Blackmagic Pocket Cinema Camera 4k "The Colour of Light" - Behind the Scenes

This short Documentary is all about the process of creating the short film "The Colour of Light"
It was shot and edited by Johnny Wayan Sullivan!
Additional behind the scenes footage from my other good mate, Darian Bradara!
Johnny Wayan Sullivan Social Media
Insta: Johnny_wayan
Darian Bradara Social Media
Instagram: dlifetime
I was one of the fortunate few to be given access ahead of its official release, and with a short timeframe to pull it off, I wanted to put this camera through its paces, to see how it would perform.
So I gathered together a few of my friends who all work within different creative industries around Perth and captured them doing what they are most passionate about. From dancing late at night in the city, an early morning photography scene in Beelu National Park, to filming in the direct harsh Australian sun, the Pocket Cinema Camera 4K excelled in every situation I threw at it.
'The Colour of Light' - The short film has been uploaded to Blackmagic Official youtube page. Check it out at the link below.
"The Colour of Light"
• Blackmagic Pocket Cine...
Gear Used in the Behind the scenes film:
-URSAMini Pro
-GH5
-Rode Mic
-Olympus lenses
-Panasonic Lenses
Gear Used in the film:
- Blackmagic Design Pocket Cinema Camera 4K
- Olympus MFT Lens 12-40mm f/2.8
- Angelbird Media C-fast 256GB
- Metabones speed booster Ultra 0.71
- Sigma ART Lens 18-35mm f/1.8
- DJI Ronin S
Social:
Instagram - garthdbaustin
Facebook - garthdbaustin
Contact:
Email - [e-mail]
#BMPCC4K #PocketCinemaCamera4K #BlackmagicDesign

[@ndavies8]

Now that's a review. Real world experiences from a working professional. Thank you sir.

[@biawa849]

Watched it again and again, really awesome, man! It’s one of my favorite short films. And I like your voice over very much. Cheers!

[@bmpcc4ktech852]

Great BTS 👍🏽

[@dilfill]

Fantastic video! Really well done. I am so impressed with the low-light functionality. I ordered mine on B & H photo and still waiting for it with no idea when it will come LOL

[@tm4tare]

You do exist haha!!The best review video I have seen on the capabilities of the BMPCC4K!You get out and shoot and show what the camera can really do in a variety of situations!Most other reviewers just sit in a studio give us tech spec rundowns and what they like and dislike about the camera without ever going out shooting with it!!!You are so far above that!Great job!!

[@GarthDeBrunoAustin]

Thank you soo much! really appreciate the comment :)

[@videodrone4287]

Hi Garth - Love both this one and the final result. I just ordered the bmpcc 4k now. One question though - why would you use both 12-40mm and 18-35? Did you shoot some of it on AF or? Anywhooo great job man, I love it

[@brianmengini]

brilliant! what is the shoulder rig you are using?

[@JomToons]

Thank you for making this! Both this and the film were fucking fantastic! Cheers

[@TheNicevideoclips]

At 3:29 how did you manage to get the shot without the cameras being reflected on the car’s side body? It’s that topic which almost no one covers on youtube. How to avoid camera reflection in any naturally reflective surfaces within the scene such as vehicle’s glossy body, glass or window etc.

[@yellowhorse1]

really impressive stuff here :)

[@DUST35]

nice bts / review!

[@adrianmack9542]

Nice visuals did you add and sharpen and noise reduction in post??????

[@proteus1]

Will the camera take Nikon lens?

[@avalanwa]

I'm confused... the camera doesn't auto-focus. How did you move around so much with the gimbal and not continually rack focus while your subjects danced around in the dark!???

[@seanboyd5032]

Shoot at a higher T or F stop to keep maximum depth of field

[@khalildaterra9228]

@@seanboyd5032 Also the ronion S has surrport for a follow focus system.

[@JoshSher_]

Khalil Daterra but the Ronin doesn’t support pulling focus with the included focuswheel yet, for the BMPCC4k, right?

[@moochercat]

Two ways I would do this. The lens has a focus depth and even if it's pretty shallow, as some of the closeups will be, you can just keep it in focus by slightly adjusting your shot distance, while checking your reference monitor (it's a feel a good camera operator develops through experience). Also, using a wide angle lens will assure a wider depth of field, and in some cases if you're wide enough, your whole image will be in focus from near to background. Shooting on the dark city streets, like they show here, I wouldn't expect to be able to shoot at a high enough F-stop to make a big difference in your depth of field. I know this camera is said to have good low light capabilities, but you're gonna sacrifice resolution by using an extremely high ISO. Probably better to shoot wide open and with the lowest possible ISO. This is also why you do multiple takes, so you can edit in the good ones in post.

[@jas_bataille]

In fact, the answer is very simple, much simple that some of the comments imply. Any good steady-cam operator know that they have to follow their subject maintaining the same distance between the lens and your subject as you follow them. And... that's it. You set the focus on your subject at a certain distance and keep that distance when moving around. Also shooting at a high F or T stop in the dark would be kinda ridiculous. Most steady cam tracking shots are made this way, the operator just stay at the same distance from the subject at all time. Here he just turn around them and follow them but no matter what he stays at the same distance. So they're always in focus. That's the answer.

[@mattnev8625]

Didn’t think the bmpcc did continuous auto focus?

[@marklarson3934]

How the hell do you maintain constant focus while moving with the BMPCC ? I see: scene one moving out of focus "cut/edit" scene two moving out of focus "cut/edit" etc.

[@GarthDeBrunoAustin]

Bob Steenson have a watch of this: kzbin.info/www/bejne/mZbMoYmCn5aVnbc ;) this is pocket 4K on a gimbal while moving and keeping subject in focus

[@dallasbagley]

Pardon my ignorance, but does this camera require a special rig, or would any dslr type rig be fine with it? Also, same question regarding the gimbal. Thanks!

[@GarthDeBrunoAustin]

Pretty much any rig that would fit a DSLR will work with this. It's a very similar size to most DLSR's and has a screw mount underneath. I would however recommend getting a camera cage, this will give you more options for mounting Mic's, monitors and other accessories. This camera fits on the Ronin S, and other 3 axis gimbals. You do need a small adjustable plate to move it further to the left as the screw mount is not centred on the camera. Hope that helps

[@dallasbagley]

Copy that, thanks man!

[@assliek]

At 2.24, how did you hold the camera so stable? I mean does the camera/lens creates stabilizer? And what Rig u used for this camera! It looks awesome!

[@brazhnikov]

Poor colors, it's not like a film.

[@markterrin8673]

I think this guy could film the same quality with iphone 4, he is too professional

[@johnwayansullivan5436]

Hey guys, it's Johnny here, I shot and edited this BTS video and helped Garth on the shoot. Parts of this BTS has been shot on the Ursa mini as well as a GH5, a camera that I have been using for quite some time and I must admit i'm loving the colours and Images coming out of the BMPCC4K, they feel different than the GH5, more cinematic I feel like. We basically used all of the set ups that I used for the GH5 and migrated it to the pocket cam. The pocket cam certainly performs much better in low light also and i'm certainly thinking of getting one also down the line.

[@veganchasers2213]

Hey, I have the sigma 18-35 1.8, how does it feel on the ronin s? I see you guys used a few different lenses. Could you have shot everthing you did in the video with just the sigma 18-35 1.8 and have the same final results? I'm on a right budget. I just need to order an adapter for the sigma, looking at the viktrox. I have the ronin s, small rig cage, ssd t5 now looking into a shoulder rig

[@gre-vo]

Great work on the BTS!

[@johnwayansullivan5436]

@@veganchasers2213 Yes it balances well on the Ronin S, we used different lenses because we had them and wanted to tested them out based on the scene. Garth and I we mostly shoot on the Sigma 18-35mm, personally its my favourite lens at the moment for these systems because of what you can achieve.

[@markr041]

Johnny Wayan More cinematic! Give me a break. What does that mean? Certainly sounds good, but a cliche with no objective meaning.

[@FilmGradeIII]

I also like the GH5 but I love the color of this BMPCC4k. More cinematic! And it has DaVinci resolve lol

[@hhanonymous]

10:45 Noticed for your shoulder rig, you've adapted a V-mount battery. Did you just utilize usb-c to usb-port on the v-mount battery for backup power or did you connect to the 12V DC power in, with V-Mount plate? Anyway magical footage you've shot.

[@Lukeredacted]

I noticed that too - but that V-Mount he's using has a Sony dummy-battery hanging off of it and no other cable going into the BMPCC4K - so I think he was actually just using the battery as a weight to make the shoulder rig more stable for that setup. It's something commonly done when you've got a little camera like that on a shoulder rig but may not have exactly the right cable to just power the camera with it.

[@RudyAyoub]

insanely good information here m8

[@veganchasers2213]

Can you link your shoulder rig setup? Also which lens did you use mostly? Sigma? I have the sigma 18-35 1.8 and am llomimf to add another lens, since it's covers 24,35 and 50 I may add a rokinon 85mm. The olympus did look great however.

[@johnwayansullivan5436]

Most of the parts consist of Shape Rig handles, shoulder pad and Vlock baseplate adapter / holder and the rods are from small rig.

[@Lukeredacted]

Get a Canon/Sigma 70-200 2.8 if you can swing it. Must-have lens in the arsenal. So many uses. If you want a longer prime, go for something like a 100mm Macro lens so that you can get unique close-up detail and also focus to infinity to use as a normal long lens. Just my 2 cents!

[@LakesideProductions]

Great stuff. Love how informative your videos are. Delighted you teamed up with Black magic on this one. I went and picked up the Panasonic Gh5 since last time I was talking you on a previous video where I couldn't decide what camera to invest in. The Gh5 suits my needs for documentary content while travelling. Still using the BMPCC from time to time. Love the colour and grading leeway with black magic. Definitely investing in a future cam of theirs.

[@jaguaro85]

Great work Garth! Very inspiring. Mind me asking what shoulder rig setup were you using for the blackmagic. Thanks in advance.

[@nexttvc]

what was the ND filter you where using please can I have the name and link? All looks amazing thank you for this detailed review I am just waiting my will arrive in 2 days.

[@GarthDeBrunoAustin]

I use a Hoys VND, works great and I haven't had any IR colour cast. You are going to love this camera. The interviews are shot on PCC4K and URSAMini Pro so you can see how well they match!

[@nexttvc]

@@GarthDeBrunoAustin Thank you for kind reply and I love the work you have done. keep it up.

[@MuhammadRifana]

who said micro 4/3 is dead.

[@petrub27]

they were talking about photo cameras this is a dedicated video camera but , yeah, for photography micro 4/3 is kinda dead, ; panasonic came w ff cameras as well, fuji is on medium format

[@Weird_Quests]

What made you choose the Olympus/Panasonic lens rather than EF glass with a speedbooster?

[@shawnmiller8169]

This is great - thank you for making this video! I have an Ursa Mini 4.6k and was considering the Pocket 4k as a b-cam and a small, lightweight a-cam when needed. How closely does the image match the UMP4.6k in raw recording, do the colors sit side by side pretty easily, or is a fair amount of tweaking required?

[@Gablarkin]

Can you tell us what is your shoulder rig because its seems to be really well balance with the v-mount battery... Your short film is really a peace of art and I love every thing about it. The voice fits perfectly. Really well done !!!!

[@pmexplore]

Have you gotten an answer to this elsewhere?

[@Gablarkin]

@@pmexplore no

[@STUDIO7Collectibles]

pmexplore it was answered 2 months ago. Various Shape rig parts and the rods are small rig rods

[@STUDIO7Collectibles]

Gab Larkin shape rig handles, shoulder pad and v lock baseplate for battery. Small rig rods.

[@STUDIO7Collectibles]

@@Gablarkin super expensive though

[@waseeqrahil304]

That was great and very informative. I had a question; i have a Blackmagic pocket 4k, a small room. I turned it to a studio with many books around and a dark wall, a vintage table. I want to to have dark cinematic look of me while reading poems. Which lens you prefer? Does Olympus 12 40 give me a decent look or i should buy a sigma 18 35?

[@akoabo7]

Best review Best testing of this camera, the capabilities blew my mind, you’ve proven it. Thank you.

[@ejpmusicandvideo]

I love this video and the camera. Considering that I don't own a Mini, I will be happy using it as THE camera... Lol. Thanks for your very informative video!

[@NoahAsherTV]

What is the background song at the very beginning of the video

[@very9000]

Hey. Tell me, what ISO did you set at night?

[@alexanderchua]

Im going to unfollow everyone that I know and just follow and learn from people like you. Thank you for keeping us informed, educated, entertained and inspired with your skills and insights. You rock and for sure, you will continue to rock in the future.

[@GarthDeBrunoAustin]

Wow thank you soo much :) Im going to be posting a lot more content! also a new video tomorrow!

[@alexanderchua]

Garth De Bruno Austin I will definitely watch it!

[@eszesfilms1651]

Hello. I have ronin s and 12-35mm f2.8 mark II panasonic lens to. How you feel the manual focusing with fly by wire electronical focus?

[@eszesfilms1651]

because you use lumix g 12-35 not olympus on some shoot

[@clairfilms4696]

WOW!! what format did u export in?

[@LUISPELY]

Buenos videos Garth, ya tienes un admirador desde Chile!!!

[@taylorstevensonfilmmaker]

Music used in video?

[@seecraig]

Sigma 18-35 on speed booster at f/1.2 if I hear you correctly? Were you using a follow focus? How did you manage to keep someone in focus while walking with such a shallow Depth of Field?

[@GarthDeBrunoAustin]

That's correct! A lot of practice over the years! But basically what I did was to keep the subjects at a constant distance from me. This was tricky in one scene when the walking shot with the guy was done from the front so I had to walk backward without anyone guiding me, I then had to slow down and rotate around him to end up with the angle from behind as we continued to walk, he stayed in focus the whole time, will upload the shot and you can have a look.

[@JomToons]

That’s not how speedboosters work bro. Camera has a 2x crop for arguments sake (I’m aware it’s less.) Adapting a 1.8 FF lens makes it effectively 3.6 but you take into account the speedbooster reduction factor of .71 and that makes the lens a F 2.5

[@seecraig]

Not a full frame lens though. Lens is f/1.8 APS-C

[@GarthDeBrunoAustin]

Joshua Miller teleconverters slow your lens down, the speed booster makes it faster. You don’t loose any fstop, you only gain. It’s essentially a magnifying glass, it gives you more light not less.

[@bentonpix]

@@JomToons You have it reversed. It's not called a SPEED BOOSTER for nothing.

[@SimpleSandalsMedia]

Great video! I especially like the shoulder rig!

[@nedstudios6490]

Garth, I think I love you man. I just love the way in which you see all things film. Your description of light, your process. You make it all feel very intriguing. Its truly a beautiful thing. My god man that shot of Perth. Incredible

[@SomeStrangemysterious]

Hi Garth. Would you make a video showing the shoulder rig parts and build you have going on for the pocket 4K? Thanks. Great work by the way!

[@secondtimearoundproduction3718]

It's early days out there for all the BMPCC users. Your video is a great help in figuring out the best configurations while minimizing a lot of trial and error especially for gimbal work. I have 2 prosaic little questions from Canada: 1) I have the BMPCC 4k, the Metabones 0.71 and the Sigma 18-35mm 1.8. There's the smallest bit of play, a little wiggle, between the Metabones and the camera body - is that normal? 2) If I want to get a slightly wider 35mm equivalent FOV, say 16-20mm, any recommendations? I'm looking at the native MFT Olympus 7.5 to 14mm, 2.8 and possibly a prime MFT 10mm lens. I have the Sigma 14mm 1.8 (use it on my UMP/Movi Pro setup) but it feels heavy and big on the BMPCC (possibly too much stress on the mount?).

[@johnwayansullivan5436]

Hi , yes this little wiggle on the metabones is normal, I sometimes experiment with putting a hairband in between the lens and the mount to reduce the play.

[@secondtimearoundproduction3718]

Thank you. Appreciate the response. @@johnwayansullivan5436

[@john-5959]

If you want wide, you might want to consider the Laowa 7.5mm f/2 MFT you can see it combined with this camera on Kai W. youtube channel.

[@davidmultimedia2024]

Great video! Didn't know Chris Pratt can paint! :)

[@i_am_groot4511]

Hi There. Great video. Any chance to get a video of your shoulder rig u used to offset bmpc so it was in front of your face? and maybe a link or list of the parts~? Also have you tried the olympus 7-14 pro with stabilisation? Also at the end of your video for the artist painting you were using a smaller prime lens that is not listed in you kit in your decription

[@KETANORANA]

The love and passion for cinema pours from your eyes and your narration. That's what held me throughout the video. I have BMPCC 6k and I am glad I saw your video because instead of rigging the camera and transform it into a beast you chose completely different path and kept it so simple...without any cage and so-called v mount batteries etc (considering the horrible battery life of this amazing camera.) I love such small setups and how much we can actually achieve without rigging too much. Looking forward to more content :) Love from India :)

[@TreCreamProductions]

i saw the lumix 12-35 2.8 in this video not Olympus MFT Lens 12-40mm f/2.8

[@david_gaffer]

So metabones spb does work with bmpcc4K after all...Even though they said there will we a new product for this camera only.

[@MrWarwickJones]

How'd you pull focus?

[@GarthDeBrunoAustin]

To be honest, when it came to the gimbal shots I didn’t change the focus. I moved with the subject and kept the same distance the whole time. When the camera is on my shoulder I always use my follow focus “focus one” from Edelkrone.

[@GarthDeBrunoAustin]

To add, I now use the nucleus nano wireless follow focus for my gimbal work 👌

[@OmarSherien]

Dude you are amazing ❤️❤️ definitely subscribed, waiting for more.

[@fundinkuta7082]

Anyone want to buy me one and ship it to Cape Town :)

[@GeorgeStanleyStan]

Hi Garth, I’m an aspiring narrative filmmaker and in the process of finishing my final draft of a film I’ve been writing for a while. I’m currently going through the stage of learning how to use this amazing camera and grade/correct the footage. I really like the look of the colours in your short here, very natural, but also very cinematic. It seems you haven’t gone too crazy with heavy LUTS or over saturated colours here. May I ask, what sort of corrections did you do in post? Any heavy grading? And did you use a creative LUT at all? Currently I’m using filmmaker Matteo Bertoli’s Natural 709 LUT on top of basic corrections and is giving me a very nice natural look. But for my film I would be aiming for a natural but cinematic kind of look, Like you have done here. Sorry for the long question but any help would be appreciated. Thanks,

[@baddogentertainment6960]

Question regarding using this cam with a gimbal. Were you just always shooting with the aperture as narrow as possible (e.g. F10-20)? Or trying wide apertures but remaining same distance from your subject? I have a Crane 2, which works great with something like A6500 with AF, but with the bmpcc 4k would probably be useless

[@GarthDeBrunoAustin]

I normally have the aperture as wide as possible, depending on the lens, it would be between 2.8 and 1.8. Yea I keep a constant distance from my subject. I have recently gotten a wireless Follow Focus. Im gonna start using it soon and maybe do a short review about it.

[@baddogentertainment6960]

@@GarthDeBrunoAustin Thanks for your response. I wasn't sure, because your background didn't look as blurry as i thought it would be with an aperture that wide. yes please do the wireless FF review!

[@markshirley01]

Can anyone give me idea what would be the most efficient file type to film in on this camera. I'm a MacBook Pro user 2017.

[@ImJMan007]

considering this little cameras low light capability, would you say the URSA mini could accomplish the same thing? or would there be too much noise to deal with? I also have an URsa mini 4.6k to work with, I primarily shoot highlight reels of AWANA.

[@luigimonaco7826]

Ordered the BMPCC, a cage, SSD and Ronin S. What lense? 18-35 Panasonic-Lumix 2.8 OIS or the SIGMA with Metabones, what is your opinion, could you hint?

[@veganchasers2213]

Awesome, love seeing stuff like this

[@eddradcliffe]

Hi Garth, or 'howzit'. Wonderful insights, thank you. I am a photographer that has been entering the video / film world for the last few years and due to various client requests it has meant having to learn quick. I have been surviving on DSLR and Mirrorless, happy so far but since being introduced to grading on 10bit footage, its really made me hungry for capturing in better codecs. Really impressed with my 4k video assist so I have been looking at Ursa and this. I have to say, the portability is really appealing and I would love to know more about your shoulder rig. I can imagine capturing b-roll at events and running interviews with a few of these little power houses, I think I can see my future! Is there a chance I could ask you what your shoulder rig consists of, that follow focus module looked great but i couldn't identify it.

[@charliemanner1914]

I just saw The Color of Light on the BM Design channel and its amazing! #SouthAfrica

[@adamhudson7323]

Dude thanks so much for this showcase of what the camera can do. Without naming any names, every other channel is slating this camera for a myriad of things and the sad thing is, they're simply not using the BMPCC4K to it's full potential, or even half it's potential. This was a great video that tells me that the camera can handle so many different setups and styles of shooting under many challenging conditions. I've been waiting a while for my a7s ii upgrade and here it is! I look forward to BRAW for the BMPCC4K too. Awesome video and keep up the good work.

[@NowyKurs]

How much you can recommend this shoulder grip for camera 🎥 Is it worth it to buy if you have monopod and gimbal?

[@dandrescher4098]

Could you advise on the v mount setup? I don't see a cord going into the 2 pin port. Thanks for producing this!

[@yankil7106]

Hi, i love your video, it's very beautiful, i have a question... what is the music use in the final short film ?

[@filmmakeranto]

Beautiful video with great quality footage, the best review/ I've seen till date on this camera.. Blackmagic did a great job Givin it to you!

[@RegalState]

Such fantastic insight

[@tompetroff]

Nice job. May I ask how you used it with the ronin s? I used the adapter for it but it is just a hair angled

[@markr041]

The non moving lcd means for many of your low angle gimbal shots you had no idea what you were shooting. That is unacceptable for professional use. This cameras design is disaster for its intended use. GH5S has fully flexible screen.

[@kaisstudio8278]

markr041 I wouldn’t go as far to call it a disaster but it is quite useless. The cam definitely made for external monitor and full rig. I am a GH5/GH5s as well, not gonna lie that I’m a little envious of its spec, but after all GH5 is just better when it comes to the design.

[@tallguytrav]

what baseplate are you using for the ronin-s?

[@guguemichaels]

How did you power your camera/battery??

[@GeorgeStanleyStan]

If you were to only have one, would it be a shoulder rig, or the Gimball?

[@Peterwfowler]

Garth, so good, been following you on IG i think for some time. Quick Q, the guy that you were filming that was painting in the dark room, what lens did you have on the bmpcc4k?

[@johnwayansullivan5436]

This was using the 12-35 F2.8 Lumix and the 25mm F1.4

[@jackofblades6736]

Anybody know what filter is @1:02m

[@AkhilPrakashGPB]

Can you tell, how the camera's autofocus works on ronin s and can we use an external battery on ronin s?

[@philmeyer__]

Beautiful city shot. How high did you have to crank the iso?

[@pmexplore]

What was the battery set up on the shoulder rig?

[@monologbyluca]

rhinos likes him

[@GarthDeBrunoAustin]

haha...yes..yes they do :D

[@danielcross1043]

Another great video...THANKS!

[@lopsangdlama]

were those all shot in raw ? specially the low lights ?

[@opencarrydrift6308]

I can’t get over how bad of an idea this short was

[@univisionstudio]

Thank you Garth! In gear used there is a - Olympus MFT Lens 12-40mm f/2.8 and on footage above it seems you are using Panasonic 12-35mm f/2.8 II ASPH OIS Lens. Which one is it? Thanks!

[@GarthDeBrunoAustin]

I actually used both :D they are both equally sharp and are both great lenses. the main difference is that the Olympus is a little tighter when zoomed in to 40mm but has no stabilizer, whereas the Panasonic isn't as tight but does have that amazing build in the stabilizer. I reckon to go for the Panasonic, the stabilizer helps a lot!

[@tonydeansmith3093]

Inspiring, man. Buying it and the Ronin-S!

[@colinherzig4648]

whats the name of the backround song that starts at 1:04

[@HONDAMAN93]

Um... guys The Olympus lens is not visible in the video. The lens from the video is a Panasonic 12-35 lens. Is this the wrong information?

[@RubenStuveling]

백인혁 yeah i noticed that too.

[@be.perfect]

a lot of equipment for not saying anything 👌

[@valquireveljkovic]

Thanks for the insights and the great review again.

[@verovang]

wats nd filter?

[@rodporteous14]

One of the better reviews for this camera I've seen. Thanks for sharing

[@petrub27]

well, bmd choose him for the review, so.....

[@lovecamera8]

I did not see the use of Olympus 12-40mm F2.8. Is the message wrong?

[@GarthDeBrunoAustin]

I used the Olympus for some shots, but I also used a couple of other lenses like the Sigma 18-35 1.8 Art

[@kuntuuri5396]

@@GarthDeBrunoAustin Which is better ? Is there a difference in quality of video shot between those two Olympus vs metabones+sigma18-35mm

[@leandrorodrigues6030]

@@GarthDeBrunoAustin I did not see the Oly 12-40mm neither, only the Panasonic 12-35mm f/2.8 (wich is not in the description) and the Sigma 18-35mm. Do you have which scenes did you use the Oly? Even that is the best review for BMPCC 4k with the best 3 zooms lenses options. Very well done. Congrats!

[@maxxyoutube4942]

Very good

[@sashamortira1108]

Like it!

[@ryanrobbins527]

Any tips on how to mount Nd filters on lenses with no filter threads? Ideally without using a matte box

[@GarthDeBrunoAustin]

Oh man that's a good question, I'll do some research and let you know

[@ryanrobbins527]

@@GarthDeBrunoAustin awesome, thank you I appreciate it

[@TheGharmaiStudios]

Can you please tell me what lens did you use on bmpc on dancing shot?

[@herberthcr]

I am almost sure it is a Panasonic 12-35, which is not listed on the description :/

[@Lismart]

Great video! At what res are you shooting 4k or UHD? I have only UHD monitors and TV, as most of people? So is it worth shooting in 4k and then whatch it in UHD or pixel in pixel is better?

[@fourth1000]

I have to say. This is blackmagic worse build quality camera. it feels like plastic shit. WHen you put a heavy lens on it. it feels like the camera body seams are going to break and it crumble in your hand.