice moog one and live happily.

[@tonez2732]

Very informative video! Thank you for this detailed explanation

[@meteorheartofficial]

That little jam at the end sounded like it could be in the video game axiom verge.

[@MediaManProductions]

Best definition of modulation ever! xD "when one thing wiggles something else! ";)

[@88keyz]

Which do I prefer it doesn't matter I am a novice in sound design so I can work with either end of arguments from my prospective lol

[@TheHallucinati]

Gaia is what happens when you try to make a "Swiss pocket knife" synth. It can do some many things, but it only does a few of them well. I'm glad I didn't buy it when I was thinking about it, because 2 of my friends did and after playing around with it for awhile I found the sound to be mediocre and the filters quite appalling. But I can see how one could use it as a portable synth for gigs, or your go to FX synth for DJs, versatility is a definite factor.

[@Juppi13]

My thought was ,,well, on a quantum level it´s a bit different again" just before he said it

[@dinogoldie9716]

Very well explained and very useful. Thank you for this video.

[@cron205]

I think im happy with my YAMAHA PSS 270 PORTASOUND

[@JuanPabloVeTV]

Thank you for this video but… what about aliasing on the hudrasynth?

[@stefaancodde6578]

Well , I needed a good piano sound so when is saw 400 euro for a Yamaha PSR9000 then I did buy this. It has 2 arm 32bit CPU Renesas SH7403 , 24 bit 96kz DA and 20 bit AD , polyphony 126 and added Yamaha Tyros 3 sounds. The SH7403 runs at 28 Mhz.

[@aramismoreno7133]

Very helpful video. I have a question though. When it comes to DIGITAL hardware vs soft-synths, is there any difference, apart from digital hardware synths being more cpu friendly for your daw and have better accessibility than soft-synths? Are there differences in the sound, because in the end both are software-based right?

[@synthetic24]

I like them both but I prefer digital synths because they can do more.

[@liviou2004]

Just one point : whatever synth we are using, analog or digital, anyway the signal will be digitalized ! Only one exception : on stage with an analog mixer. On other cases, il will be sampled in a Daw, a sound card, in Soudcloud or KZbin or whatsoever.

[@sweetwater]

Hi Fred. It's true that much of the music created by analog, digital, and hybrid synthesizers will eventually end up digitized. But the analog/digital/hybrid decisions being made here are isolated from decisions about what media they will eventually end up on. For example, an analog synth recording will not gain more polyphony whether it's recorded on tape or a DAW. A slow LFO on a digital synth won't be able to go faster just because it was recorded to analog tape. As long as the recording/playback parts of the recording are done with high enough quality, the analog/digital issues will remain the same. Thanks for watching! -_Daniel_

[@oriron642]

You can say the same thing about recording acoustic instruments - why bother if it converts to digital? Because it still has an organic sound digital instruments don't have!

[@Ader1]

Nobody cares about "organic sound" anyway... What's more, you probably wouldn't even recognize them in practice.

[@BorisColley]

thats me all day, record with my moog grandmother with one of my 2 dozen pedals then sample em with my drum pads then a beat is created

[@kadiummusic]

It seems to depend on your bank balance as a decent Oberheim or a Sequential Circuits seem to be up in the £3000 to £4000 range!

[@FaraceChannel]

Both Daniel. Both are right for me. :)

[@dbmusicproductions9181]

17:55 when words aren't enough. ;) ...and quite possibly my next sample.

[@seek4truth]

Respect to one of the best teachers in the world! If he was teaching physics, I would be Einstein by now ... Thank you for informative videos! Does he have an online course, teaching beginners to advanced synthesis?

[@sweetwater]

Hi Seek4Truth. I *do* have an online course called SYNTH CLIPS that's free and requires no sign-up or personal information: kzbin.info/www/bejne/bKazc3SgbJejrNk I think you're really gonna' dig it :-) -_Daniel_

[@seek4truth]

Sweetwater Thank you so much Daniel!

[@Jehudi]

To me, analog synths have that feel, I never get from VST's or digital synths. They can do cool stuff but I if it comes to that feel I will always stick to analog. A real piano and a sampled piano will always be different. Even if you use the best sampled ones out there (Everyone knows that glorious Garritan Concert Grand). It is the same real piano that does that extra special thing.

[@TheArchiveOfWonder]

Bingo. It's not a fair comparison for making recordings, because Analog is something you feel most when you are listening to it direct and not recorded.

[@yallimsorry5983]

uhhhh people used to say the same thing about synthesizers, period.

[@JohnTrasher]

Pianoteq is real close

[@ItsThatJahncke2]

Yeah modeled piano technology is amazing. Sampled piano tech will be replaced by modeled in the next 30 years. I wonder what will replace modeled in the next 60 years.. of course I won't be alive to see it lol

[@GoodAfternoonDave]

try mixing your synths

[@ronaldlundbohm815]

This was very helpful I Bought the Arturia Matrix Brute I Love it Your explanation of saving that wave is was helpful I found out that my Roland FantomG8 can make a patch from the Arturia

[@mikehemens9359]

"And if you never want to hear that sound again, don't buy this m--------- either." ! I like this guy.

[@trance9158]

Cool...very informative. Simple to understand. So now I want one of each....and I'm a bass player. I'll have to see what Yamaha offers.

[@DaveMcCall]

I've been a bass player for 25 years and I just got into synths a few years ago. A good monophonic analog synth can be so similar to a bass (especially as to how it fits into a composition). I find myself thinking of my synths as other basses with built-in tone-shaping/sound design capabilities.

[@torbenanschau6641]

Yamaha has nothing but digital synths since 1983 or so

[@trance9158]

@@torbenanschau6641 okay so I can go digital with Yamaha and find something else for analog.

[@yallimsorry5983]

@@trance9158 Yamaha makes some really nice quality synths but alot of their synths have weird menu diving, though if you don't mind sitting there and reading the manual you'll eventually get it. The reface synths (DX, CS) are portable mini "updates" of their classic analog and classic digital synths. The CS is an analog modeler, i think it sounds great.

[@johnsuhalitka4143]

I'm def going to make that sound sir.

[@TheLordcasio]

Why not add the Behringer poly synth into the equation instead of the Roland GIA? Still...love the premise of the vid. I still owe you a huge apology for my crappy comment I left of your EHX HOG review from.....what....10 years ago? I have a huge respect for you.

[@010203109]

He wanted to show how older digital synths more easily show the downsides. Behringer does a lot of affordable analog synths. Many clones, but their more original products like the Deepmind series have gotten a lot of praise too.

[@DuaLeaD]

ANALOG BABY

[@brobocop8293]

people know what a cs-80 is dude lol.