Wayne Pashley, supervising sound designer for Australia, gives an overview of how he combines on-set recordings and post production sound effects to let viewers see the movie with their ears.
Пікірлер: 44
@curtisjudd4 жыл бұрын
Great overview of cinema sound!
@MagnumDB10 жыл бұрын
What is is about Australia that they continue to produce great filmmaking behind the scenes videos? This, the Kodak Cinematography Masterclass series, and FXPHD all put out great things.
@Kas0n8 жыл бұрын
So lovely to see/hear ;) location sound here, so often the extras only cover the stuff that goes on after the main production has happened!
@theboomshadow10 жыл бұрын
Such a fantastic in depth look at the sound world! Thank you for this!
@CurriedBat8 жыл бұрын
Great video! Awesome movie as well. Awesome, if a bit sad.
@lovitz6911 жыл бұрын
He didn't record the whole movie on the 744t. If you look carefully, there is Apogee and MOTU rack equipment in there. He was recording to a computer ( ISOs, and Stereo mic probably ) and using the 744t for timecode and recording the two track mix for the editor.
@bakersfieldmusicnow12 жыл бұрын
just amazing...much love!
@Prabhath_the_Dawn9 жыл бұрын
That was really helpful. Thanks so much :)
@jcp1984again11 жыл бұрын
An impressive location workstation there.
@JacanaProductions10 жыл бұрын
Wow, excellent video!
@lovitz6911 жыл бұрын
We strive for the best regardless of what post plans to do. Good example of this is the shootout scene in " Heat ", the gunfire was recorded on set, but was going to be replaced by the sound editors. Michael Mann heard the recreated soundtrack and rejected it, favoring the production sound instead. You just never know...
@TheCeembee12 жыл бұрын
@Superfoot as an location recordist/mixer you should record at average of -20db with peaks hitting -10. the thing is to have nominal gain at every stage - from mic to tx/rx to mixer and finally to recording medium. avoid hitting the limiter. with 24 bit recording option there is no need to go hotter as all the garbage (noise) is in last 4 bits (correct me if Im wrong) as for mic wit leather guy it is a schoeps on the pole
@SubhasisMukherjee11 жыл бұрын
You guys have done an wonderful job. Excellently explained. This video should be the Holy Bible for the indie film-makers. Thanks a lot.
@RhombusUniverse7 жыл бұрын
Very interesting video, loads of info :D
@Delta-iz4sk7 жыл бұрын
was a nice insight
@lovitz6911 жыл бұрын
I would say most US shot films are 80% production sound. There's more and more of it due to accelerated post schedules. Some films are the exception, but generally 80% or more.
@WatsonWu7 жыл бұрын
Nicely done. :-)
@Superfoot13 жыл бұрын
Nice. Did you record the dialogue of the guy in the leather jacket, the guy who spoke about the 5 elements and Guntis Sics? If so what mic(s) or lavs where you using. What settings and levels would you recomend on the mixer recording dialogue. I love the way this clip sound.
@JacanaProductions10 жыл бұрын
Baobab tree? Leant something new about Australia today.
@therapy364 жыл бұрын
wao, what i was looking for
@delahozz9 жыл бұрын
Nice!!!
@lovitz6911 жыл бұрын
Your french? Have you heard of Bernard Bats? He recorded " Ronin " with Robert De Niro, that track I'm sure is mostly production sound ( to my ears ), and very well done.
@edhwin9 жыл бұрын
gracias
@Nico778011 жыл бұрын
So if you are shooting in the street with some city background for example, is that kind of shot being re-recorded ? With a boom mic you always have some ambience and such, so do you mainly focus on lav' mics ? I'm wondering because in France our goal is to do everything we can on location to avoid re-recording (mainly because that's an expensive process)
@AustinSpace2011 жыл бұрын
More recording tracks. The 744 is only 4 tracks, and the deva comes in 10 and 15 track models.
@michael8673410 жыл бұрын
cool do they record external or on to camera
@Nico778011 жыл бұрын
And on the set, is sound one of the priority for the rest of the crew or you hear a lot of "we will figure that out in post !". I'm a french sound engineer, I'm just wondering how do you work oversea. We have this big myth that in america, sound is being completely done in post-producion on a lot of movies.
@Greenjah8112 жыл бұрын
Agree.
@nosmoking262812 жыл бұрын
-20db means you've got to drag it up in post. Just an aside: they ran the movie recently on TV. Noticeably, there's little dimension in the sound -- talent 10 metres away sound the same as those up close. Too studio in-your-face for my liking. Location guys did a good job though.
@SoundSpeeding5 жыл бұрын
I wonder if he was using BoomRecorder or Metacorder?
@TheCeembee12 жыл бұрын
pulling -20 is common (iso file recording level standard pretty much). I personalty mix a bit hotter.
@user-xj8de4pd3j10 жыл бұрын
Great work! I find sound in film more important then picture. Could anyone suggest if second hand SD 744t is equal in sound quality to Tascam HS-P82? Im thinking what to buy
@isaacbrooks54129 жыл бұрын
SD. Amazing company, good tech support, and the 7-series is really light weight, has amazing sounding preamps, limiters, and high quality of construction. IMHO.
@davidconsumerofmath8 жыл бұрын
What is the 360 degree microphone that they're using @9:30 ?
@riccardomejia8 жыл бұрын
Looks like a ST450 MKII SoundField Portable
@davidconsumerofmath8 жыл бұрын
Riccardo Mejia thanks I'll check out the ST450 MKII SoundField!
@CocktaiLMolotovX12 жыл бұрын
5:50 what microphone is used?
@adamshaheen3004 жыл бұрын
not sure what specific one, but i think its a pencil mic with a pop shield covering the top . Lots of different models out there, this one will be very high quality, hope this helps :)
@TheHPMProductions11 жыл бұрын
What was the surround Sound mic. What model? Are there any for like 500 to 1k US Dollars
@luanaudio5 жыл бұрын
Yeah would like to know that too
@OK1SKZ4 жыл бұрын
SoundField ST350
@Nico778011 жыл бұрын
Why would they spend that much time, money and gear on location recording since the thing is going to be re-recorded in post ?