Brushstrokes (Part 2 of 3) - The 19th Century

[@jimbelfie9619]

Another fine study produced by Jill Poyerd. To any student of the arts, these videos are immensely informative, as well as entertaining.

[@JillPoyerdFineArt]

Thank you so much!

[@bluesque9704]

I cannot thank you enough.. this is so concise yet comprehensive, vital, and your voice and presentation is equally a work of great elegance. Thank you.

[@JillPoyerdFineArt]

You're very welcome, bluesque

[@younessalibane7504]

I am in the right place of KZbin.

[@georgegeorge8038]

This is one of the most informative videos about oil painting that I have ever seen so far.

[@bobbytirlea]

The most wonderfully unbiased and nonetheless gentle presentation of ART itself of all AGES! Thank you, Jill, as I always come back to re-watch all the three parts to get inspired and motivated!

[@JillPoyerdFineArt]

Thank you so much for that, Bobby. That means a lot. I love to know viewers get inspired by my work.

[@geoffwales8646]

Enjoying this series so much. Brush strokes are surely the meat and potatoes of painting!

[@janupdike2630]

informative for artist and art historians. Material often left out of the "develop your own style" approach at student level.

[@JillPoyerdFineArt]

Thank you, Jan. I actually feel very strongly about encouraging artists to discover their personal style, so I especially appreciate that comment.

[@isidoreaerys8745]

How can we know where we’re going without knowing where we’ve been and how we got here?

[@jacquestaulard3088]

All three parts are so well done! I never thought I would ever sort out the various nicknames given to artistic periods and styles. But you really did sort them out and not try to intimidate us! So give three cheers and one cheer more for the mighty Poyerd of Art World!

[@erins.5420]

Your videos are stunningly edited and so easy to watch and when the video is over I find myself wanting more and luckily you have a backlog of more great videos. Thank you for sharing on KZbin.

[@JillPoyerdFineArt]

Thank you so much - That's so appreciated, Erin.

[@JackbenImbel2274]

Great work Jill, this brush stroke history is really adding to my painting knowledge. There is much to learn from these master's strokes, very well described by you.

[@JillPoyerdFineArt]

Thank you, Armando. It was a wonderful series to create...so interesting.

[@wrdaugette]

Very nice series! I like how you keep referencing the timeline to tie to the movement or innovation. Nice flow with just the key information, thanks!

[@JillPoyerdFineArt]

Yes, I thought that would be helpful to viewers. I’m glad you thought so and enjoyed the series!

[@Walperion_Music]

Such a calming harmoneous experience to stumble upon your beautiful videos and low-paced calming voice!

[@JillPoyerdFineArt]

Thank you so much, Yokky

[@Walperion_Music]

@@JillPoyerdFineArt Pleasure! Keep it up, I'm sure many of us new-comers will be life-long subscribers. Peace and love!

[@happystar7777]

I’ve never taken a thorough look at most of the great masters in one sitting. I’m finally getting a feel as to what moves me most. Von Gogh, Monet, Rembrandt, Titian, and Renoir. Havnt seen the third part yet but it Really helps me understand myself and my art style.

[@JillPoyerdFineArt]

I'm so pleased that it's been so helpful for you. And of course, to be the best artist we can be, we really have to be moved - so very important.

[@KNW0001]

Rich and vibrant. Great way to show the history of painting!

[@JillPoyerdFineArt]

Thank you!

[@rmlevyPhD]

Materials and technique is often overlooked topic in many art history courses. It is critical to understanding the development of art since the 15th century. Thanks

[@JillPoyerdFineArt]

Well said, Richard.

[@michelleg5109]

This series is fantastic! I'm learning so much, and the narration is perfect. Thank you for these!

[@JillPoyerdFineArt]

You're very welcome, Michelle!

[@tsslkjk2519]

Thank you so much for this beautiful presentation. You have included all the key elements of Impressionism in one short video.

[@JillPoyerdFineArt]

You're very welcome, and I appreciate that particular comment. I did try hard to give a well rounded but brief explanation.

[@ludwinvart5409]

Toulouse-Lautrec has my favorite brushstrokes

[@carolso6009]

I looove watching these informative art essays from you

[@JillPoyerdFineArt]

Thank you! I'm glad you're enjoying them, Carol.

[@cristianoandrades]

Amazing! I never had a lecture or watched a video or read a book that captured so much information in a easy and interesting way to absorb as this content does, I always learn so much with your videos. Thank you so much for sharing, much appreciated. Best

[@JillPoyerdFineArt]

What a kind comment, Cristiano. You're very welcome.

[@jancurda8466]

I ve just learnt more in half an hour than in 5 years of art school!

[@linzertube]

Very informative and excellent visuals.

[@escultorjuandelgadom-prat]

Atonishing video:clear, exact and beauty. A brushstroke of color for the eyes.

[@JillPoyerdFineArt]

Thank you so much...

[@dvidhickson9379]

Not enough videoed like this out there. Bravo.

[@JillPoyerdFineArt]

Thank you!

[@bens.5127]

I could listen to you all day long! Thank you!

[@JillPoyerdFineArt]

I'm glad you enjoyed it!

[@steveg8322]

Excellent, enlightening. A soothingly absorbing narration as well.

[@JillPoyerdFineArt]

I'm so glad you enjoyed it, Steve

[@bjs001001]

Brilliant! Thank you so much for this 2 part series. SO much great information here. I for one really appreciate it.

[@JillPoyerdFineArt]

You're very welcome, William. I'm so glad it's been helpful!

[@periapsis413]

Really informative video, thanks. Out of all these artists Van Gogh still really takes my breath away. His brushwork is so visually pleasing.

[@JillPoyerdFineArt]

He really is amazing, isn't he? What a master.

[@G8rrett]

You're voice is mesmerizing. Excellent content and well produced. Thank you.

[@JillPoyerdFineArt]

That's appreciated, G8rrett - thank you

[@aretelibertas6988]

I just say "Perfect!" before clicking the Part 3

[@mikedaniels3009]

Bob Ross, we want Bob Ross!!!!! Now, that will be the icing on the cake of this fine series. Thanks in advance.

[@JonathanRodriguez-ul6re]

I love this series so much, it's extremely informative and well presented.

[@annmariemarin5513]

Honestly this is the best information I have ever seen on the internet. The BEST. Thank you.

[@JillPoyerdFineArt]

Thank you so very much...That really means a lot

[@rollasabra307]

Thank you . very interesting and informatic.

[@silvanocece1365]

Thanks Jill ~ reviewing all the parts 🎨✍️👌

[@JillPoyerdFineArt]

Wonderful, Silvano!

[@nicasso]

It will seem silly, but when I watch these videos and hear their voice off while viewing the works of art, I get so excited that I cry like when you hear a good musical masterpiece.

[@JillPoyerdFineArt]

Not silly at all, nicasso. I'm actually quite flattered.

[@rafatjack3599]

jill ..you are more than amazing .. please more videos

[@JillPoyerdFineArt]

Very kind, rafat - thank you! Oh, I have plans for many more....

[@MeasAgun]

This is very good news indeed!!! :))))))))))

[@JillPoyerdFineArt]

Thank you!

[@annedeguernon8117]

absolutely fascinating, as you mentioned earlier, very few if not any videos mention this subjet. Thank you so much, very helpful for painters like myself.

[@JillPoyerdFineArt]

I'm so glad it was helpful, Anne.

[@zaqareemalcolm]

Ive been looking up impressionism, but never heard of Corot until now, his work looks inspiring

[@JillPoyerdFineArt]

His work (especially his later work) is so wonderful. It's also interesting because he's one of those artists that when you see the span of his artwork you can see the slow development and change in style.

[@acwatercolors]

Excellent analysis and informative details. Very nice realisation too. Thanks

[@JillPoyerdFineArt]

I'm so glad you enjoyed it, Alain.

[@TheErnesto1966]

great explanation on the development of brushstrokes. Perhaps you could also find out about the influences of the canvas size throughout the times. Differences on portrait and landscape...

[@javekgp]

I enjoy the process or the way paintings are made ... beautiful❤️😍

[@stonew1927]

This is such a great series! Grateful to have stumbled across these videos.

[@trianamiamor]

I learned so much about art history from the perspective of techniques in your informative videos, than in 2 years I took in my studies of art and art history at a college of Art in Toronto. Thank you for such a well explained and beautifully displayed documentary. Yours truly, Alfredo.

[@xcesar4impx666]

Simply gorgeous! !!!!!!

[@JillPoyerdFineArt]

Thank you!

[@TheStone264]

I think this is very good offering to look at brush strokes. If you do more of this kind of work please add the women that made their "mark" too. But I really like how you've produced this. I like your voice and enthusiasm.

[@JillPoyerdFineArt]

Thank you, TheStone264. Actually, I plan to someday make a video specifically on female artists in history. It's been on my heart to do this for a while - just backed up with projects right now.

[@bondsons]

The best videos there are on art history, you are so good at this, thank you!!

[@alexportugal1212]

Excellent series

[@connermoss1994]

This is incredible.

[@henrycastle1]

❤️ Jill Thank you Much obliged Sent before finishing whole film

[@frocksandscrubsadvanceecoc3533]

I needed this... beautifully done.

[@edperry4235]

Outstanding. Thank you so much for your videos.

[@JillPoyerdFineArt]

You're so welcome, Ed.

[@timluns]

Jill this video was a stroke of genius...Thumbs Up

[@milztempelrowski9281]

'stroke'...

[@JillPoyerdFineArt]

Thank you, timluns (and Milz)

[@superbadmofo1]

I'm pretty good at portraits but I never had the formal accademic trainging others have and to a non maliciouse point I envy them...but watching all 3 parts of these videos were so enlightingin and educational, the whole timeline was a great touch. Thanks Jill...great work.

[@JillPoyerdFineArt]

Thank you - Glad you enjoyed it!

[@yasminguliyeva2374]

Amazing descriptions and explanations. Thank you for this video

[@JillPoyerdFineArt]

Glad you enjoyed it, Yasmin

[@alcyonecrucis]

Great video, a good reference for me.

[@idangibly9115]

The left painting at 1:49, is not Manet, but Gustave Courbet , and called- The Meeting ,or "Bonjour, Monsieur Courbet"

[@JillPoyerdFineArt]

Yes, I suppose I should have added subtitles for that clip in the video. I was just using Courbet's painting as an example of realism. The painting on the right is painted by Sisley (The Lock of Saint-Mammès). I didn't mean to imply that Manet painted them.

[@materwarrior]

I took school for design and I didn't understand painting until now. Thank you so much

[@JillPoyerdFineArt]

That's so nice to hear - thank you, materwarrior.

[@LoonyIdea]

Fantastic source of knowledge, thank you!!!

[@JillPoyerdFineArt]

Glad it was helpful, Daria!

[@LUNAart2023]

So beautiful

[@angelfcogarcia]

Awesome video!

[@JillPoyerdFineArt]

Thank you, Angel

[@parthsavyasachi9348]

Thanks for these videos.

[@JillPoyerdFineArt]

You're very welcome, Parth

[@justinallen1771]

These videos are really great thanks!

[@JillPoyerdFineArt]

You're welcome, Justin

[@antigen4]

nice presentation - very fluid and professional - i thought it worth mentioning that Seurat et.al. were quite consciously inspired by the halftones of the offset press - another example of technology influencing art of the day

[@JillPoyerdFineArt]

Absolutely. I'm glad you mentioned that. I couldn't list everything due to my time constraints unfortunately, but that is very true and something interesting for viewers to know.

[@kshitijthakkar8074]

Great work Jill keep it up👍

[@JillPoyerdFineArt]

Thank you, Kshitij

[@thestaz8564]

Great work

[@muhlenstedt]

Excelent quality!

[@alexdven]

Very good video. Congrats!

[@JillPoyerdFineArt]

Thank you

[@cat67man]

Great job on this video! Thanks!

[@JillPoyerdFineArt]

Glad you liked it!

[@rorygurrin7233]

Excellent videos and am very grateful. An addition to this might be the reason or explanation for the inovations that compelled the artists to seek new directions of expression through the medium of paint and what painting would someday come to represent in the broader cultural context? Thanks again.

[@JillPoyerdFineArt]

Oooo...interesting angle. Perhaps I'll add the idea to my list.

[@yanca6830]

beautiful

[@TiNA-zr7ku]

Wonderful! Thank you!

[@louiscypher7090]

Van Goh was the king of home made slang using "kills it" 100 yrs before the youth of today.

[@JillPoyerdFineArt]

Absolutely! Louis, I had to include that both because it was a great commentary and also because I thought it was so funny that he used that phrase. Glad someone else enjoyed that aspect of it as well.

[@martinsdontjump]

Thank you!

[@rolisonpaint3]

Thank you, I have learned so much.

[@NeonsStyleHD]

Fasinating

[@bivo4659]

Ww

[@ilpezkato]

Excellent!!! Thank you!!!!

[@JillPoyerdFineArt]

You're very welcome

[@natureshare.2024]

Thank you, so much studying and information.

[@JillPoyerdFineArt]

You're very welcome.

[@loanacrap9248]

Lovely Thank you !

[@JillPoyerdFineArt]

Glad you enjoyed it, Loana

[@dimitrisrallis9887]

Very good for beginners

[@samh4245]

Wonderful video. Thanks! I really enjoy it and the musics beautiful too :)

[@JillPoyerdFineArt]

Thank you. Yes, much of the music was by the same artist - very talented. I list it in the video description.

[@j1udu522]

Great video once again, thank you.

[@JillPoyerdFineArt]

You're very welcome - glad you've been enjoying them

[@davevanfunk8917]

Painting on the left @1:50 is Gustave Courbet, in case anyone was wondering.

[@JillPoyerdFineArt]

Oh gosh, I didn't realize how that spot could communicate poorly. Yes, that is The Meeting by Courbet. I have the painting credits listed at the very end of episode three. I see there that I forgot to give credit to the painting on the right! Darn. That is a portion of The Lock of Saint-Mammes by Alfred Sisley. Amazing how you can miss things in production. Glad you saw this, Carol.

[@davevanfunk8917]

I had to laugh because I sometimes confuse Corot's and Courbet's names (never their art, but they had similar names and were contemporaries).

[@JillPoyerdFineArt]

Yes, I can see that happening - lol

[@normanstratford9329]

Cezanne used colour to find volumes of forms, and that is the reason he is classed as a artist of modern art as it leads to cubism.

[@poetryprose4810]

This is a great video.

[@JillPoyerdFineArt]

Thank you

[@poetryprose4810]

@@JillPoyerdFineArt You are welcome.

[@kosinus]

good video, but I think it truely misses reference to camera obscura with their different lenses quality and how it influenced even impressionist painters

[@JillPoyerdFineArt]

Unfortunately, it's hard to hit on everything with limited time. You end up picking and choosing what's most important. But I'm glad you enjoyed it.

[@ardenbogosyan9602]

Thank you, such a nice video, teaches a lot!

[@JillPoyerdFineArt]

I'm glad it was helpful, Arden...

[@chrissycanvasart]

Awesome, I loved this video 👍👍👍

[@Acheiropoietos]

The great English painter David Hockney, developed his own theory that many old masters (eg Caravaggio) used a prism or ‘camera obscura’ to aid their compositions. The boundary between the two dimensional egg tempera paintings of the Middle Ages and the more realistic depth of field used in the oil tradition is quite pronounced.

[@superdave54811]

I may be wrong, but I understood that Monet had cataracts which also led to the style of painting he chose.

[@JillPoyerdFineArt]

You're correct that he had cataracts and was losing his sight. The poor man. Can you imagine..with his talent? That did influence his painting as his vision blurred and his ability to decipher colors deteriorated. He apparently painted for 60 years before suffering with that problem. Its influence on his work is still debated. He was diagnosed with it in 1912, had surgery in 1923 (after which his style didn't alter much), and then died in 1926 at 86. It seems you can tell when it starts to impact his work because the colors begin to muddy a bit. To me, I start to see his colors change around 1899, but he produced a TON of work prior to that. Here's a nice chronology of his work: www.monetpainting.net/painting_thumbnails.php?search_by=all Here's an article you may find interesting about his eyesight: www.telegraph.co.uk/news/uknews/1551703/Cataracts-the-key-to-Monets-blurry-style.html

[@superdave54811]

Actually, I can imagine. I have the beginnings of cataracts. Driving at night can be a nightmare. Lights in department stores and grocery stores make my vision fuzzy or foggy. I have done some very fun things with various forms of art. I will continue to do so. Perhaps my stuff will make me famous...........when I am gone.

[@JillPoyerdFineArt]

Oh, I'm so sorry, Dave. It must be frightening and disturbing for you. But yes, who knows what will happen to our work when we're gone. We can always hope! At least we know that we won't be forgotten for our art reflects each of us as individuals, I feel.

[@superdave54811]

Thank you. You are very nice. It is frightening and very disturbing. My father is going through the surgery to remove cataracts. So, I know it is perhaps either genetic or environmental. But is somewhat correctable these days. Thanks for being so nice and also thanks for these videos. Art is a huge aspect of my life and I have little else that makes me feel good, well, besides comforting commentary from you just now. Thanks again. You are awesome.

[@JillPoyerdFineArt]

Gee, maybe it is hereditary. Hopefully, you're dad will have a positive experience with the surgery. That would be very encouraging for you. I'm so glad I have been able to offer you some kind words, Dave. Keep pursuing your art and I pray for joy to come into your life.

[@winterdesert1]

Wow. It's like painters have tried every possible style...so what is left?

[@JillPoyerdFineArt]

I wish I knew, aftrn walk. Boy, I wish I knew...

[@winterdesert1]

@@JillPoyerdFineArt Well I hope painting never goes out of style. I plan to paint soon - again. Never did it professionally, but I really love the painterly styles. I'm good at copying - like a photograph style, but I hate that. I want to develop a painterly type style, so it doesn't look like a photo!

[@JillPoyerdFineArt]

@@winterdesert1 I don't think it will ever go out of style, personally. I think humans have a natural need to express themselves kinetically - with their hands and such. It's kind of in our nature. You know, copying is considered quite a skill, but I know what you mean. I find that there are some tricks to help you loosen up, depending on the medium. For example, I find that painting with a palette knife for parts of a painting helps me apply the paint more expressively. You will likely find your own tricks with time.

[@salamander981]

Very informative, merci beaucoup.

[@OnlineCollegeofArtandDesign]

amazing!

[@michaelcoulson6483]

Wonderful study into brush strokes. I feel like I learned so much. But that voice though. ❤️❤️

[@JillPoyerdFineArt]

Funny - The vast majority of viewers really enjoy my voice. But, of course, nothing is ever 100%. Glad you enjoyed the material at least.

[@michaelcoulson6483]

You misunderstood me. I liked the material very much but fell deeply in love with your voice though!!😀

[@JillPoyerdFineArt]

Oh, I did mis-read that. Thank you for the compliment!

[@patriciasyrilledavid2457]

Thank you🥰

[@AudiobookLibrary24-7]

This is so marvelous--I can't believe this is real. How can this be?

[@JillPoyerdFineArt]

That's so kind...thank you for that.

[@carolmortonjeory5831]

FASCINATING

[@tbluemel]

Another brilliant, inspiring, educational, insightful video by a master. I sure wish I could walk through the Louvre or NY Met museum with you, Jill. I am learning soooo much from you and your wonderful, top drawer videos and I would encourage anyone watching Jill's KZbin videos to take her courses (which are ridiculously affordable) on www.udemy.com . You will get way more than what you pay for them - I have and am!!! Thank you again!!!

[@JillPoyerdFineArt]

Thank you so much, Thom. And my apologies for the delayed response. For some reason I was never notified about a whole set of comments! Regarding the museums, that's so kind. it's one of my hopes that after people watch my videos, their next visit to an art museum will be a more personal experience for them - that they'll see into the works and understand what's behind them. I suppose its like being an online docent!

[@frechjo]

I'm interested in using this video and the first part for educational purposes. I work for the city government making art shows (with a very low budget ;), and we have currently one focused exactly on this topic. I would have to make Spanish subtitles. The videos would be played complete, no editing done. Is it ok to play it in a free public space? Should I add credits to the subtitles (or do something else)? Are you interested in the Spanish subs (and in what format)? Great video BTW :D

[@JillPoyerdFineArt]

I would be delighted to have it used for that purpose, fede. How wonderful! Yes, I would like to be credited, but am not sure I understand what you mean by adding credits to the subtitles?

[@frechjo]

Great, thank you! I mean adding some lines to the subs at the start like this: "Pinceladas, parte 2" "Siglo XIX" "Jill Poyerd" and some at the end like: "Realización de Jill Poyerd" "www.jillpoyerd.com" Since it would be playing in a loop along with other material, there's no proper place to have it credited out of the video (there are no printed programs or brochures). The videos themselves don't have any branding, that's why I ask.

[@JillPoyerdFineArt]

Ohhh, I see. That would be wonderful, fede. Thank you! That's very considerate.

[@AudiobookLibrary24-7]

The best!

[@JillPoyerdFineArt]

Thank you!