Bach - Tatiana Nikolayeva (1984) French Suite No.6 in E major, BWV 817

[@dragon7809]

0:00 : Allemande 2:31 : Courante 4:06 : Sarabande 8:41 : Gavotte 10:01 : Polonaise 11:30 : Bourrée 13:11 : Menuet 14:37 : Gigue

[@garydlloyd7718]

If I had to pick just one pianist for Bach, I'd pick her. You never forget that she was a pianist making Bach work on piano, always with a true Romantic spirit.

[@gerardbegni2806]

A light and transparent rendition ... a masterwork of interpretation !!!

[@janwillemheijbroek9107]

She is awesome, I mean I am awe-struck, she is tremendous, marvelous and great!! A true artist and poet and genius!! This is an incredibly good performance!! Thanks a lot for uploading this gem!

[@user-vz4fy8uw9y]

Имел счастье быть на концертах Т.Николаевой. Меня всегда поражал её уверенный, интенсивный, волевой звук и предельная чёткость звучания. Её записи сюит Баха прекрасны.

[@Jeanbeaugeste]

So much joy in her play, made my day !

[@lyudmilafilatova6780]

Majestic!

[@po-hsiangchang6839]

Sarabande starts at 4:06

[@TomD67]

I love Tatiana Nikolaevna's Bach interpretations overall. She makes music where others merely play the notes. But I have to say I find the Sarabande here just too slow and ponderous.

[@janwillemheijbroek9107]

I love the way she plays the Sarabande, every note it's right amount of attention and creating a tension.

[@bifeldman]

Her interpretations are made from steel covered with velvet.

[@alger3041]

I take issue with the sequence of the movements as given in the various comments. I contend that the latter movements should be presented in the published order: 5. Polonaise 6.Menuet 7. Bourree 8. Gigue

[@garrethbroke]

There are a variety of sources for this Suite, many of which have the Menuett placed after the Gigue (there's more info about this in the Urtext edition)

[@natalyahennings1085]

Yes, true.

[@elmiramuradova561]

Блеск.

[@bobsartor515]

Seemed to have misplaced the Courante. 4:06 is actually the Sarabande?

[@unicornunicorni]

2:31 is courante, 4:06 is sarabande

[@williamsackelariou1860]

Whilst l applaud & absolutely admire the artistic interpretation of the allemande l actually dislike the interpretation of for courante for the same reasons ,when all is said & done this remains as music that is drawn from DANCES & every student & player should not neglect this indisputable fact ,there is also a good argument concerning the tempi(plural) of the courante , a dance often described as elegant ,graceful & slower than the allemande😊

[@alexoidbushuyevich8818]

Чей же это портрет, на заставке ролика? Во всяком случае не Т.Николаевой, поскольку никакого сходства не обнаруживается %))