COLOUR MIXING SOLUTIONS in oils - Create 3D Effects + What's on my Palette!

[@lifehealingmagic]

I went to an art school for 4 years and this was never part of the curriculum. Anyone who gave this video a thumbs down isn't a student or lover of art. Thank you Andrew for putting this content together. It's extremely valuable!

[@absgames9425]

He's screwing all the noobs to painting because: 1. Cyan/magenta/yellow does not come from printing and any professional printer will tell you you need more than those colors; these is just the "economic" palette for HOME printers; professional printers actually have 9, 12 or more colors. 2. The lemon/teal/magenta palette tunes down the oranges and he never stops to explain that. 3. You get the most vibrant purples with ultramarine/magenta, not with teal/magenta (not even with cyan/magenta), cause teal has green in it and tunes down purples. 4. He sells you how vibrant and clean are the mixes he gets with CMY and, guess what: HE NEVER USES THEM! XD He finishes the video showing you how to get them "dirty" to fit in his painting; so why, in the first place, he is pushing you into those mixes? I bet you I can get the colors he's using in his mountains with the traditional red/yellow/blue palette.

[@absgames9425]

@Tristan Bristow Err, he doesn't explain it, that's what screws noobs, err

[@SharonNewman-dd6gq]

Going to Art school will not help you i leant more teaching myself !

[@joyb5525]

Never part of my Art school experience

[@lifehealingmagic]

@@invisiblevfx obviously not a good one, brainiac

[@Anthony-gq7dk]

This lesson by a private tutor would cost in excess of one hundred dollars . So would a repeat class too,. here , just click play again, what value , how generous. Many thanks .

[@kikifleming1796]

Thank you for this video. Certainly one of the best color tutorials I have ever come across. Loved your pallet contraption too.

[@debraidaanselmi1283]

Yes im wondering why i gOt a message on my IG to win his portraits & $100 cash! Looks like a scam help!!

[@happylittlemonk]

Nothing is for free. Even McDonald give free stuff away to get something back. Giving away things for free, especially for a talented person is a crime and encouraging that is stupid and a bigger crime. No one should take advantage of others talents and work, saying thank you for taking advantage is also stupid. If you care then reward him so he can make a good living and breed more artists not shitty basketball players getting millions to put a rubber ball into a net with attitude. That is what is wrong with this word. However, he is already an artist and promoting his work. People will buy more of his work now and he just spent an hour or two making this video. So good luck to him and I am buying his video so he gains from me watching his lessons

[@lucyhanks500]

@@debraidaanselmi1283 what are you, a damsel in distress? God, and I’m supposed to be the embarrassing ‘tard. If you read whyIgOtA in NLP, it says Wigga? Or is it a creole type language?

[@BurnellBrownIII]

Yea , not only kan i not afford this kraft, But i damn sure kouldnt afford this man to sit dwn and wlk me thru shit. Sumone Buy me a lotto tikket??

[@Winteryears]

You, young sir, have a very valuable skill set outside of your artistic abilities: you are a natural born teacher. A thing rarer than diamonds or gold, and infinitely more valuable.

[@onebeingeverybody]

What a wonderful thing to note and convey in the way you have. I totally agree.

[@toshawatkins7195]

I second that!!

[@claumelli22]

I had heard you are either one or the other, but you, Andrew, are both!

[@GaLa-wc9qc]

Totally unselfish giving up his time to help others, brilliant artist

[@lewisandjohnsillustrations2537]

If God is real it is possible to have life whithout hitting that boundry which atheists hit: the scientific impossibility that nothing created everything. This must mean that life is impossible without someone being outside time, space and matter, if God is outside of everything because he created everything means that God doesnt need to be born, God doesnt need air, time, dimensions to exist. The psalmist says“Thy throne is established of old: thou art from everlasting.” - Psalms 93:2 (KJV) Everlasting in the Hebrew is Owlam, so God is from Owlam, or in other words God is outside of limits, he is outside of time, God is almighty, alknowing, all powerful and spoke this creation into existence he is this powerful, the DNA is his handywork, time obeys his voice, the rocks cry out to him in silence, the trees stretch forth their branches to him, the birds sing his praise. He is in full control of everything in existence because he is the creator of ALL THINGS. When God created Man he created Man in his own image, he gave man a consiounce and knowledge of right and wrong, the Lord made Eve for Adam, he knew Adam needed a help meet for him, this also is another way God created man in his image because the word ADAM means more than Just a name, it means all humans when you look at it in the Hebrew which it was written. God made Earth for man and beast, and insects and birds, he made them and it was very good. God even let Adam and Eve be one flesh married and gave them the privelage of reproduction and filling up the earth which God had made. But remember God gave man free will, he did this in love so we can choose to obey him or not, since you may know man didobeyed God, and man was seperated from God's safety, so this is where death, and punishment came from, sin. For sin to be cleansed from man you need a living sacrifice to take Man's sins on itself and put the sin to death. Many religions make people think they can earn mercy from God, this is what cain did if you remember, he trued to give plants to God, when it is when another takes your sin is what really saves you. Basically you cannot earn God's mercy, because its not just, its not right. Noone knows when they will die, tonight when you walk home you could pass out and in an instant your geart could stop and you will be standing before a holy God who Will rightly judge sin. When you crossover to that eternal state where theyre is no going back, on the great day God judges all creation , the prophecy has been spoken. “And whosoever was not found written in the book of life was cast into the lake of fire.” - Revelation 20:15 (KJV) The question is not why would God send people to such a place, the question is why wouldnt God rightly judge sin on his standards? Religion cannot save you from being cast alive, damned for eternity into everlasting darkness abd sorrows and suffering frkm the lake lf fire and brimstone. God understands the effect of sin on all creation, thats why he himself stepped down from his throne into fleshh 2000 years ago as Jesus Christ of Nazareth, the sinless sacrifice sent by the God the Father to be beaten beyond human recognition and nailed to a cross to hang and be tormented in all ways, carrying your sins, and even your punishment for sin was placed upon him and he endured your punishnent on that cross and Said "It is finished" and gave up the ghost. When he said these words, it is finished he could have also been saying that justice has been served, your punishment has been met but on him, and then remember he rose again, even the grave couldn't hold the Son of God, John 3 (KJV) ¯¯¯¯¯¯¯¯¯¯ ³⁵ The Father loveth the Son, and hath given all things into his hand. John 3 ³⁶ He that believeth on the Son hath everlasting life: and he that believeth not the Son shall not see life; but the wrath of God abideth on him. Now I encourage you, you still have time, swallow your pride and humble yourself before God, confess you are a sinner and ask for forgiveness. God will grant you eternal life and now you are saved, turn from your old lifestyle and Iive for Christ:)

[@peterkasza3980]

@@lewisandjohnsillustrations2537 Wooow.. you really are a new level of idiot.

[@MrKongatthegates]

500k views is worth about 10k dollars

[@SteveMcallisterArt]

@@MrKongatthegates from what I've read I think you are off by about 10x? Recent articles show ~$1000 for a 500K viewed video and that still varies by country. These videos definitely deserve the views, really great info from Andrew.

[@MrKongatthegates]

Im not sure. I heard 3 to 8 cents a view, ad revenue is way down at the moment. Not a knock on Andrew, I think he is a legend whatever the case

[@mohanarulampalam5161]

Andrew, as an amateur artist delving into oil painting as a hobby, your video not only provided valuable insights but also ignited my passion for experimenting with colors and techniques. Your clear explanations make the learning process enjoyable and accessible for enthusiasts and new learners like me. Thank you for sharing your expertise and inspiring the artistic journey.

[@aljohnson8473]

Your communication skills are as good as your paintings ! Great work . I have learned so much , Thanks Al

[@lewisandjohnsillustrations2537]

If God is real it is possible to have life whithout hitting that boundry which atheists hit: the scientific impossibility that nothing created everything. This must mean that life is impossible without someone being outside time, space and matter, if God is outside of everything because he created everything means that God doesnt need to be born, God doesnt need air, time, dimensions to exist. The psalmist says“Thy throne is established of old: thou art from everlasting.” - Psalms 93:2 (KJV) Everlasting in the Hebrew is Owlam, so God is from Owlam, or in other words God is outside of limits, he is outside of time, God is almighty, alknowing, all powerful and spoke this creation into existence he is this powerful, the DNA is his handywork, time obeys his voice, the rocks cry out to him in silence, the trees stretch forth their branches to him, the birds sing his praise. He is in full control of everything in existence because he is the creator of ALL THINGS. When God created Man he created Man in his own image, he gave man a consiounce and knowledge of right and wrong, the Lord made Eve for Adam, he knew Adam needed a help meet for him, this also is another way God created man in his image because the word ADAM means more than Just a name, it means all humans when you look at it in the Hebrew which it was written. God made Earth for man and beast, and insects and birds, he made them and it was very good. God even let Adam and Eve be one flesh married and gave them the privelage of reproduction and filling up the earth which God had made. But remember God gave man free will, he did this in love so we can choose to obey him or not, since you may know man didobeyed God, and man was seperated from God's safety, so this is where death, and punishment came from, sin. For sin to be cleansed from man you need a living sacrifice to take Man's sins on itself and put the sin to death. Many religions make people think they can earn mercy from God, this is what cain did if you remember, he trued to give plants to God, when it is when another takes your sin is what really saves you. Basically you cannot earn God's mercy, because its not just, its not right. Noone knows when they will die, tonight when you walk home you could pass out and in an instant your geart could stop and you will be standing before a holy God who Will rightly judge sin. When you crossover to that eternal state where theyre is no going back, on the great day God judges all creation , the prophecy has been spoken. “And whosoever was not found written in the book of life was cast into the lake of fire.” - Revelation 20:15 (KJV) The question is not why would God send people to such a place, the question is why wouldnt God rightly judge sin on his standards? Religion cannot save you from being cast alive, damned for eternity into everlasting darkness abd sorrows and suffering frkm the lake lf fire and brimstone. God understands the effect of sin on all creation, thats why he himself stepped down from his throne into fleshh 2000 years ago as Jesus Christ of Nazareth, the sinless sacrifice sent by the God the Father to be beaten beyond human recognition and nailed to a cross to hang and be tormented in all ways, carrying your sins, and even your punishment for sin was placed upon him and he endured your punishnent on that cross and Said "It is finished" and gave up the ghost. When he said these words, it is finished he could have also been saying that justice has been served, your punishment has been met but on him, and then remember he rose again, even the grave couldn't hold the Son of God, John 3 (KJV) ¯¯¯¯¯¯¯¯¯¯ ³⁵ The Father loveth the Son, and hath given all things into his hand. John 3 ³⁶ He that believeth on the Son hath everlasting life: and he that believeth not the Son shall not see life; but the wrath of God abideth on him. Now I encourage you, you still have time, swallow your pride and humble yourself before God, confess you are a sinner and ask for forgiveness. God will grant you eternal life and now you are saved, turn from your old lifestyle and Iive for Christ:)

[@jegr3398]

@@lewisandjohnsillustrations2537 what does this have to do with painting?

[@PrinceTerrien]

​@@lewisandjohnsillustrations2537 HE IS COMING. THE CREATION SOON WILL MEET IT'S CREATOR. FROM THE CLOUDS HE IS COMING. THE WHOLE WORLD WILL BOW UNDER HIS NAME. GOD IS THE JUDGER. YOU CAN'T HIDE FROM THE LORD. GOD IS MY REFUGE. GOD IS MY REFUGE. GOD IS MY REFUGE. GOD IS MY REFUGE. GOD IS MY REFUGE. GOD IS MY REFUGE. GOD IS MY REFUGE. GOD IS MY REFUGE.

[@KBorham]

You are sincerely thanking us? The thanks all go to you bro! One definition of a "Master" suggests one who has reached the pinnacle of their practice, and can share information freely, without fear of being bested by competitors. You are truly a Master of your art.

[@sky2333]

You’re a living Master Andrew! Thank you so much for being so generous

[@neenabidikar]

Sky 23 it was really good, thank you

[@georgefrankcarrillo277]

Thank you so much Andrew. I am learning so many important concepts and excellent techniques. I am a 75 years old beginner painter, and passionate about it. Best regards... George Frank California, USA

[@albrown745]

Hi Andrew, my name it Al Brown, Canada, and I,ve been an airbrush artist for over 45yrs. I,ve had this nagging sensation to begin painting with oils. Even in those years I've used hand brushing techniques for even more realism and 3D appearance. My favourite things I like doing is illusion, tricking the eye thinking it's real, it's always fun to see the look on their faces when they find out it's just painted on. My specialty is realism and 3D effects and that brings me to you. This is why I'm be following your video's, I love realism and fine detail and you are all about that. I'm watching your techniques, brush strokes and all your fine detail work, it's amazing. This a big step for me and I feel in my heart and in my mind, which keeps reminding me to make this change. Every time I see your work, the drive gets even stronger, keep up the amazing work Andrew, I'll be watching you as much as I can and looking forward to watching the in depth techniques and and your creative magic. Right now I'm taking this at a slow pace, it's a big jump from Acrylics to oils, but both have their own advantages over the other. Take care Andrew...................Al Brown, Ontario Canada

[@nothingbutart7473]

He is literally the Einstein of painting, everything he says makes sense and is very intelligent.

[@bettychilldres9860]

YES... thank you Andrew. THIS was very helpful for this old lady in my retirement years. I'm just now trying to get back into PAINTING from about 20 years ago now. I'm listening to all you younger you-tubers as you paint your beautiful paintings... and I find that I'm actually learning what I was not taught from my younger years of struggling with PAINT "period"!! Ha!! 😁

[@lovelybydecay7811]

THAT PALETTE STAND IS ABSOLUTE GENIUS

[@frozenocarina]

What’s on the palette: gray background for tonal and hue adjustments. Glass is easy to clean. Burnt umber for deep shadows. Yellow oxide is good for warmth and tinting skies and the transp version for glazes. Titanium white for landscapes and lead whites for portrait. Cad lemon is v strong. Cad red for landscapes. Quinacradone magenta. Ultramarine blue. Cobalt teal for greens and skies. Phthalo green is strong and good for leaves and darks. Starts with earth tones, then white, then hard chroma underneath. No black on the palette, it’s made from burnt umber and ultramarine blue. (I have to say that yes he’s an amazing painter but just because he doesn’t use black doesn’t mean you can’t. It’s a useful color for mixing a truly dark color or for pop art so the rule of no black is bs. He likes to mix his own black because he gets more control and interest in the realism) baby wipes are good for wiping away excess paint and wipe off the excess mineral oil. The true primaries are not red, yellow, blue. They’re cyan, magenta, and yellow and they make beautiful colors that the traditional primaries cannot achieve. Cobalt teal, magenta, and cad lemon is the true primary combo that he uses.

[@nishatlala3990]

THANK YOU

[@lynnquin8565]

Good, concise info. Thanks.

[@johnheineman2113]

that was a great summary, thank you very much

[@allenvoss7977]

So why would you use black out of a tube then if you know you have more control of warm and cool by mixing your own black ? I don’t think he ever said you couldn’t use black out of the tube he just says it’s not as good , and I agree. Throw away your ivory black . creating your own black creates better harmony in your paintings.

[@frozenocarina]

@@allenvoss7977 MMM ok people like you make me so infuriated but basically it’s because it’s easier and the whole “warm vs cool” control is bs. You can add brown or blue or purple or whatever the hell you want to your black. I’m referring to the tons of generalizations made by lots of painters. Art is about what looks good, and throwing away expensive paint won’t do any good. Black is black and it reads to the human eye as black, add something to it and it’s just a dark blue or dark brown. Unless you wanna grab a microscope and look at every painting you see and judge it based on the materials and colors used, kindly shut up

[@thedriveinopera8889]

As a career printer, glad to see you bringing CMYK into the picture (pardon the pun). Process printing, which is what the use of these colors is referred to, uses a concept called GCR, or gray component replacement (addition of tonal black) to simulate many of the natural grays that you are mixing. Since there are few, if any total blacks in nature this limits the color spectrum that printing can capture, but adds very piercing depth, sometimes too much so.

[@gillda1958]

Thank you. Showing the color mixes of the printer really helped me understand the values of the mixes.

[@danielmeadows1114]

Wow.You’re a great teacher. You’re thanking me for watching this video,I’m the one who is indebted to you for sharing your skill,knowledge,and enthusiasm. THANK YOU.

[@cibablea]

You’re changing lives with this content, Andrew. Thank you so much.

[@zikkijapo7730]

I never got to go to an art school. The amount of information you’ve given and the depth and the clarity is so extremely helpful. Cannot describe how much i appreciate this. You are amazing.

[@sewoh100]

​@louiciousthewerewolf4819 yep, anything you want to learn about art, you should learn on your own, or go to community college.

[@nikkiswenson54]

Blessings will come your way because you have such a kind and sharing heart! Thank you, Andrew!

[@katieirish5765]

That easel you made is brilliant! And the color mixing is so fantastic. That painting is off the charts!

[@JennFredrickson]

I’ve taken sooo many color classes on color theory and even used to teach it as a hairdresser, this was the most concise and detailed explanation of color theory I’ve ever seen, while still being explained in a way anyone could understand. I kinda wish I was still teaching and could share this with my classes. Excellent work!

[@natalysaiz939]

I never comment on videos, I've been watching your channel for years now and always wondered about your pallet!!! This video is incredibly informative and thank you for sharing ! It feels like Christmas

[@tolkienfan1972]

I was just teaching my daughter that the red and blue people use aren't really primary, and that we should be using magenta and cyan. It's so great to hear you teach this also! Your demonstration was awesome! Very clear and effective

[@AndrewTischlerArt]

Glad it was helpful!

[@bradad2026]

As a person who gets joy from paintings and appreciates the skill involved I am often frustrated with my own efforts because of my colour blindness. Being able to see colour but struggle naming what they are, this video is like a key opening a door. Your palette choices, your descriptions of colour saturation and tone and your demonstrations of mixing colours will enable me to look at a possible subject in a more accessible light. The 'formulas' or ratios in colours and their uses provide the structure I need to approach painting with more confidence. Thank you Andrew.

[@VagalovStudio]

dear friend ust work with colors you see, whats problem? Take pencil and start to draw exercise, make compostion in grey ,white and black , we all see color difrent and often we dnt see some blue color or somthing like that, alwasy solution forget on this frought Tishler with milion bucks in studio and asests ,with suport from power people .........Tishler i will haunted you till dont chalenge under my rules also Alapay Efe and Jazza, ....

[@laurentregenza5870]

Thank you for your amazing tutorials! I love seeing how other artists mix and use colour. It's so interesting how your foundational years using a limited palette have influenced your current work (ultramarine, burnt umber and white) - That is such a great way to approach colour!

[@nunuallen4327]

This is my second time around on this, I appreciate Andrew so much in showing and giving away some of his wonderful gifts of painting.

[@jesusfirstto-the-pointendt4552]

Thank you for sharing this! I was just looking at some of your portrait paintings you have done of older people. You really have a way of showing just how beautiful us older people still are! Thank you!

[@cheriepearson1070]

Thank you Andrew. I have been a working artist since I was 14 years old. I am primarily an oil portrait artist. But I still feel like I have so much to learn about color.

[@tanana983]

I must emphasize that I really like that you do your work with a lot of enthusiasm and that your presentations are full of admiration and positive emotions. I honestly don't like it when someone constantly repeats how bad his work is but he is great painter. I came across a video that is the total opposite of some in which people are monotonous as lecturers regardless of their great knowledge and skills. Radiate with freshness and serenity and believe me, it is very important for us who follow your channels, that serenity, in addition to exceptional painting skills. This is very important cause you give us that beautiful feeling of making progress in working and painting, not just because at least I watch some video again to capture all the threads of the lecture. All the best.

[@1Thedairy]

Brilliant! I was really struggling with mixing the paints and now I know why. Thank you so much for a very informative and helpful demo.

[@maggiepompeo]

I’ve learned so much from Andrew. He makes complex things understandable. I’m so grateful to him for sharing his talent

[@mariecaroniaplotkin5268]

I am so grateful for all these amazing lessons you give! You're pretty amazing in the way you keep taking paintings to new levels of realism. thank you so very much.

[@JulieNelson-dl4gm]

Andrew I love your instructional videos! I have spent my career in emergency services and recently found painting and I am finding it incredibly cathartic and relaxing! One little safety note since folks like me are hanging on to your every word, and taking notes so we can go to the store and buy the right supplies. You talk about gloves and say you are wearing rubber gloves, but I am pretty sure you are wearing nitrile which are the right ones. “Rubber” gloves are made from natural rubber latex and are typically kind of a dull yellow. They have poor chemical resistance and are a bit porous especially w prolonged chemical exposure. Paint thinner will gradually permeate latex gloves. Vinyl and latex gloves are a better barrier than nothing, but I believe what you are wearing is nitrile glove which have high chemical resistance and low allergic reaction levels. Thanks again for describing in great detail your techniques and tactics! I love your work. Cheers

[@alexgourdine4895]

Andrew,Thank you so very much for the education on atmospheric perspective. As a self taught artist, I'm afraid what I know of painting is limited. However, I do what I can to get better, and so I want to say, what you teach and the way you teach has elevated my skills greatly. As long as you teach you'll have me as a student. Thank you again for the lessons, they are GREATLY APPRECIATED !

[@janhomes50]

You're so amazing. I spent the last 12 yrs in a great Art School, but there is so much more to know, and I really like how your knowledge and methods are in align with what I've learned. Learning nver ends, and I appreciate having found you !!!! Watching in Scottsdale, Arizona :)

[@o.legatura.de.natura]

this is pure refined gold (never gets old) Been using for a while the CMYK color mixing and you can truly obtain great tones! Thank you for this!

[@cherylamcdaniel8407]

I learn something new everytime I watch this particular video....I've been an artist for 40 years but was only introduced to painting at age 15. Up until I watched this video, I put color in my black to add depth. Learning about you way of making a dark tone instead of black, brings one's painting to the next level...I've watched this video probably 6 times or more...it is filled with so much information that can take someone's painting to such a higher skill level when taken to practice. Please keep making these videos, you are so inspirational. Thank you so much for your wisdom.

[@aceofhearts1455]

I’m an amateur painter and learned more from your videos than art classes that I have attended. Welcome to New Zealand and thank you for your generous lessons and insights. Wishing you more fans!!

[@STRANGE_hour]

You are doing such a great service to us aspiring painters. I am so grateful! Thank you!

[@СтаноСокол]

You give me a strong push to restore my painting practice. Thanks you a lot, Andrew!

[@lesleyorr3418]

So glad to have found you! Wonderful tutorial. The painting in the background is amazing! Looking forward to watching your other tutorials. Thank you.

[@betsycomeau4164]

After a 6 year hiatus from painting, I am back at it again. Except I am using acrylics now. I have enjoyed your videos especially after painting several landscapes and analyzing them since I am not satisfied with the outcome. I paint the local landscape from photos and find that my paintings do not show much distance or depth. I also tend to overpaint and get into too much detail. This incredible video on mixing colors has inspired me as well as the other videos you created on painting atmospheric depth and loose brushstrokes. I am excited to begin anew and refreshed tomorrow using what I have learned from your videos. I want to elevate my skills and believe your instruction is integral to improvements. Thank you!

[@robertkanchuk1677]

Your explanations and simple approach makes it very easy to follow, especially to new painters with little knowledge. I learn every time I watch your videos. Thanks very much. Keep them coming.

[@deborahrech7429]

Thank you for such an in depth tutorial on mixing color. Your paintings are incredibly beautiful!

[@dochudza]

This was so good. You’re my favourite KZbin artist at the moment. Learning so much!

[@Markovian_]

This may be the most useful art video I’ve ever watched. Saving for future reference. Thank you!

[@joycelazzara7534]

Hi I am back again and still so impressed with your ability to make the information so clear and helpful. I have painted for years and struggled with values. I really love watching you mix colors with patients to achieve the value you need. Thanks again for sharing love the tutorials, but have purchased the longer versions.

[@joycelazzara7534]

I was happy to find your tutorials I am a painter, but rarely paint outside. I use my own photos and have a tropical yard so paint from that a lot, but I live close to the ocean and want to paint more water scenes your work is some of the very best I have seen. You make it very clear & easy to follow. Your color choice & mixing is so perfect. Thank you for sharing your expertise.

[@dianahondrea5201]

I learned how to get dark tones from you (and other things) and will never forget this, may God bless you 😇❤

[@edmundosherrera]

you're very creative not only as painter but also as handyman

[@barca10108]

This is amazing. I admire how simple you make something so complex. I struggle with clouds and skies.

[@connielea1896]

I have watched this at least 3 times and each time I have learned a little more. Also I watched carefully how much paint you added each time. Thanks Andrew you're the best.

[@donnaramdin1454]

I was completely mesmerized by the fantastic painting behind you...it's just soooo beautiful and real Great teaching you are indeed talented

[@kristinabrewerart]

This color mixing video just changed my life thank you so much! I kid you not, I've had a refrigerator shelf in my basement for the last 7 years and I'm going down there after I write this to get it 😂 I would love this same kind of video on smooth water. You're the best!

[@Hannahgs]

I went to animation school and my Painting 1 teacher blew my mind by making us use CMY instead of RBY! Those three can really go a long way

[@colacho2834]

@PARK what a wueer

[@GunneLPercher]

Awesome, Andrew! I worked in printing for years and always wondered about using CMYK for mixing! Thank you for another fabulous tutorial!

[@ginacastellucio8362]

This is the best “ happy accident” I’ve had with painting. I recently started oil painting. My colors were quickly turning into a grey muddy mess. I’ve been searching for a video that would help me achieve the color brilliance I have imagined. Watching this video has been inspiring. I appreciate you sharing your priceless knowledge. I can’t wait to apply this lesson to my next paining. Thank you!

[@fabianmicali4098]

As a practising artist and tutor, I am pleased to find a tutorial that actually understands and is able to inform 'anyone' sucsintly and clearly about the management and behaviour of the materials and their uses and as an Australian, your representation of the Kimberley region is much much appreciated

[@patrickrasmussen415]

I'd love to see your techniques and methods for light rays through windows or clouds! Great work Andrew, your videos are always very helpful.

[@misslove1551]

Incredible! Love your paintings and appreciate everything you do to help others become better artist with all your knowledge.

[@maittlen]

Such an excellent and informative colour mixing lesson. You are a great communicator!

[@nikkiswenson54]

Andrew, you are an Ace! A=Artist C=color theory E=expert!!! You are so good and so very helpful to us who are learning! Thank you, from the bottom of my heart for being so kind to share of your knowledge and enormous talent!

[@michaelmorrow4655]

Andrew, ive never seein a more informative, descriptive, detail-oriented instructional than what youve created. A little charisma, positivity, and methodology goes a long way. You've shouted back to America with your techniques and we thank you. It hard not to appreciate someone who has embraced the art the way you have. Keep on turning out that material. Good stuff.

[@janeboyd1487]

Thank you Andrew...your videos are always inspiring...I enjoy tweaking colour and found this very interesting...cheers....

[@annietagg5111]

Thank you! You’re the first You Tube artist I’ve seen that mentioned the toxicity of paints! I have been amazed at how many artists will talk about just “blend with your fingers.” Yikes!

[@maggietattersfield2859]

Fantastic. It’s the first time I heard one of your workshops. I’ve subscribed and I hope they keep informing me when you are on. I will need to listen to your workshops more frequently as I am a slow learner. It would be great if you ever did a short work shop in England. I would definitely book to do it... 💙💙💙👍👌💫😃

[@robertchilders8045]

Banning flake white from stores is a major mistake! The other colors are much more dangerous ! Titanium white is horrible. Titanium white changes to a brownish ocher in a very short time! Especially in bright sunlight or ultraviolet light! Where's lead white gets brighter!

[@thankfulart]

One of the best color mixing videos I have ever seen! Superb.

[@hazelnuts590]

Make neon purple with watercolor

[@ahmad4365]

very great comment ☺️😚

[@kagithapusanthosh4223]

Hi sir

[@madelineboone9535]

I’m a beginner from China, I have learned so much from your work. Thank you.

[@Paul-mk6oc]

Lost count of how many times I've viewed this epic tutorial. Thankyou just isn't enough. Certainly an artist who'll be regarded as one of the masters.

[@Lalaland_lady]

These are epic, amazing paintings! Thank you for bringing together many technical details, especially color theory. Thank you again!

[@Babs9285]

Thank you so much for this tutorial, I think you and you’re art skills are amazing! This video was so helpful! Looking forward to more! ❤️🎨

[@judyheim3949]

Thank you for this video. So precise. Especially liked the idea of adding the printer colors to make it more understandable. I have watched almost all of your videos and am so glad you are continuing to make them to make them. I especially came back to look at the mixing of black. I have known a lot of artists who mix red and green to get black. However I paint a lot of black Labradors, mostly commissioned paintings. For me this combo of Ultra Blue and Burnt umber I believe will work better as I can push it to warm or cool. In a Labradors coat you often see both. I have always known that simply using black and lightening with white to make gray for highlights was not good enough. I have looked at Carl Rungius painting of his black bear hundreds of times and can see colors of brown and violet in the coat. ‘That is what I want in my paintings. I would love to see you do a video on backlighting. It looks like it would be so simple but really isn’t that quite as simple as it looks. Also would love to see you paint more of a sunrise or sunset sky or especially a sunset in a stormy sky. Thank you again for your great videos. Have subscribed and also got Skillshare and have talked a friend into getting skillshare as well. Thanks again.

[@ashoketambay5297]

You are very clear…and as such ..we catch up all details….simply wonderful,,,will join your tutorials…I am retired young ( 75 )…a lover of paintings…though very new to oils

[@juanamoreland1389]

This has to be the first video I have seen that explains color mixing. Have used those 3 primaries for years and now see how wonderful the new combination is. Andrew you are an excellent teacher and an outstanding artist, who appreciates the struggle that artists go through. Thanks for making this so much clearer.

[@MOstix13]

Incredible talent and teaching skills! Thank you so much Andrew!

[@lunadargent5292]

I’m too heavy handed and my colours are always too bright and the contrast too great in the distance I’m working on it but boy it’s challenging. Great video your speaking style is engaging and you’re soooo informative. Thank you 😃

[@2B87]

Thanks a lot for your content and effort to give us another glimpse of your knowledge Andrew, much appreciated!

[@rickytikitavi4101]

You are hands down the best artist channel on KZbin. I love love LOVE your paintings, the subjects, the composition, the colors. absolutely brilliant. Your painting skills are only outmatched by your teaching abilities. Thank you for sharing your knowledge with the world.

[@jetsonjoe]

Thanks...very informative and helpful. Another great video. You are most generous with your knowledge. Thanks.

[@daleselway6128]

Thank you so much Andrew for this very informative video, it will definitely help me in my next paintings!

[@stayresse1885]

i think that we all appreciate his content , so avoid skipping the ad while watching his videos

[@phyllisbekemeier3282]

Thank you so much for your teaching heart. I learn so much from you.

[@jessicaklaus1334]

The knowledge shared in this video is worth more than my professors gave me in 4 years. You are so kind to share this secret formula!

[@48Terrie]

Not only is your art amazing, but you have to be the most informative instructor I have yet to see. Thanks for what you do!

[@phylr3983]

Watching this gives me an artist’s “high”.

[@yticivam]

Oh wow. Those paintings are beautifully immersive.

[@janawright1715]

Thank you for sharing your knowledge and gift! I appreciate it! ❤️

[@rosaoilart6683]

Best art Teacher. Clear, concise and to the point.

[@alaysiakayebutler6299]

Im not doing oils but the concepts, techniques and color theory are presented so well, and thoroughly practical studio tips, I feel this is an excellent source for my self directed education :)

[@ajrhino8120]

Love your work man. I’m new to painting. 2 years. I wish I started 40 years ago. Youth is wasted on the young.

[@capbin146]

AJ Rhino Ain’t that the truth!

[@СтаноСокол]

Nothing is wasted since you've started. Don't worry - be happy 😊

[@ojasbhagavath5484]

God when making Andrew Tischler - "This is fantastic, a little bit goes long way."

[@hollandfranks6797]

Expanding my knowledge. GREAT Keep up the great work. Thanks

[@tomasznatkanski8767]

Finally, after hours of research, I found the answer to mind-boggling question which basic colours should i get to start with. Thank you so much!

[@VikingsFan27]

Wow, that was such an articulate description of how to blend and achieve color. That painting that you're working on is and absolute beauty. Whoever ends up with that painting will have one beautiful work of art. I am not sure how you dont have a million followers, I am sure that you now have one more. Cheers!

[@lalagonegaga]

I think the whole zinc white story is blown out of proportion. De Laszlo used it exclusively and his paintings are in a perfect state of preservation. The trick is to use it thinly and never pile up the impasto (like Fechin did, for example). As long as it's thin, it's fine.

[@papaspaulding]

could also depends on the oil its mixed with?

[@lalagonegaga]

@@papaspaulding There is a great chance that might be a contributing factor. De Laszlo used poppy oil. That I know for sure.

[@lauriegift481]

Your tutorial is one of the best that I have watched on using colors to achieve atmospheric perspective. Thanks for making it and I will look forward to more of your videos.

[@aurorarain1265]

Epic! Your paintings! My goodness gracious! Phenomenal! I struggle with mixing color when painting dramatic stormy skies. My blues and grays may benefit from this lesson. Thanks Andrew. So kind of you to offer up guidance. Loved the last few lines regarding distant and foreground tones. 👍🎨 ohhh...a light just went on! 💡

[@scottpatterson7573]

I’ve just moved into having a go with oils. I’ve revisited this video numerous times. It’s awesome advice !!

[@marlonbryanmunoznunez3179]

Best explanation of CMY on You Tube. I have watched and taken notes from these several times. Kudos to Andrew, this is very valuable information.

[@nickfanzo]

The palette is : Burnt Umber Yellow oxide Titanium white Transparent yellow oxide Cadmium lemon Cadmium red Quinacridone magenta Ultramarine blue Cobalt teal Thalo green