Are Synthetic Reeds The Future?

[@ohnyo64]

After using synth reeds once: " I am the Lorax, I speak for the trees"

[@jiovanniaguirre4888]

If only they were made from trees and not cane. Good joke tho

[@Saxologic]

LOL

[@gottab5381]

Piano reeds?

[@JarlTryggve]

“I am the Lorsax, I speak for the reeds”.

[@squillward498]

@@JarlTryggve LMAO

[@thelocalbread8413]

As a tuba player I can say officially say “yep it sounds like a saxophone”

[@blightedadmiral7006]

Definitely not me…

[@TrumpetGuy26]

As a trumpet player I can say the same.

[@cassidya.b3158]

@@TrumpetGuy26 twinsies

[@huskerpupper5911]

Twinsies

[@therewasanattempt1866]

As a freshman tuba boi, I can confidently say the plastic thing is oboe

[@samylemzaoui2298]

me, having never touched a saxophone in my life : *hmm yes this strength 3 Légère Signature reed has a really nice mid register indeed*

[@brothermanv]

Lolol

[@joyce_rx]

_a pristine balance of the highs and lows_

[@goofygoober6569]

me who has a saxophone yet understanding nothing: *_agreed_*

[@FelixT370]

I made the same comment lmao

[@clxpznz7742]

lollolloolllllll

[@delta5650]

As an oboe player I can officially say, "that sounds better than any noise i can make."

[@ariroary]

lol all oboes in my band can agree

[@snaeb-ps3bd]

As a fellow oboe player who also plays saxophone i can confirm that it indeed sounds better than any sound I can make on either instrument

[@Sam_Bolic]

Bro, oboe is the most warming, emotional-stirring instrument in the orchestra. My honest opinion

[@acosticmonkey]

Fr yall sound like ducks

[@kingdomofhagerville]

fellow oboe and can confirm this

[@Jaydeschrist.]

Him after playing literally anything: 😀

[@Jen_TheSnail]

Lol

[@pinaply8186]

Lol

[@Cħris]

Lol

[@jwbmusicc]

Lol

[@mmmkay4923]

Lol

[@Itealic]

As a cello player I can confirm that this does indeed sound like a saxophone.

[@danielperales3958]

As a keyboard player, those were indeed reeds for saxophone

[@keiraschmal7402]

As a violist, I can also confirm that this does sound like a saxophone

[@Bean-w8s]

As a clarinetist, I can confirm that it sounds like a saxophone

[@Aydrenn]

As a bass player, that was indeed music played on a saxophone with slightly different intonations.

[@Organafarms]

As a percussionist I am skeptical on its saxophoneness

[@fdaehbcswcfaqgh576]

The knife edits are getting scarier and scarier

[@Saxologic]

🤩

[@nick_cnc]

Not as scary as watching him actually use the knife to open the box.

[@tommymulcahy2717]

@@nick_cnc not as scary as him stabbing 4 reeds into each other and pretending they’re a propeller

[@Saxologic]

@@tommymulcahy2717 😂😂😂😂😂😂😂😂

[@byf4ith]

Knifeologic.

[@mimikyu.i]

As a clarinet player who has never been within 10 miles of a saxophone, I can agree this sounds like a great saxophone

[@dsctunes]

You've never been in band?

[@NotationCat]

As a clarinet player who has been within 10 miles of a saxophone, I can agree this sounds like a great saxophone

[@ImOriginallyGreen]

Here’s my thought process about using synthetic reeds: with cane reeds I can “sound” the best I can if I spend time adjusting/picking out/breaking in reeds to get them to play their best and maybe once a week I get a really good “prime” reed. The rest of the time I’m playing, I sound 80-90% as good as my full potential. With synthetics, I sound 95% as good as that perfect cane reed, but the difference is that I’m playing at 95% every day where as with cane, I was playing as low as 80% depending on the day. I switched to synthetics because the consistency means all the time I was spending breaking in reeds, adjusting them, anticipating the humidity etc. can go towards practicing and there’s no more hoping that your perfect reed from the night before will work for tomorrow’s performance.

[@jpsalis]

Yeah for any instrument, having that consistency is key. I don't play brass but I've noticed this asw when comparing synthetic vs gut strings on my violin. Gut sounds better in a lot of instances, but they go out of tune super quick and they take longer to break in. I'm honestly surprised how many factors can effect a reed, though I'm not super well-versed in how instruments like that work in the first place. I should probably do some research into that, learning about other instruments is always fun.

[@hamjohn8737]

That's a great point....and I'd like to add, I've been using them for three years now, and I have yet to "use one up". I have changed reeds to try a different 'type', but my old ones are still here if I want to use them again.

[@TomDufall]

I haven't tried full synth yet, but I am using Plasticover (D'Addario) reeds and I'm loving being able to just pick up and play + they last ages. I noticed some damage after a few months of playing a single reed, whereas I'd have to switch between regular reeds.

[@leroyharper4513]

GREAT POINT

[@marcilk7534]

I’m an oboe student and have lots of problems with reeds. I’ve wondered if I should try synthetic.

[@PabloProduces]

As a guitar player I can really see how this will change the saxophone musical landscape

[@lucasdavey4819]

Me, a French Horn player: *Interesting*

[@ma0487]

as a trumpet player I'm also kind of confused why I'm here

[@connoranderson4965]

French Horn gang

[@karjo49]

And I play the cornet

[@tomb4639]

Lmao I play bass

[@lindseykubsch8384]

flute gang

[@itisnottaken4444]

Heard a teacher say it like this, "You want to spend more time playing your saxophone and not battling your reed". Cane reeds have a peek and then they quickly deteriorate even in perfect conditions. Legere eliminates that while not sacrificing the core sound of the saxophone.

[@trup1372]

Who sent you

[@annmarinaccio8473]

@@trup1372i love my legere

[@luna_lemonade9871]

I have a friend who plays both Normal and Synthetic reeds. He say's he likes to play normal while practising and then then the Synthetic ones while performing. He likes that he doesn't have to worry about himself sounding bad while performing because he doesn't have to worry that if he left the normal one out for too long, it would squeak or do other funky things while performing

[@hamjohn8737]

I don't quite understand that process as, the synthetic reeds are so robust, you really can't "use them up". I have a three year old Synth reed that works perfectly fine......so not sure why one would try to set a synth reed aside for practicing.

[@plaguedoc7727]

Or, he just didn't want to waste his money. The Legere reeds are addicting. Once you play them, there's no going back. He might just be one of those people who overbuys reed and didn't want to waste his coins for nothing. I still have 8 1.5 and 4 2.0, and 5 2.5 reeds sitting and collecting dust inside my drawer.

[@colinevans9377]

Other way round for me. The Legere American cut is good, but not as vibrant as Rigotti Gold Jazz. They are convenient but cane is still worth the extra effort.

[@07g53]

Oh yeah i understand that very much, there are unfortunate times where the reed either make a really sqeeky sound because it is split or broken

[@thatoneblueslime1530]

I've also found, as a clarinetist who marches and plays concert, synthetics are amazing for marching because I have a larger dynamic range, specifically I can get a lot louder but it has worse tone than a cane, so I use synthetics for marching but canes for sit down band.(the tone difference isn't massive though)

[@beatleswithaz6246]

I like the way you smile and look at the camera when you are done playing. I didn’t think I would laugh out loud on a reed testing video.

[@notanedgysnipermain4977]

Lol yeah I was about to say that, it makes it so corny haha

[@Mommavery]

As I trumpet player I absolutely understand all of the things you are saying about reeds 👍

[@Sully365]

i stopped playing for 20 years..came back, played cane reeds for a week, switched to legere...wished they'd made these 20 yrs ago :)

[@paullado]

true

[@fryloc359]

When I was in high school is about the time Rico came out with the plasic coated reeds. I never tried one, but some of my friends did.

[@thegreatwar.13]

dang that’s older than me LOL

[@Sully365]

@@thegreatwar.13 I used to say that line, too

[@andrewtackett8836]

I had a “plastic” reed as they were called in about 2004. Fibracell also made a good synthetic reed then. They were available but also looked down on then.

[@danellewilbraham]

Used to work in a music store. 💯 agree these are great for outdoor gigs, when you have a book of multiple instruments in a gig. They are also fantastic for young students because of the consistency.

[@ivanjrmejia1950]

The way he smiles in satisfaction after testing the reeds really does make this content even more increasingly enjoyable

[@bobcieslinski]

Great job! I enjoyed the video and the little extra comedic parts you add. I am a sax player and band teacher.

[@SaxophoneSteveKortyka]

While they ARE better now, I still think the sound is not as consistent across different dynamic and range levels. At some point you can definitely hear the 'plastic'. That being said - its GREAT to have these to practice on while you keep your primo reeds in great shape and save them for performances in an environment with the right humidity 👍 Great video as always 🎷🧐

[@Saxologic]

Great point Mr. Kortyka. Thank you for watching - you’re the man! The redbull knight of New York

[@kevinngo9138]

I think that in the absence of a direct comparison 99.99% of people won't be able to tell if someone is using synthetic or not, just use whatever works and if it so happens to be synthetic then go for it :P

[@donaldsheppard7489]

I tried plastic reeds sixty years ago and in those days there was no comparison with Vandoren reeds.. Even today I can nearly always tell whether or not players are using Vandorens, they have their own sound. Of course plastic reeds have possibly improved leaps and bounds since those days.

[@interrobangings]

@@donaldsheppard7489 "possibly" lmao

[@hamjohn8737]

@@donaldsheppard7489 the plastic vs synthetic is night and day. If you tried plastic 6 years ago, what they've come out with lately means that you haven't tried what is offered today. I personally like the Henry Hartman's Fiberreed "Black Onyx"

[@jbed6]

the synthetic signature reeds are a little more honk-y and scratchy, but in a really pleasant way. i feel like it adds more character to the instrument and i like it

[@byf4ith]

The true test would be on a synthetic sax.

[@WTC2014]

A what

[@panjandrum.conundrum]

comment of the week!

[@Downsouthie]

Grafton plastic Alto would like a word.

[@appleborn]

Yes. For cane need to be a cane sax !! Hahaha

[@rileyjames4952]

And a synthetic player too

[@IceManTX69]

Back in high school ('83-'87) I started using synthetic reeds. I was tired of the taste of wood and always breaking reeds in marching band. I used them for my alto and for my tenor sax. I liked the bright sound. I still prefer them to this day. It's hard to wonder 'are they the future?' when I've been using them for over 30 years.

[@wildboargaming1858]

I think part of the reason it’s still “are they the future” because for oboists (and other double reed players)- who spend so much time making reeds- having amazing consistency with synthetic reeds is insanely tempting but we only have just recently gotten advancements in synthetic oboe reeds that make them more than just mid and also made them american scrape style. Like the first American scrape synthetic reed with ability for oboists to modify easily like a normal reed came out on October 19th this year and is, like all the other synthetic oboe reeds, 150 bucks lol

[@aria_chatt]

The high register on the classical legere sounds more clarinet-like to me

[@Kirklandjones69]

same

[@sillesrepa8249]

soo its a positive thing

[@Alexandre.Moonwell]

Considering the history and past of the saxophone, that is logical

[@milajvde]

@@sillesrepa8249 no. i hate clarinets. except for base clarinets. i love bass clarinets.

[@mikeyeyey8678]

@@milajvdeyou can’t just say “no” lmao. Classical saxophones goal is to portray a clarinet like sound

[@velvetakiiii]

Idk how I got here but I’m in love with the energy you’ve created

[@trevorsikorski6040]

WOOWW!!! The difference is actually huge!! The normal "breathy-ness" that you would hear from a regular reed is almost completely absent with the synthetic reeds... Just listen to the difference from the cane reed at 6:58 to the synthetic at 7:28. The synthetic reed's tone just sounds so much more full bodied in tone!

[@grubalaboocreosote4774]

Has just a tiny bit of buzz

[@tekcomputers]

yes, the synthetic has a much warmer tone. It's not even all that subtle, it's like the different between a barritone and a euphonium just by shifting reeds.

[@D-Man_Jam]

_Imagine having to blow your instrument for it to make a noise._ *-This post was made by Guitar gang.*

[@victorfelixcpsr]

das riiiiiite

[@icanseeyou9820]

_Imagine having to touch the strings of your instrument in order to play it._ *-This post was made by piano gang*

[@KatzRool]

imagine needing specific pitches for your instrument to sound good •this post was made by drumset gang

[@selder248]

_Imagine having to touch your instrument with either your hands or something else to play it_ *-This post was made by Theremin gang*

[@charlietheorca5390]

@@selder248 beat me too it

[@timlawter1575]

the cheesy ass smile after every "excerpt" is *chef finger kiss* fantastic

[@mrkp2931]

I think the wooden reeds sound warmer and more full, plus sounded better especially at the low notes

[@hugovandermeer1566]

Definitely agree. There's far too much plastic anyway!

[@theg9741]

I love how weirdly time changes when youre playing in that room

[@EpcStylz]

i just recently got a saxmonica to dip my toes in the water of reed instruments and so im checking out videos that fit that (reed and saxophone videos) ... and watching you play was an absolute treat. so smooth and well controlled. very nice.

[@drwallysax]

I'm just amazed at how good you sound in BOTH genres, and STILL manage to be the funniest saxophonist on KZbin. Great analysis - you summed up the Legere nicely!

[@creatingbeautifulsongs7946]

I dunno, your cheap vs expensive garden hose gag was pretty darn hilarious. I wouldn’t sell yourself short!

[@nickythehickey]

I don’t play a reed instrument, but I do know that my band director requires synthetic reeds for marching band and wooden reeds for concert bands (specifically for volume reasons), so I think it depends on what you’re using it for

[@Funkdumpling]

I converted to these a couple of years ago and haven’t looked back. I do still enjoy cane reeds on occasion but Legere have simply removed the emotional angst of finding a good cane reed and the sadness when they die. I used to weep when my cane reeds were no longer any good❤️😢🤣

[@bikerscoutproductions1040]

As someone who is really only used to hearing jazz saxes I quite enjoyed listening to your classical tunes

[@shilohpatten3761]

7:11 Those new reeds make it sound like a sax, clarinet, oboe, and bassoon, all at the same time with a touch of flute. Cool. Nice.

[@travel_and_explore_with_BIP]

Hey Man! Your jazz tone in particular, with the synthetic reed , is second to none! Fantastic!!!!

[@masonthieu2114]

Hey man! I've gotta say, I've been watching your stuff for a while now and I can't express how much I appreciate your channel. I play the clarinet, and when I first saw your stuff I couldn't believe how much of a follow you had, especially for jazz/classical music content. However, after watching a few of your videos it was clear that you loved what you were doing, and your videos reflected that. Even this video on the debate between synthetic vs cane reeds, heavily disputed by clarinetists/saxophonists but seemingly niche to a general audience, worked really well. Thanks for bringing music to a wider audience, and thanks for being you, man!

[@Saxologic]

What a kind comment man! Thanks so much. Even if I had 2 subscribers I’d still be making these videos. I love it!

[@BlckChn]

i am buying a sax on wednesdy and i have been watching your videos to see if its going to be complicated, and now im hooked for the faces you make when your done playing a section

[@ZackGrooves]

2nd

[@natethurman2464]

Hey Zach can you respond to this

[@willipuga]

😱😱😱🥶😱🥶😡😱😱

[@brothermanv]

Nerd 🤓

[@ppb8931]

38th

[@utopes]

;-;

[@richardbeckman5371]

Hey! That "Famous Studies for Oboe or Saxophone #14" is what I'm playing for my Washington All-State audition. It's cool to hear something that I've been rehearshing a lot pop up in one of your videos!

[@korzen4183]

You can hear the reedy-ness after hearing the Legere

[@dm.6133]

I like how you smile everytime after the awesome playing

[@bobpremecz5429]

"Once you go clear, you'll have no more tears." my trademark phrase for Legere. I'll share the one for Harry Hartmann reeds, once you try the best of the synthetic reeds for sax.

[@hamjohn8737]

I've settled on the Harry Harmann Black Onyx personally. That thing is golden and very robust. I think I want to try one of these Legere, just to be sure to find out if I like them or not.

[@bobpremecz5429]

@@hamjohn8737 the Black Onyx is on all three of my Buffet Crampon saxes. I prefer their sound and response over the brighter sounding Legere. I'm just glad that I have both brands in my case, depending on the venue.

[@kananskrazied5990]

This is what I think a sax section should sound like. The sounds are so warm and nice.

[@ursamajor4684]

me, a trombone player: ah yes, the american cut

[@safarfsaf]

Trueeee

[@liamsamples]

Yes! More trombone players!

[@straycal]

AYE WERE INSTRUMENT TWINS 🧍

[@trombonetribute6433]

Trombonist here!

[@straycal]

@@trombonetribute6433 AYYYYYY LOOK AT US WERE SO COOL 🏃

[@somerandomgamer116]

as a new sax player (got my sax like 3 days ago) my NORMAL REED IS ALREADY CHIPPED and my band teacher said that hes gonna try out synthetic reeds im definitely gonna get on or two

[@et897]

I have a synthetic reed and I love it so much, at least for bari because each reed is so thick and expensive. having a leger plastic has really changed my playing ngl

[@bunn1943]

FELLOW BARI?

[@bruce4627]

I'm getting old! I didn't even know they were making synthetic reeds. Sound like a good reason to get the tenor back out. Thank you for the video!

[@draunt7]

What a significant difference. They sound so much better.

[@theonlinedemon]

Definitely ! I also use the signature reeds and never even heard of the American cuts and there is no difference in playing jazz, all depends on the player.

[@hamjohn8737]

I agree with that sentiment. I play synth reeds exclusively at this point.

[@darryldixon5794]

I've been playing Bari plastic reeds since 1980 and I LOVE them! Also, I have no problem shaving them to my specifications. I use a regular reed knife. It works fine.

[@aeabottss22]

I remember first picking up a couple synthetic reeds in high school for marching band and ended up liking them enough to use them in college wind ensemble. My transition wasn’t immediate, but once I realized the difference between my best natural reeds and my legere signature Reed was less than 5%, I basically only ever played my legere. I discovered that when playing in an ensemble, and even during solos, no one in the audience can tell the difference, so go with the more consistent and playable reed.

[@EchoDotHex]

Bro the way you smile at the camera cracks me up. good vid haha.

[@nolanbalk7987]

*aggressively shows off reed* "Eeuah?"

[@nathanielanderson8753]

I love how you smile after each take

[@wetpaperbag1346]

I played Bass Clarinet in high school and my band director asked us to try using synthetic reeds because he liked the timbre. I've tried both Rico 3.5 and Legere 2.5-3.5 and the Legere play much better. I really liked the dark tone they gave as well as the clear articulation I got from them.

[@mason6026]

i love how happy you after playing a song or a line of notes

[@ArrMcCardle]

I exclusively use Legere reeds for my clarinet, I just cannot be fucked to deal with cane reeds.

[@Summer-ge7um]

Good music always makes people happy. Thank you ❤

[@applesauce17]

I love how after each time comparing the reeds you give the camera a really... odd smile

[@Instereo1985]

the pure joy after every etude kept me here for the whole video

[@garysax6400]

I used cane for 20 years and tried many synthetic but couldn't find any good ones until I found Legere Signature which I've been playing now for about 6 years. I will never ever go back to cane

[@jonarr]

do you play tenor by any chance?

[@garysax6400]

@@jonarr I play bari, Tenor, alto and Soprano but tenor is my main

[@noeldelarosa731]

Do synthetic reed die or lose their sound after a while?

[@garysax6400]

Yes there comes a time where it just doesn't sound good enough as if it loses some life. It's still playable but just doesn't give me the sound I want so it's time to change it

[@EthanMehta]

@@garysax6400 After about how long?

[@lithosphere-cb2tk]

I play bass clarinet, bassoon, and tenor sax, and you can definitely hear the difference in sound! Really nice job by Légère!

[@joeblankenship377]

The Signature is technically a jazz reed too. The American Cut is a new jazz reed they just came out with. I've had a hard time going back to cane after playing synthetic. The hassle and the unpredictability and the short lifespan make it so much easier to stick with synthetic, especially since the Legeres sound so good. I tried a synthetic reed about 15 years ago and hated it. But these are awesome.

[@leonply]

I found that using a Légère Signature Edition Sax reed for both my Alto Clarinet and Basset Horn, paired with a metal Bois Ligature, gives the most incredibly vibrant sounds I've ever heard. Then again, I have the great good luck in playing on a mouthpiece which was customized for me by the great Tom Ridenour. Great video!!!

[@unclemick-synths]

Always nice to hear you play especially your classical tone (classical tone is not my favourite but you absolutely nail it IMO). For me I'm not sure I'll be going synthetic because I like hunting through the orange box for the brash unrefined "character" reeds that everyone else's quality control eliminates.

[@emilylinane7301]

Genuinely been wanting to try out some synthetics so thank y’all ❤️❤️❤️

[@williamsaxophonist222]

Legere is severely killing! Wow!

[@malcolmlund7938]

Thanks for posting this demo! I've been playing sax for about 40 years - traditional cane reeds just became more of a hassle. About 3 years ago I tried Legere reeds and they changed my life. Took me about 2 weeks to get used to the feel, but then I never looked back. Everything (for me at least) is better. The reed plays the same all night, every night! One reed lasts me about 2 months. Even if you did lose a bit of tone, the trade-off is worth exploring, imo. Oh, and once you find your strength - if you DO find a reed is a bit stiff/soft - you can send it back for a free replacement (with receipt). That's pretty decent. I'd encourage everyone to try them. And... a shout-out for a Canadian company.

[@forzaelite1248]

10:02 _"A surprise to be sure, but a welcome one"_

[@jeho369]

It’s the smile for me at the end of every song! That’s how you know the reed is great

[@DonutShoes]

My favorite synthetic reeds are Fibracells, which are made of resin-cast fibers. They feel like real reeds but the action on them are *crazy*. I had a bass clarinet that I could barely push a sound through, but when I put a Fibracell on it, it opened the horn right up for me. Highly recommend.

[@DonutShoes]

I also use Legeres for my contra alto clarinet, I think it's great

[@peedrowchan-man102]

Agreed! I’ve played Fibracells for over 15 years on alto/tenor/bari sax, only using cane for soprano clarinet. 20 years ago, I was just killing cane reeds at a stupid rate, they would chip or split on me in one or two sessions (maybe due to making free jazz 😜), so I used Plasticovers for several years. But Fibracells held up so much better and I have liked how they play and sound. But to your point, I acquired an alto clarinet in April, and the cane reeds I also ordered were muffled and unresponsive. Slapped an alto sax Fibracell on it and the thing Saang! I’ve been curious to try Legere but want to try out different strengths in-store before buying since they’re $30 a piece (Fibracells only $15-20 btw). Lady at my local shop said D’addario is coming up with some kind of hybrid synthetic. Maybe my ears or feel is not sensitive enough to sense a supposed unevenness of synthetics, but I really don’t have the time to fuss with the huge inconsistencies and brief life of cane reeds!

[@Birdtrane2]

Same here - I thought I needed an adjustment as my altissimo wasn't speaking, but a fibercell brought my bass cl to life

[@Wingding7562]

Ive been so happy using synthetic reeds, two years ago i was at a crossroads when it came to looking at music as a career I’ve always had a slight cane allergy which had started getting worse it went from slight loss of sensation after a couple hours of playing to loss of feeling in my face and puffing of my lips I actually had to stop playing bari for 3 months and focused on trombone for jazz band

[@StoufSto]

My ears are like: "same tbh" My body though: actual reed- *solid shivers* Synthetic reed- "meh"

[@StoufSto]

Tbf idk if it's just because of how comfortable you are on the normal reeds, but I was scrolling down comments, and would scroll up to check what reed it was whenever I would get shivers, so this is sorta blind.

[@nort6288]

Literally the first week I started using my synthetic reed, my band director stopped the band while we were doing warmups and said I sounded weird and he asked me to switch to a normal reed

[@andybaldman]

The problem is you.

[@robocat6559]

Why is it up to him to decide what reed you play on? Shouldn’t you be allowed to play on whatever you are comfortable with?

[@AaaAaa-mh6zv]

@@robocat6559 As a child i played on an otto link hard rubber mouthpiece in concert band and the director told me to get another mouthpiece and this really helped, so it can make sense.

[@depdeponyon3545]

Most conductors are looking for consistent and blended sound, sounding noticeable is only really for first chair or soloists

[@anthonymacias5334]

Man, your set up has improved sooo much 👍

[@Saxologic]

Thank you!

[@ericschabo6058]

Great Video! I have been playing the Legere reed on my tenor for 4 years now. They have great staying power! Also, If you get the wrong kind or strength, you can send them back to Legere and they will exchange for you. I have sanded mine down some like a regular reed, but just slightly with some 600 grit sandpaper and it evened it out a bit.

[@LowReedExpert1]

I wish you had kept it blind man, now you'll get considerably more comments about "how obvious the tone change was" Then again, your comment section is usually pretty chill from those folks

[@cardbored5961]

I'm a Bb Bass Clarinet Player and I've touched almost any singlereeded instrument you can imagine, and this reed, it just seems so fucking cool. When you play with it, I see almost I see less effort going into mid-high register range, and I love the caramel like dark sound. It's so sweet and rich in tone, and it seems perfect jazz, thanks for bringing attention to this! :DDDD

[@brothermanv]

Nice! Legeres are great. Signatures can definitely be used for jazz, depends on the mouthpiece. With my main high baffle piece, the Signature is bright and responsive. Lots of power and projection. Sometimes I wish it was a bit darker. On my other piece, it's more mellow and less in-your-face. Somewhat smokey and not as edgy. This video got me wanting to try an America Cut for that piece

[@bernardocayetanoschroeder2708]

Estoy usando la caña Legere Signature hace 5 años...todos los dias 2 horas promedio!!!! Es fantastica!!!!! Tengo una sola caña!! Excelente invento

[@sundayjams7399]

So they just gave you those? That’s over $200 bucks . Pretty nice

[@lifeisonlyoptional2215]

Because they know his video will influence more than those eight reeds worth of people to buy from them. Ohhh, to be an influencer and get like 4 years worth of reeds for free

[@rueazy]

Well, they sent those for him to review, and I can tell he did a very good job (better than some other people I saw on YT). He forgot to mention one major aspect of these reeds - you get spoiled with these very fast. I didn't get them for free, I bought them ( 4 diff. sizes ), and personally I like them (i am not a pro, so my opinion goes just as far), the problem is that even though I can play 3.5 Legere Signature without dying, I had trouble going back to a normal reed, i.e. I just unpacked a fresh blue Vandoren 3, and had a bit of a hard time dealing with it , obviously it required conditioning...and that's that, want to go back to Legere instead of suffering through a breaking process of a normal reed.

[@kylezo]

You say "just" as if you're not commenting on a YT channel with over 100k subs, which is weird.

[@hamjohn8737]

I like a Fiberreed Black Onyx, but after seeing this video I might want to try the product that is displayed here.....Capitalism isn't a bad word.

[@hamjohn8737]

@@rueazy I am spoiled as well.....I'll never go back .... it's so nice to leave your sax on the stand and pick it up and play on a whim. The one thing that I have discovered is playing through a cold horn is a thing. It used to warm up whilst trying to get that cane reed moistened. Now, since the Fiberreed is ready.....the cold horn rears it's ugly head.

[@JThemelis]

Interestingly enough, ive been printing my own sax reeds for the last 2 years and have been incredibly happy with the results

[@sergej100qca4]

The solo is Stitt on Cool Blues.

[@dandelionjpeg]

i play a bass clarinet and substituted my reed for a saxophone’s when i didn’t have a proper reed at one point, and it worked pretty ok. the reed was really long, though. So i feel like this video can still work for me

[@Littleton3513]

Never watched you before but that Ocarina of time music in the beginning is giving a great impression

[@SarahSkilton]

Okay, a few things. I started on Alto Sax and am now a clarinet player. Ricardo Morales is one of my favourite Clarinet players. I have been debating Legere Reeds for a while now and I do think in your tests, in this video, the synthetic reeds won but yes the price has put me off so far. Great playing and video.

[@ramistrosberg8712]

Nathan- you are amazing. Re Legere- you forgot to mention 2 things: 1) it takes ~ 2 weeks to adjust. 2) you need to set the reed a tiny bit higher on the mthpc than cane. 3) thoughts?

[@jeffkidwill7719]

Thanks for making this video it is very helpful to know that for a brand new beginner like me

[@JoAnnP38]

FYI, I still put the BACK-END of the reed in my mouth so that when I first put it on the mouthpiece the moisture helps it seal. I'm not sure how much that helps, but it seems logical to me. Also, you can adjust the Legere reeds. Sandpaper would probably work but I use a reed geek.

[@hamjohn8737]

Once you start blowing, your moisture from your breath will seal any leaks the reed may encounter.

[@trainpersonlol9826]

I've been using legere since the begging and I'm so glad he reviewed the brand

[@PeacefulTaylor]

Signature sounds more subtle and a bit warmer. The Jazz one really has a jazzy sound!

[@xalo106]

Bro you have such good tone holy crap.

[@amam3971]

As a saxophonist myself I used to have a synthetic reed and I can definitely say I like the wooden ones better

[@joezenta2548]

I'm a year late but thought this was an interesting video. I'm a bass clarinet and bari sax player. I felt like for bigger instruments, synthetic reeds are very practical, and I personally used them over traditional reeds 90% of the time. From my experience (from what I remember from high school), my parts typically were on the lower end, so that may have played a part in me liking them over regular reeds. In instances where I had to play higher ranges, I felt it easier to actually play that range on synthetic reeds, but I definitely felt like it sounded better on traditional ones. I think one of the main advantages to why I stuck to synthetic reeds both in marching band and symphonic band was because of how convenient it was to be instantly available to warm up and being able to take breaks without worrying about my reeds. I also had a bad habit of sort of getting only half of the reed properly wet (so 90% of the time I would be playing with a half dry reed). I think that synthetic reeds are much better for musicians focusing on improving their mechanics or just musicians that are too bothered by the nuisance of keeping a traditional reed up to par. I think in more professional settings, or if a musician wants the absolute peak of their instrument for something like an audition, it's much better to just stick to a traditional thick reed sanded down to preference.

[@crayolaconsumerofcrayons1597]

this comment is very old, but i have a similar experience however it is with bari sax. the big instrument reeds are just too big of a pain to take care of. legere just makes life so much easier

[@alfredd.o]

Me, barely started playing clarinet 6 months ago: A H Y E S, I know how to play all of these indeed

[@necromancer9220]

At 5:50 does anyone know what song that is

[@All_eyeson_TheLos2016]

This ferling etude 10, at the end of the etude

[@tannerhalle8133]

Ayyy that bazaar song from tLoZ: OoT😍

[@Saxologic]

;)))

[@marcosamorales3774]

Your awesome on that sax man! TEACH ME YOUR WAY!!!!