Dietrich Buxtehude (1637 - 1707) Heinz Hennig Knabenchor Hannover Ton Koopman Amsterdam Baroque Orchestra
Пікірлер: 24
@marliesrabisch7843 жыл бұрын
Der Chor hat wunderschöne Stimmen.
@elisabethmuller90884 жыл бұрын
Ja, wir wollen Gott danken alle Zeit, auch für den Frieden, den wir nun schon so lange genießen dürfen, möchte ihn uns noch lange erhalten, aber ich denke, dazu müssen wir Buße tun und umkehren zu ihm, wir sind nur äußerlich noch ein christliches Land, innerlich ist viel Fäulnis,
@matteovasta59522 жыл бұрын
Tutti commenti eccezionali per questo maestro straordinario. Grazie
@hirogatin1746 жыл бұрын
I like that perform and record the baroque cantatas and other sacred vocal works with Treble choirs and soloist.
@chasericardo89993 жыл бұрын
You prolly dont care but if you guys are stoned like me during the covid times then you can stream all of the latest movies and series on Instaflixxer. Have been watching with my girlfriend for the last few months xD
@lewisboston60143 жыл бұрын
@Chase Ricardo yup, I've been watching on instaflixxer for since december myself =)
@polomokipo60008 жыл бұрын
DIETRICH BUXTEHUDE { BAD OLDESLOE , HOLSTEIN 1637~1707 LUBECK } ~ NUN DANKET ALLE GOTT { BUXWV 79 } ~ HEINZ HENNING ~ KNABENDOR HANNOVER ~ AMSTERDAM BAROQUE ORCHESTRA ~ TON KOOPMAN ~. Une merveille voix vocales et musicale grandiose bravo. BUXTEHUDE passe les trente première année de sa vie au Danemark ou il est formé probablement par son père organiste. Sa glorieuse carrière démarre en Allemagne à LUBECK le 11 avril 1668, ou il occupera trois postes d'organiste a HELSINGBORG, à SAINTE-MARIE D' ELSENEUR et à SAINTE-MARIE de LUBECK ou il finit ses jours. En 1703 MATTHESON et HAENDEL lui rende visite à LUBECK. Il entretient de fructueuse amitiés musicale avec JOHANN ADAM REICKEIN. BACH a l'âge de 20ans, fit en 1705 à pied le voyage D'ARNSTADT à LUBECK {400km} pour entendre ce grand maitre de l'orgue pour l'avènement de Joseph 1er. Il fut en son temp le compositeur le plus célèbre en Allemagne et un musicien au rayonnement européen. Merci pour ce chef-d'œuvre de BUXTEHUDE grandiose Eternel.
@matteovasta59522 жыл бұрын
Notizie importante, come l’ andata piedi di Bach. Un maestro straordinario e apprezzato in tutta Europa.
@pensare246 ай бұрын
A quando un'altro "Tempo musicale e corale" di questo Livello, nella nostra Miserevole Europa! Invece di fabbricare armi facciamo Scuole di Musica per i nostri Figli 😢!!!
@CarolusGustavusRex12 жыл бұрын
Yes
@CarolusGustavusRex12 жыл бұрын
It's a different recording of the same work.
@TheFlairRick12 жыл бұрын
I think it is from the 1987 recording of Buxtehude Kantaten with Koopman.
@frederiklaureys151619 күн бұрын
MERVEILLEUX MUSICAL…
@geminian784612 жыл бұрын
I was thrown by the fact that the opening two movements are reversed and also the instruments appear to be playing at a different pitch in the second recording.
@geminian784612 жыл бұрын
A year ago you uploaded a different cantata on "Nun danket all Gott" which also purports to be BuxWV 79. They can't both be! Please can you elucidate?!
@BarokMusik12 жыл бұрын
Is because i have a question: GustavAdolphusRex uploaded an opera (or oratorio) but i can't find it (perhaps it was deleted), or remember it's name. Can you help me? Many thanks for you new upload.
@BarokMusik12 жыл бұрын
CarolusGustavusRex are you the same as GustavAdolphusRex?
@TheFlairRick11 жыл бұрын
Can I have please by chance have your e-mail address? I have some wonderful music ideas to share with you, like for example how there should be a recording of Johann Kuhnau's "Wenn ihr fröhlich seid an euren Festen (contains 2 clarinos, 1 trumpet ‘principale’, timpani) This is where the sonata "ad Festum Pachilis" comes from. The sonata has been recorded I think once on Ars Musici - this is the Whole Cantata" as well as all of Kuhnau, Knupfer, Schelle, works that are scored for trumpets.
@andersbertilsson951611 жыл бұрын
Une belle composition, mais Carolus, pourquoi toujours des trompettes?
@wkruit5 жыл бұрын
Pourquoi pas...??
@effroyjean-pierre43035 жыл бұрын
Parce que c'est le fondement même de la musique sacrée baroque, en particulier dans cette magnifique cantate à la gloire de Dieu.