Spettacolare Marton. Una di quelle voci che appaiono poche volte nella vita!! Bravaaaa,!!!!!❤👏👏👏👏👏👏👏👏👏👏
@nickbigd Жыл бұрын
I was lucky to see her in this production that year. One of my first live Met operas. Spectacular. I had no idea at the time how fortunate I was. Bygone era…
@Ce2437 Жыл бұрын
I was blessed to see the same production back in the 80's. Only Zefferelli !
@hummarstraful7 ай бұрын
Met On Demand has four or five versions of this from over the years. This one is unquestionably the best. I compared all of them and the orchestra here plays with such an intensity that the others don't even come close to. And the acting and the singing is top-notch in this production. It seems great opera singers are harder to find these days. If they can find a great singer that singer can barely act. Placido brings it all in this performance.
@hummarstraful7 ай бұрын
@@Ce2437 lucky you. I lived two blocks from the Met for a couple years in the early 2000s. I wasn't into it then. Didn't know what I was missing!
@anthonylamberti88243 ай бұрын
what a grand a powerful production..saw turandot last Saturday...what a cast and what great orch and chorus..my friend and I was moved to tears..what a way to end a great day in the city.....outstanding....
@jenniestein2 ай бұрын
It was really something, I was there, too! It was amazing how the entire audience gasped together when the scrim raised on the castle, almost blindingly silvery white and gold...Baek, the tenor was wonderful, I was less impressed with the Turandot, and if the more subdued, shorter applause at the end was any indication, so was the rest of the audience. But all in all, a very affecting evening, I'm very glad I was able to get a ticket.
@chocolatesouljahАй бұрын
Disappointed that the camera pans to Mr. Domingo at 3:19 - the cameras should be focused on the singer not to silent!
@fredojoaquim47646 жыл бұрын
Eva Marton is lovely 💟. Wonderful aria written for a dramatic soprano.
@YiShiuanTzeng5 жыл бұрын
And the stage design and costume is brilliant in every way.
@trschaefer7 жыл бұрын
Looks like a magnificent production. Eva Marton was an unbelievably magnificent Turandot!
@fredojoaquim47646 жыл бұрын
Adoro imensamente. I immensely love In Questa Reggia. Miss Eva Marton is a lovely dramatic soprano.
@peterdevita63082 жыл бұрын
ONE OF THE VERY BEST - The first TURANDOT of the MET -ZEFIRELLI Production - 1980's
@RBP1963 Жыл бұрын
Straordinary rendition of one legend❤
@richiejohnson7 жыл бұрын
I saw her sing this in Boston back in the eighties. She blew the back off the auditorium and nobody in the place took a breath. Thunderous applause followed. I don't care if she was calling hogs, that was THEATER!
@Altonahh106 жыл бұрын
Marton was a force of nature. She could act and drive the audience to tears. Everybody knew that her voice was not the most beautiful and even in her Strauss operas I had a hard time understanding the lyrics (as a German) but boy, she was always giving it all, just like Gwyneth Jones and the likes. Where are they now? Who´s is following? Nobody. The world of opera has become antiseptic with ice-cold singers who care about making an easy money by singing the tough roles when they´re too young. That´s the reason why there is no real Elektra, Isolde or Brünnhilde around any more. As long as an audience is willing to accept that, there won´t be any change to the better.
@SilfredoSerrano5 жыл бұрын
I've heard that on a pirate recording! It's marvelous!
@phil2u485 жыл бұрын
Indeed. She went from Boston to the Met centennial and arrived just in time. Supposedly, Levine was quite put out. She blew the back off the theater again.
@MrYonexguy635 жыл бұрын
Marton in Boston was the most impressive live singing I've ever heard
@stillstanding60314 жыл бұрын
I believe this role wrecked her voice. Shame; she was magnificent in it.
@benjaminstofle136 ай бұрын
I have a few of Eva's records. Love it! 🤍
@DavidAsset7826 күн бұрын
The night I saw this production with this same cast at the Met, Elizabeth Taylor accompanied by Franco Zefferelli was in the audience. She was overshadowed by Brigit Nillson, who was also in the audience. At her curtain call, the audience hurled roses at Eva Marton. She picked them all up and throw them at Brigit Nillson saying, "You get all the roses." It was some night!
@fredojoaquim47646 жыл бұрын
Miss Eva Marton is one of the best Turandot. Lovely.
@luisnx019 жыл бұрын
Eva Marton maravilloooosa...
@georgedrummond13411 ай бұрын
Magnificent voice!
@RamonAlfonsoOMAR4 жыл бұрын
Best In questa Regia by Eva Marton :"Gli enigmi sono tre" (4:59 showing the three fingers) Epic..
@neilmurphy75542 жыл бұрын
Attended a performance of this production during its first run in the late 80's. Wondering why there was more commotion in the Met foyer during the intermission than in the auditorium during the performance, watched in amazement as Birgit Nillson accompanied by Christa Ludwig descended the met staircase arm in arm to the night's most thunderous standing ovation.
@DavidoffGustav2 жыл бұрын
Sad we lost Ludwig.. she was amazing.. Sutherland's recording on this is my favourite, I know it was a recording, but it was actually a recording of a moment that we can't recapture.
@optimal7984 жыл бұрын
Marton's "quel grido" is impeacable. When she sang "Mai nessun m'avra... ah... rinasce", the camera was shaking...XD. And there are quite some nuances in this version that worth noting, like Calaf tried to pull her sleeve and she pulled it back. Also the hand gesture when she said "3" (like OK) is really a Chinese way to say "3". Maestro Zeffirelli worked a lot on the details. Only a Chinese Emperor would not wear in black, it's usually gold or purple.
@SilfredoSerrano3 жыл бұрын
You realize this is a fairytale? The story is fiction.
@fredojoaquim47646 жыл бұрын
Powerful voice; sublime stage presence. Miss Marton is always wonderful as Turandot as well all the other operatic roles she played and sung. Bravo. Only a great dramatic soprano can sing this aria so propitiously.
@luciagamper60772 жыл бұрын
Stupenda!! Marton is such a credible, amazing Turandot, her timbre, her way of dramatic phrasing is so brilliant, and comes across so authentic, what a great performance!
@mikaelb77352 жыл бұрын
Not to mention her wobble :((
@mubaraksenju7521 Жыл бұрын
@@mikaelb7735her wobble sounds fantastic and majestic too, is that what you're saying? 😎
@mathiasboucher80618 ай бұрын
@@mikaelb7735 her vibrato is at a correct pace she's not wobbling
@mikaelb77358 ай бұрын
With all respect, she is singing in a most unpleasant and screaming her way through it. Not a Turandot to remember.@@mathiasboucher8061
@musicamusa51276 жыл бұрын
Interpretazione Magnifica!!!
@fjaporto8 жыл бұрын
Eva Marton is fantasic in this role! She was in her best moment at the late 80´s
@washingtondesouza71047 жыл бұрын
A melhor de todas as turandot. Para sempre.
@photo1616 жыл бұрын
I wish she had sung this well in the several times I heard her live in the house...
@alexblumenschein70265 жыл бұрын
My favorite Turandot!
@ey8767 Жыл бұрын
Plácido Domingo is one of my favorite but still I enjoy hearing him crack in this. Lots of fun! I am surprised that his voice is even audible with Eva Marton’s laser beam voice.
@saelind736 ай бұрын
I love Domingo and he was much better at La Scala, in 83 with Dimitrova and Ricciarilli. But I prefer Carreras in this role with Marton in the same year with Vienna Staatsoper production. They were both on fire and his interpretation was fantastic, as it was Marton. I thought she was crying in the end. Absolutely fantastic to listen and watch.
@ey87676 ай бұрын
@saelind73 Yes he was better than. But he's even better in 70s. Check out the 1970 Turandot with Nilsson. Domingo sang the best HighC in his whole career. And yes it's very loud and clear under Nilsson's huge voice. I think Carreras' Calaf is very acceptable, but I prefer him in lyric roles. His L'elixir d'amore for example, is one of my favourite.
@esterbruno86043 жыл бұрын
Bravissima!!! 💖 La voce è molto buona e lei è molto espressiva! In sé la performance è bellissima! ❤❤❤
@mingsun97246 жыл бұрын
i just come back from met's turandot, and the seporano is so bad! I cannot feel it!. EvaMarton's version is the all time favorite of mine. Huge gap!
@ClaudiaLopez-vt5jz10 ай бұрын
Mientras más escucho esto más vuelvo a escuchar a la insuperable y magnífica Nilsson ... Marton no llega ni nunca llegó a las notas , sin embargo du voz es muy linda...
@toscadonna3 ай бұрын
The acoustic box isn’t consistently under her voice, so the support she needs to sing high and on perfect pitch isn’t there.😢 If you watch Dimitrova or Nilsson, you’ll see them keep their sternums up and their chests full of air like a tank to support their huge voices. Marton, and many others collapse the acoustic box and try to muscle their way through the piece using their necks and throats. This eventually leads to vocal problems.
@mAnutrApala Жыл бұрын
Qué mostrua! Qué animala! ❤️
@nataliiapyzhianova18504 жыл бұрын
Fantastic!!!
@002402510124 жыл бұрын
3:19 Domingo holding his "shit" together getting ready for the hurricane that is coming to sweep him away.. Hhhh poor him...
@loiseaunoir10213 жыл бұрын
Ha ha ha ha!!! I attended Turandot the year after, with Dimitrova. The poor tenor couldn't hold... but, what a night that was!
@fishwigy3 ай бұрын
5:21 🐓
@hummarstraful7 ай бұрын
1987 at The Met. It is a available on Met On Demand. They have at least four other versions but this is the one to watch! The orchestra performance alone is stunning. But everything came together in this production and it is so intense and wonderful.
@SolarShine7 ай бұрын
I’ve done the same! You can do this with any opera on the app, the older versions are always vastly superior in every aspect - except picture quality.
@scottjohnson98735 жыл бұрын
Well, so much fortissimo required in In questa Reggia. I think that this rendition is one of the best on today's recording market. Eva Marton is excellent as well as Domingo.
@amaliadallavia52192 жыл бұрын
Regio Fabulosa la cantante
@MySensualWorld3 жыл бұрын
One of the top ten greatest Turandots.
@williammcenaney13313 жыл бұрын
I agree with you. Miss Maron spent most of her career singing this role.
@lirahbaril58072 жыл бұрын
@@williammcenaney1331 and sadly you know that voice is gone!
@williammcenaney13312 жыл бұрын
@@lirahbaril5807 Although I wasn't privileged enough to meet Eva Marton, let alone get to know her, I still miss her. But what happened to Anna Netrebco''s voice and maybe to her health pains me even more. So I pray I'm only imagining problems where there aren't any. I must be careful when I watch an opera, especially Madama Butterfly because I nearly forget that someone is portraying Cio-Cio San. Sometimes I even feel enough empathy for the character that I wish I could throw my arms are her and say, "Please, dear Butterfly, don't marry him. He's no good for you." But, of course, I know the difference between how things are and how they seem, at least when the singers bow after the performance. I felt honored to email briefly with Patricia Racette. And maybe someday, she'll know how much her fine work helped me when my mom died on November 10, 2020. For me, opera is much more than entertainment because it helps me get mentally healthier. I'm not crazy. Still, it's easy to feel empathy when someone "incarnates" Pinkerton's innocent wife. I'm sure many opera fans know Miss Racette's work. But Amarilli Nizza is new to me. kzbin.info/www/bejne/aoi6eoquo6mVqrc
@marksmith394710 ай бұрын
@@williammcenaney1331regarding Netrebko, perhaps she is suffering divine retribution for aligning herself with Putin
@williammcenaney133110 ай бұрын
@@marksmith3947 Maybe you're right. But I shouldn't judge her intentions. Since Miss Netrebko is an atheist, she's unlikely to believe that God punishes her. Years ago, I talked with a ghost hunter who thought I got cerebral palsy at birth to punish myself for something I did in another life. So I told her that since I had no idea what, if anything I did wrong, my disability seemed pointless. She din't reply to that. But she said that my yellow aura meant that I was skeptical. I mention her points because they're analogous to what Miss Netrebco could tell you about her health problems. She might say that if she's getting punished, she has no evidence for that. If God punishes me here on Earth, it's probably because he wants me to repent and learn from the sin or sins that justified the punishment. In a case like that, I'm grateful for the discipline and the lesson it taught me. Maybe somedY Miss Netrebko will suffer something that will convince her to pray something like, "God, if you're real, please help me because I can't cope with my pain on my own." Please understand. I'm not hoping she'll suffer. But I know God the Father changes me noticeably while my clinical depression is severe. Sometimes it's as though he wants to teach me how to feel empathy for Christ and others who feel pain I couldn't tolerate.
@SolarShine7 ай бұрын
I’ve seen several more recent productions on The Met app, but none of them are as good as this! The voices, the acting, stellar! I’d LOVE to go to an opera, but I know I’d be so disappointed by the inferior talents.
@hummarstraful6 ай бұрын
I have to reply to your comment. I lived in New York City for years but I now live in Knoxville Tennessee. Knoxville actually has an opera house believe it or not. I looked online and I started investigating it thinking it was probably going to suck. But it turns out that the singers that they hire to perform their operas are world class and have performed all over the world and big city opera houses. So have some optimism. You can see operas in any city and there will be great talents. So take a chance and go see a show!
@thricegreatart9 жыл бұрын
To all the haters... who the heck did you expect the Met to hire to sing this in 1988? Nilsson and Corelli were long gone by this time. Stop letting the perfect be the enemy of the very good.
@AstriaICOW8 жыл бұрын
+thricegreatart I actually thought Eva Marton sang it way better than Ghena Dimitrova. Marton had a nice tone to her voice, her vibratos were also for the most part kept short. Her techniques for the middle-throat resonance was also very good. I do agree that Nilsson is better. As for Domingo, he was way better at the La Scala. Here he's already past his prime for this high of a range (near 50s) which he did not have naturally. I listened to both his 1981 recording and La Scala, both were way better. But he's still one of the tops for the mid-range singing. People just like to judge a tenor on whether he can sing a couple of high notes, which is frankly, stupid.
@AstriaICOW8 жыл бұрын
***** right, which is why I said that his mid-range notes (vast majority of the singing) is great. But once again, he had better performances than this one in terms of singing. All opera singers have their ups and downs of course. I pretty much like Domingo whatever he does. He understands what beautiful singing is. People just don't see that because they always want to be thrilled by high notes. I understand that too, but honestly, after a few times, always pay attention to high notes gets old really quick.
@AstriaICOW8 жыл бұрын
***** I absolutely agree. I don't understand how people would overlook Domingo's beautiful phrasings-long and velvety smooth, language and bel canto transition techniques and dwell on his couple struggling high notes. But whatever each to his/her own.
@AstriaICOW8 жыл бұрын
***** so he's a workaholic and people hate him. Okay whatevs, I think for the most part he handled it pretty well. Nowadays I've heard people say that he got a bit irritating and even arrogant. For example somebody said that there was once he went to one of Domingo's live opera and Domingo came out, because of the make-up nobody recognized him and he seemed to be waiting for applause or something and then the opera house had to emphasize that he got a cold so people would applause. That person said that after that he would never see him live again. I can detect a little bit of that from his interviews. If you look at his interviews when he was young versus old. Almost totally different person. He was such a vibrant, positive person, full of life and enthusiasm. Now, he looks kind of grumpy most of the time, irritated and tired. It actually made me reflect on life a little. I think it's inevitable that we are all going to change for the worse from some respects as we get older. Especially somebody so successful as Domingo and by nature our ego does get to us in the end. My advisor is somebody who's really famous in his field and he has a little bit of that too, even though, really one of the nicest guy you could meet.
@marr69207 жыл бұрын
+Sardus Orpheus I so much agree with you! 5:22 is a crack for Domingo listen to the voice crack! IT"S TERRIBLE!
@JuancitoCanarias4 ай бұрын
I have been lucky enough to see this production many times at the Met. Unfortunately not with Eva Marton, the best Turandot from her time... till nowadays.
@claurodriguez28975 жыл бұрын
La Mejor Turandot y el mejor Calaf por mucho tiempo!!!
@RamonAlfonsoOMAR4 жыл бұрын
Eva Marton si, Domingo...uhmm
@esterbruno86043 жыл бұрын
Mmmmh... Domingo è bravo qui, ma non è certamente paragonabile a Corelli o a Del Monaco.
@esterbruno86043 жыл бұрын
Invece Eva Marton è bravissima.
@jjlungdoc7472 Жыл бұрын
@@esterbruno8604 o Pavarotti!!
@robertcarter65217 жыл бұрын
Ms Martin is undoubtedly, if not, the best ever Turandot to grace our stages in the last fifty years.
@Ihdc16 жыл бұрын
Besides Nilsson.
@balgeza78456 жыл бұрын
Ms Marton
@adriand68834 жыл бұрын
The last good Turandot after Nilsson. Once Marton was done, there were no more good Turandots, at least that I know of.
@Pachinanonim Жыл бұрын
El ultimo Turandot después de Nilsson fue Dimitrova
@michelgaubert88872 жыл бұрын
Inoubliable Eva marton
@DanielZavagna Жыл бұрын
I started to like opera seeing this performance. It doesn't matter who is the tenor, he is always "covered" by Marton in "Gli enigmi sono tre".
@gratiala88572 жыл бұрын
이 어려운 곡을 정말 잘 부르네요~♥️♥️♥️🤩🤩🤩
@getore10028 күн бұрын
She was incredible. Plácido to me had a more commanding ability over the high C in his earlier years. When he gets up that high, he jumps off pretty quickly. Beautiful voice none the less.
@noeldunsky9 ай бұрын
BEYOND EPIC...
@dougbarker30197 жыл бұрын
I love the set. You can raffle the rest.
@crazyorganist16097 жыл бұрын
I love Eva marton in Lizst Legend of the holy Elizabeth she's stunning in that too
@balgeza78456 жыл бұрын
Eva Marton in Liszt...
@elainenagano98293 жыл бұрын
Oh my God the power and soul of the Dramatic Soprano. God given human refined! Oh the Ecstasy she must feel and she produced! Heaven on Earth brought to us by Puccini!
@elainenagano98293 жыл бұрын
A miracle on earth!
@giorgioduse72035 жыл бұрын
GRANDIOSA....SPLENDIDA VOCE..
@WotanKlingsor2 жыл бұрын
Domingo's high C is very funny here
@edoardofedrighi21027 жыл бұрын
i did Turandot this summer at Arena di Verona as a figurant and i can tell the structures and ornaments are all the same, who knows maybe i was holding the same objects as the ones i see here
@tklogan1118096 жыл бұрын
No you were not. This production props and costumes never left the Metropolitan Opera.
@vincenzoanzoletti12966 жыл бұрын
This production was also done at la Scala, 1983, so it was not only represented at the Met.
@hornkix5 жыл бұрын
A M A Z I N G !!!!!
@metallicbond63258 ай бұрын
普契尼《杜蘭朵公主》 戲劇女高音Turandot (杜蘭朵公主): “In questa Reggia” (在宮廷內)
@MrBonigrof12 жыл бұрын
The best!!!!!!!!!!!
@kaloyanbotev31525 жыл бұрын
The best are Dimitrova/ Martinucci and Callas/del Monaco in my opinion.
@y.s3203 жыл бұрын
Bravi!!!!!great!! I really wonted to see
@SingerGeneLeonard8 жыл бұрын
This role is not a piece of cake you know! As Nilsson said it sits around big C so that is pretty demanding!
@johnnie5438 жыл бұрын
I personally feel the only reason for Marton's less-than-spectacular performance is because of the banners with the three riddles she had strapped to her back. Otherwise she acts the part with her signature dramatic impact, especially during her tearfully delivered Act 3 aria
@tfleiter4 жыл бұрын
What are you talking about? if this is not giving you chills...what could? It is already amazing as a recording...just imagine how incredible it must have been in the theater!
@adriand68834 жыл бұрын
@@tfleiter Although she is no match for Nilsson, I think Marton is probably the only good Turandot we got once Nilsson retired.
@jackhamm17454 ай бұрын
Now this was a Turandot!
@Bulacio_Elias6 жыл бұрын
5:20 Domingo fail the high c
@SymphonyBrahms5 жыл бұрын
And you fail the high road.
@1rogel5 жыл бұрын
Always (:V) (:V) (:V)
@Jeff40144 жыл бұрын
To n Make it worst: Its a high B not a high c
@Bulacio_Elias4 жыл бұрын
@@Jeff4014 hahahaha, it's a C, a failed C, but the duet it's in key
@melisandedebussy4 жыл бұрын
Hahaha yeah
@lucianoserra5902 жыл бұрын
Te das cuenta del tamaño de la voz de Marton cuando Plácido canta y apenas se puede oír...
@cosimoepicoco70226 жыл бұрын
Cantanti strabravissimi,ma le scene e la regia del maestro Zeffirelli sono eccezzionali.
@katalinzsubrits8722 Жыл бұрын
Gorgeous!
@peteradaniel3 жыл бұрын
4:25 you can hear the damage she’s doing to her voice. She splits and doesn’t recover. In fact the Trovatore she sang after this was in audible her wobble had become so severe.
@WotanKlingsor2 жыл бұрын
Marton isn't my favourite Turandot but that simply can happen to the voice once in a while on a bad day. Domingo's crack on the high C here is much worse
@lailakhaleeli65202 жыл бұрын
What can you expect when one pushes, pushes,pushes...One can have a large voice and still sing drammatic roles in the italian belcanto style. In this way the voice will last until the end. Healthy and pleasant, not like the garbage of today.
@isabelhuszka Жыл бұрын
A MET színpadát is megjárt világhírű magyar szoprán örök büszkeségünk.
@SingerGeneLeonard3 жыл бұрын
Anna Netrebko is singing this!! She is not anything like Martin or Nilsson which this role calls for.
@operaloversabater36903 жыл бұрын
I recall this production…Marton, as usual, delivered. Domingo, throughout this performance, had his issues. I actually prefer the 1983 performance with Marton, Carreras and Ricciarelli. I do thank you for posting. :-)
@grouchomarx56097 жыл бұрын
Domingo is a nice Calaf, but if only he is not trying to reach high C...
@tcewmg34303 жыл бұрын
NEVER HAD A TOP!!!
@andysbg775 жыл бұрын
Great Perforemance, BUT the Calaf is pretty late for Domingo!!! R.I.P. Franco Zeffirelli!!!
@danbarthy38198 жыл бұрын
Awesome!!!! 👏👌🔝
@alfredalfred35713 жыл бұрын
listen birgitt nielson and corelli !!!!!
@BellaFirenzeАй бұрын
"...e qvell grido e qvella morte..."
@romearomeo6 жыл бұрын
Fantastica! Accanto a lei ci vorrebbe però un Franco Corelli....
@mariosnizamis74754 жыл бұрын
Seems that the older generation of sopranos knew how to command a role like Turandot.Recently Nina Stemme and Christine Goerke, no matter how stellar they are in the german repertoire, seem so weak and disappointing is this role.
@tfleiter4 жыл бұрын
….but the Met production remains one of the most incredible theater productions ever...and the fantastic choir and orchestra performance alone is worth seeing it at the Met this season. The vocal force coming of that huge stage is just unbelievable and I think you have to see it at least once live....if you are a real opera fan!
@hada95683 жыл бұрын
Brava, Eva.
@bunsandbutter6003 жыл бұрын
Thumb up for background decoration and costume
@gifborg99613 жыл бұрын
Bello
@davidcallahan28326 жыл бұрын
This scene illustrates a common problem in the realization of much grand opera. The orchestra is too loud. The singers are straining to be heard. The whole thing wobbles and threatens to explode. Everything needs to be dialed back a degree or two. The director must recalibrate so that when the full-throttle moment arrives it has full effect. Relentless emphasis de-prioritizes what is important for the senses to grasp. There is so much magic in Puccini's notes that is better served by subtlety and restraint than by sustained histrionics.
@adriand68834 жыл бұрын
No. The singers simply need to be capable to sing over the orchestra. Nilsson did. Turandot is a difficult role, and only the best should attempt it. Compromising the orchestra is a bad idea which results in an overall compromised dramatic effect. Of course, I don't think Marton is bad here though.
@davidcallahan28324 жыл бұрын
@@adriand6883. Calibration is not compromise. It is just regulation of the forces employed. After two years I listened to this again. Things hold together well enough until 5:20 or so, but in the final unison statement I'm afraid it's still a shouting match in which tenor and soprano are struggling to refill their lungs so desperately they cannot manage the same tempo. Should volume be paramount here, or should the orchestra be slightly scaled back, as I suggested, so as not to compromise the overall effect of the music that has you worried? I took a look at the score. It calls for ff through this passage. That is less than fff, which is as loud as the composer wants the orchestra to be at any point in this aria. Puccini understood he had to leave a little more room for the voices at the climax.
@adriand68834 жыл бұрын
@@davidcallahan2832 Well, whether they are playing fff or ff I don't know.
@yohangouraantoni39032 жыл бұрын
A mi me parece perfecto, Puccini en esta etapa es un colosal orquestador, eso debe reventar porque asi es el estilo, tipo wagner, strauss, o Mahler. imaginate que estas escuchando la sinfonia de los mil de Mahler
@michaelmiller12156 жыл бұрын
Unfortunately, this opera needs to be put on hiatus until a Soprano and Tenor can be found who can handle the tessitures and vocal athleticism required. Jonas Kaufman comes closest to having the vocal power, but he can have intonation/pitch issues. And I don’t know of any Soprano who even cones NEAR what this role demands. Marton does a nice job, Domingo adequate at best. Gwyneth Jones in her prime could tackle this role, but the only remaining Tenor than I can recall would have been Nicolai Gedda. Nilsson and Corelli were the standard set, and no pairing ever came close.
@x168815 жыл бұрын
Agree but even Marton is a complete failure.
@adriand68834 жыл бұрын
@@x16881 I wouldn't say a complete failure. Sure she doesn't match up to Nilsson, but I would love if there were singers as good as Marton today. Marton's problem is that, although she can actually hit the notes, it sounds too effortful. Considering how hard Turandot is, I'd have some patience if it could be sung today as well as she sang here.
@jimcadena85332 жыл бұрын
Love all the critics here.
@YiShiuanTzeng5 жыл бұрын
Eva Marton is certified one of Nilsson's club member.
@erikfonseca20255 жыл бұрын
Superb
@robertcarter65217 жыл бұрын
Apologies to Ms Marton for the dreadful incorrect spelling of her surname. Damn predictive text!
@jogabdo587111 ай бұрын
El demonio y las mas bajas pasiones a veces se esconden en seres hermosos y dotados de talento, o hasta en una viejecita que todos ven como fragil y vulnerable, pero en realidad hace muchísimo daño y destruye familias enteras....que horror Dios mio.
@WotanKlingsor2 жыл бұрын
Also Marton's voice doesn't have a solid bottom which I find really important
@draganvidic2039 Жыл бұрын
Nobody cares anymore… Marton is loud but mediocre.
@mikaelb77358 ай бұрын
So rightly said!@@draganvidic2039
@grantes49699 ай бұрын
So many people with hearing impairment making ridiculous statements!
@draganvidic2039 Жыл бұрын
She only sounded good before she got famous… During the 70’ that is.
@mikaelb77358 ай бұрын
Indeed!!
@mikaelb77354 жыл бұрын
I was there. Fantastic production!!!! Domingo was good and Marton horrible wobbling from start to end :(((
@2012nut Жыл бұрын
Nice high C crack from PD
@marr69207 жыл бұрын
Right at 5:22 TERRIBLE DOMINGO CRACKS HIS VOICE!
@michaelmiller12156 жыл бұрын
Mar R I never liked Domingo. He always reminded me of a Baritone trying to sing as a Tenor.
@davidmuller99386 жыл бұрын
Michael Miller He said himself he's naturally a baritenor.
@operalover39665 жыл бұрын
Dávid Müller no he is not a baritone he is a tenor with terrible technique
@luceafarul5794 жыл бұрын
Opera Lover lol, he started as a baritone, his bottoms are stronger than any natural tenor.
@operalover39664 жыл бұрын
Luceafarul no he is not a baritone. He is a lyric tenor with no good lows no good highs and no good middle. If you think those are good lows go listen to renato zanelli. That is an actual dramatic tenor with actual good lows
@fernandopinheirobb2 жыл бұрын
PRINCESA LOU-LING In questa reggia, da ópera Turandot, o grito Desesperador soou, de longe, e veio passar Por gerações e ancorou na mulher, em atrito, A princesa, que rei dos tártaros veio devassar. Engramas passados são forças e recrudescem Em situações que delineiam algo a se beneficiar, A pessoa carrega os pensamentos que crescem Na dificuldade que a faz sucumbir ou se elevar. As amarras do passado retendo-a em remessa À reflexão meditativa que lhe dê luz no andar. Somente o nosso ser profundo pode ter essa Visão da realidade, o que temos são indícios Que podem nos conduzir à decisão para amar Que nos dê o horizonte límpido, sem os vícios. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - PRINCESA LOU-LING (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
@jogabdo587111 ай бұрын
Que pena que bajo un fisico hermoso y una voz bella, en Placido Domingo se escondan tan bajas pasiones de extorsionar, amenazar y violar a mujeres indefensas y pobres....y frustarles sus carreras como hizo con Gilda Cruz Romo y ha hecho con tantas...abominable e inadmisible.
@JotaG128 жыл бұрын
She better work that garment!!!!
@TheFrankozzi3 жыл бұрын
The Best ..to me TheBest with no doubt..Marton here Is unbeatable.
@Soleil774mundogaturro6 жыл бұрын
emociona
@mistersmith18833 жыл бұрын
IN QUESTA REGGIA TURANDOT Maria Callas In questa reggia, or son mill'anni e mille, un grido disperato risonò. E quel grido, traverso stirpe e stirpe qui nell'anima mia si rifugiò! Principessa Lou-Ling, ava dolce e serena che regnavi nel tuo cupo silenzio in gioia pura, e sfidasti inflessibile e sicura l'aspro dominio, oggi rivivi in me! Turandot Pure nel tempo che ciascun ricorda, fu sgomento e terrore e rombo d'armi. Il regno vinto! E Lou-Ling, la mia ava, trascinata da un uomo come te, come te straniero, là nella notte atroce dove si spense la sua fresca voce! La folla Da secoli ella dorme nella sua tomba enorme. Turandot O Principi, che a lunghe carovane d'ogni parte del mondo qui venite a gettar la vostra sorte, io vendico su voi, su voi quella purezza, quel grido e quella morte! Mai nessun m'avrà! L'orror di che l'uccise vivo nel cuor mi sta! No, no! Mai nessun m'avrà! Ah, rinasce in me l'orgoglio di tanta purità! Straniero! Non tentar la fortuna! Gli enigmi sono tre, la morte è una! Calaf No, no! Gli enigmi sono tre, una è la vita! La folla Al Principe straniero offri la prova ardita, o Turandot! Turandot! In this palace, a thousand and a thousand years ago, a desperate cry rang out. And that cry, across lineage and lineage here in my soul he took refuge! Princess Lou-Ling, sweet and serene ava that reigned in your gloomy silence in pure joy, and you challenged unyielding and sure the bitter dominion, today revive in me! . Turandot Even in the time that each remembers, it was dismay and terror and the roar of arms. The kingdom won! And Lou-Ling, my ava, dragged by a man like you, like you stranger, there in the atrocious night where his cool voice died! The crowd For centuries she has slept in her huge tomb. Turandot O Principi, who in long caravans from every part of the world you come here to cast your lot, I avenge on you, on you that purity, that cry and that death! Nobody will ever have me! The horror of which killed him alive is in my heart! No, no! Nobody will ever have me! Ah, the pride of so much purity is reborn in me! Foreign! Don't try your luck! The puzzles are three, death is one! Calaf No, no! There are three puzzles, one is life! The crowd To the foreign prince you offer the bold test, o Turandot! Turandot!
@marksmith394710 ай бұрын
Good thing she drowned out the cracking high notes of that pipsqueak next to her. Beautiful singing
@SymphonyBrahms5 жыл бұрын
Marvelous.
@bartolomeburgos78847 жыл бұрын
q buen gallo de plácido
@JK-xz6mj8 жыл бұрын
How can anyone like this.
@artemsmirnov70677 жыл бұрын
and what's wrong? Except for Domingo's singing? Marton was still good at the moment...
@JK-xz6mj7 жыл бұрын
Turandot is icy, not screamy, and Calaf must have swagger.
@grantes49696 жыл бұрын
She IS NOT screaming... she has a perfectly-placed huge voice!
@x168815 жыл бұрын
@@artemsmirnov7067 Listen to Nilsson, Inge Borkh and Lucilla Udovich and then tell us if Marton should not retire
@jassenjj5 жыл бұрын
@@x16881 Well, Borkh and Udovich are not better, their vocal technique is quite poor actually in the available recordings. Borkh though has a unique and very authentic artistic presence, it sounds more "true" than others.
@Antonio-qm3bi3 жыл бұрын
I prefer Caballe-Pavarotti
@DtheGlamorous3 жыл бұрын
Has Caballe ever sung Turandot? She sang Liu, not Turandot, as far as I remember.
@Antonio-qm3bi3 жыл бұрын
@@DtheGlamorous Sure, many times... For me the best performances are "In questa Reggia" (SFO) with Pavarotti, and Turandot in Paris with Giacomini (sorry for my english)
@WotanKlingsor2 жыл бұрын
@@DtheGlamorous yes, she sang turandot!!
@DtheGlamorous3 жыл бұрын
Best Turandot ever: Eva Marton
@draganvidic2039 Жыл бұрын
😂😂😂😂😂😂😂
@hildegerdhaugen78645 жыл бұрын
Eva Marton sounds like Renata Tebaldi on speed.
@raphaelaelin62995 жыл бұрын
Hahahahahahahahahahahahahahaha 😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂 I have Pictures in my Head :D