Alcune volte quando ascolto le Cantate Sacre di Bach piango di 😹 Gioia. Che Meravigliosa Terapia dell'anima ( altro che tranquillanti maledetti ) questa è una Potenza Divina. Dio Benedica Bach e i suoi Fans .Saluti da Lecce South Italy 🤗🌌🙏❤
@MichaelCWBell5 ай бұрын
Lovely voice here at the start. My friend rang last night raving about 88. I love that Bach produced so much, there is something for everyone to call a favourite.
@leopoldomarianobuderackygr98035 ай бұрын
Thank you very much for getting me pray with this beautiful and blessed cantata.
@Bachstiftung4 ай бұрын
you are welcome.
@jreinhuber3 жыл бұрын
Absolutely stunning. And boy, did Bach have a wonderful sense of humor. Those fish are swimming....
@edwardswilliamsj3 ай бұрын
When I sing or follow the recordings of choral music I remember that Herr Bach forgot that we are human beings, most of the arias or almost all of them have "melismas" too long and demanding, And many times I can't reach, and I run out of air,,, I am very fascinated by his compositions, I love when I can't breathe,... 😅.... In the first aria for bass I have never been able to sing without running out of air, I lack it, it is fascinating... I sing them all, my pronunciation is terrible, and my intonation is a disaster but it is so beautiful to sing and recite such beautiful, beautiful and reflective lyrics of each cantata and motets, I hope one day to be in a choir or orchestra, a dream... It's fascinating 😊
@Bachstiftung3 ай бұрын
Thank you very much for this comment! We wish you many more wonderful moments with J. S. Bach.
@stephenlee17562 ай бұрын
Bach knew that asking "the impossible" often brings out the best in gifted singers and instrumentalists. He was never guilty of underestimating his fellow human beings.
@mikelonneke18443 жыл бұрын
This recording allows the soloist to be clearly heard, rather than to be merely detectable amongst the instruments. Since this recording was made, the excellent performances have been subjected to a diminution of singer presence. Please listen to the Allegro part of the first aria and marvel at the recordists art: preeminence for the soloist and clarity for the horns and other instruments. Congratulations to Ruedi, et al. High marks for the Recordist!! Mike Lonneke Round Hill, Virginia USA
@enriqueianez19963 жыл бұрын
Once of my favouite cantatas. Excellent performance
@gustavomalvezzi81593 жыл бұрын
Amo particolarmente questa Cantata, in particolare l'aria iniziale. Esecuzione eccellente!
@gervaisfrykman2663 жыл бұрын
A new cantata for me. Flawlessly performed. Thank you.
@carolynclark17243 жыл бұрын
Beautiful performance! I have not heard this cantata before and enjoyed it.
@jsbpsm2 жыл бұрын
è splendida
@johngreenhalgh80923 жыл бұрын
unfailingly fabulous. Meticulously prepared and flawlessly executed...
@bobh50873 жыл бұрын
Aside from the rather too frantic tempo of the opening Bass aria, a lovely performance. It is always such a pleasure to hear soprano Feuersinger. Her voice is perfect for Bach - light and precise, like a boy treble. Thanks to everyone.
@herrickinman93033 жыл бұрын
FYI, the 2-part bass aria you think is performed at a "rather too frantic tempo" (it isn't) is marked "vivace" in the 1st part and "allegro e presto" in the 2nd part
@bobh50873 жыл бұрын
@@herrickinman9303 It was *still too fast.* The singer actually had to drop notes in the first-section melisma and was continually gasping for breaths and struggling to get the words out. Your tempo quotations (which I'm fully aware of) are COMPLETELY RELATIVE THINGS, and, therefore, COMPLETELY MEANINGLESS in any pragmatic sense. Only the MUSIC matters, not the generic tempo indications. And this tempo was too fast.
@herrickinman93033 жыл бұрын
@@bobh5087 You originally characterized the tempo as "rather too frantic." Now you just say it's "too fast." According to the NBA edition of BWV 88, the tempo markings for this aria are "Vivace" for the 6/8 section and "Allegro e presto" for the cut time section. Bach rarely specifies "vivace" or "presto," but you would have us believe that even though he specified "vivace" and "presto" in this rare instance, he actually meant "not too fast." FYI, the tempos actually taken in this performance of the aria were much slower than vivace or presto. The melisma that has your panties atwist consists of seven 6/8 measures of 16th notes; that's eighty-four 16th notes with no place to breathe. The singer wasn't "gasping for breaths." He was simply doing what is necessary to sing eighty-four 16th notes with no place to breathe: he was breathing. Nor was he "struggling to get the words out." There are no words in the melisma! There is only the syllable "sen"! There are many passages in Bach's vocal music where one is forced to find a place to breathe in the midst a long, unbroken sequence of fast notes. Try singing this 84-note melisma on "sen" at the slower tempo you advocate. The slower the tempo, the longer you have to hold your breath or the more breaths you have to take. No matter what tempo you choose, it's impossible to sing this melisma without taking multiple breaths. The singer of this aria actually performs the 84-note melisma on "sen" very smoothly.
@Me-uv6kc3 жыл бұрын
NERD FIGHT
@melcadman Жыл бұрын
@@herrickinman9303
@migueldelafuente46073 жыл бұрын
5:12, Brandenburg 2nd concert trumpet progression of fifths making the piece taking off into the stratosphere
@davidleroy703610 ай бұрын
Yes, you are absolutely right. And from 5:02 to 5:11 it is like a « prelude » to what’s coming. But the base sections to that « prelude » starts at 5:01, « in advance ». J. S. Bach is in his own category. 5:01 to 5:23 is pure genius…
@leonpiorek32113 жыл бұрын
Thanks for the Video, God bless you guys so much. He is going to give a sign from heaven tomorrow
@nawfalsalman30744 жыл бұрын
Wonderful
@francoishuglo6 ай бұрын
Avec "Christ unser Herr zum Jordan kam", cette cantate est l'une de celles qui, dès le début, donne le mieux la sensation du cours de l'eau, et le chant est pris dans ce cours porté par l'orchestre . Le patronyme de Bach le disposait à devenir torrent, ruisseau, ou fleuve !
@edelahaye2 жыл бұрын
The horn players are fantastic.
@albertofassone42403 жыл бұрын
Einfach großartig! Vielen Dank fürs HochlasDen dieses Meisterwerks. Schade nur um die vielen lästigen Unterbrechungen durch die Werbeblöcke...
@eduardoperetdias62573 жыл бұрын
Wunderbar
@florafurioso91973 жыл бұрын
Fabulous.
@alanbash29212 жыл бұрын
Magic .
@edelahaye2 жыл бұрын
Miriaaaam ! ❤❤❤
@Joeclarkwrongguy2 жыл бұрын
What is popular is not always right what is right is not always popular. Me and Einstien. This applys to bach.
Much too Fast....how can one absorb Bach’s Complex Genius at such a speed.......I will go back to Kurt Thomas to get goosebumps....
@pedrolopez-torrestubbs75693 жыл бұрын
All is good (almost perfect I would say) but the clapping at the beginning of each video is SO ANNOYING!!!!!!!!
@konrad.bach4ever3 жыл бұрын
Understandably. But these are recordings of live concerts. To be authentical, the applause is inevitable. Bachstiftung wants to be clear about the fact that these are no studio recordings.
@pedrolopez-torrestubbs75693 жыл бұрын
@@konrad.bach4ever I shouldn't complain...this is wonderful material for free! Thank you for the thoughful reply :)
@AlexandrosV3 жыл бұрын
Fails badly in comparison with John Eliot Gardiner and Peter Harvey
@konrad.bach4ever3 жыл бұрын
Why?
@MrFpam3 жыл бұрын
Very fine and probably more authentic performance from the Bach Foundation.
@garydebacher98703 жыл бұрын
@@MrFpam 😁
@garydebacher98703 жыл бұрын
Gardener can’t even match Hogwood on the Messiah…
@konrad.bach4ever3 жыл бұрын
@@garydebacher9870 Personally I think the notion of "better" or "worse" does not make sense with music on this quality level.We rather should be grateful that there is such a diversity of really great performances.