Aureliano Pertile Vincenzo Bellini I Puritani "A te, o cara"

[@paddyrafter5214]

Everything is so easy for. He is so so musical. One of the greatest tenors of all time

[@juancarlosbelletti6335]

Gran voz pura y clara .que bien estaban representados los cantantes de esa época no les parece?Aureliano uno de los tantos grandes de aquellos momentos . Hoy ya no podemos decir lo mismo.😂😂😂

[@gvbrandolini]

bravo

[@WQ673]

Pertile a very great voice, one of the greatest .

[@mirjamdevries9376]

Una voce che giunge a noi dopo cent'anni grazie al vinile, lasciando intatta la perfezione delle sue sfumature di colore ed il bellissimo timbro seducente e scuro. E' la prima volta che lo ascolto, ma mi ha conquistato subito.💐😍🙏

[@niconico7281]

Su canto extraordinario, su timbre tan identificable, su cuerpo de voz, sus diminuendos, legatos, su fraseo tan suyo cubriendo las vocales etc etc lo convierte en un tenor diferente

[@fbbomber]

una vera e propria lezione di bel canto, magnifico

[@terrycloth6380]

Fantastic! “A tear in the voice”

[@zaz1239]

До чего-же чарующий тембр! Голос настолько живой и трепетный,переходящий с пианиссимо на три форте с элементами вскрикивания в голосе,от этого появляется ощущение что он поет прям тебе в ухо и слышен стук его сердца! Аурелиано Пертиле, величайший певец которого слушаешь без устали и все,все меркнут на его фоне.. Люблю тебя Аурелиано,всем сердцем,душой...!

[@ВвВ-ж7с]

голос и техника похожи на баритона Маттиа Баттистини

[@ВвВ-ж7с]

все меркнут? тут уже на спор, что нет; просто у тебя свои вкусы, а другим нравятся Джильи, Корелли, Гобби и другие, так что не надо

[@mariarosaesergiomarycib2492]

Per me siete tutti troppo difficili!!!!!!!!!!io adoro come l'ha cantata !!!!!!!!magnifico stupendo. Mari

[@alberto7694]

Che intendi troppo difficili? Studi canto?

[@gayoperadude63]

absolutely gorgeous!

[@casagrandecantatas]

GREAT VOICE AND PERFECT STYLE.

[@bodiloto]

è semplicemente magnifico .

[@GiovanniGGori]

Pertile è sempre Pertile!

[@bodiloto]

@@GiovanniGGori Sai come si chiamava il più grande rivale di Pertile chi aveva una voce molto più bella?

[@GiovanniGGori]

@@bodiloto Suppongo sia Merli

[@bodiloto]

@@GiovanniGGori Nino Piccaluga. Così dicevano i critici di quest’epoca. Francesco Merli- fuori ogni classifica.

[@GiovanniGGori]

@@bodiloto il nonno di Concato? Anche lui un grandissimo della lirica!

[@giuseppinascapparone3303]

Stupendo! Magnifica voce ed interpretazione esemplare!!!

[@sayersbrock]

Impeccable style, legato, and not overdone portamenti...his voice seems to have this sheet of velvet around it...it does get bright, but always this velvety dome surrounding

[@francotarika]

Bravo!Brrravo!Brrravissimo!!!

[@evgenylauck4893]

Феноменально! Какая кантилена!!!

[@seandoc1948]

What a really fine voice. A bit similar to the cultured tones of that other refined singer Tito Schipa especially in the "Cherry duet" from L'Amico Fritz.

[@enriquepazescudero4536]

Quien puede dudar de la grandeza del canto de Aureliano Pertile. Su técnica era magnífica, su elegancia, su fraseo, pero I Puritani no entraba en su repertorio, porque no tenía la extensión no solo para el "a te o cara" sino para toda la parte de tenor de esta dificilísima ópera. Grabó esta aria, porque su discográfica se la pediría, igual que a Miguel Fleta y otros. Los tenores favoritos de mi maestro Alfredo Kraus eran Aureliano Pertile, Miguel Fleta y Tito Schipa. Un saludo.

[@jamesward7789]

OMG!!!!!

[@franzbernasek4058]

Great Voice, later Di Stefano and Franco Corelli sung A te caro grandios

[@vincenzopecorella3744]

Franz Bernasek po

[@BaroneVitellioScarpia1]

Florez, ascolta!

[@albertofernandez2185]

No se porque Pertile la transportaba un tono porque técnicamente era genial! !!! Creo que en la tonalidad original la hubiese cantado de maravilla! !!

[@ienazagrebelnaya5874]

Аурелиано-Бог вокала👑😍❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

[@hectorbravo6862]

Entiendo que Bellini compuso básicamente para Rubini y este famosísimo tenor se cree que sería un tenor ligero o lírico ligero.

[@johnniepaul685]

"No need to look back any more" is a horribly arrogant, and ignorant statement concerning music of any kind.

[@aaronmckone8973]

It absolutely is. My main message to myself and all my friends is to remember that we have inherited this art form, likely from an entirely different culture on an entirely different continent (at least for non-Europeans). Even if you are European, most of the music you’re singing as an opera singer is at least 100 years old. It is from a different culture. In a world obsessed with calling everything appropriation, I think opera singers are often some of the most guilty of appropriation, committing their lives largely to reproducing very old music while most of them completely ignore the vast recorded history we have dating back to 1900 and even earlier. These singers worked directly with Puccini, they worked with people who knew Verdi and Wagner and even the bel canto composers. If you’re reproducing these pieces without listening closely and discerningly to these recordings and seeking to understand what the singers were doing and why they were doing those things…. If you aren’t doing that, then like, sorry, you’re appropriating an art form when you haven’t taken the time to understand the people who actually created that art form. And once you’ve taken time to try and listen to and understand these old recordings, that doesn’t mean you have to copy them verbatim. From there, you can make an INFORMED decision to sing it however you please, but I would imagine if you understood more about the way they sang, you would easily adopt some of the common sense things they are doing. Point is, you’re not beholden to try and replicate exactly what they did, but you do need to understand it, or else you are simply choosing to ignore the artists who were actually an active part of creating much of the most commonly performed rep today, the artists whose legacy has directly led to all the new operas of today as well. And yet, we largely ignore these singers. Most of us listen to them a couple times, think “this sounds weird and the recording is too old to hear well” and then never try to dig deeper than that.. that’s the reality. Anyways, soapbox over. I love Pertile. Such a big, powerful voice with so much finesse. He was singing the biggest Puccini roles and Nemorino at basically the same time, singing both with his full voice and yet doing so superbly and with nuance and agility and power and flexibility and incredible clarity. Freaking stunning.

[@GERFONTA]

Ascoltate kraus re singing the re natural. But this is not a competition of high notes. Not an examination.Pertile is a master of expression.

[@BaroneVitellioScarpia1]

Kraus is a huge admirer of Pertile.

[@игорьбабий-о5ю]

он и уарузо абсолбтные гекии

[@pedroalonsoruiz7907]

El más grande... Alfredo Kraus

[@alexingresss2420]

Pertile was an expressive verismo singer but not made for bel canto. His fans who insist he was are ridiculous.

[@infrantasi]

Great style and legato, but I love Brownlee and JDF-no need to look back any more; we have great artists today!

[@samuelkarlberg7773]

Compare Pertile with a tenor singing his repetoar. Brownlee and JDF are leggero tenors while Pertile sang Othello a piece that would destroy Brownlee or JDF´s vocal cords because of orcestration and tessitura (to low).

[@christinefruchard8912]

Pertile était aiméde TOSCANINI...ARTICULATION ET COMPREHENSION..STYLE transposé en effet Mais cela passe mieux qu'acec MDM car voix juste et claiee Eluzalyrics

[@BaroneVitellioScarpia1]

Brownlee and Florez are mosquitoes, not opera singers.

[@jamesupton4996]

@@BaroneVitellioScarpia1 About sums it up aptly. Florez - if that's the best tenore di grazie today then sad.

[@BaroneVitellioScarpia1]

@@jamesupton4996 The best tenore di grazia now is Santiago Ballerini, not Juan Nasal Florez.