i am the skibidi ohio rizzler alpha fanom tax sigma and also one like equals 1 prayer that my dad will come back home with the milk😭😢😭😭😭😭😭😭😭😭😭
@Jeremiahtv2313 ай бұрын
U are not the rizzler
@Bussie19813 ай бұрын
WHAT
@ynapatriciabeltran67983 ай бұрын
@@Jeremiahtv231bro he is just saying
@lanaLatef-u6m2 ай бұрын
The real way folt got a girlfriend ☠️☠️☠️
@IntestarsАй бұрын
folytns the best uh uh
@jonathanboyer17653 ай бұрын
This comment won’t get 50 likes and I believe you if this does get 50 likes I’ll be so happy
@user-ir3eb5ro6k3 ай бұрын
Yes it will ❤
@BenHatch-yc3vi3 ай бұрын
We will prove you right!😊
@BenHatch-yc3vi3 ай бұрын
@user-ir3eb5ro6k no it won't he doesn't want it too
@jonathanboyer17653 ай бұрын
Ok I believe you
@jonathanboyer17653 ай бұрын
@@BenHatch-yc3vi Yo I believe in you bro
@catherinekelly724922 күн бұрын
Who likes foltyns reacts video's? (Like me)
@hadjmahfoudyoucef633214 күн бұрын
Siooooooo😂😂😂😂😂😂
@RomyGosal13 күн бұрын
Meeeeeeeeeeeeeeeeeeeeeeee
@ArthanielHans10 күн бұрын
Hello@@RomyGosal
@Animasonic55real5 күн бұрын
Womp womp
@Xnlnja_gaming4 ай бұрын
I liked my comment cuz I don't get 5 likes on this comment😭
@spongebob36643 ай бұрын
It’s okay..
@JulioOclarino3 ай бұрын
Ok womp womp 😂😂😂😂😂😂😂 cry about it 😂😂😂😂😂😂
@pillake1Ай бұрын
@@JulioOclarinofr
@hannahwilson805Ай бұрын
Dont be mean
@hannahwilson805Ай бұрын
I got you buddy
@garrettbeckford21562 ай бұрын
He needs to stop the cap about women running him down😂😂😂
@mercywahome61534 ай бұрын
I am zero years old every like this comment gets +1 age
@Agentcameraman354 ай бұрын
And of course your 4 years old
@AraDogeGaming4 ай бұрын
Now your 5
@Thatoneguyleftthebuilding4 ай бұрын
6
@Eliplayz6624 ай бұрын
9
@mossierada72344 ай бұрын
Now your 11
@familyali10984 ай бұрын
my brother is in the hospital plsss support my little brother😔😔
@faazmohamedfiraz77054 ай бұрын
yea and my dad died
@nvel09164 ай бұрын
This is sad only six likes
@Fuke-y7o4 ай бұрын
Me too
@Luffyfan-l2r4 ай бұрын
Bro and litle suport whis whole heart
@Trey3174 ай бұрын
My brother about to get surgery pls pray for him
@theobbyhamer48863 ай бұрын
This comment won't get 7 likes
@Derbs-y1z3 ай бұрын
It’s been six days. Have you hit seven likes yet?
@Herbff332 ай бұрын
11 likes
@Bloxfruits_proplayer2 ай бұрын
U got 20 extra likes
@Worldwrestlingollie2 ай бұрын
62
@Thecrazycats162 ай бұрын
@@Worldwrestlingollieu are right
@ChantelleW482 ай бұрын
Please someone like this comment 😢
@DulceSanchez-t4l21 күн бұрын
You’re welcome, my little boy😇😇😉😉😁😁
@Cool-g4m15 күн бұрын
@@DulceSanchez-t4l. ayooo
@Mikey_does_something11 күн бұрын
Nuh uh
@cocopie9811 күн бұрын
Like begger
@Corpuz01311 күн бұрын
🇺🇸
@klaycheeks83393 ай бұрын
Reaction was funny😂😂😂😂😂
@FreeFree-f6x3 күн бұрын
K
@dunyahamdamyar4 ай бұрын
foltyn is the best! :D and ive already watched this! edit: thanks for 27 likes omg the most ive gotten :)
@dunyahamdamyar4 ай бұрын
@@hopemampuila2101what?
@ILoveegypt2ndchannel3 ай бұрын
You welcome @@dunyahamdamyar
@Animalgirl114763 ай бұрын
Same
@JoaandSeba22 күн бұрын
Nda
@YT_RealWicked4 ай бұрын
Foltyn reacted to this before, who remembers?
@ronaldrobot51034 ай бұрын
Wdym
@_thedadbod3 ай бұрын
BgyfcuygvyufvbFuhgvytd av ZyytdwaXEwztwYZSuihCsrdeI’mr-nasty fog😅 that was tiring
@KaLiang-l9vАй бұрын
Gold digger 22:01
@Flare7814 ай бұрын
Congrats Foltyn for reaching 826k subs,road to a mill 👇
@ilikemeloncat4 ай бұрын
u
@Sr_rax4 ай бұрын
Go touch grass bro
@BeastKing4984 ай бұрын
@tank_plays4 ай бұрын
Like beggar
@Yoselynn08164 ай бұрын
Add 1k
@masonhanna9854 ай бұрын
👇🏼if you love your family
@michellemarie47283 ай бұрын
😊😊😊😊😊😊😊😊😊😊
@EmmanuelBesa-tq1wi3 ай бұрын
OK
@Sketchy_demonslayer-uns93 ай бұрын
I respect
@BenHatch-yc3vi3 ай бұрын
What if i dislike :]
@RojavaGaming2 ай бұрын
@@BenHatch-yc3vihes just a like beggar, ignore them
@AnneEscaleraАй бұрын
Omg every time I watch foltyn the ads keep showing up like if u agree 😡
@waricoyfamilyАй бұрын
Y]true
@PierceWorld99Ай бұрын
I KNOW 🤬🤬🤬🤬🤬🤬🤬🤬🤬🤬🤬
@wr7471Ай бұрын
YES AND ALSO MINE ARE ALWAYS AT THE MOST INTERESTING PART
@thecoolgamergoku401022 күн бұрын
I know I hate ads
@genericact60233 ай бұрын
I know this feeling the boys in my class have a crush on me
@Claudia-ucisy3 ай бұрын
Ok
@vitoancona37622 ай бұрын
Nice
@CHERRYSMILE3332 ай бұрын
Idc
@SoniJha-s4p2 ай бұрын
Ur mom
@jamiebreadmore2 ай бұрын
😂😂😂😂😂😂
@jesicahasenfus19784 ай бұрын
It was like that picture of Goku and freezer met when the kid looked at the girl at the beginning
@BeonPlayzz5544 ай бұрын
U THE BEST FR
@Imametalgearsoildfan4 ай бұрын
Here before he notices
@Sr_rax4 ай бұрын
Me too
@pinkguy86744 ай бұрын
Same
@RagingStunts4 ай бұрын
Same
@AVIATION_MO4 ай бұрын
Make this top comment
@BossSaitamАй бұрын
Foltynyou should surprise A mega big fan on blox fruit or blade ball 😊😊😊😊😊😊😊 like if you agree
@ΚΥΡΙΑΚΟΣΜΠΑΚΛΑΤΖΗΣ4 ай бұрын
U always make great videos keep it up man :)
@jmancurւy4 ай бұрын
👇if you like eating nuclear microwaved milk
@itzsmarmy12453 ай бұрын
i do 🤚
@JustGage2 ай бұрын
I do
@Nubub-1k4 ай бұрын
Imagine if he said “I’m the ceo of Beijing corn”. LoL😂😂😂
@GastonJuarez-f3v2 ай бұрын
What is 40 that’s so funny😢
@GastonJuarez-f3v2 ай бұрын
Hotel, why are you watching that?😂😂😂😂😂😂😂😂😂😅
@Nubub-1kАй бұрын
Um wdym I don’t get it
@Lailanithestitchfan25 күн бұрын
I love your videos ❤
@V0IDYN54 ай бұрын
Omg foltyn is reacting to kid wears helmet to avoid girls
@bacaniarlan96343 ай бұрын
Quote of the day: its not about WHAT you are but its about WHO you are.💪🏻✨
@Deakin_Playz4 ай бұрын
I Stumbled Across This Channel Like 2 Weeks Ago And I Cant Stop Watching These Videos.
@Frixsyz4 ай бұрын
My parents said it I hit 20K by my birthday they buy me a pink Stanley for my birthday!!! Pls guys im literally begging you!!
@Deakin_Playz4 ай бұрын
Will you please remove this from my reply section and comment it own @@Frixsyz
@ilikemeloncat4 ай бұрын
@@Frixsyznuh
@Bobafett654 ай бұрын
@@Frixsyzwhat so good about a stanley its the exact same thing as a normal cup
@mm2.kvylee4 ай бұрын
@@Bobafett65it’s a bot
@nishanttn3 ай бұрын
👇 if you like foltyn
@makaylaholton2 ай бұрын
Iftjxfjftjtjtjt
@MarcBalanay2 ай бұрын
10:44 10:44 10:44
@EzraBowleyАй бұрын
GOAATT
@EzraBowleyАй бұрын
20:54
@zakinasiry7994 ай бұрын
Hi man I like you as a youtuber😊🎉
@cherrie60742 ай бұрын
Man, that girl is a Wack.That girl is so wet
@hmooblubneej62404 ай бұрын
I love foltyn video
@Isaacdelovupre2 ай бұрын
L dad but then when dad listen to the Son that's when Dad will turn into a w
@Sc._RISTIN_e4 ай бұрын
FINALLY A VIDEO OF FOLTYN REACTING TO DHAR MAN !!!! ❤
@perez-kr1yp4 ай бұрын
Folytn has always reacted to dhar Mann
@lovemyself6754 ай бұрын
@@perez-kr1yp frrrrr
@Sc._RISTIN_e4 ай бұрын
@@perez-kr1yp i watched them all so thats why i was waiting
@Tamjed-nz5hn4 ай бұрын
he did before
@ThutaAung-i7w4 ай бұрын
Yeah@@perez-kr1yp
@FuzzyGamezRBLX4 ай бұрын
Like this comment if you love your family 💞
@MasFutbol-hr7qg3 ай бұрын
You never said u can unlike 😂
@Nottelling280Ай бұрын
Like beggar
@TUAHIKAARichards4 ай бұрын
FOLTYN FAMILY ON TOP!!!!!!!!!!
@AngelRodriguez-dv9uh3 ай бұрын
Yessir
@ernestnolan13 ай бұрын
Fulton is the best
@ΛΙΤΣΑΖΩΓΡΑΦΙΣΤΟΥ3 ай бұрын
😮😮😮
@Opeyemi7783 ай бұрын
Yaaaa
@user-lh5qd1se7t3 ай бұрын
Foltyn is the top a a
@MikeDiaz20134 ай бұрын
People who cares about foltyn family 👇
@78Crown4 ай бұрын
Me
@Abdullah_alshaikhi4 ай бұрын
ME OFC😊😊😊😊😊😊😊😊
@APgames4214 ай бұрын
Me
@CocoLieu4 ай бұрын
I wish to tell I’m a type of Foltyn because he is so drippy in Roblox and I copy him❤😂
@imaobongori-jesu49784 ай бұрын
ofc me
@ImLinkonClips4 ай бұрын
Nice videos Foltyn Reacts !!
@ZiWen-hw3jw4 ай бұрын
Only foltyn fans are allowed to comment
@reynaaguilarsolis9648Ай бұрын
21:38 L girl L girl L classmate L Girlfriend L Fiancé L bride L wife L mom L everything
@janiscruz05028 күн бұрын
So L ex😮
@tiktokvappy23785 күн бұрын
L you
@tiktokvappy23785 күн бұрын
reynaa
@KidusGaming564 ай бұрын
Foltyn is the best uh uh, foltyn is the best uh uh 😎
@Koletodrippy_232 ай бұрын
His dance go hard
@AidenOrtega-zw8xr2 ай бұрын
His dance go hard
@ayoubakourrih8071Ай бұрын
You cant read it but you can hear it 🎉
@SOMALILANDGAMER114 ай бұрын
Under 40 minutes ago gang 👇
@Business-seek-r5o4 ай бұрын
if you Love Foltyn 👇
@moniquemohalland47593 ай бұрын
Fortunately I follow you and roblx
@meganperez11082 ай бұрын
You made me lose the power
@RomyGosal13 күн бұрын
FOLTYN FAMILY ON TOP!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
@Kolydo4 ай бұрын
Foltyn on top
@jacquetbrown44853 ай бұрын
foltyn you are the best
@-M-J-3 ай бұрын
I agree😊
@ArleneAlima-bq7db3 ай бұрын
Me too i agree
@ArleneAlima-bq7db3 ай бұрын
I agree!
@Poke_Galaxy3 ай бұрын
Agree
@Bloxfruits_proplayer2 ай бұрын
Agree!
@KasoyPisonet4 ай бұрын
The Rotters' Club is a novel of Britain in the 1970s, a surprisingly rich and varied work about that odd and already so distant decade. Much of The Rotters' Club is clearly autobiographical. Coe, born in 1961, is about the same age as the four boys around whom most of the narrative revolves. He comes from near Birmingham -- the locale of most of the novel -- and attended King Edward's School there; in the novel, much of the action takes place at a King William's. (The name of the central (and most Coe-like) character, Ben Trotter (affectionately known as Bent Rotter) is certainly also a sort of homage to his King Edward's School English teacher, Tony Trott.) The novel is framed by brief introductory and concluding sections, set in Berlin, in 2003. It is the next generation -- the children of the youths that are at the centre of the novel -- that look back on their parents' formative years. A planned (and now available) sequel (The Closed Circle) continues the tale, jumping to the late 1990s. The novel proper -- with the main stories -- begins in November, 1973, with the "dark promise of an English winter". Dark and wintery, indeed, as the oil crisis was beginning to hit home, and years of economic turmoil (eventually culminating in the election of Margaret Thatcher) began. It is that brief era Coe writes about, and he captures it marvelously. The events of those years are neatly integrated into the novel, those 70s a constant, often very prominent, background. Dashed labour (and Labour) hopes figure large, the spectre of the coming Iron Lady looming over the pages. British Leyland is a major employer in the area, and several of the characters work there (in all capacities). British readers know what became of British Leyland, but at the time of the novel decline is merely in the air -- along with hope. Readers know all hope was dashed (though one wonders if American readers even recall British Leyland). Coe is very conscious of what happened after the period that dominates his novel -- just as he knows his readers are well-aware of it too, and come to the novel with that knowledge and experience --, and he uses this very well Coe captures the then still-prevalent clash of class well too. There are boys from all classes at King William's (and a prominent black student), and it remains an issue in many facets of their lives (and, more obviously, their parents' lives). Some of the confusion of the times also arises from the shifts that have begun to occur: the changing face of labour, the rise of Thatcherite ideas of meritocracy. The terrorist bombings of the time -- the Birmingham pub bombings, in particular -- are effectively used. The National Front, racism, anti-immigration sentiment -- and Eric Clapton's (in)famous statements at a Birmingham concert -- all also play a role. So is the shifting cultural scene, and specifically pop-music, with the rise of punk rock. One of the characters, Douglas Anderton notes years later, in a speech from 1999: "People forget about the 1970s." Coe sets out to recreate the era, to remember "how people reacted". "What days those had been, for unfinished stories", Claire (one of the two girls that dominate the lives of the four boys) thinks, and it is specifically unfinished stories that Coe tells -- as, indeed, The Rotters' Club, with its promised but still unavailable sequel, is as a whole. The Rotters' Club is much like many of Coe's previous works, in that it interweaves a large number of stories and that the narrative is presented in a variety of forms. There is a great deal of straightforward narrative, but Coe also offers letters, leaflets, articles from the school newspaper, The Bill Board, and diary entries. One of the last sections of the book is a sort of interior-monologue, a single sentence that stretches on for thirty-three pages. The different approaches allow Coe to strut some of his best comedic stuff: some of the school-newspaper articles (or, for example, the letters to the editor supposedly written by a parent, Arthur Pusey-Hamilton) are hilarious. Coe is a clever writer, and these different approaches -- as he also jumps between characters, storylines, and times -- make for a broad canvas. He specifically avoids filling in all the blanks for readers -- and he manages to do this in a way that is not too irritating. Benjamin Trotter wonders about writing (in what is parenthetically revealed to be an unpublished story, found among his papers in 2002): But slowly, irresistibly, I can feel it beginning to dissolve into the hazy falsehood of memory. That is why I have written it down, although in doing so I know that all I have achieved is to falsify it differently, more artfully. Does narrative serve any purpose ? I wonder about that. Coe, too, wonders about that, and his different artful approaches are both different ways of trying to make narrative meaningful as well as constant reminders to the reader that it is mere invention and must be considered as such. There are any number of stories in the book. Four schoolboys are at the centre, but their families and other students also often figure at the fore. There are affairs: a serious one between Bill Anderton (Doug's father) and Miriam Newman (the sister of Claire), ill-fated and finally collapsing disastrously. A more humorous one involves Barbara Chase, mother of another of the boys (Philip), and her son's art teacher, Mr. Plumb, who leaves her spellbound with his oratorical mastery. Her husband, Sam, a bus driver, can't compete, and so he systematically sets out to become Plumb's equal, an entertaining process culminating in a marvelous final showdown. The loves of the youths are largely not successful, with the peripheral ones winding up worst of all. Miriam's story is one tragedy; another is that of Benjamin's older sister, Lois. The four schoolboys have middling success, though by the end of the book some have found a good measure of happiness. Benjamin, in particular, seems to have successfully grown into the beginnings of adulthood and found a perfect relationship -- but Coe never lets the readers forget that a cloud hangs over him, and though it does not burst here the catastrophe clearly lurks somewhere ahead. The title of the novel comes from an album (by Hatfield and the North), but it is also what Benjamin and Lois Trotter consider themselves. As Lois explains to her brother: Bent Rotter, and Lowest Rotter. We're The Rotters' Club. You and me. Not Paul. Just you and me. Paul is the third and youngest Trotter-child, and the darkest figure in the book. Lois and Benjamin are, fatally, of the present, children of these 1970s. Paul is of the future, and his affiliation with The Closed Circle (the title of the sequel to this novel) is no accident: he will be the star of the coming world. The Closed Circle is "a 'think-tank' composed of the finest minds at King William's", and Paul is the youngest member elected to it. "Modernize -- modernize or die" is his ominous rallying cry, arguing that "radical, sometimes brutal measures can be needed" to keep tradition alive. Paul is perhaps too simply presented here as Coe lays the foundation for his next novel, but he fits in well enough as a foil of sorts. Still, he is one of the few characters that Coe doesn't seem to treat completely fairly. Almost all the others, the good and the bad, are remarkably well-captured, a great deal conveyed even in the simplest actions or exchanges. Coe's book is not always easily approachable. It is very British-centered, the stories seem to spin and intertwine wildly (though the underlying structure is a strong one), there is a vast cast of characters, and there is a sense of incompleteness to the book as Coe repeatedly makes his point that it was a time "for unfinished stories". But it is also a remarkable portrait of the British 1970s, with a great deal of subtle, perfect detail. And there are also some simply hilarious bits. Occasionally, Coe does not convince. Ben finding god is something of a disappointment, and Paul isn't entirely satisfactory. But for the most part, Coe does an excellent job. The Rotters' Club is good entertainment, and a much deeper novel about a shallow, largely forgotten decade than it initially appears. "Does narrative serve any purpose ?" Coe has Ben Trotter wonder. On the evidence presented in the novel -- by the novel -- one feels almost certain: Yes. credits to whynotcatmemes to the original commenter of this comment
@Rizzler1693 ай бұрын
W
@WesleyConway-qs9oz3 ай бұрын
That takes dedication to write all of
@zZoltzOsu3 ай бұрын
@@WesleyConway-qs9ozfr
@sumahmud4323 ай бұрын
He is a w man
@noemiitorres64543 ай бұрын
W
@jonathanmallia8204 ай бұрын
Who thinks that FOLTYN is a big banger👇
@KhadeejaAli-ic8kf4 ай бұрын
😂
@KhadeejaAli-ic8kf4 ай бұрын
😂
@KhadeejaAli-ic8kf4 ай бұрын
😂
@BreezzyCookin4 ай бұрын
pause there bud
@JohnalfieLarasan-eq8kj4 ай бұрын
HES NOT A BANGAER🤬🤬😡🤬😡🤬😡🤬😡🤬😡🤬😡🤬🤬😡🤬🤬😡😡🤬🤬😡🤬😡🤬😡🤬😡🤬😡🤬😡🤬😡🤬
@andreamaclang46874 ай бұрын
foltyn play mega hide and seek with maddy and tell the seeker maddys location every single match😊😊😊😂😂😂😂
@marielaserrato49403 ай бұрын
Yea
@juicyhilliaire4 ай бұрын
Bro forgot anime and the Simpsons
@ermiradaci185528 күн бұрын
27:58 Zoe is a perfect girl for that boy
@Samzzy2474 ай бұрын
I love you😊
@akbarsahibzada3 ай бұрын
میمجشممسمینشنگشجم❤❤❤❤
@MosinBinmokim2 ай бұрын
OMG
@martinezboiz3265Ай бұрын
@@akbarsahibzadaBro WTF
@martinezboiz3265Ай бұрын
WTF is with people loving foltyn AYO
@SohanKatwal11 күн бұрын
I love mini
@zavierkiss-ue8cn4 ай бұрын
i love foltyns video is so good and its cool
@AboodMohammed-gg6vn4 ай бұрын
Like and subscribe for foltyn The real foltyn family is join da group
@NOOBgamingFun4 ай бұрын
I like how foltyn uploads every night 😊
@BigCatReal4 ай бұрын
i dont
@DogeSocietyShortz4 ай бұрын
Its called time zones
@danyalkardame5543Ай бұрын
Indont
@samreensamar8306Ай бұрын
Bro Dhar Mann is cringe
@NOOBgamingFunАй бұрын
@@samreensamar8306 ngl I agree (kind of)
@UnknownElijahKit4 ай бұрын
This is almost like the box headed girl last time
@NotYourAverageCatMemeCreator4 ай бұрын
longest sentence ever: The Rotters' Club is a novel of Britain in the 1970s, a surprisingly rich and varied work about that odd and already so distant decade. Much of The Rotters' Club is clearly autobiographical. Coe, born in 1961, is about the same age as the four boys around whom most of the narrative revolves. He comes from near Birmingham -- the locale of most of the novel -- and attended King Edward's School there; in the novel, much of the action takes place at a King William's. (The name of the central (and most Coe-like) character, Ben Trotter (affectionately known as Bent Rotter) is certainly also a sort of homage to his King Edward's School English teacher, Tony Trott.) The novel is framed by brief introductory and concluding sections, set in Berlin, in 2003. It is the next generation -- the children of the youths that are at the centre of the novel -- that look back on their parents' formative years. A planned (and now available) sequel (The Closed Circle) continues the tale, jumping to the late 1990s. The novel proper -- with the main stories -- begins in November, 1973, with the "dark promise of an English winter". Dark and wintery, indeed, as the oil crisis was beginning to hit home, and years of economic turmoil (eventually culminating in the election of Margaret Thatcher) began. It is that brief era Coe writes about, and he captures it marvelously. The events of those years are neatly integrated into the novel, those 70s a constant, often very prominent, background. Dashed labour (and Labour) hopes figure large, the spectre of the coming Iron Lady looming over the pages. British Leyland is a major employer in the area, and several of the characters work there (in all capacities). British readers know what became of British Leyland, but at the time of the novel decline is merely in the air -- along with hope. Readers know all hope was dashed (though one wonders if American readers even recall British Leyland). Coe is very conscious of what happened after the period that dominates his novel -- just as he knows his readers are well-aware of it too, and come to the novel with that knowledge and experience --, and he uses this very well Coe captures the then still-prevalent clash of class well too. There are boys from all classes at King William's (and a prominent black student), and it remains an issue in many facets of their lives (and, more obviously, their parents' lives). Some of the confusion of the times also arises from the shifts that have begun to occur: the changing face of labour, the rise of Thatcherite ideas of meritocracy. The terrorist bombings of the time -- the Birmingham pub bombings, in particular -- are effectively used. The National Front, racism, anti-immigration sentiment -- and Eric Clapton's (in)famous statements at a Birmingham concert -- all also play a role. So is the shifting cultural scene, and specifically pop-music, with the rise of punk rock. One of the characters, Douglas Anderton notes years later, in a speech from 1999: "People forget about the 1970s." Coe sets out to recreate the era, to remember "how people reacted". "What days those had been, for unfinished stories", Claire (one of the two girls that dominate the lives of the four boys) thinks, and it is specifically unfinished stories that Coe tells -- as, indeed, The Rotters' Club, with its promised but still unavailable sequel, is as a whole. The Rotters' Club is much like many of Coe's previous works, in that it interweaves a large number of stories and that the narrative is presented in a variety of forms. There is a great deal of straightforward narrative, but Coe also offers letters, leaflets, articles from the school newspaper, The Bill Board, and diary entries. One of the last sections of the book is a sort of interior-monologue, a single sentence that stretches on for thirty-three pages. The different approaches allow Coe to strut some of his best comedic stuff: some of the school-newspaper articles (or, for example, the letters to the editor supposedly written by a parent, Arthur Pusey-Hamilton) are hilarious. Coe is a clever writer, and these different approaches -- as he also jumps between characters, storylines, and times -- make for a broad canvas. He specifically avoids filling in all the blanks for readers -- and he manages to do this in a way that is not too irritating. Benjamin Trotter wonders about writing (in what is parenthetically revealed to be an unpublished story, found among his papers in 2002): But slowly, irresistibly, I can feel it beginning to dissolve into the hazy falsehood of memory. That is why I have written it down, although in doing so I know that all I have achieved is to falsify it differently, more artfully. Does narrative serve any purpose ? I wonder about that. Coe, too, wonders about that, and his different artful approaches are both different ways of trying to make narrative meaningful as well as constant reminders to the reader that it is mere invention and must be considered as such. There are any number of stories in the book. Four schoolboys are at the centre, but their families and other students also often figure at the fore. There are affairs: a serious one between Bill Anderton (Doug's father) and Miriam Newman (the sister of Claire), ill-fated and finally collapsing disastrously. A more humorous one involves Barbara Chase, mother of another of the boys (Philip), and her son's art teacher, Mr. Plumb, who leaves her spellbound with his oratorical mastery. Her husband, Sam, a bus driver, can't compete, and so he systematically sets out to become Plumb's equal, an entertaining process culminating in a marvelous final showdown. The loves of the youths are largely not successful, with the peripheral ones winding up worst of all. Miriam's story is one tragedy; another is that of Benjamin's older sister, Lois. The four schoolboys have middling success, though by the end of the book some have found a good measure of happiness. Benjamin, in particular, seems to have successfully grown into the beginnings of adulthood and found a perfect relationship -- but Coe never lets the readers forget that a cloud hangs over him, and though it does not burst here the catastrophe clearly lurks somewhere ahead. The title of the novel comes from an album (by Hatfield and the North), but it is also what Benjamin and Lois Trotter consider themselves. As Lois explains to her brother: Bent Rotter, and Lowest Rotter. We're The Rotters' Club. You and me. Not Paul. Just you and me. Paul is the third and youngest Trotter-child, and the darkest figure in the book. Lois and Benjamin are, fatally, of the present, children of these 1970s. Paul is of the future, and his affiliation with The Closed Circle (the title of the sequel to this novel) is no accident: he will be the star of the coming world. The Closed Circle is "a 'think-tank' composed of the finest minds at King William's", and Paul is the youngest member elected to it. "Modernize -- modernize or die" is his ominous rallying cry, arguing that "radical, sometimes brutal measures can be needed" to keep tradition alive. Paul is perhaps too simply presented here as Coe lays the foundation for his next novel, but he fits in well enough as a foil of sorts. Still, he is one of the few characters that Coe doesn't seem to treat completely fairly. Almost all the others, the good and the bad, are remarkably well-captured, a great deal conveyed even in the simplest actions or exchanges. Coe's book is not always easily approachable. It is very British-centered, the stories seem to spin and intertwine wildly (though the underlying structure is a strong one), there is a vast cast of characters, and there is a sense of incompleteness to the book as Coe repeatedly makes his point that it was a time "for unfinished stories". But it is also a remarkable portrait of the British 1970s, with a great deal of subtle, perfect detail. And there are also some simply hilarious bits. Occasionally, Coe does not convince. Ben finding god is something of a disappointment, and Paul isn't entirely satisfactory. But for the most part, Coe does an excellent job. The Rotters' Club is good entertainment, and a much deeper novel about a shallow, largely forgotten decade than it initially appears. "Does narrative serve any purpose ?" Coe has Ben Trotter wonder. On the evidence presented in the novel -- by the novel -- one feels almost certain: Yes.
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