Download the lesson PDF ►► lessons.bobreynoldsmusic.com/applying-b9-b13-lick-to-three-standards/
@gangofgreenhorns26722 жыл бұрын
Just pull the Rovner back a little more if it's hitting your lip lol. Personally always been a fan of the Rovners bc you just don't have to think about the ligature and they're so fast and easy to put on. Sooo many times I've forgotten to even tighten mine, and it's not a problem at all.
@kingsax7 Жыл бұрын
Thanks Bob ! This is very helpful in the intervalic ear training adventure possibilities ! Good Food to Chew On ! Ben Sax
@elnauta9525 Жыл бұрын
I will do my best to get this done, but the main thing I learned was how to approach to the learning process!
@MrGuto2 жыл бұрын
I love this ligature too. Regarding how much it covers the reed, just push it back till it hangs out passed the end of the mouthpiece, with one of the cloth strips hanging out. That's what I do and it works great!
@01contralto2 жыл бұрын
Big Big Big!! Great lesson, thank you Bob!!!!
@lucianogb592 жыл бұрын
Thank u Bob, good work!
@WhosonKeyz2 жыл бұрын
I ain’t ever heard someone swing so bloody hard to a backing track before. Jesus talk about fluency in the language
@axe4sax6512 жыл бұрын
Hi Bob, for me this tutorial is bang on point and right on time - I had been working on longer 2-5-1 lines but even though easy enough to learn and remember, there is too much info to use in a practical way so I have started to focus on short 2-5s, V7s or just the V7 of the 2-5 (apparently that’s how Barry Harris teaches). I am currently playing standards and swapping out the melody for the phrase to help in learning a tune's changes. As for the melodic minor - I’m self taught, and haven’t taken any music grades. I only ever learnt my major scales (and the modes by default!) now I feel the need to revisit scales (and modes from their root) and the melodic minor was 1st on my hit list. I am mainly interested in improvising, playing by ear and in all keys. For ‘me' the quickest and most effective way to learn scales is by their interval structures e.g. WWH.. (whole-tone, half-tone..) or T T s.. (Tone semi-tone) because, after a bit of practice you can practically see how the scale will sound. Similar to solfege, I think (or sing) the root note as ‘R’ and the next whole tone note as the sound Dahh or half tones as Derr, for example: T s T T T T s = R - Dahh - Derr - Dahh - Dahh - Dahh - Dahh - Derr Whereas Ab Bb Cb Db Eb F G Ab, doesn’t sing melodic minor to me! And as for harmonic minors, blues scales etc, the -3rd sound is pretty obvious. I find the key to learning all scales with this approach is to nail both whole tone scales, their sound and the note names. Thanks again for this excellent video lesson
@emilklomberg30612 жыл бұрын
This is a great piece of advice for getting phrases to become a part of your vocabulary instead of just some random licks. I struggle a lot recently with finding “the best way” to get something into my vocabulary without forcing something into my solos. Quick question, do you still imply the “II” over the dominant when you switch to doubletime? Thanks!
@3163steve2 жыл бұрын
Thank u
@johnnilsson30612 жыл бұрын
I liked your quarantine hair
@chrisrotsching3632 жыл бұрын
What a cool video! How do you set up iReal pro to loop just a few bars like that?
@shields7652 жыл бұрын
On iOS - tap and hold the first measure, then drag the dots to select the loop section. On Mac OS X - simply click and drag to select the section. On Android - tap and hold the first measure and then tap and hold the last measure of the loop.
@saxiroth66472 жыл бұрын
Man you and Chad going after the altered scale this week huh?
@racehoglund72512 жыл бұрын
Great minds think alike I suppose haha
@patrickolugbemiro93772 жыл бұрын
I've been dying to join the virtual studio but my studies finish in January, should I try to join now or wait till studies are finished?
@Bashanvibe2 жыл бұрын
I want to transcribe that on keys 🎹 !!!
@bryandickerson53652 жыл бұрын
@Bob Reynolds How about singing the lick not with the AH sound, but with the EE or EH (ala Allard/Liebman) voicing? I think this is another little way to help students develop good tone focus/tongue position. What do you think?
@johnnyharris2 жыл бұрын
this is such good teaching
@OceansPiece2 жыл бұрын
Wow didnt know you played saxophone. Love the vids!
@Anonymous-u8r8j3 ай бұрын
Do you play saxophone?
@melchimichel39792 жыл бұрын
When I first started learning alt. scales, I used the same trick (i.e., thinking of them as the 7th mode of the mel. minor a half step up). However, that's two levels of indirection. I think a slightly easier way to learn and practice them is to think of it as a major scale a half step down with a raised root. I.e., using the example in the video clip, I'd think of F# alt. as F major with a raised root (F# instead of F). Of course, this is all moot once you get the scales under your fingers (and in your ears), but I found it a lot easier to initially access the notes using this trick (one level of indirection) instead of the melodic minor one (two levels of indirection).
@thesukhster2 жыл бұрын
Terrific! Thanks for the insight. Appreciated.
@axe4sax6512 жыл бұрын
Have you ever tried the method described in my post - but like you said, once under your fingers and in your ears it doesn't matter how you get there. Did you notice that Bob doesn't use side Bb
@melchimichel39792 жыл бұрын
@@axe4sax651 I learned my whole tone and diminished scales that way (decades ago) because I don't think that there's a simple alternative shortcut. However, I think that for students who already know their major scales, it's much easier to learn the melodic minor as "major with a flat 3" and the alt. scale as "major with a raised root" than to have to think explicitly about each interval in the scale. Regarding Bob's use of side Bb, I'm pretty sure that he uses it sometimes. I use side Bb about 50% of the time, but I wouldn't typically use it in an F# alt. scale either (nor generally in any scale, arpeggio, or lick that doesn't also include a B).
@IgorSerafim29 күн бұрын
Excellent approach & explanation didactic Bob
@Aerophoneschool Жыл бұрын
👋 Hello 🙋♀️
@Orlando-wn4uc2 жыл бұрын
Bob's Virtual Studio is super awesome. I've been a member for over two years and I've really enjoyed all the lessons. For anyone looking for a great group musicians to interact with, the Studio is fantastic. I find Bob's lessons really useful and insightful. I enjoy being able to stay on a lesson for days or come back to them as I need. Bob is also one of the nicest people I've ever met. If you're thinking about joining, you should!
@vannigio6234 Жыл бұрын
uah!! 💥💥💥🎷🎷🎷💥💥💥 🐻👍
@Romain-sc8lh3 ай бұрын
Dear Bob, First of all, great video! I'm writing to you because I don't know how to articulate myself. Should I stick my tongue on the reed on weak beats? Should I articulate in pairs on the strong beats going up and on the weak beats in a descending phrase as Chad Lb explains? Thanks for your answer and for everything you do! You're really great! Philippe
@JJ_Photo2 жыл бұрын
Great lesson, thank you Bob! Btw, your sound seems to have become darker, warmer and kind of "dusty" ;) . Really like that.
@kenbeattie25842 жыл бұрын
A great video, really like the way you explained this. Am inspired to getting back to the practise room and trying it all out!
@nickpilgrim19662 жыл бұрын
I got so much from this video. It explained stuff I've been working on without really knowing how to apply it. Thx for sharing Bob.
@MichaIsraelKovler2 жыл бұрын
This video makes me want to learn more.... Thank you Bob, Any plans for future posting on upper structures? No rush, it will take me a while to digest this beauty (-:!
@bluessax50892 жыл бұрын
My teacher always said you can turn a 2-5 into just a 5. Like tension and release
@jensclarberg64192 жыл бұрын
You can turn anything into a 5
@robertreynolds96072 жыл бұрын
Very helpful lesson. Thank you for this exercise tool. It will be very helpful for me.
@dukoff112 жыл бұрын
Hilarious! Glad you got to check out the ligs, Bob.
@rosstones12 жыл бұрын
Good one
@thomasgrady31032 жыл бұрын
totally yanked that first lick. haven't heard something that swings that hard in awhile
@NegroTorresV2 жыл бұрын
Eres increíble. Cheers from Ecuador. 🤘
@claudiohecht52652 жыл бұрын
Me ayuda muchisimo esta explicacion , estoy trabajando en Oleo , uno de mis temas favoritos , junto a Lingus, asi es que te agradezco tu sporte . Saludos desde Chile . Te dejo un par de cosas para que me escuches . kzbin.info/www/bejne/o4LTcmWPo9aUr6M
@rainer.saxbass2 жыл бұрын
What a great example. (Oleo hits me) Thank you very much for this!
@linopiccolo41482 жыл бұрын
Bob you are super! Thank you
@TheGilmusik2 жыл бұрын
Super lesson 👍👍👍
@djmileski Жыл бұрын
Amazing lesson. Thanks!
@garaumoris98932 жыл бұрын
Thank you so much! Bob, for the PDF Hello from France .
@josealarcon15992 жыл бұрын
Brilliant explanation
@fluteluc12 жыл бұрын
'Shoe horn the lick in' - Great!
@disgustangy49012 жыл бұрын
69th comment
@ianleemusic2 жыл бұрын
Hey Bob, my name is Ian. I am a jazz and Western swing violinist and guitarist. I love studying horns on my instrument and have to say I enjoy everything you offer here. I especially appreciated that you didn’t immediately rush into getting something into all 12 keys, instead recommend working the piece of language into things we already know and love. In general, your videos are great! I’m a big fan of the way you think and how you communicate your experiences. Thank you for sharing with us.
@bobreynolds2 жыл бұрын
Thank you, Ian! Yes, I’m a big advocate of getting something comfortable in one key first
@racehoglund72512 жыл бұрын
I noticed you are always sliding from B natural to Bis B flat, do you always do this? When I was studying classical saxophone in college this was frowned upon so I got used to using side Bb when going from Bb to B natural
@jazznutz2 жыл бұрын
I'm not Bob, but Greg Fishman talks about using B to Bis as well. I tried it for bit but couldn't stick with it as I learned as you did. But if these great players are doing it, there must be something to it.
@racehoglund72512 жыл бұрын
@@jazznutz oh Greg is phenomenal! I can understand rolling off of the bis Bb to B but rolling onto bis Bb from B is more challenging..
@jazznutz2 жыл бұрын
@@racehoglund7251 Yes, particularly depending on the set up position of those keys. It's doable on my tenor but seems unreasonable on my Alto due to the lift.
@eliwyatt22922 жыл бұрын
There are also great classical players who slide to/from bis, there’s nothing wrong with it
@racehoglund72512 жыл бұрын
@@eliwyatt2292 oh cool I didn’t know that! Do you know of any specific classical players that do it? I got to work with Otis Murphy for a tiny bit when I was a freshman but at that time I didn’t notice if he was doing that or not
@austenholritz75542 жыл бұрын
That soprano sound though!!
@MegaRas732 жыл бұрын
Great stuff thanks Bob. Would love a minor 251 hack next blessings 🙂👍🎷🎷
@kevinAuguillard2 жыл бұрын
Completely random question, are you naturally slim or do you exercise; and if so, what types?
@noelbeltran26512 жыл бұрын
Thats why Jeff Has 200billions
@rodrigogarciabeni76982 жыл бұрын
I play the same ligature on soprano and I can confirm it feels and plays great
@JohnyMusica2 жыл бұрын
GRACIAS !!!!!!
@dry5092 жыл бұрын
Hello. What make model are your glasses? Thanks.
@LA-hx9tx2 жыл бұрын
Great lesson. I have a question or two about the line itself. This line starts low with chordtones, then moves up into the V chord and uses altered notes, then peaks and moves back down and resolves with chordtones again. So you set up context, then move away, then towards resolution. That's clear, and the harmony is clear without any accompaniment. So that's just note choice and rhythm. But then there's register and dynamics to consider, and what this line has is starting lower in the register, moving up as the tension builds, and also a slight increase in volume and intensity as lines tend to naturally do when they go up. Then it moves back down into the lower register and it resolves. So in a sense the line is built like a piano player would voice a chord with the guide tones down lower and the altered tones up higher. The question is, was this stuff also conscious when building the line or is it just a coincidence that it moves up as you move into altered notes then back down as it resolves. Is this a general way of thinking that you apply to line construction, and start by creating a context that's more diatonic that would then support the altered notes played higher up, then maybe move back down to relax the tension and resolve at the cadence? I know this is just one line, but it's a perfect example. All lines don't HAVE to do this, but now I'm wondering if you start high, then move down to the lower register with your altered notes, then back up higher to resolve if that would just sound screwy or not. And this is just a very general way of approaching the shape of the line, but it's kind of a broad , non-analytical way of seeing the shape of the line and a way to envision a map of the line before you play it.
@jamesjefferson83532 жыл бұрын
Hello, love your playing! What mouthpiece are you playing on soprano?
@bobreynolds2 жыл бұрын
Otto link 8
@espr75642 жыл бұрын
Great vid, 27 minutes to explain this??? terrible voice 😱😱😱😱
@bobreynolds2 жыл бұрын
Thanks for spending your time and sharing your thoughts.
@klimzy2 жыл бұрын
@@bobreynolds what a hater - it's 27 minutes of pure gold which I'd gladly pay for. Thank you for all you do!
@Osnosis2 жыл бұрын
@@klimzy yes; showing the process in real time is very helpful.
@IgorSerafim29 күн бұрын
Excellent approach & explanation didactic Fixado por Bob Reynolds @bobreynolds