Baladi dance | Between the names of Music tracks and the Rhythms

[@dalenatorres8972]

Thank you for sharing your knowledge.

[@TamerAziz]

You're very welcome, dear Dalena Torres!❤️️ Please do not hesitate to write me any questions you are looking for an answer to.

[@dalenatorres8972]

@@TamerAziz Thank you, I am interested in learning about the Middle eastern cultures to honor the countries bellydance originated from. I just discovered your youtube channel so I am catching on your past videos little by little.🙏

[@ShirazDanse]

Thank you so much, it's a very great video , )

[@TamerAziz]

You're very welcome, dear SHIRAZ DANCE, I'm so glad you like the video!❤️️

[@hamidadance]

Thank u so much

[@TamerAziz]

You're very welcome dear Hamida dance, I'm so glad you like it!❤️️

[@Boudanyoussefraqs]

TESLEM EDEK! Begad Ana kan 3ndy confusion m3 Mustala7at Baladi, and this helps! Always wanted to know what Tet Baladi and Awadi! Thank you!

[@TamerAziz]

You're very welcome Armanyoussefraqs. On the other hand, because I know there are many hidden questions as well as confusions with many dancers, so write me any question or confusion to answer you.

[@Aledancer]

The best oriental dance chanel! Can you explain if the musicians will play different parts or different velocity in a music based on this terms? Like if a dancer asks about tet or any other terms the will the music be played differently?This is the biggest problem for foreigners to set and understand about music. It will be super nice to hear it from an egyptian teacher! ! شكرا

[@TamerAziz]

Dear Aledancer, You're very welcome. I'm so glad that you liked the videos and the channel.

[@RaqsaSharqia]

شفت دروس رقص مع أجنبية وكانت تشرح البلدي بتعقيد مقسمته على الموزيك نفس ما قلت شرحك واضح جداً شكرًا لك، ولكن مو قادرة أفهم معنى عوالم رغم إني شفت فديو لك تتكلم عنه ولكن لسه مو واصلة لي الفكرة أتمنى تفيدني ويعطيك العافيه🌹

[@TamerAziz]

عزيزتى Ash💗, أولا لكى منى كل التحية والتقدير لاشتراكك فى القناة وأيضا شرف لى أنك تشاهدين الفيديوهات التى أنشرها. هناك الكثير من المدربين والراقصين الأجانب غير ملمين بالتاريخ الحقيقي للرقص نظرا لقلة المعلومات التى شُرحت لهم، هذا بالإضافة إلى الكثير من المعلومات المغلوطة المتداولة حتى داخل مجتمع الفنون. العوالم جمع عالمة، ومعنى الكلمة أنها عالمة بكثير من الأمور الحياتية، والعلوالم قديما كانوا رجالا ونساء، وكانوا يجيدون لعب الموسيقى والغناء باإضافة إلى كتابة الشعر وإلقائه. وقبيل عصر محمد على - أى حوالى فى القرن السادس عشر - وظفت العوالم بعضا من الغوازي فى احتفالاتهم كى يكسبوا أموالا أكثر مما كانوا يأخذونه. وفى القرن السابع عشر - أى عصر محمد على - أصبح للعوالم مكانة خاصة فى المجتمع المصري حيث الموسيقى والغناء. وقد كان لسيدات العوالم الفضل فى انتشار الموضة سواء فى مصر أو المنطقة العربية أو حتى فى الكثير من الدول الأجنبية، مما جعل للعوالم مكانة خاصة داخل المجتمع المصري. ولأن الأجور "الأموال" التى كانت تدفع لهم كثيرة، الأمر الذى جعل بعضا منهن فى مزاولة الرقص داخل حفلاتهم بدلا من الغوازى اللاتى كان أدائهن بعيدا عن الذوق العام. من هنا بدأ ظهور العوالم الراقصات. وقد كن يسكن فى منطقة تسمى "حارة العوالم" متفرعة من شارع محمد على، ولهذه المنطقة قصة كبيرة أود أن أشرحها لك ولكن الحديث وكتابته ستطول كثيرا ملاحظة: كنت أتمنى عمل فيديو بالعربى عن هذا الموضوع وأيضا عمل قناة باللغة العربية تتحدث عن فنون الرقص، ولكن بسبب عدم وعى المجتمع بهذه الفنون واساليب الحوار التى لا ترتقى حتى إلى كلمة حوار، بالإضافة إلى كم المعلومات المغلوطة، الأمر الذى جعلنى استخدم اللغة الأجنبية فى شرح الرقص سواء الشعبي أو الشرقي، فأرجو أن تسامحيني، وايضا لا تترددى فى كتابة أى سؤال تودين معرفة إجابته

[@RaqsaSharqia]

@@TamerAziz يعطيك العافيه شرح كافي ووافي،حقيقي يشرفنا وجود شخص مثلك مُلم بالفنون في المنطقه

[@helenacygnet]

Thank you so much 🙏 for all this beautiful knowledge

[@TamerAziz]

Dear Helena Cygnet, You're very welcome and I'm glad that you liked the video.

[@aliciabellydancer5784]

Thanks for such a useful video! I would like to ask whether baladi can be considered a folk dance or not?

[@TamerAziz]

Thank you so much, dear Alicia BELLYDANCER.❤️️ Baladi dance is one of the traditional and popular dance styles, and it is also considered one of the main gateways to belly and oriental dance.

[@krrristinarius]

Dear Tamer, thank you for this explanation! Very thorough ❤ That would be very helpful! I have heard about Baldi tet und Baladi awadi music, and that i can hear fo example tet baladi by hearing some particular song melodies in it, for example Aminiti billah, or that there's a kind of question&answer part is included in awadi baladi music. Are there any other things i can recognise/differentiate these types of music? And could you give a couple examples of the music tracks for each of the three baladi music types you named? Thank you in advance!

[@TamerAziz]

Dear Кристина Колесова, You are very welcome and very glad you liked the video. These days, I'm finishing a video tutorial on "Taqasim" in dance, so I'll include some examples of this music with more explanation.❤️️

[@krrristinarius]

@@TamerAziz Thank you! Looking forward to seeing it!

[@martindhjj]

Shokran ya Tamer, Thank you for the information. I have a question. In my classes the teacher says that it is very important to stop dancing when the musician has a pause in the takasim. For me it seems that I have to read his mind because he is improvising and I don't know when he will pause. Is this really important and are there clues to when the musician will finish a phrase?

[@TamerAziz]

Dear martindhjj, Thank you so much.😍 Your question is of utmost importance, as it is intricately complex to the extent that I am seriously considering creating a dedicated video to explain it thoroughly. On the other hand, I will provide you with some details that I hope will suffice for now until I finish this video. The common practice in improvisational music is to cease dancing when the musician stops playing in Takasim. However, professionalism entails mastering the timing of pauses and choreographing performance accordingly. Understanding the musician's thought process significantly aids in interpreting his musical expression, a skill honed through extensive training with the musician. Indeed, there exists a guide to discerning when the musician will conclude a phrase: by listening to a multitude of musical improvisations "Takasim" until the dancer's ear becomes attuned, enabling anticipation of the musician's pauses.