Рет қаралды 10,181
Bai Sunderabai Jadhav Punekarin (1885-1952) Around 1920, Bal Gandharva staged Ram Ganesh Gadkari’s Marathi drama - ‘Ekach Pyala’. Bai Sunderabai of Poona composed its music. Songs from this drama are popular even today, after a long gap of over eighty-seven years. She used Kawaali ‘Katla Mujhe Kar Dala Rama for the pad ‘Satya vade vachanala natha’ and gazal ‘Dile bekarar tune’ for the most famous pad ‘Kashi ya tyaju padala’, both sung by the heroine Sindhu. Tune of this gazal and song became so much popular that Mr K. R. Vaidya, Marathi poet of Nalasopara (near Mumbai) wrote a paradoy song and she recorded it on twelve-inch diameter, 78 rpm record - ‘Tu haansalees majala tirva karuni dola’. It also became very popular. Born in 1885 at Pune, Sunderabai was a child prodigy. Her father realized talent in her voice and encouraged her to pursue this as a career. Her attachment to her birthplace was so intense that it could be heard at the end of some of her early 78 rpm recordings wherein she ends the song with an announcement - ‘My name is Bai Sunderbai of Poona’. However, she spent most of her working life in Mumbai (Bombay). Initially, she lived in Girgaon and learnt bhajans from Thakurdasboa who used to perform in Ram Mandir in the Girgaon area. Later on, she moved to Indore for some time and learnt from Ustad Dhamman Khan, Ustad Gulam Rasool Khan and Pandit Keshav Bhaiyya. In addition to pure classical music, she learnt almost all styles of light classical music. In Mumbai, she used to sing in prestigious music circles such as Laxmi Baug wherein great musicians like Bhaskarboa Bakhale, Master Krishnarao and Bal Gandharva attended her concerts. She was promptly recommended for music conferences outside Maharashtra. Later on, she regularly performed at prestigious conferences at Banaras, Allahabad, Hyderabad and Calcutta. Bai Sunderabai became very popular and earned lot of money, fame and name as ‘Bai Sunderabai Jadhav Punekarin’. She bought two motor cars and rented complete top floor of the building opposite to Victoria Terminus railway station in Bombay. This building is next to Capitol cinema house, presently occupied by McDonald food joint on the ground floor. She cut few records with the gramophone company in early period where her voice was rather thin and high pitched. She announces her name in these records. She again cut records in October 1921, in which her guru Ustad Dhamman Khan has accompanied her on tabla. She cut over 150 songs (75 records) on H.M.V., Odeon, Regal, Columbia and Young India labels. These songs were in Urdu, Hindustani, Pharsi, Bhojpuri and Marathi language. She has sung few ragas such as Jogia, Jaunpuri. However, she was very comfortable with light music. Although she was expert in Hori, Gazal, Dadra, Kawali, Bhajan and Thumri, her speciality was Marathi Lavni. Some of her famous lavni’s are - ‘Tumhi majhe savkaar’, ‘Dipawalichya sani’ and ‘Katheen bai badudyachee 5 chakaree’. Her bhajans ‘Vanavasi ram majha sanga kuni pahila’, ‘Sunder sari mori’, ‘Radhe Krishna Bol Mukhase’, ‘Mathura na sahi, gukul hi sahi’ crossed borders and she became popular in North India through her records. Sunderabai lived for over seventy years. She adapted herself with all the new modern and emerging media including radio and cinema. She acted in couple of films - Marathi ‘Sangam’ (1941), Hindi / Marathi ‘Admi / Manoos’ (C.1937) and her role of hero’s innocent and pious mother was very well received. She planned to launch a new record company titled - ‘The Navbharat Record Mfg. Company’ with the help of Mr. Dattopant Phatak, Pune who was also associated with Odeon record mfg. company. She thought of making several new records through her own company. However, the company was never formed and her dreams were shattered. She lost all her money, property, cars and had to live in a small room with her paralysed daughter. She received the job with All India Radio, Bombay. She persuaded several musicians including Ustad Abdul Kareem Khan for cutting records with the Odeon Company and also to give cpncerts for radio. Mr. Z. A. Bukhari, station director of Bombay radio was very helpful to artists and he encouraged them during his tenure. Sunderabai organized several radio programs of Bal Gandharva who was like her brother. She died in 1952 while in service with radio.
I do not own the copyright to any of the records used in this video. These music records will be copyrighted by those who have actual rights over them. I express my thanks and gratitude to all the collectors of records and those who made them available to music lovers!
You can support me at www.patreon.com/sdkd