Her recording with Minkowski was such a monument of alive deep beauty.
@sppencer3 жыл бұрын
beautiful, rich mezzo. adorable
@pepamicro12 жыл бұрын
I am amazed by her coloratura and her precision. For a live performance, she is absolutely impressive, from low to high notes. And sooo fast! Respect. And respect for Minkowsky too.
@gabrielperez76106 ай бұрын
I had the privilege of being there at the Concertgebouw. It was such an unforgettable evening!
@ChrisBECKETT-k4x2 ай бұрын
You are a LUCKY LUCKY soul !!!
@christianlefebvre64754 жыл бұрын
Magnifique interprétation d'une grandissime aria du collosal Haendel.
@stefanfforest35937 жыл бұрын
What particularly amazes me about her singing here is her breath control and her purity of tone! Amazing performance.
@egumax12 жыл бұрын
The greatest Ariodante recording ever
@ChrisBECKETT-k4x2 ай бұрын
Oh, if only we could see the video footage as well. It must have been a transcendent experience to have been there in person, hear her sing, see her performance. The complicitiy with Minkowski is full of energy.
@guiradobrasil10 жыл бұрын
My favorite rendition of dopo notte
@TheCressyboy10 жыл бұрын
It is simply a stunning interpretation and one Mr Handel would have approved. I never tire of hearing it. A joy!
@lauraservidei57288 жыл бұрын
Oh my god this is unbelievable. Superhuman. Fantastic Von Otter!!!
@antonioantonio-no2uc5 ай бұрын
Impresionante, qué maravillosa cantante. Esta aria sólo la ha cantado igual de bien Janet Baker.
@youtito9472 Жыл бұрын
Brilli tu come stella nella notte costellata di note You shine like a star with a constellation of notes
@amartindale1110 жыл бұрын
Wow! What a ride!
@pissinthenightaway9 жыл бұрын
Wow it's gorgeous the whole way through! I cant even think that fast. I think I'll just stick with living vicariously through lucious voiced singers! :)
@megenberg83 жыл бұрын
The TRUE authentic operatic character brought COMPLETELY to LIFE!
@lunakristal Жыл бұрын
DIOSAAA
@harmonyharps46637 жыл бұрын
Wonderful, such clarity of voice. Thanks for posting.
@clivepapayanis31218 жыл бұрын
As much as I love Dame Janet's version, I have to say I like this version better. It just sparkles. Thank La von Otter and thanks for the post... hadn't heard her Ariodante til now. Knew she'd done it and better even than I could have thought
@kathydancy988010 жыл бұрын
Every time I hear Anne sing this it's like hearing this for the first time. Until I heard this recording of Dopo notte, I thought no one could outdo Janet Baker....but I was soooo wrong!
@francette193806 жыл бұрын
Aren't you ! I was wrong as well !
@cliffgaither5 жыл бұрын
@@francette19380 _::_ _Like Ann Sophie von Otter, but few singers have Baker's soulful sound._
@francette193805 жыл бұрын
@@cliffgaither I agree with you about the "soulful sound" of Janet Baker. No doubt u know the magic and amazing "Lucrezia", cantata by Haendel (link below) : kzbin.info/www/bejne/iImwpKpvfbF6as0
@cliffgaither5 жыл бұрын
@@francette19380 No ! I didn't know about that performance. Thank you !
@francette193805 жыл бұрын
@@cliffgaither One of the greatest Haendel's masterpieces, composed in Italy at only 23 y.o. The story begins just after the rape of Lucrezia (she is the wife of a roman general) by emperor Tarquin. She sings her grief, her anger, she implores the gods of heaven and hell to help her. But because of their silence, she sinks into despair and shame and plunges a dagger into her heart. Just before she dies, she screams that her ghost will come back to avenge her.
@kddancy111 жыл бұрын
Moved to tears!! UNBELIEVABLE!!!
@maggiesolihin8169 жыл бұрын
The best ever!
@bernadettebelmejdoub454210 жыл бұрын
La perfection absolue .
@shadbolt46873 жыл бұрын
Simply sensational .
@ОльгаК-ъ1г3 жыл бұрын
Вravo!
@allaturcaUS9 жыл бұрын
Thrilling!
@ngreenefraize11 жыл бұрын
Magnificent!!!
@hankkeneally5224 жыл бұрын
Simply the greatest singer in the world. She can sing anything definitively.
@DavidHughes-op6zl3 жыл бұрын
Justify your extraordinary claim
@LaDivinaLover Жыл бұрын
@@DavidHughes-op6zl no
@stefanfforest35937 жыл бұрын
Just AMAZING.
@jamesliu9219 жыл бұрын
charming n beautiful.
@BettiesBlues8 жыл бұрын
Yeah, the most unleashed version!
@isaacgrauer11 жыл бұрын
magnificient
@andreasnewmiller47317 жыл бұрын
Sublime ! Exquisite !
@duartecrispim12 жыл бұрын
Fabulosa...das melhores interpretações que já ouvi.
@chrisburger54773 жыл бұрын
Great.
@TheDali257412 жыл бұрын
beautiful !!!
@CzechHorn7913 жыл бұрын
Deepest respect...Bravissima!!!
@Gobbi200712 жыл бұрын
ABSOLUTELY FANTASTIC, this lady is amazing. Minkowski must have heard her before the recording and gone nuts. Her con brio singing is captivating, lets you dance to Händel. I would have never thought that she would miscalculated her breathing, though: her trill gets interreupted by shortness of breath @ 6:19: teeeee- (breathe) -rrrra. Note: I am not nitpicking, this makes me admire her even more.
@DefinitelyTheOpera13 жыл бұрын
A live recording before the Minkowski CD! Great find. The audience went wild there, do you know if it was opera in concert or full-on opera perf, and what's the orchestra? Also, good picture choice. One of Otter's more typical "You talkin' to me? YOU talkin' to me?" photos.
@Roheryn100 Жыл бұрын
Dear heaven….😮😮😮😮4:47 😍😍😍😍😍
@jovi171513 жыл бұрын
@blueorangefunk yes it is
@LeonMare497 жыл бұрын
Have you heard Anne's parts in the Messiah (Handel) with Trevor Pinnock? It's the ultimate... Also her CD: Opera Arias - Mozart, Haydn, Gluck. Archiv 449 206-2 Pinnock again.
@DavidHughes-op6zl3 жыл бұрын
Much to admire in von Otter's rendition of this glorious aria but I longed for more vocal fireworks at the end of the repeated section. The trills I find disappointingly lack lustre athough agility throughout the register is well executed. What strikes me particularly is the timbre at the bottom of the instrument, which is richly seductive. However, I strongly prefer Joyce Didinato's reading of this piece (the version in which she's seated in a red and black dress). Ms D's performance is stunningly electric and at breakneck speed too, altogether exhilarating; as for trills, they're delivered with diamond bright clarity; in the da capo part even her decorations seem to contain decorations! Didinato's offering is suffused with excitement in every bar. The American singer's performance is indelibly memorable, in my opinion not just head and shoulders above each and every one of her rivals but an entire body length.
@qwameokae22643 жыл бұрын
yawn!
@DavidHughes-op6zl3 жыл бұрын
That's supposed to be an intelligent response? Well, had you not shared that gem with me I wouldn't have felt deprived. [I'll not respond to further contributions from you. Indeed any such attempt >will be immediately deleted, unread
@qwameokae22643 жыл бұрын
all the best in your attempt to come across as intelligent. may you never grow weary. cheers! 🥱
@shadbolt46873 жыл бұрын
Kudos to Joyce for her live ,seated performance...always an arresting actress.But I much prefer Sophie Anne's clearer vocal timbre.(.which allows for more subtlety) to Joyce's more throaty delivery. Either way I suspect with these 2 greats and DJB we are dancing on a pinhead.
@elizabethferidobohlin99432 жыл бұрын
You are talking about someone whose singing is recorded while Anne Sofie von Otter’s is LIVE at the National Opera in Paris when she performed Haendel’s Ariodante ages ago. Von Otter’s singing is unsurpassed in this particular opera.
@artfuldodger48505 жыл бұрын
Taken more at the pace of the Paul McCreesh/JDD version than Dame Janet’s version. Normally I prefer a more deliberate version but this is one aria which can be taken at whichever speed is desired. Now to compare the Ann Hallenberg version. Love AS Von Otter’s live performances.
@juancarloscobian81927 жыл бұрын
@pasakari9 жыл бұрын
too fast
@Allanfearn8 жыл бұрын
Irrelevant consideration - 'Ariodante' is set in Scotland (Ginevra is actually Ginevra di Scozia), and Ariodante is exactly where he says he is in the aria. The occasion is therefore one for a pibroch. Von Otter's display is breathtaking, but it isn't a pibroch. Uncannily, Baker's offers the dignity and the freedom within strict limits required by the form. No evidence Mr Handel ever visited Scotland, but that doesn't mean he didn't know.
@haranoe6 жыл бұрын
Irrelevant consideration indeed: "Mr. Händel" probably did know about pilbrochs, and he cared so much about them in this opera that he composed the music for a Scots libretto, rather than for an Italian or English one.
@kaloarepo2882 жыл бұрын
Handel was familiar with bagpipes during his younger days in Italy -every Christmas the bagpipers from the Abruzzi region near Rome descend into Rome and play the pipes to illustrate the nativity story -it is recorded that Handel remembered these when he wrote the pastoral sinfonia in "Messiah"Also isn't there a suite of Scottish style dancing during the games section in "Ariodante?"Ironically Handel wrote "Judas Maccabaeus" to celebrate the victory of the duke of Cumberland at Culloden which put down an almost successful Scottish rebellion under bonnie Prince Charlie.