Capella Duriensis Organum modificado. Rex Caeli Domine. Anónimo. Musica Schiriadis Capella Duriensis

Organum modificado. Rex Caeli Domine. Anónimo. Musica Schiriadis. Partitura. Audición.
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En el Canal / @dianegpgp1177

[@ali848trans]

One of countless instances in musical development where limitation triggered innovation: The reasoning behind such a technique of writing for two parts, namely "parallel and oblique organum", was to avoid the unacceptably dissonant interval of tritone when writing parallel organum. Notice how a tritone would occur in this composition, if parallel fourths were to begin one instance before when they originally start (note number 4, the "do" syllable). That was what led them to fix the organum part below the principal part (the counterpoint rather than cantus firmus), to the same note as the melody begins, right until when the danger of tritone ends.

[@saniasinha10]

Can you please recommend some other parallel and oblique organum compositions?

[@user-gs2im1gn5f]

Rex caeli, organum

[@senortenpiedad8515]

So simple, yet so beautiful.

[@hibnerchloe]

Does anyone happen to know what year this song was originally published?

[@diyimenss6382]

me gusta mucho el temazo

[@user-hm6jo2oe7h]

Excuse me, can I use that music file for a radio? I'm a student majoring composition at Korea. I'm making a podcast and planing to explain about organum music. Please reply.

[@alexpianoplayer15]

2 voices? (vox principal, vox organal) or 4 (2 notes in ech staff)?

[@jhoelsebastian5179]

the lower staff is reproducing after the upper, so only two voices

[@eunicesong2036]

무지카 엔키리아디스 오르가눔, “오 주여, 하늘과 바다의 포효하는 왕이시여”