Canon C200 vs BMPCC 6K Cinema Camera

C200 vs BMPCC6k! With the Canon 85mm 1.4 & 24mm 1.4
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[@scottmckenna]

Both awesome cameras for sure. BM6k is a crazy good deal for the features. Pros and cons of any camera for sure. Great comparison here.

[@rabirai1003]

Still mad at you for leaving WFS.

[@alanbam5590]

Hey, wtf are you talking about 256GB Cfast card being $400 bucks? 256GB Cards are about $190.

[@DHGlexxy]

@@alanbam5590 wrong

[@alanbam5590]

@@DHGlexxy Nope. You're wrong buddy. 128 can get down to $70 if you did a one second of research you would find that out. www.amazon.com/Komputerbay-Professional-256GB-CFast-560MB/dp/B01NBAVA26/ref=sr_1_6?keywords=cfast+cards&qid=1574152627&sr=8-6

[@MattMatheson]

Fer sure

[@OfTwoLands]

Nice video. I have to say though I own both the Canon C200 and BMPC6K and you can definitely match them easily. I used the C200 as A Cam and BMPCC as a B cam on a series of documentaries with no issue at all..

[@miguelbaca8086]

Can we get a tutorial for how you get that "secret life of walter mitty" look? I absolutely love the color but I have no idea how to get there!

[@WinterCharmVT]

I would love a color grading tutorial. :)

[@sergthemane]

Miguel Baca yes!!

[@randydelay230]

Love the color grade, would definitely appreciate a tutorial!

[@OneTap__]

*Push the black up, push the clarity down, a litle bit of haze, and you are done!*

[@spiffyrog]

Majority of that would be in the lighting and production design :)

[@robbhawks2568]

I recently bought a BMPCC 6k. Added a Tilta cage and power handle using sony F970 batteries. Awesome. Using Samsung 2 TB SSD. Killer. Over 3 1/2 hours at 5.1 braw. Oh how I love the BRAW. Matched with DaVinci Resolve for grading and editing. Killer combo. Not perfect, but wow, nothing comes close for the bucks. Oh, Canon 24-105 stabilized lens. 1 touch auto focus works. Love the focus edge highlights.

[@randyburleson]

Hey Sara, if you use the ACES cc color space in Resolve and select the presets for your different cameras on the inputs you can match your cameras and make your color correction a bit easier...

[@JamesJacksonFilmz]

Hi Sara great video. One thing i would like to mention. I own both the C200 and the Pocket 6k as you exactly describe at the end. C200 as my main, pocket 6k as my B camera. However I am easily able to match them up in resolve using Color Space Transform. It's a feature right in resolve that will make any log format behave like another log format of your liking. So what i do is take the c200s log profile and turn them Blackmagic's film log then simply drop my custom pocket 6k Lut and they match almost perfectly. I made a video on color space transform on my own channel. You can check it out if you want.

[@ellenernst9806]

Hi pleas tell me if money wasnt a option wich camera would you choose and wish has better video quility and wich has better raw pleas help me as im still new

[@CBSuper]

My 2 cents, having both cams, C200 is for work (autofocus, ND's, easy codecs, battery, screens, durability, etc) and BMPCC6k is for passion projects (OMG that image, and use even using cheep Rokinon manual cine-lenses). Both cams are awesome, but if you make a living shooting video for commercial purposes, the C200 is still the better option (especially if you're a canon glass user). Great video, love the channel, cheers!

[@4seeableTV]

It's now been 18 months since this video. The new BM 6K Pro, with it's ND's, tiltable screen and better codecs is slowly inching towards crossing that line. All for the same price as the previous BM6K. I'd say they're going to sell a ton of them.

[@CBSuper]

@@4seeableTV that pro model fixes most of my issues. I dont have it yet, but definitely a contender. Auto focus is probably still a bummer on it, but if they ever get that close to the canon cams, it would be an unbelievably versatile cam for all pro work.

[@ImaginaryStudio]

I looked at both cameras for cinema work. I was coming from the Canon C100 with Atomos recorder. I went with the BMPCC 6k because, even when I added the Samsung T5s and the Vmount battery solution, I ended up with a camera that will do what I need for less than $3k. That is ridiculously cheap. I have taken on the Resolve learning curve, but with KZbin, that hasn't taken much to do the things I want to do. Now, for transparency, I was using a HitFilm Pro to edit and all of the plugins were open-source which Resolve can use. So total win on my side once I figured out how nodes best work in my workflow. Love the Canon for when I needed autofocus for events, but now I am doing more cinematic and talking head work. Black Magic makes sense for me and I love it. (I actually have both the 4k and the 6k... why don't they both shoot 4k in Braw?)

[@jazaprod1355]

Hello dear, I will like to buy a good Camera for video shooting my question is The black magic pocket 6K is good for music video shooting or I better buy the canon 5d mark IV? Or which camera should I buy. Please I need help for that before I buy the wrong camera

[@YCImaging]

This video looks amazing!

[@JamalTheCreator]

YC The legend

[@smjbk]

I love it when two of my fave KZbinrs surprise me with a colab, especially when they're showing off their camera gear!

[@FilmConvert]

Thanks for the shout-out! We've got camera profiles for the C200 and BMPCC6K as well as over 50 over popular digital cinema, mirrorless and DSLRs to make camera matching easier, and FilmConvert Nitrate will be out for DaVinci Resolve next month

[@WoodWorkLIFE]

I just had this question, looking for my next cam upgrade. How is the focus on the BMPCC 6K? Not nearly as good as dual pixel, and I almost esclusive shoot myself (that always sounds so bad.)

[@BigYayWarzone]

It does not have auto focus at all.

[@WoodWorkLIFE]

@@BigYayWarzone that's not gonna work for me

[@TylerEdwards]

Both are great cameras. I love shooting with both for different reasons. For CFast, look at Silicon Power cards. Approved for the 6K and can run continuously on the C200. 500gb is $300ish. I’ve used it in both cameras ni problems.

[@louisuy_]

OH MY! I loved the movie The Secret Life of Walter Mitty, ESPECIALLY when i got into analog film photography.

[@lobrmusic2542]

Louis Uy same! One of my favorite movies!

[@solprod3629]

The color grading was pretty spot on But I am intrigued. You color grade before editing? Shouldn't it be the last thing you do before exporting the video?

[@4seeableTV]

Everyone has their own preferences. It's kind of nice to see all your footage exactly like you want it before you even start the edit process.

[@AlexPerrucci]

The image from both of those cameras is amazing. I don’t think I’d be able to tell the difference if they weren’t labeled. Price of the black magic is a huge plus!

[@jamesmathews243]

Wow... when you guys showed the Mp4 shot directly followed by ProRes... I thought... Canon really nailed that 8-bit codec. It looked just as good as the 10-bit to my eyes.

[@DidsLive1]

If you do ever need to in a pinch the color match feature in Premiere actually comes in clutch. I have had to rely on it a few times and while it isn't PERFECT all the time, it puts you in a really good spot to make minor adjustments to dial it in properly.

[@DanishCamp]

Didn't learn much from this

[@markusakira3286]

How loud is the fan on the 6k? Loud enough to make using it as an interview camera difficult ?

[@JaredOwen]

Hey Sara! It was great to meet you at VidSummit this last week. I loved hearing your story about making the jump! Keep up the good work

[@dontwaste111]

@@TVCStudios based

[@wfldcreative2195]

Quickest way to match colors between two outstanding and comparable cameras is to use a color chart. Resolve does a wonderful job in mitigating any color skew different manufacturers have and just give you the proper color using charts from many of the best brands out there. X-Rite Colorchecker Passport is my go-to. Then all you need to do is copy and paste your tweaked color grades to the matching camera clips with minimal tweaking.

[@romainissa]

can't see a real difference with your footage between both ... and difficult to make a choice when you show 90% more footage of BMPC than the C200.

[@ronineditor9920]

You can't see the difference? I see a HUGE difference.

[@chloescanlon1107]

@@ronineditor9920 Go on then Einstein, do tell us 🥱

[@ronineditor9920]

@@chloescanlon1107 If you can't see it, then you wouldn't understand that the Black Magic clearly has more dynamic range, better highlight roll-off, better skin tones, etc. And, now with Gen5 color, it's even better. It doesn't take a "genius" to understand this... just a filmmaker with experience. Yikes.

[@smileychess]

@@ronineditor9920 I’m glad I don’t know you in real life. You seem... unpleasant.

[@ronineditor9920]

@@smileychess There's a difference between being "unpleasant" and being "honest." People think you're "unpleasant" when they disagree with you... but they, of course, are never wrong and never "unpleasant" :)

[@Valleedbrume]

Great video.Both great cameras.The black magic would be my choice for its RAW capability(codec choices)Portability,and price.( I will live with the ND filters/battery life and no auto focus)Just my preference.Have the 4 K(love it)thinking about adding a 6K(the price is sooooo great)

[@Dir_Denden]

wanted to get the C200 or Fs5ii before the BMPCC 6k came out and ended up getting BMPCC 4k. Dont regret it at all only wish I had that autofocus when I really need it but yeah there is no perfect camera. Time to get the 6k

[@markkut]

I was thinking this same comparison just a few days ago. Thanks for sharing! Kinda leaning towards the C200.

[@lachiem]

It's a great camera man, highly recommend.

[@scotthamilton1054]

Seems like comparing apples to oranges for the C200 is a ready to go field camera and the BM is a camera block waiting to be built upon so image structure is the only thing to test.

[@GarrettMusic1]

Both would be good but I would go with the blackmagic because of the price point

[@pkonttinen]

Hey Sara, I want to throw a 70-200 on my bmpcc 6k. If I rig it out, do you think I can get stable shots?!

[@jacopoabbruscato9271]

Great video! I'd love to get a C200 but the codecs are a bit of a dealbreaker for me. Canon's RAW light is anything but, those files are HUGE, and the only alternative is 8-bit 4:2:0. The middle ground I'd use more often is sorely lacking. 10-bit 4:2:2 is the industry standard nowadays and not including it only to protect the C300 II sales is kind of a dick move from Canon.

[@alecwry]

It just goes to show how solid the c200 is when it’s 8 bit 4:2:0 codec looks good next to the 6k’s prores

[@celestethoms]

I thought the 6k couldn’t shoot in ProRes. Has that changed or have I heard wrong? It’s one of the reasons I passed on this camera for now.

[@abidshuvo9418]

Yup It Can Shoot In Prores

[@j.jmarlon1417]

I think the Bmpc 4K is good enough for me

[@AEDigitalProductions]

I have the Ursa Mini Pro and have been undecided on the BMPC 6k or just get another Ursa Mini Pro G2 for my A and use my URSA Mini Pro for my B camera. Honestly, I'm lucky to be busy. I do not have time to color grade raw footage from every Client we shoot for. I'm leaning towards the G2 so I can switch to video mode and deliver ProRes HQ 4,4,4and XQ raw footage that Client's are used to seeing, and also for the form factor, internal ND filters and the pro inputs & outputs which enables me to use them in studio. I can connect both to AC and connect both the G1 & G2 to 4K switchers. To me the BMPC 6k is a 3rd or C camera for run and gun when you do not want to carry the big beast. Cool video though! I will go for the Ursa Mini Pro G2 over the C200 just because it's the closest match to my Ursa Mini Pro. Subscribed!

[@SimplyAubs]

First off...awesome colab! Second...I *totally* LOVE your color grading!!! If you do a vid on that...I think you’d have MANY fans ready to watch!

[@bmbfilmshd]

The Blackmagic pocket Cinema 6K looks way better, and plus it does 10-bit raw/ the only thing that Cannon has is colors and autofocus and obviously battery life! ( but you can't beat that price with the pocket Cinema 6K) 🎥🎥🎥 in the dynamic range on the pocket is better!!!!( more resolution)

[@QuadDoc]

Sara!! Wow, I don’t even know how I ended up here but OMG! The best! I’m going on a bender trying to binge as much as possible!! 📸🥰👊🏼😻

[@markusstark8564]

I wonder about the heavy CA in the slowmo shots. Is Canon really that bad wide open?

[@definitionxmk]

Are you guys running into C200 RAW noise? I always appear to have just a ridiculous amount of noise and I have to apply Neat Video on everything...

[@DerekDoublin]

You need to perform an Auto Black Balance. I've found the C200 needs this much more than previous Canon cameras ever did. But you shouldn't have to do this all the time. Just every now and then, or maybe when you're going back and forth between super extreme temperature changes. Here's a little tutorial on it: kzbin.info/www/bejne/mH_Sg6qtataZY7c

[@nightking1448]

hello I bought a new one. I want to ask a question. With the original battery you can record how long 12: 1 6 k. Do you think it's normal for me 10 minutes?

[@NathanVMountain]

Great comparison, very helpful and informative! :) Oh also, saw Scott's video too (love your vids if you see this Scott, can't believe you ended up collabing with Sara x'D) and if you actually want an editor, I do it full time as my job and I would be honored to help you! Let me know and great vid again guys!

[@JWS1968]

The BMPCC6K looks very cinematic. I'd definitly have two of them over one C200. All day!!

[@randypower9317]

I'm surprised I actually found this video. I'm at the point where I need to choose between THESE 2 CAMERAS! So great. I think I might go with the BK. I just don't know which lens. Do I get a prime and a wide-zoom, 2 primes or servo zoom? Have any suggestions. I'll be doing mostly instructional videos from a tripod, but need wide and closeup shots. If I did video only, I might consider the C200.

[@Ben-fq1lj]

If you have a xrite color chart and some grey scale charts you can make presets to help give a good starting “match” that will make your workflow easier. I do it for my Sony cameras with canon and it helps a lot.

[@Ben-fq1lj]

Also just having the knowledge of where canon places it’s greens or yellow, etc... helps so you know where to bend the hues when correcting. For instance, Sony’s Cyans tend to bend more in the green direction.

[@nicholasolivas317]

Does film convert make it easier to colorgrade than doing it in Resolve? Or is it just a simple too to get the look you want , almost like using a lut in Premiere?

[@gkochanowsky]

Sara, you do know that on the P6K you can load a LUT into the camera and bake it into the recorded video.

[@BastiMark]

HELP: I got a Sony A7III and wanna upgrade my stuff a little bit. Do u think I should go with the Canon C200 in future? Or with others? I need the AF for my work as a one man show, what do u think?

[@dspoet1]

Sebastian Mark Stick with the A7iii and learn how to color grade S-Log 2. It gives you 15 stop of dynamic range. Also, invest in a noise reduction plugin.

[@aaronthomas9163]

DS POET I agree but s-log and 8 but don’t get along too well though.

[@dspoet1]

Aaron Thomas Gotta learn how to expose and color grade it correctly.

[@drummerdude100]

DS POET a7iii does not have 15 stops of dynamic range in video. Also, 8 bit slog2 is not good for any serious grading. Better off using HLG or Cine2/4 and grading lightly. Even better, get a bmpcc4k/6k and learn to manual focus- I do it by myself all the time. The a7iii has good image quality but it’s really not suited to professional video work.

[@KatsuDono]

Thanks for the video, but really, those blown up highlights bothering me so much)

[@pieterpauwelbeelaerts5995]

Great impression of/for both camera's. For me, c200 wins: autofocus, ND, reliable (battery life). But then, so unfortunatly there isn't 10/12 bit out SDI/HDMI on the c200.

[@linkslivemedia7050]

I hope you created a lut for your look. If you do you can load it directly into the pocket 6k then you can record it in the raw codec and just tweek or turn it off and start over in post

[@waawaaweewaa2045]

In most of the sample footage the c200 hit focus way more consistently, BMPCC footage color wise looked similar but softer and out of focus in many areas. I'm guessing this issue can be resolved with a different lens or method of racking focus. Is there any equipment out there that lets you rack focus quickly and accurately with the bmpcc? thx

[@drummerdude100]

Cinema lens + follow focus + focus peaking + good monitor will help get the best manual focus results

[@kjvisual7]

Nice video, as always 😃 The Cinema 6K seems like a super amazing camera. Your rainy New York footage looks fantastic. It would be nice to see a video about your workflow with this camera. Or maybe a "things you must have" when you buy the Cinema 6K.

[@lionroots11]

What is a film convert does? Is it a lut

[@thomas.kovacik]

Just got the bmpcc 6k, crazy impressed with the quality of image for the price tag. Definitely prefer the package of the c200 with the ergo, and not having to constantly tear down and setup a rig. But for now the bmpcc 6k fit the budget and was the right move for me. Bmpcc is pretty green without messing with tint as well. Solid cam

[@m.i.andersen8167]

Thanks for the video. The side by side comparisons make it easy to see the differences. I like your colorgrade, it is super nice. In the last clip you might be just to generous with the skin smoothing, is it in Premier or maybe a Pro Mist filter?

[@CyndiCaviedes]

Hey thanks for the review, I have a blackmagic 2.5k and a sony a7 now that I want to upgrade I was thinking about going back to canon.... not so sure anymore. How do you deal with lenses and adapters, i have good sony lenses that i can't use on my blackmagick and I see you have kind of the the same issue, just wondering how you deal with it. Great video cheers!

[@CamwiththeCamera]

I love when two of my favorite youtubers collab,

[@chronocross85]

Out of the box C200. Rig it up BMPCC 6K. If I had to pick 1 I would choose BMPCC 6K for sure

[@magicstar2700]

Awesome can you compare the c200 with a dslr like a 6d mark ii to really see the difference?

[@bm625]

So is a separate colorgrading software or plugin really necessary over lumetri color in Premiere Pro?

[@theyoungtravelier]

Having had both (the C200 twice now), I still prefer the BMPCC4K and 6k. Unless you need the light format for SOOC work or 2 full size XLR’s, the C200 is irrelevant now IMO.

[@KarimJovian]

Anybody know the song at 6:52

[@moddymix]

Purple - Veshza

[@Ruby-Millions-Millionnaire]

What lens do you user with the bmmpcc 6k tell me please

[@reanetsemoleleki8219]

Are the handheld BMPCC shots stabilized in post?

[@brettrohlfingvideo]

at 12:48 you have this split screen mode on to compare clips, which I did not know existed! I looked for tutorials, but most were for a similar function, but not done in that exact way. How did you discover it? Thanks!

[@jonjoygaba]

SEVEN STEPS to save a CRAP TON of TIME... So this might be a few weeks late, but perhaps it could save you time in the future by making a matching 3D LUT in Resolve for different camera combos. I recommend doing this even with the same cameras but with different lenses that aren't designed to be perfectly matched. Step 1: Shoot a few seconds at the beginning of your clips with a color checker chart. Note down your white balance, color space, gamma profiles for each camera setup. Step 2: Import your footage into your editing NLE of choice (Premier, Finale Cut) and take a screen shot of the color checker with the respective cameras. (This part is important as sometimes the footage looks different depending on the NLE its been imported into.) Step 3: Bring screenshots into Resolve. Step 4: At the bottom left corner of your monitor window, click color chart, then select the color match tab (looks like little chart icon). Step 5: Select the chart brand you are using and fill in your gamma info, color space, and temp. Stretch the chart template over your screenshot. Hit match. Step 6: Right click on the clip template and select "Generate 3D LUT (cube)". Rinse and repeat with all camera setups. Step 7: Go back to your editing NLE and apply this LUT to the respective camera/lens/scene combos for an almost perfect match. You will likely need to slightly adjust the contrast in highlights and shadows. Unless you shoot in the same studio with the same conditions, I find that I need to do this anytime there is a scene change/change in lighting, but it takes a lot of the guesswork out in matching colors. So yeah, totally possible to use that Sony as a B cam to your Blackmagics... 🤷‍♂️

[@dasaauto2024]

Jon Joy-Gaba Good tips. But I’m not sure about the screenshot step-I’d be inclined to skip it and match color in Resolve (or whatever editor/color corrector you’re going to use) because on many operating systems a screen grab converts the image into 8-bit, so the color accuracy drops by 5X to 20X-even though you can’t *see* it. But that’s just a small point... Your advice is super helpful for anyone wanting to skip the circus insanity that can come with trying to match two different cameras by eye alone.

[@MartinVlog444]

another great video..... nice to see your channel grow so much over the last couple of years... keep up the hustle ....

[@danieldougan269]

I would get an a7S III and call it a day. It has great battery life, IBIS, a flexible lens mount, a full-frame sensor, crazy dynamic range, amazing autofocus, the best EVF of any camera ever made, and it even takes 12 MP stills. Sure, I'd like more pixels for stills, but you can get by with 12. Sure, it would be great if it had built-in ND filters, but neither does the BMPCC unless you step up to the 6K Pro version. Not that I have the money for any of this, so my Olympus E-M1 Mark II and my Lumix G85 make a great budget options.

[@chrismounter1197]

top tip. uses acces colour space, matching cameras becomes much easier x

[@Studio-dp2dx]

1) BRAW is less data intense than prores. 2) C-fast cards are way cheaper than that if you go to a less known brand.

[@jashanjassi10]

great...m using gh5 . But now i think m fall in love...with BMPCC & u😁..tnks n keep smiling😘🤗

[@HusaynTanyi]

Thanks for the video. Is it possible to use canon's EF-S lenses on the blackmagic pocket 6K?

[@paramedia3651]

yes

[@lobrmusic2542]

Super helpful video. I’ve been debating on these two for a while now.

[@camshand]

I shoot KZbin with the BMPCC4K... No continuous Auto Focus has been the biggest PITA (same as BMPCC6K). Especially since you get like 20min from a LP-E6 so wasting time checking focus on yourself chews into that! However, gotta say having the option of BRAW and ProRes from the BMPCC4K is killer, and works great for bigger projects. My review on a Robot Vaccum which had a tonne of B-Roll was 350GB of files by the end 😢😭 So you get that awesome quality... but really pay for it in data and PC performance.

[@selormey]

Both cameras produce awesome footage. I have to give the advantage to the C200. You still can't go wrong with either camera.

[@zoeyxster]

this is amazing! well done!

[@screach]

Hey Sara could you leave a link with the footage of both cameras? just to play with the colours and see the deference. Nice video thank you

[@RichardSingleton0318]

Off topic right there with you, I love, love, love the "moody" color grading choices. Yes!!!

[@ThisIsTechToday]

Oh, yeah, you nailed the color grade on these shots! They look so goooood!

[@Jonathan-yj2cz]

This is my favorite color grade I have seen anyone do on a C200. really considering this camera and always felt other youtube's grade were just lame. Not enough punch, yours looks beautiful I just wanted to encourage you and say thank you.

[@jonathanblair2283]

Thank you! Thank you! Thank you! I was just comparing the two cameras this week and trying to decide which one would be a better fit. I was leaning towards Canon because of autofocus, but after watching this I'm leaning towards the bmpcc. Thank you again!

[@amandaduncanmusic]

I love how damn hard you work. I’ve been watching your videos here and there for a while now...and it’s freakin awesome to have a kickass chick working the video/geek game. This is my nerdy way of saying “Thank you.”

[@jefflarsen9249]

Really nice video! I’m actually looking at the BMPC 6k and the Lumix S1H. I’d love to see a video like this with those two cameras 👍🏼 I currently shoot gh5

[@windycity92]

the c200 is still on my dream wish list.... 😍

[@PanDownTiltLeft]

I have matched both of these cameras with ease using… Wait for it… A color chart!

[@chrissnake559]

I think that your video taken by BMPCC 6K was very shaking just liked my video taken in Japan. I recommend you to buy some lenses with IS, such as Tamron 11-20/3.5-4.5 vc and 24-70/2.8 vc. Those are very cheap lenses and the effect of IS are pretty good! I just bought them and they do very help me to make some smooth videos even just by handheld!

[@ChrisProuse]

Great video Sara - thanks for sharing!

[@Amputee4life628]

Hey, thanks for the information. I was actually looking at both cameras prior to this video for consideration. Thank you for the helpful hints.

[@michaelpujda8407]

Yeah, I'm one of those guys who has a different preference on exposure. Not a big fan of punchy shadows, at least not for overcast daytime shots. Always went light/soft on shadows for anything overcast. Still like the color though. P.s. Still waiting on a C100 mkiii or as7iii.

[@petersarellas]

Cool video! Crazy the difference in price given the similarities

[@BrianSellers]

1:59 "Which is RAW, but some people say it's not really RAW." "Is it real RAW?" So it's... seared? 😂🐟 Oh, and you're 100% right about CFAST 2.0 cards. I run a 1DXII, and my last wedding was nearly 1TB of footage (lots of 4K-60)! Great comparison, you two!

[@VictoriaHatzson]

Wow the colour grading you did was BEAUTIFUL

[@DaveSy]

Has anyone used the C200 on a Ronin-S? The weight suggests it's possible but maybe not the dimensions.

[@idin.aazami]

Absolutely fantastic video Sara and Scott!! Such a brilliant look into not just how the cameras compare, but also a look into what one should be thinking about when they are deciding on the equipment for their projects! This is a silly question but, what do you think of the Blackmagic Pocket 4k/6k battery grip they made?

[@evanantonola4935]

C200 is effortlessly cinematic. But for cheaper price BM does the job well. Not as good as c200 no matter how you post process it but it is fine.

[@incee_netinai]

Makes me want that 6k. As for the fixed screen have you considered the articulating tilta mod?

[@IvanC14]

Incee Netinai with the money you’re gonna invest you can get a nice external monitor and also you’re gonna loose the warranty of the blackmagic

[@DylanHaskin]

Waltermitty is one of my fav movies as well! love the story, music, color...pretty much everything .

[@SpencerWhiteman]

What the heck is going on in the Pocket 6k's BG (Specifically in the lights 85mm test shots) looks like sensor has some type of an issue or something. Anywho, both are sick cameras!

[@Digi20]

if you mean the pattern in the bokeh highlights thats most presumably small raindrops on the lens

[@stevens6280]

Love this video. great work and thanks for sharing