Ave Maria + Adagio Albinoni INESSA GALANTE CD Confesso - Decor: Amazing pictures Raindrops

[@jenniferthanhhango5018]

Wow, stunning raindrops! Blessed be God! No 2 drops are alike! How Almighty is He!What a variety! AAging! Photography!

[@tzouliostefis8089]

Such an expressive and pure voice, Brilliant!!!!

[@InessaGalanteFan]

+Tzoulio Stefis On this special channel 364 tributes already.

[@zivauri]

Oh! My! --What a stunning collection of raindrops you have assembled here- (and really lovely music too)--Nature is indeed a miracle! Thank you!

[@Mariniella1]

Потрясающая певица! Браво!

[@JeannetteK]

Hello dear Cor, a very nice video with beautiful pictures and of course the great music of Inessa. ♥♥Jeannette♥♥

[@pianogirl98]

Beautiful pictures and wonderful video!

[@steenmortensen6410]

the most amazing heavenly voice....on top of all the rest

[@alexandrabengochea5981]

Beautiful 😍 🙏 💫💥💫💖💫💥💫

[@FranciscoFerrerGaliana1930]

Simplemente maravilloso.!!

[@JeannetteK]

Hello my dear teacher and friend. Again i watched your lovely video and the beautiful music. ♥♥Jeannette♥♥

[@bearmanmr]

incredible images x

[@FranciscoFerrerGaliana1930]

Exquisita voz de una belleza que da paz y serenidad a los sentidos

[@Karlhp1]

CalyHP Hace 5 días. (editado) Efectivamente Ia soprano INESSA GALANTE, originaria de LATVIA (LETONIA), hace una maravillosa interpretación del AVE MARIA; aria del compositor y guitarrista soviético VLADIMIR VAVILOV (5 de mayo de 1925 - 3 de noviembre de 1973), La pieza fué compuesta en 1970. VAVILOV la grabó con arreglos para soprano, guitarra y órgano...... Aparentemente, a VAVILOV le gustaba ponerle a sus composiciones, nombres de autores del Renacimiento, o del Barroco, para identificarlas, y así mantener su anonimato. Y puso el nombre de JULIUS CACCINI, un músico del Renacimiento Italiano, en la "Partitura" o "Scores" del AVE MARÍA..... Al morir Vavilov, en 1973, el organista que lo acompañó en la grabación se quedó con los arreglos. Y, después se los pasó a otro organista, que hizo otra grabación con otra soprano, para una disquera rusa. Usaron el nombre de Julius Caccini, como autor. Así se difundió el equívoco, que ha creado la confusión. Aunque el asunto se aclaró posteriormente, todavía hoy confunde.....Hasta cierto momento, el AVE MARÏA era muy popular en la Unión Sovietica, pero, solo se había escuchado con órgano,y laúd. Fué con esta versión del AVE MARÏA de VAVILOV; cantada por INESSA GALANTE, con un formidable arreglo para orquesta de cuerdas, de G. BRINUMS, que se logra una gran fuerza expresiva,, y la gran popularidad de ésta composición..... Triste es conocer que VLADIMIR VAVILOV muere sin recursos económicos, en completa pobreza, sin conocer el extraordinario éxito, a nivel mundial, de su hermoso AVE MARÍA...|

[@carelgosse]

Hallo Cor, Mooi gemaakt! Groetjes, Carel.

[@robertcoulombe6411]

Une voix céleste

[@anaruizgarcia9422]

gracias por este video tam bonito

[@hunchbacked]

It is because the name of Caccini is on the musical score of Vavilov; I think he put it to get safe from the Russian police which was forbidding the religious compositions (the communist Russia was an anti-religious dictatorship). And Vavilov died too soon to claim the paternity of his work. But now more and more people are aware that Caccini is for nothing in this piece apart from his name being on the musical score. Sooner or later, this Ave Maria will only be called the Ave Maria of Vavilov,

[@irenecontreras851]

desde que la oí me cautivo y tengo varios discos de ella me gustaria tener toda su discografica en españa no la he encontrado me la trajeron de Londres

[@hunchbacked]

I can feel when it is played too fast because I have a musical ear, I can feel the music. There is an expressivity which can be put into a musical piece only when it is not played too fast; playing it too fast kills the soul of the musical piece. It is not a question of virtuosity; it is not because you can play the piece fast, that you must play it fast; if you play it too fast, you cannot put into it the expressivity it needs to make its beauty shine.

[@alexly3595]

Вначале Ave Maria Владимира Вавилова, Ленинград, 1975.

[@junior815631]

perfeito

[@hunchbacked]

What's really funny is that the Ave Maria of Caccini has not been written by Caccini, and the Adagio of Albinoni has not been written by Albinoni; these are in fact much more recent compositions, compositions of the 20th century.

[@minervayazminfernandezsala7569]

Qye bonito

[@martaelenabarreraosorio6771]

💗💙

[@hunchbacked]

The adagio of "Albinoni" is played too fast, it must be played more slowly.

[@chapngo4183]

=== TÔI RỜI VIỆT NAM TRỐN TRỤI TRỐN NHŨI , TÔI VỀ QUÊ , PHÁI BỘ QUỐC TẾ ĐƯA TẬN GHẾ TÔI NGỒI ..

[@hunchbacked]

If the conductor had played the adagio of "Albinoni" slower, Inessa Galante could have made a better interpretation, because, with a slower tempo (I have always heard it played on a slower tempo), she could have put more expressivity, and the adagio would have sounded differently, more majestuous, more emotional, like the Ave Maria of Vavilov.

[@hunchbacked]

Not necessarily: A singer or a saxophone player must learn to breathe to be able to sustain his interpretation. I think that Inessa galante is able of it, it is just the conductor who gave a tempo too fast. It is not the first time that I complain that a musical piece is played too fast. I have heard an interpretation of the 2nd movement of the 23th concerto of Mozart that Horowitz played too fast, and I complained about it, but his fans hated me for saying it.

[@hunchbacked]

If Vavilov had lived a democratic country, may be would never ascribed the names of old baroque composers on his own compositions, but his name instead, and his Ave Maria would always have been the Ave Maria of Vavilov, and never the one of Caccini.