Bach - Canzona in D minor BWV 588 - Schouten | Netherlands Bach Society

[@peteacher52]

You can almost hear Bach saying, "Look how easy it is. I've shown you what to do, now go away and write one yourself." Thank you Dorien for such a relaxed tempo at which we could hear the interweaving of the voices all the better.

[@luciangabrielpopescu]

Starting with at 6:07 you can see tears in her eyes. This is music of unbelievably high quality, composed when Bach was 20 years old (!): amazing how even at this early age, he already towered above composers before him.

[@renatorubino1776]

Questa interpretazione della Canzona in D m mi ha toccato come un balsamo per lo spirito. La seconda parte l'ho particolarmente gustata nei suoi passaggi lenti, calmi, ma ben evidenziati con maestria. Credo che la promettente organista sia riuscita a trasmettere quella sorta di "bonomia mistica e serena" che tante volte traspare nei corali contemplativi di Johann Sebastian. Complimenti a lei e alla vostra Società, che dona un servizio inestimabile a questo mondo bisognoso di redenzione 🙏💗

[@gop108]

The empty Church comes alive with this masterpiece 💖💖💖 Angels must be dancing !! 💮💮💮

[@altruisticphilanthropic4647]

J. S. Bach: Supreme mastery of compositional craftsmanship/skills - irrefutable, and profound understanding of the emotional elation and pathos of we fallen, yet wondrously wacky, Earthians. All realized perfectly, with a few tools; chromaticism, rhythmic accentuation and displacement, and flawless contrapuntal, imitative, part writing. Who ever did this better? Who ever will? You know the answer...sure you do...it's easy...no one. // This performance is beautiful...the organ (and organist, Dorien Schouten, for that matter...and, I don't only mean physically) is beautiful...and this entire NBS series...yep, you guessed it...very beautiful, indeed. Continue, please.

[@bengunn99]

Well said Al and Phil. He must have come from another planet. No human can match him.

[@kaiansanttos867]

Sooooo Beatiiiifulll//// sooo Dark! The Church! A feeling by human being! I Love Bach, my favorite composer ever!! Pretty pretty amazing!!

[@AnnaKhomichkoPianist]

Kaian Santos Mine as well :)

[@noiselesspatient]

Yet again, the initial subject draws one in as one hears new modes of articulation and accent. Fresh, tactile, interesting, subtle. You play so beautifully. Thank you 🙏🏻

[@AnnaKhomichkoPianist]

Shikantaza beautiful words!

[@robertorl61]

Meravigliosa. Una delle composizioni più mistiche del maestro cantore. Bellissima interpretazione anche in merito ai registri utilizzati. Complimenti

[@ruperttmls7985]

Es una obra terriblemente oscura, triste y sombria; bien podría Bach haber empleado el tema en alguna de sus pasiones. La canzona no es precisamente mi obra favorita de Bach, pero con ese timbre del organo, el hermoso trabajo de fotografía y video, bien valió la pena, y me sirvió para volver a escucharla. Gracias por subirla!

[@franciscogalindo4320]

Truly beautiful interpretation.

[@AnnaKhomichkoPianist]

Francisco Galindo agree!

[@stefanopulga3090]

Wonderful! Great sound, great piece, great interpretation! Tanks

[@danielwaitzman2118]

What a beautiful-and old-fashioned-piece!

[@mariusvandernagel2236]

Prachtige registratie, de muziek pakte me direct. Heel mooi, thanks

[@notaire2]

Klare und wunderschöne Aufführung dieses kompakten und perfekt komponierten Meisterwerks im gut phrasierten Tempo mit durchsichtigen Tönen der unvergleichlichen Orgel und mit perfekt kontrollierter Dynamik. Echt geniale Organistin!

[@normgustafson4525]

Wonderful total realization of the playing, of course. The "Noir" lighting of Dorien completes the magic!

[@lkjhytfdsa]

I love what you guys are doing! This sounds great.

[@garylovan630]

Hauntingly beautiful

[@SDGRTX1455]

Oef this organ sound reminds me of the dark lost future of the human kind. Lost technology and landscapes . 10/10 bravo

[@mohammedfrancis]

Yet two years on, we are still here and striding towards a better, wildly more interesting future.

[@carolynclark1724]

Beautiful!

[@AnnaKhomichkoPianist]

Carolyn Clark yes!

[@Aalii6]

wonderful, thank you for sharing this beautiful sound

[@PommerscherKater]

Sehr stimmungsvoll👍 Am Abend abgehört...

[@MsrAlaindeFerrier]

Just beautiful

[@AnnaKhomichkoPianist]

Alan Ferris true!

[@Barbapippo]

Wonderful piece and playing.

[@mishavishik2438]

Thank you so much! A great interpretation.

[@guapo86100]

C'est magnifique, merci beaucoup

[@benjaminmarks8765]

The NBS is a treasure to music preservation

[@Cesanambrogio]

Condivido pienamente il giudizio di Renato Rubino: è una esecuzione rasserenante, direi italiana, alla Frescobaldi, senza precipitosi tempi ascoltati da altri organisti E' bello gustare la musica con questa serenità. Grazie.

[@genustinca5565]

Vind haar altijd zo'n schatje :)

[@castaneasativa7368]

Simply "Molto gracious"!

[@andrearodigari4840]

Emil Cioran once said: " God owes everything to Bach" . Is the only proof of its existence. I agree.

[@harmalantink7675]

Mooi rustig stukje, Dorien ga zo door!

[@mateogavela6143]

Love this channel and this pieces, thanks Bach :,,v!!

[@pauldoerflingerMarcoPolo1947]

Gratulation’s J.S.Bach playing !

[@Musicienne-DAB1995]

Excellent performance by Dorien Schouten. Since the NBS are Dutch, can they perhaps hear the influence of Jan Pieterszoon Sweelinck on this piece? His Fantasia Cromatica uses similar progressions to this piece. I don't know if Bach was familiar with his work, but its influence must certainly have filtered through the North German organ school.

[@janhogendoorn2]

I hear in the theme the first tones of 'Aus tiefer Not'. Maybe that's an second inspiration. And yes, Bach was indirect a student of Sweelinck.

[@ТатьянаЧебанова-ж1л]

Музыка Баха - Дар Небес! Спасибо за совершенство!

[@CharlesLumia]

This is fantastic!

[@carmenvaldivia8651]

Bellísimo.

[@stephenlee1756]

Bach: This is just an exercise piece. Us: An exercise in expressing the deepest human emotions!

[@jaap8232]

Prachtig!

[@thehashslingingslasher7017]

6:32 so beautiful!

[@bobh5087]

Lovely. Do I hear a beautiful and winsome *8' Hohlflöte* in the opening section? Ah, there's nothing like playing the organ in a great and empty church.... Just me and the music.... Enough....

[@giulioronconi1768]

I thought it was a Quintadena 8', it has a very similar timber

[@gillianlander3708]

And in the darkness too....... Just you, Bach, the music and God.....An enormous privilege.

[@bobh5087]

@@gillianlander3708 Except I'd leave out the "and god" part....

[@Soordhin]

Well, this piece describes 2020 quite correctly...

[@roberthunt1540]

Love, love every bit of this. But I'm put off by the Picardy third at the end . . . as if there were some kind of constraints on the "darkness" of the piece that obligated finishing it with a major chord.

[@carmenaballi]

Que bonito!

[@sylviepierre1942]

Sombre, c'est sûr, mais magnifique quand même...

[@MitchBoucherComposer]

This is a wonderful organ. Does anyone know if Hans Fagius recorded on it for his collection of Bach works?

[@harmb4517]

En dat nog wel op de mooiste locatie in nederland.

[@salvatoregiannini9819]

Dolce interpretazione

[@yomikyo]

Pusty ciemny kościół, urywające się trochę bezładnie pasaże - niesamowite wrażenie robi to nagranie.

[@andreacosta74]

AVESSIMO ancora in Italia una SOCIETÀ BACH

[@pdidhee2304]

righteous!

[@VenancioPineda]

It is not god that made the music, it is the music that made god.

[@mjacapellaversion8314]

I have question: do you plan to record J.S. Bach: Violin Concerto No.1 In A Minor, BWV 1041 ? Because I would love to hear that at your chanel.

[@williamlauzon2615]

They plan on doing everything! Stay tuned.

[@bach]

We have actually recorded BWV 1041 this summer. The video is still in post-production, the release will probably be in the first half of 2020.

[@mjacapellaversion8314]

@@bach Oh great, I can not wait for it !

[@rorycoker6601]

This feels like someone climbing a long flight of stairs toward heaven

[@lindacowles756]

That's what I picture when I listen to "Vor deinen Thron tret' ich hiermit". I think of stairs made of cloud leading up to the throne of God.

[@antoninopirrone2541]

❤❤❤

[@juanbonno4421]

du lourd

[@EliotKiti]

2:21 - 2:40

[@andreacosta74]

Canzon detta “La Sebastiana”...😜 An hommage to Frescobaldi?

[@ernstbechert2288]

Absolutely. He knew and admired Frecobaldi.

[@jameswestner9263]

stops?

[@charlottewhyte9804]

who was your tutor?

[@ulrichdannenbaum4472]

Dorien studied at UDK Berlin with Leo van Doselaar ... that alone explains a lot ....

[@kapiteinhorloge350]

Beautiful piece, performance and registration (both organ-wise and video-wise). The piece reminds me of Anthoni van Noordt's Fantasia 2: kzbin.info/www/bejne/aqm2o4aCj7V3ptk

[@flyingsax999]

0:09

[@FighterFred]

This comes from Frescobaldi.

[@PaulHummerman]

a strange sound - almost arabic. oops, for some reason I had it at quarter speed.

[@mateogavela6143]

It was like a pink floyd suite :3

[@eliotamiazzo8041]

Girolamo Frescobaldi docet........

[@rosmariegloor4150]

Chostakovitch concerto pour violoncelle

[@flemmingranch8777]

Meget smukt lille orgelværk . Organisten er også smuk.....

[@Narragorth]

It's reminds me Beethoven - 7th Symphony - 2nd movement or smth similar...

[@qwaqwa1960]

Nice shallow key dip ;-} Yikes...

[@sylviepierre1942]

Et en plus, ce sont deux femmes qui jouent, les organistes femelles, bien qu'il y en ait aussi, on le sait, de nos jours.

[@hansklein5548]

Was soll das? Nur weil Bach in der Handschrift im vierstimmigen Satz für den Bass nicht ausdrücklich Pedal vorgeschrieben hat, muss man dieses herrliche Stück nicht manualiter spielen und sich damit selbst an die Grenzen dessen bringen, was man greifen kann, v.a.in den Takten 54 und 215. Gerade diese Grenzen sind doch ein Indiz, dass man die Basslinie mit dem Pedal spielen kann oder sollte, zumal die Basspartie bequem spielbar ist. Auch über Temporelation der beiden Sätze könnte man trefflich streiten.

[@charlottewhyte9804]

don,t like registation,needs some more bright sound,as long piece.

[@ulrichdannenbaum4472]

si tacuisses ....

[@tahaouhabi3520]

I don't like the registration on this one , i suggest that you listen to Hans Fagius's interpretation of this piece

[@henrilenoir593]

too slow, too dark ... funeral music !- sorry for Frescobaldi !

[@hansklein5548]

Noch ein Ärgernis. Die ersten beiden Takte sind völlig aus dem Tempo geraten. Das hat nichts mit Interpretation zu tun. Liebe verdienstvolle Niederländische Bachgesellschaft, ich liebe Ihre Kantaten- und Oratorienaufführungen, besonders die unter der Leitung von van Veldhoven. Aber dieses Video entspricht nicht der gewohnten Qualität Ihrer Aufnahmen.

[@bernardpailleux355]

dommage, manque l'émotion dans cette interprétation trop rapide avec, comme toujours ou presque, cet égo (un gouffre sans fin, jamais rassasié) et ce manque d'humilité. Et et aussi sans pédalier. En seconde partie, la montre est vraiment magnifique. Remerciements et sans jugement.

[@charlottewhyte9804]

little slow too

[@ulrichdannenbaum4472]

si tacuisses ....

[@jamessudbury6006]

Turn your own pages, lazy.