Dave Pittman-Jennings, Bariton Janne-Marie Conquer, Violine I Hae Sun Kang, Violine II Christophe Desjardins, Viola Jean-Guihen Queyras, Violoncello Florent Boffard, Piano Pierre Boulez, Director Only for educative use.
Пікірлер: 39
@joshsussman94323 жыл бұрын
Masterpiece. Awesome performance, too.
@simonkawasaki42294 жыл бұрын
Absolute masterpiece. Flawless.
@sean..L2 ай бұрын
This has so much swagger
@MrBluesboy156 жыл бұрын
That eroic Eb major at the end
@joontheory4 жыл бұрын
I'd say it's erotic.
@JuanManuelSanchez_JMComposer4 жыл бұрын
Of course, heroic like Beethoven’s third symphony in Eb major, also dedicated to Napoleon. This was definitely a quote from Ludwig.
@coreylapinas100011 ай бұрын
@@JuanManuelSanchez_JMComposer more of an homage or even just a nod. Nothing is quoted.
@itamarbar95805 ай бұрын
According to Glenn Gould, There's a quote from his 5th in the piano part, and the E flat at the end seems like an allusion.
@OxideManganese4 ай бұрын
@@itamarbar9580 I can't listen this 😢
@toothlesstoe5 жыл бұрын
The "singing" seems to serve more as a distraction from the other instruments than to complement them, especially since the lyrics seem to have been serialized as well.
@jkjkjk6007 Жыл бұрын
Fantastique juste funtasique
@amitbenhur37225 жыл бұрын
15:33-15:47 sounds like a section in the first movement of Tchaikovsky's first piano concerto.
@StraussKeyboards4 ай бұрын
yes it is haha
@kelvinluk275 жыл бұрын
I don't understand the vocal part of the score. And even if I do understand it correctly, the baritone does not seem to be executing those intervals correctly enough.
@klop42285 жыл бұрын
I think it's supposed to be a general 'contour' of the vocal pitch, rather than actual pitches
@kiank12214 жыл бұрын
Look up 'Sprechstimme'.
@Karamazov911 ай бұрын
It’s sprechstimme
@Emalm18954 ай бұрын
Well... of course it is Sprechstimme. But most composers, including Schoenberg himself, generally favour another and more comprehensible system for Sprechstimme notation. I agree that this way of writing is confusing and I don't understand why Schoenberg introduced it, abandoning his old conventional system. What are we to make of the sharps and flats when the natural pitches can't be identified since the stave has only one line (and no clef for that matter)? Would it make any difference if they (the sharp and flat signs) were omitted?
@TerryUniGeezerPeterson2 жыл бұрын
Hints of the Psycho theme.
@vivianespabanane71664 ай бұрын
3:49
@WolfyGreen7 жыл бұрын
The tonal landscape is deceiving; this is a work resting firmly in the classical tradition. Brahms's ghost rises behind the notes. A powerful piece.
@Erickvazquezc6 жыл бұрын
Please explain?
@patrickbecker44736 жыл бұрын
I guess this is self-explaining.
@Erickvazquezc6 жыл бұрын
Ok lol
@Erickvazquezc6 жыл бұрын
Thank you for your answer. I get that, but I dont see how "Brahms's ghost rises behind the notes". If I understand correctly, Schoenberg took from Brahms the concept of developing variation, and as you clearly point out this piece doesnt develop very much except in the dramatic sense. But I'm far from being well acquainted with Brahms. I completey agree with this piece being romantic in a new harmonic language, I think all of Schoenberg's late works could be described so.
@toothlesstoe5 жыл бұрын
No, this isn't traditional.
@wllm47856 жыл бұрын
Where is our Byron? Where is our Schoeberg?
@nanocyde_artist Жыл бұрын
A tour de farce
@itamarbar95805 ай бұрын
I see what you did there...😆😆
@mark-j-adderley5 жыл бұрын
... hopelessly difficult. ... is that a quality ? Yes, it may be ...
@danielzlatkin48243 жыл бұрын
The performance contradicts such a statement.
@Qazwdx1118 ай бұрын
@@danielzlatkin4824why
@Wkkbooks5 жыл бұрын
Simply wretched.
@netmendo Жыл бұрын
A musical genius but a bit nuts in civics. To celebrate Napoleon in 1941 as a way to protest against tyranny is not witty. And to choose Byron that supreme egoist and aesthete is not very witty, too. and He should have recalled how Beethoven changed his Eroica symphony title. Odes usually eulogize their subjects, but "Ode to Napoleon Buonaparte" tells us that it will eulogize a lost Napoleon, a hero who has fallen from himself.
@ericgrunin Жыл бұрын
The title of the text is sarcastic - it does not celebrate Napoleon, it condemns him. Perhaps you haven't actually read it?
@itamarbar95805 ай бұрын
In addition, Schoenberg's setting is only aimed at Napoleon in a metaphor. He's actually condemning Hitler in the work.