Best Doubletop Guitar? 🤯 | Weekly Guitar Meeting #64 - Brück, Marty, Naso, Rzepka, Weissgerber

The Weekly Guitar Meeting is THE video you need to watch every week to keep updated with the newest, finest, and most exciting classical guitars coming to the international market. Here at Siccas Guitars, we have carried the finest classical guitars for more than a decade, and our Germany-based shop unveils new masterpieces for sale every week. To help you discover these fantastic concert guitars, professional guitarist and Siccas Guitars team member @Jouyan.T exciting insights, talk about the background of the instruments, and most importantly, present their sound. 😊
00:00 Simon Marty - 2023
🎸 Guitar: www.siccasguitars.com/shop/gu...
05:50 Toby Rzepka - 2023 No. 93
🎸 Guitar: www.siccasguitars.com/shop/gu...
11:09 Michel Brück - 2023 Doubletop
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16:21 Eugenio Naso - 2023 Concert
🎸 Guitar: www.siccasguitars.com/shop/gu...
20:36 Richard Jacob Weissgerber - 1938/54 33.9/1 Spanisches konzertmodell
🎸 Guitar: www.siccasguitars.com/shop/gu...
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Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany
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Lighted by Nyta: www.nyta.eu/en/

[@10sassafras]

I believe Simon Marty’s guitars are radially braced but it would be a mistake to call them lattice braced. Beautifully balanced guitars with great projection from an innovative luthier.

[@etsuromori5920]

How nice the songs Tony has selected, in particular, Terantella Napolitana and all the others.

[@markjordan4647]

Jouyan You almost always say that the guitar in your hands has a very fast response. Sometime could you demonstrate one which doesn't, so we can get some idea what you mean.

[@bka24141]

Well, those guys earn their living by saying such positive things about the guitars… it is impossible for him to do the opposite…

[@roquearias7718]

The Tony Rzepka was my favorite! The Marty is also great!

[@renrewmurgh]

I´m fond of spectaluar Wood back and side braz, rainforest wood , madagascar wood, and more wooh I´´m ecitet for those solid pieces If I could afford m,ore of them my living room would be full of them.

[@angelsperanza6079]

Very good 👍!!!

[@user-il3sf7mw7f]

I can hold my brick with two fingers from the top of the headstock. So light

[@user-hx4ey9hc7i]

I especially liked the Weisgerber, but the Rzepka and the Bruck blew me away. Thanks for showcasing these guitars.

[@Michajeru]

I am not overly fond of doubletop guitars, however this guitar by Michel Bruck sounded wonderful to me. I also rather fancied the Simon Marty especially the mellow resonance and sound-colour variation.

[@user-il3sf7mw7f]

I agree. I own a Brück, and it’s everything

[@soundknight]

The Marty does sound dark but Karin Schaupp has a bright finger sound and it works well as a combination.

[@paullewis5045]

Marty is gorgeous with some really interesting color in the tone as played. Bruck had just about everything. Brazilian rosewood looked beautiful and dense. The cedar top sounded very, very nice with the lattice bracing. For me on the day; nearly a toss-up.

[@user-il3sf7mw7f]

NASO WAS ANEAD OF HIS TIME FOR A 1938 sound… wow… of course, the Brück is my pick and Simon, my three picks

[@CyannOlsimar]

Very interesting review. But can you give a bit more about every guitar : - when a lattice bracing : is this a latice with carbon or not, the orientation of the lattice (angled, or parallel to the grain of the table top, ...) - when a fan bracing : is it a symmetrical (as Torres) or not ? - eventually, if another system, just describing its general shape ... That could help to associate a sounding with a class of guitar

[@guynoir4733]

Was the Weissgerber bridge converted to a twelve hole bridge or as I am unaware were their twelve hole bridges in 1938 .

[@niceguitar6144]

Right? It’s so new for a 1938 guitar, I mean preserved. Lol replaced top brother.

[@user-il3sf7mw7f]

Weissgerber

[@kamarienedwards1757]

What piece is being played @2:34???

[@soundknight]

My guitar teacher said the best guitar he ever heard live in the back of a room wasn't anything Segovia or Williams or Russell played. It was A Simon Marty. He said it projected the most true version of a 'lap sound' to the audience in the back of a room where as other guitars like Smallman, ramirez etc. project well but the timbre doesn't stay in tact. This is all great but personally I don't like the Marty Lap Sound, it's good just not my preference, I prefer Fleta sound.

[@niceguitar6144]

HAHAHAHAHAHA oh, brother!

[@hunsbrown8288]

I build classical guitars as a hobby and occasionally sell some. Mine are firewood compared to this Marty 😂

[@paullewis5045]

Yes, the superbly talented builders and instruments they showcase are awesome every week. It is humbling when you consider what it takes to build to the standards that show up here.

[@user-il3sf7mw7f]

Even the Marty sounds traditional with lots of volume. The BRUCK IS THE LOUDEST

[@piptar1996]

The double top has a sophisticated VOICE superior to the rest

[@niceguitar6144]

OMG! Where do i begin? It stood out a bit that Jouyan gave no intro, and straight away commenced to terrorize us with Marty’s guitar. I had to skip through that part; the sound of lattice top guitars is awful and insufferable. I listened a bit to each short piece J played and, confirmed: this lattice was not the one good exception. I had to skip even faster through Rzepka’s sound miracle. Why invent the wheel? Why not stick to what works? The sound was honestly atrocious. Bruck, meh. It was not as awful as a lattice top but double tops aren’t that much better. Something unpleasant happens to the note as soon as it is played on a double top. Naso easily and deservedly cruises to a victory and a first place this week; not that he had much of a competition:) His guitar is wonderfully traditional, it sounds like a guitar should sound. If you cannot hear the difference, how unfortunate. Naso stuck to tradition because it works, and the result is beautiful. Traditional makers look for sound beauty and lyricism with their lighter, elegant guitars. Weissgerber 1938 cedar top??? Say what? I guess so, but man! Anyway, R. J. Weissgerber was perhaps best at making Viennese guitars. His CEDAR top Spanish model, ehh. Not bad at all, and most certainly so much better than the instruments made by dudes in endless pursuit of volume and eccentricity instead of true tonal beauty. Still… 1938 cedar top guitar! Get out a here. A replaced top perhaps lol! That could be one reason why a 1938 guitar looks so new, excuse me, I meant to say preserved:) no one made cedar top guitars in 1938.

[@nilsschebesta8765]

I don't think that the Weissgerber is a cedar top. It appears to me like the typical Weissgeber spruce color. I held numerous Weissgerber guitars in my hands and they all had spruce tops stained like this. Think the top isn't necessarily replaced. Also the bridge looks kinda correct to me except the 12 holes but its not uncommon to drill six more holes in the bridge when the bridge saddle becomes too low because of a changing neck angle. Regards, Nils

[@niceguitar6144]

@@nilsschebesta8765 I wouldn’t argue with a guitar maker

[@niceguitar6144]

@@nilsschebesta8765 everyone knows that Schebesta is the besta:)

[@craigalake]

Marty does NOT make lattice braced guitars. They are radial braced (I can show you photos of the underside of my soundboard) and they do not sound like lattice braced guitars. They are capable of a wide palate of colours (as Jouyan beautifully demonstrated) but they still have the sustain and power of a lattice braced guitar. You may not like the sound (which is completely fair) but it is not because it’s a lattice top. In my experience, Martys are much closer to a traditional sound than lattice braced guitars.