Anna Netrebko - Donde lieta uscì (Giacomo Puccini - La bohème)

[@alvaroblanco3564]

La más grande. Muchas gracias

[@gloriadigiuseppeantonio3693]

E' proprio straordinariamente brava: il fraseggio, le sfumature della voce La classe , i colori❤

[@icecap33]

Beautiful! She fills the stage, nevertheless what surrounds her! I'm deeply impressed!

[@danilacremonini]

Magnifica! Bravissima

[@mariacristinapallarolsehij4702]

Bellisima.!!!!!!! Gracias

[@aronpark3366]

She is really amazing

[@SuperArkleo]

Fantastic, divine, sublime... Anna is not from this world. She is one of those very few creatures from upstairs to come down to ugly Earth to make life meanigful

[@soxnation1000]

Incredible voice!!! Wow

[@chaserooface]

I'm a little disappointed that the applause is so much less the THUNDEROUS. C'mon people, that was one of the most beautiful renditions of that song.

[@megichikhradze1538]

+Chase Davidson Agree. Audience looks as totally lost. It`s so strange , during all performance Anna does not have equal applause her singing deserves. This version is just brilliant, love it !

[@ggboot1]

Because they know a good soprano when they hear it. She's not it.

[@crazyorganist1609]

It's not. You want to hear a better version. Listen to Callas pour her soul into it

[@hectorberlioz1449]

This is not a song, but an aria. It is so stupid nowadays to call everything a song!

[@Lilianasist]

Viewers were confused by the set and costumes

[@ichbins8532]

I love her ❤❤❤

[@vazmo14850]

she is easily the best!

[@lilliwitt4941]

Anna Netrebko - Donde lieta usci (Giacomo Puccini - La boheme) BRAVA !!!! BRAVA !!!!

[@emilioaversano4492]

Osservando com'è costruita la scena, i sandwiches e la goffa presenza scenica del tenore - il vestiario poi.. - , unitamente alla dizione metrica lasciata al caso, alla tendenza ad emettere suoni gutturali, all'assenza di anche un solo attimo di magia nel soprano oggi più celebrato al mondo, non rimane che chiosare una sola cosa.. L' opera lirica per come l'abbiamo conosciuta attraverso Callas, Tebaldi, Caballe e tante altre, ha emesso il canto del cigno. Amen

[@lilliwitt4941]

Anna Ndtrebko - Donde lieta usci (Giacomo Puccini - La boheme) BRAVA ANNA !!!!!!!!!!!!!!!!!!!!

[@坂槙眞由美]

Lilli Witt kっ

[@김한나-t2q]

영화같아요 물론 음악도 너무 아름답습니다...

[@Theo-rx9mk]

the pianissmo / diminuendo at 3:06 is exquisite

[@jordipanadesribera6890]

👏🏼👏🏼👏🏼👏🏼

[@mugrad25]

You can tell she's worked hard on her technique..this is the best I've heard her

[@llcooljay520]

Am I the only person listening to this who isn’t in love? The acting isn’t great. It’s slightly oversung. There are some flat notes. It’s too slow in some parts- the musicality is lessened. It’s a solid “meh” for me. Some nice parts- I’m intrigued by the stage design and costumes- but there are so many way better performances out there.

[@yuliana703]

You should watch her other interpretation with Willazon. Much better in singing in acting there

[@operadoc]

Clearly she has studied freni

[@victoriaczubacummings4882]

♥

[@anandy9292]

salzburg always has the most liberal sets, too modern

[@meiada]

Singing flat at that age?

[@hayerwhophtow6700]

Le gros paquebot Netrebko n’a même pas un centième de Mimi

[@pincopallino1834]

Saro' troppo anziano, ma proprio non mi trasmette proprio nulla. Begli acuti, ma gelo su tutto il resto.

[@inguaribileromantico4456]

D'accordo, secondo me non c'è la minima finezza,nell'atteggiamento scenico, nell'uso della voce, tutto molto grossolano, per non parlare della tecnica molto gutturale, decisamente lontana dal belcanto in maschera delle divine tebaldi, olivero, freni che hanno impreziosito questo ruolo con le loro interpretazioni...insomma per me una brava dilettante, pensino quel che vogliono gli ammiratori sfrenati...