4 COMPOSERS SCORE THE SAME SCENE ft. Tennyson, Alex Moukala, Homay Schmitz

[@andrewhuang]

Thanks for watching today! If you want to try scoring the scene, I'm sharing a version with no music on my Patreon: patreon.com/andrewhuang If you need more Spacetime in your life... Full series in one video: kzbin.info/www/bejne/o17EhH94lMimnqc Behind the scenes: kzbin.info/www/bejne/o2Ksd3qCrLSHiM0 Album: fanlink.to/AndrewHuangSpacetime

[@COMMANDER0_F39AD]

hola?

[@sat1241]

great video, soundtrack music requires a certain vibe Request: do a fast rap but with your voice pitched down three semi-tones

[@deeeeeeeeeeeeeeeeeeeeeeeee6925]

YO THIS IS AWESOME AND YOU GOT TENNYSON ON HERE AHAHAHA

[@kirdot2011]

@@sat1241 the Homay`s one was perfectly done, Im surprised she doesnt do that for all major movies

[@Ryzza5]

Were those chills multiplying?

[@AlexMoukalaMusic]

As a composer who's been watching your channel for years it was such an honor to be part of this, among such good company on top of that! Thank you for having me Andrew, and amazing job everyone!

[@andrewhuang]

Looove your writing, and your range, and your positivity - let’s work together again some time :)

[@igmarvanbergen]

I get goosebumps when the bass and all those layers come in when horace grabs andrew, so fire

[@asongaday5920]

I grew up watching Alex Moukala in high school because of his trailer music style definitely looked up to you. It's so awesome to see you make it in here!

[@theprimal2781]

your rendition was so moving!

[@luboinchina3013]

I like yours the best. Listened to it three times

[@edskodevries]

Homay Schmitz's score was so beautiful and fit so perfectly! I just felt so right, like it couldn't be any other way. Absolutely loved it.

[@kirdot2011]

Yup! Andrew`s version made it sound like a concert promo video where Homay made it sound like an actual 2hr long movie

[@tristanting6323]

Homay's score is like the most professional score that can reliably win a film score competition. There is not a single mistake in the knowledge and experience of film score. It maximizes the service of scene and story. Both the atmosphere needed for the scene, but also has a rather pleasant musicality.

[@barryzhang5292]

her scoring is the closest to film texture.

[@soltr_soundeffects]

Alex and Homay best

[@AynenMakino]

I love how Homay took the emotion of the scenes fully seriously and, despite having a doge in a crystal, it fully works and doesn't clash with the tone of the scene at all. It makes it only better!

[@jensenraylight8011]

dang, her music makes me forget that a Doge in a Crystal is not Normal, Both Crystal Doge and Andrew become such a Sentimental Emotional being

[@pnwscitech1589]

So glad to see Alex Moukala involved in this!

[@Bumper210]

The most underrated music producer on YT IMO

[@chandruc196]

yes im happy for him

[@FL_STUDIO]

Alex FTW!

[@SuperCubar]

He did a great job. I think his interpretation was my favorite but the others come really close.

[@bomsaun7279]

Yesssssss

[@i_so_late]

It should not be understated how Tennyson keeping it minimal during the dialogue scene takes the focus off the music and puts it on the characters, which is what any great film composer should do in moments like that

[@carboluka]

Thank you for saying that. I get that it's really tempting to fill the score with synths upon sweeps upon emotional strings, but if you don't let the scene itself brew the emotion first, you're not gonna build up a big punch when the music actually comes in. It's fine in purely cinematic scenes, but when characters are talking I want the score to actually emphasize what they are saying or doing. The sound mat is okay, but if they're purely texture without any sort of involvement with what people are conveying, they can be either distracting or ignored. The first one (IMO) wouldn't let the scene breathe even a second, so I can't imagine a whole film being like this, both for the spectator and composer themselves' sake. Tennyson was the exact opposite: he let the scenes run their course with as much of a minimal supplement as possible, but at the same time exponentially increasing their memorability by being so parsimonious with his interventions. When Huang woke up, he didn't add anything, the breath became the focus of attention, thus becoming part of the score itself. When walking up to the crystal box, he didn't introduce a grand orchestra, just an ambiguous and alien audio stem to represent their nature. We're in space, not at an Opera house lol I can be nothing but jealous of everybody's talent and experience, but Tennyson is simply just a great composer 🔥

[@CyberPunkMoronCorner]

100%. it's so important. For music to not overtake a scene. Leaving room to breath, automatically tells the watcher: "Hey.. pay attention now" ya know ? it's sooo gud.

[@badsnacks]

i see tennyson i hit the like button - this is such a cool idea!!!

[@benilyadovein2434]

His score was weak tho

[@RiperSnifle]

@@benilyadovein2434 as if!!! Easily the best one by far.

[@eliferreiraC]

@@benilyadovein2434 his was the only proper score imo, it didn't try to sound too grand neither stole the focus off the characters and dialogue. easily the best fitting for an actual movie

[@curtisguyer3917]

All were excellent, but Tennyson's simplistic choices during the dialogue part fits the scene better so you can hear the conversation. Really, it's a part that doesn't need much music.

[@fakefake761]

I got goosebumps from ALL of these when Andrew was floating in space, but all at a slightly different point in the score: Homay: on Horus's synth slide (6:09) Alex: when Andrew's Space and Time comes in (11:35) Tennyson: at the piano bit when we see Andrew close-up & upside-down (17:09) Andrew: specifically at the lyric "crystal light" (22:57) I loved everyone's version. Such a good addition to the 4 Producers series!!

[@wilsonparks]

11:33 Alex's version seriously captured the God-like powers of the alien. Chills for sure! That vocal bed and reintroduction of Andrew's theme was so Hollywood. What a cool video!

[@BrofUJu]

I got chills too, so cool. Did an amazing job saving the low end for that part.

[@vinylarchaeologist]

Andrew, kudos for editing this differently from other _Composers Series_ videos - keeping the composers’ comments to a minimum to not distract from the visuals and audio makes total sense, along with having those reaction play in that small bubble… Very smart!

[@Paint]

that synth at 11:49 seals the deal! full body chills

[@endresac369]

yes!!

[@abdullahelshourbagy2764]

Yes yes yessss

[@Fubga]

Damn this was amazing. The analysis from Homay, the reuse of Space and Time by Alex almost made me cry, the horror feeling that Tennyson gave it, and Andrew microfreaking out. I love this, and great idea Andrew for a 4 composers episode!

[@musicbyflaws]

OMG they got Tennyson on the channel!!!!!!! one of my absolute fav producers ever

[@macstar95]

SAME HES AMAZING!!

[@kolture4564]

Love me some Tennyson ❤❤❤

[@hart.6230]

Àgreed

[@jeremycarter4124]

The unique elements you find in his music (especially the Rot album) really set him apart from other producers. One of my favourite producers.

[@ParadoxMusic-ot4mt]

What DAW is he using?

[@endresac369]

the thing about Homay's composition though, for a second I forgot that this is a show until the commentary came in, same with when it was ending...you know that's conveying a story, don't have words

[@christianburl]

TENNYSON IS THE GOAAAATTTT

[@Withing_]

Tennyson is so important to me as a producer. Such a humble and amazing human being that really knows how to make beautiful music. Thank you for this

[@Jvssvl]

That piano 😮

[@sr-kt9ml]

He's kind of a weirdo. People who fry speak all the time creep me out. Also, I checked out his music on Bandcamp and it was nauseating

[@statebeyond373]

@@sr-kt9ml he's a genius, it's okay if you can't understand it

[@Chitinonyou]

@@sr-kt9mlwhat’s fry speak

[@heyy13]

I love Homay's. Especially the space section. It really feels cinematic. Consistently good and no one section stands out, which is possibly a down side. Alex's crash is impactful. It has a lot of tension. This version feels a lot more like a music video and less like cinema. The emotion is excellent while he's talking to the alien. Tennyson also took a more cinematic approach. Its really beautiful and creepy. He has an excellent use of silence/pauses/volume which the first two didn't use anywhere near as much or as well. He has the best ground scene with the alien. Adds so much to the visuals. Andrew also has the music video feel in the first half. But also has cinematic touches. Feels more like TV rather than a movie. Another great use of volume and silence in this one. They're all so cool and different!

[@skemsen]

IMHO Oscar definately goes to Homay Schmitz 😊 Super impressive score. Felt so empathetic to the whole structure and arc of all the clips. Like the most “wise” and “mature” approach if that makes any sense.

[@NOISREVIEW]

every single one sounds beautiful.. but Tennyson's sounds professional,, like actual scoring for a movie instead of a music video, he knows how to fit the music with the mood and accentuate it. He knows when to not add any music at all and he's not afraid to use simple composition to help the mood instead of making a beautiful ambience or melody. Love it very much

[@BrofUJu]

The vocal stacks on the SPACE TIME by Alex were just incredible. All of this was so good, well done.

[@byhorizon6155]

Bro, I’m so happy to see Tennyson. It’s like the crossover we both deserved AND needed.

[@envrie9423]

I loved homays score. It seamlessly flowed into the context of the scene. So beautiful!

[@roido6614]

"Sometimes, you don't need music for dialogue" Let it breathe. Got teary eyed from the Awesome Piano part. Really captures the beauty of Space. Dope from Tennyson! All others good too...

[@syncetdj9287]

The perfect score is a combination of the 4, The emotions of Tennyson, the aggression of Alex, the tension of Homay, and the futuristic feeling that Andrew gave to the film, GREAT WORK

[@ejmikk]

Alex Moukala's idea to use the Space Time vocal theme worked so well, almost seemed like that was the way it was always meant to be! Props to everyone, all of them gave me chills!

[@18Horses]

Homay was really spot on here! amazing how the soundtrack can change the entire feeling of a scene!

[@excaptiveproductions]

Agreed!

[@jnz2377]

Homay effin' Schmitz just gave me goosebumps for 8 minutes straight. That was so beautiful!

[@davidwave4]

Tennyson's Rot is one of my favorite albums ever. So excited to see him here.

[@somedood6621]

Iron is the best pop song I’ve ever heard

[@Chitinonyou]

@@somedood6621is your house on a slippery slope

[@jeremycarter4124]

@@somedood6621 personally i like get gone. the chorus makes me feel like im melting with that minor chord progression.

[@Sosukz]

No one talking about how innovative the concept of Hwang is , thats really interesting bravo !! Everyone went for a classic approach to space chords and instruments, you no, you did it really different ahah

[@felixmarques]

Luke did what I thought was required. Textural and minimal, creating space but not distracting you or pushing you with explicit melodies, etc. Brilliant interaction with the visual narration.

[@whitest_kyle]

Tennyson!!! He's had incredible sound design for years, stoked to see him get some more recognition.

[@naukadladzieci]

The most replayed part says it all! Chills to all of us from Alex Moukala! just WOW!

[@JosephSalas07]

Homay schmitz’s score was the best. Does not overpower the film but helps push the film further. This a perfect example of “less is more”

[@aaront3049]

In my electronic music class in high school, the teacher had us all score the Jurassic Park trailer. It was awful lmao. Great video, fun to see the pros doing the same thing!

[@jaskotunes]

So glad you finally got Tennyson the channel, one of my favorite artists of all time :)

[@ArandonBllen]

Alex Moukala knocked it out the park, holy... he's built different. Everyone did a great job, awesome video Andrew!

[@afrosymphony8207]

Homay's version is absolutely incredible, the genius idea to have the score playthrough the blackout scene, omg, master stroke!! its a complete cinematic score.

[@Atohmic2003]

Alex's theme is absolutely ethereal. 11:35 - 12:00 is breathtaking.

[@YokoFujioka]

Loooved Alex's first, I felt such a real connection to the personality through wavelengths, even from the beginning, but the optimistic tone in such a specific place really made me understand why I had sensed anything. And then Tennyson's.... whooo wee! It absolutely hit me like a truck that rather than a cinematic explanation of how I'm probably feeling, I could be shown, still beautiful and vague but clear. Exactly. How a character feels. An unconcious one!

[@kaptainkool101]

Homay AND Alex in one video!? Let's go! All of their pieces were so good!

[@KushDave910]

I was really glad to see Alex Moukala as I've been following him for more than 3 years now and his scoring skills are really great and he just gives more than what is expected his score reminds me artists like hans zimmer and john williams just epic!!!!!

[@thesghemboman]

wow, all of them made a wonderful job, but I have to say that Homay's one was just stunning, the part when Andrew is floating literally gave me chills

[@TheMaindful]

Homay's (

[@znxster]

I love that each approach was very different but ultimately knitted so well with the scenes. It demonstrates the importance of music/sound to film. I am disappointed often by Hollywood scoring films with existing songs, rather than scoring something for the scene itself.

[@KingKabisi]

2 of my favourite Music youtubers, Alex moukala and Andrew huang in the same video, my life is complete

[@JGtheChampion]

Alex’s score legitimately gave me chills

[@thezestychunk5575]

Yeeees Tennyson!!!! His “Like What” album has some of the most smile inducing production of all time. Absolute master of his craft!

[@martinlubitz3171]

Homays soundtrack is so simple and powerful, love the mood, great work. But all versions sound incredible 👌👍✨️

[@djsigma2979]

AMAZING! MAGNIFICENT! UNBELIEVABLE! Every musical aspect was just epic! I loved especially Alex's Moukala and Andrew's rendition! The piano melody from Tennyson was also mesmerizing!

[@rayromanov]

These are all so good!! It's remarkable how much the scene changes with the different compositions. And I got literal chills when Moukala brought the bass in. That was just **chef's kiss**

[@kevinpannetiermusic]

Seing Alex my man on the scoring of one of my favorite video series from you Andrew, made my freaking day 10 times better ! So stoked by the end results of the 4 productions and it's so good to see more scoring / orchestral on the channel.

[@sirjackson773]

25:03 I loved everything in this video. Everyone brought such a unique view, and your reaction here was a nice gem

[@prishaa_music]

This is so cool! I saw the first one and I was like what could possibly top this, but I was not disappointed, they were all so entertaining and amazing

[@ronniekitchens6502]

Homay and Tennyson did great. Definitely matched the scenes alot more than the others.

[@iximusic]

Amazing work and such a goldmine for composers to learn from. Homay's score practically brought me to tears, expressing the most relatable of human emotion and experience, how nuanced it all is. Like bringing out the beauty of a tragic accident for example.

[@AhmedHOmar-vz4qz]

Homay didn't have to go this hard for a 2 min scene, but she decided anyway.

[@RonakPanditMusic]

I loved Homay's version the most, also the starting tension build by Alex was lit!! Good learning experience to see different perspectives on the same visuals! Thanks Andrew for doing this!!

[@Seafox0011]

Fascinating how the personality of each composer has its imprint on each composition. Great interpretations across the board.

[@indianruckus6412]

Homney’s felt like a beautiful and mysterious that felt modern in its soundscapes, Alex has this cinematic track that mixed the styles of new music producers and old composers and felt more thoughtful in how he thought of melodic structures, Tenyson felt like a new age producer in his approach and felt minimiliast in how he used lots of samples

[@jcbonly]

What a great concept for already a great "4 producers" series. All soundtracks are very detailed and could be used for the scene. Really enjoyed it.

[@EchoesOfLight7]

There is a point at which a video stops being content and becomes art. It's been like that for years since I found your channel. I can see every second of effort, passion and detail that you put into your format. Congratulations!

[@andrewhuang]

This means a lot, thank you!

[@EchoesOfLight7]

@@andrewhuang ✋✨

[@DJHolte]

All were good, but Tennyson's was sublime. One reason (of many) why his score worked so well, is that he knew exactly at which points to let the scenes breathe, dial back on the music, so that when it came back in, there was so much more impact. Also, I just felt that it served the visuals far better than the others.

[@erik6737]

I definetly think Tennyson hit the mood the best. All are extremely good scores but Tennyson's just fits the best for me personally

[@briando8150]

This video is best experienced with some headphones. Wow the sounds were phenomenal from everyone. Alex's stood out to me as sounding the most grand.

[@FOXCHASE]

Hell yeah, I love Alex’s videos. Stoked to watch!

[@sanyo_neezy]

Yo, this was such a crazy episode! Unique concept and the execution was propably the best thing I saw on youtube this entire year! I'd love some more similar things with scores for particular scenes in whatever

[@raffaelesantabarbara1449]

This, perhaps was the best one yet of the series. It was great!

[@GoGoJoeShow]

I love this series. Sound is so under appreciated and this really sheds light on how much sound design can impact a scene. More of this series! Also really appreciate the different producers and composers you mix together, from classic to dubstep it is fun to see how each thinks about the emotions, design, and beats of a scene.

[@spilledink849]

Gosh Alex continues to be UNMATCHED, i cant get over the way the vocals swell and the creativity of using the main melody as a motif just, UGH!!💗💞💖💕

[@andrewrichardson2030]

VERY interesting, and you're all in great form - top work. I'd love to watch each of them back to back with no commentary: each soundtrack puts attention on different visual and emotional points in the scenes. A very interesting comparison - thank you.

[@OldMateRiver]

These were all amazing! Especially Alex's score. This series never fails to inspire me to keep making music ❤

[@BackwardsCombatable]

I love this series mostly to see the awesome composers' takes in the same context, and pretty much everyone is highly skilled and has a unique take. I'm starting to see a theme though of vapid reactions. I would imagine a group of highly skilled composers could be more descriptive than the "nice sound design" or "interesting" responses we keep seeing. I know Andrew's channel is not about being super critical of each other, but even the compliments are shallow.

[@PieterLaroy]

This is next level! Super stuff! Hope there are making of vids?

[@newmanh]

ALL THESE COMPOSERS ARE SUPER SICK. Alex Moukala got me so intrigued

[@Sundrowner]

Here for Homay, so glad you got her on here!

[@leolizard3152]

ALEX YEEAAAHHH. I watch his tutorials and breakdowns a lot.

[@gregsLyrics]

OMG Homay! I loved your creation. You captured it perfectly. You took me on a heart pounding journey of intensity and somehow soothed me with peaceful hopeful relief, all within two and a half minutes. You left me hanging for more. Boogying over to your postings to find your catalog right now! ❤

[@yashark1893]

It amazes me how each perception and skill turns one story into variety of beautiful variations. Its hard for me to like one over the other. Thank you for the inspiration.

[@benirodriguez9516]

Lovely to see such great producers doing their own take on a scene. It shows how nothing is wrong, as long as there's quality in the execution. Everyone displays their styles in different ways, and it's a pleasure to watch and listen. Great job everyone.

[@SuperCubar]

This spin of the format is a great ideal. One of my absolute favorite series on yt. Thanks to you Andrew and the participants! ❤

[@stormlord620]

Really really love this series of the scoring, this vid and the other scoring video from 2 years ago, so so cool

[@WillShattuck]

This was amazing. I often thought about doing this for fun. Thanks Andrew!!

[@neutwho]

These might be some of my favorite style of videos that u do. It’s so fascinating to see everyone’s different approaches!

[@MichelleTheGamerGal]

Love, love, love! Love all the break downs and all the takes on this! So happy to see Alex on here providing his epic-ness! Great and amazing collaboration as always on this series. :) Looking forward to more!

[@redundantqwail9088]

Homay blew it out of the water. Everything they did hit perfectly.

[@64north20west]

Andrew taking the soundtrack concept to a dramatic video level with 3 unforgettable composers. Thank you all.

[@unheilbargut]

I just love this series, loved spacetime for its storytelling and music and am secretly in love with Homay. So what could be greater as a mix of all my favorite things into a great, amazing video! Thanks y‘all! 😍

[@alessiogiorgianni_official]

Homay is pure magic, great job!

[@JDStoneCreations]

The contrast between your scores is amazing to hear, yet all of them sound phenomenal and go so well with the visuals. Awesome.

[@jayneubauer3401]

when I saw Homay and Alex's names I KNEW this was a must watch!! And they did not disappoint!! All were incredible! Well done all.

[@ThisIsRobinY2K]

YO LETS GO TENNYSON!!!!!!!!!!!!!

[@AdilConstantineMusic]

Big fan of Homay and to see her on my fav series on KZbin is just *Chef's Kiss* 🤌🏼

[@mirage_404]

First one was etheral-y beautiful. Second one gave me goosebumps, using a lotta brass sounds always sounds so large and epic and was so fitting for endless space. Third one was cold and crisp, and gave space to the scene. Fourth one's retro vibe was cool, and the sound design for the second part of the scene I felt fit the best.

[@Zolotniik]

Great work by all, loved the breakdown by Homay, really great insight into how to approach scoring a scene. Absolutely loved the more minimal score by Tennyson, worked perfectly, especially the last scene.

[@lanierwexford2582]

I really enjoy the journey of this series from Jessica and the photos thrugh a squeaking door and beyond until we land here with composing for a scene. I think this is the second 4 composers one scene. Regardless, I enjoyed that some of the final cuts took a hopeful path of feeling and others stayed darker. I also felt like part of the video felt longer or shorter depending on the music underneath. Amazing!! Everyone's work was dope!! Stay AWESOME!!

[@variationsofnoisev.o.n422]

once again very interesting from all of them. wow! but the take of homay let me truly forget i was watching a video of 4 composers and was in the scene again. very cool!

[@treyfreeman5992]

It has never been more impossible to pick a favorite...

[@johngoewie3190]

This was sooooooo gooood... all off you. i did not expect this from tennyson with these sound it would work, and boy did it work. and Alex...that theme build from Andrew...wow... and yeah...Homay i already know from Christian Henson. your work is simple beautiful. Andrew, i hope youre well, youre hearing was a issue, but i did not find it in youre score. it was super. all the best man..

[@jeroldrivera9913]

All scoring is Superb!!! 👏👏👏👏 Always enjoy watching this. Thanks Andrew!!!

[@stefanul]

Homay is amazing. Ive discovered her trough this vid and im glad i did