Haydn: The Seven Last Words

[@BrilliantClassics]

Tracklist 00:00:00 Introduzione I 00:04:24 Vater, vergib Ihnen, denn sie wissen nicht was sie tun 00:11:06 Fürwahr, ich sag'es dir 00:16:58 Frau, hier siehe deinen Sohn 00:24:11 Mein Gott, mein Gott, warum hast du mich verlassen? 00:31:49 Introduzione II 00:36:15 Jesus rufet: Ach, mich dürstet! 00:40:36 Es ist vollbracht! 00:45:54 Vater, in deine Hände empfehle ich meinen Geist 00:53:30 Il Terremoto (Das Erdbeben)

[@quintorezwalker5210]

Spectacular Spectacular Wunderbar!!

[@風呂幸]

The only thing that calms me now is beautiful music.

[@markmiller3713]

Very powerful. I've recommended this to people who perhaps can't fully endure the St. Matthew or St. John Passions of Bach. Those are of course different works, powerful in their own right, which convey the entire Passion, obviously, but if someone wanted a "distilled" version, or something perhaps more meditative than visceral, this is what should be heard.

[@petercrosland5502]

Nothing to do with Bach really, he included J.C. in the cast list . Haydn doesn't, more of a " this is what happened " approach, it is great in it's own way - as Haydn so often is.

[@LukeFaulkner]

Congrats on 300K - well deserved!

[@BrilliantClassics]

Thank you!

[@quintorezwalker5210]

@@BrilliantClassics Wonderful and Marvelous it is So Passionate and very Glorious! 300k WUNDERKIND!

[@BlackHermit]

Haydn was such a great composer! I love him so much! He was like a brother to me.

[@rafaelchicodeguzman3546]

Me gusta más la versión cuarteto de cuerda

[@elaineblackhurst1509]

Rafael Chico de Guzman The orchestral original (1786) and choral version (1795/96) are very great works. The piano arrangement (1787) is ok for personal use, but the string quartet arrangement/transcription (1787) - for that is what it is - is over-rated and over-played; it loses far too much compared to the original.

[@cpps90ify]

@@elaineblackhurst1509 Ditto for the piano arrangements of the Beethoven symphonies

[@petercrosland5502]

The unexpected hit of the 1790's, Haydn wrote it, apparently because he was asked, payment not expected, famously paid for by by cake packed with gold coins. .Then the quartet version which made it more portable, next the piano arrangement which Haydn did not write but approved. The choral was the last version. If you need the words ( you don't) , then it is great..Thing is that the time Haydn was the only composer who was thought to be able to write 7 slow movements. As far as I know, no one else has.

[@petercrosland5502]

Masterclass in 4 part harmony, those years in the choir at St. Stephen's not wasted in the end.

[@elaineblackhurst1509]

Haydn: The Seven Last Words of our Saviour on the Cross. Orchestral original first performed *1787* but commissioned 1785 or 1786. String quartet arrangement by Haydn *1787* Piano version by unknown hand but authorised by Haydn *1787* Choral version by Haydn *1796*

[@marticvisgaes3737]

Hermoso❤ gracias

[@randycunningham7318]

Man, I adore this piece.

[@davidrehak3539]

Joseph Haydn:Krisztus hét szava a keresztfán-oratórium 1. Bevezetés I: Maestoso ed Adagio 00:00 2. Pater, dimitte illis, quia nesciunt, quid faciunt (Atyám, bocsáss meg nekik, mert nem tudják, hogyan, nem az, amit csinálnak) Largo 04:24 3. Hodie mecum eris in paradiso (Ma velem leszel a paradicsomban): Grave e cantabile 11:06 4. Mulier, ecce filius tuus (Nő, itt van a fia): Grave 16:58 5. Deus meus, Deus meus, utquid dereliquisti me (Én Istenem, én Istenem, miért hagytál el engem?): Largo 24:11 6. Bevezetés II: Largo e cantabile 31:49 7. Sitio (Szomjas vagyok): Adagio 31:49 8. Consummatum est (Ez kész): Lento 36:15 9. In manus tuas, Domine, commendo spiritum meum (Kezedbe ajánlom lelkemet): Largo 40:36 10. Il terremoto (A földrengés): Presto e con tutta la forza 53:30 Petra Labitzhe-szoprán Gabriele Wunderer-alt Daniel Sans-tenor Christof Fischesser-basszus Európai Kamarakórus Kurpfälzisches Mannheim Kamarazenekar Vezényel:Nicol Matt

[@davidrehak3539]

Köszönöm az értékelést

[@jenomaier8686]

Kicsit közelebb a liturgiában használatos szavakhoz: 2. ... mert nem tudják, mit cselekszenek; 4. Asszony, íme a fiad; 7. Szomjazom; 8. Bevégeztetett. Ettől eltekintve köszönet a magyarításért, az időkódokért és az előadók pontos felsorolásáért, sajnos a YT-on kevesen veszik maguknak a fáradságot ehhez.

[@jonathanhos6031]

Thank you very much, David your tricklist are really much more details than Brilliant Classical. 👍🏼👍🏼👍🏼👍🏼👍🏼

[@davidrehak3539]

Köszönöm az értékelést

[@davidrehak3539]

@@jenomaier8686 Köszönöm az értékelést

[@fransmeersman2334]

Wonderful Joseph Haydn at his best. I have heard the string quartet version (marvelous) and the orchestral version. Never heard this beautiful oratorio version, so I must thank you very much again. Congratulations for 300 K !

[@elaineblackhurst1509]

Frans Meersman The original orchestral version commissioned in 1785 or 1786 and first performed in 1787 is magnificent. The choral version of 1796 with its expanded orchestration and other additions is also an extraordinary and very fine work. I really cannot take to the string quartet arrangement of 1787 which is not idiomatic quartet writing and loses so much compared to the versions noted above; the final earthquake in particular is very unfortunate. I cannot understand - apart from ease of performance, needing only four players - why the quartet arrangement is played so often, nor why any quartet would actually want to play it when the quartet repertoire is otherwise so rich (especially from Haydn himself). The piano version also of 1787 - by an unknown hand - but authorised by Haydn, is satisfactory for personal use. I would rate the four versions thus: *Orchestral original (*****)* *String quartet arrangement (*)* *Piano arrangement (**)* *Choral version (****)* Something to consider.

[@notaire2]

Wunderschöne und tiefempfundene Interpretation dieses großartigen Meisterwerks mit gut harmonisierten und perfekt synchronisierten Tönen aller Instrumente sowie herrlichen Stimmen aller genialen Solisten und perfekt vereinigten Stimmen des ausgezeichneten Chors. Der letzte Satz klingt echt dramatisch. Der intelligente Maestro dirigiert das ausgezeichnete Kammerorchester im gut phrasierten Tempo und mit möglichst effektiver Dynamik. Einfach wunderbar!

[@carlosmontes6568]

Nothing but the marvellous that is to listen to....... 🎼❤️🎶🎼❤️🎶🎼❤️🎶🎼🎶❤️❤️👍🏻🎼🎶👌🏻🎶🎼❤️👍🏻🎼❤️🎶

[@amordei]

this is so beautiful & inspiring music.

[@harryhalim1051]

Magnifique Musique Magnifique Haydn Merci

[@lucianogalli2947]

Perfecto para Semana Santa.

[@Nullifidian]

You're two days early. ;-) Actually, this is very welcome since I usually go hear _The Seven Last Words_ live at a local church that performs it annually on Good Friday, but due to Covid-19 all of that has been cancelled now.

[@enriquegame8925]

Muchas gracias queridos amigos 🤗🤗🤗🇲🇽🤗😘

[@rafaelmartin562]

para estos dias de reflexiòn....Deliciosa Mùsica

[@louisengelbrecht485]

Luther hatte sich zurueckgezogen und jat drei Tage über die Worte 'Mein.Gott, Mein Gott warum hat du mich verlassen? Nach drei Tage kam er wieder in Wohnzimmer und sagte. " Gott von Gott verlassen, wer kann es fassen Gottes Segen Ihr R.Louis Engelbrecht

[@rafaelchicodeguzman3546]

Me gusta más la versión para cuarteto de cuerda

[@Thebirdemoji]

Me listening to this while my Name is Hayden.

[@andrewwatson6913]

It must make it very meaningful for you dear.

[@ikmarchini]

Terremoto, nicht Walzer. Presto, nicht gemütlich.