Carlo Gesualdo, Caligaverunt oculi mei (Tenebrae Responsoria), GRAINDELAVOIX

Recording session, august 2019, at Eglise Saint Jean l'Evangeliste, Beaufays (B) for the CD TENEBRAE, Glossamusic.
Graindelavoix directed by Bjørn Schmelzer
with Anne-Kathryn Olsen, Carine Tinney, Razek-François Bitar, Albert Riera, Andrés Miravete, Marius Peterson, Adrian Sîrbu, Arnout Malfliet
Film and editing: Felipe Pipi
Sound Recording engineered by Alexandre Fostier
Recording supervised by Eugénie De Mey
Editing: Alexandre Fostier and Bjørn Schmelzer
www.graindelavoix.be
/ graindelavoix
www.glossamusic.com/glossa/ref...

[@user-xz7xk9dj4c]

Вы чародей, господин Карло! Это восхитительно, до боли!

[@estoicismos7012]

Caligaverunt oculi mei a fletu meo: quia elongatus est a me, qui consolabatur me. Videte, omnes populi, si est dolor similis sicut dolor meus. O vos omnes, qui transitis per viam, attendite et videte si est dolor similis sicut dolor meus. Se nublaron mis ojos a causa del llanto, pues estaba lejos de mí quien me consolaba. Ved, pueblos todos, si existe dolor semejante al mío. Vosotros todos, que pasáis por el camino, prestad atención y ved si hay dolor semejante al mío.

[@cb-at]

perfect voices, perfect performance, thanx a lot, God bless you all! 🌈💚🤩🏆🎯🥰

[@netmendo]

Uma interpretação maravilhosa por este coral Grain de la voix do autor tenebrista Venosa que pode bem servir de acompanhamento musical à pintura de Caravaggio. De facto, fascinante pelo uso do baixo e dos cromatismos

[@jeanluccapri1538]

Bellissimo.....How could God not be touched by these beautiful voices?

[@Joachim-dj2em]

Herzlichen Dank an Graindelavoix❤❤❤❤sehr hervorragend Interpretiert,auch an alle andernen Sänger und Sängerinnen und Dirigent, emphlehenwert.Gruss❤❤von mir Joachim Ehlers aus Schallstadt südlich von Freiburg Germany

[@agustinramosramos4580]

Maravillosa composición en una interpretación soberbia y una realización cinematográfica que engrandece y hace comprender profundamente el significado de la obra. Bravo!

[@serpinapergolesi461]

...la desolazione degli uomini che restano soli su questa terra. La luce si è spenta: Tenebrae... Chi meglio di Gesualdo? Bellissima performance.

[@sravanaastrid3749]

Exceptionnel ! Merci....

[@laurencedamiens1366]

Quelle magie!

[@fleurafricaine5740]

Beautiful. I luxuriate in the dissonances with the slow tempo.

[@HerrTelef]

Everytime a pleasure!

[@TheHypnag0g222]

Beautiful! Deo Gratise! 🌟

[@JavadJavadzade]

thank you...

[@LeventeZone]

This is sublime :O

[@monimoni5460]

Grazie............... 🙏🏼❤

[@MedievalRichard]

Splendid. MR

[@waltercundari7978]

Splendido, vicino agli dei!

[@ninojanjgava]

so nice

[@robkb4559]

Amazing!

[@talvela100]

Bravissimi!

[@aureliencurinier5745]

Captivant, un grand merci!

[@mxicola]

Grans!

[@stanelli]

Gut wrenching. Perfect. Thank you. Merci.

[@TurgayErdener]

çok teşekkürler, mükemmel olmuş...

[@thePsykomanteum]

Bravissimo; here we must regret WITH Gesualdo.

[@konstantinavramenko7176]

It is so beautyful ❤

[@georgeholloway3981]

Oh my god.

[@longinovaal]

❤️❤️❤️❤️

[@sravanaastrid3749]

Poignant

[@aaroneiler6276]

i see that it is in a church but it sounds like its in a padded room used to store pillows. i think gesualdo sounds best with a lot of natural reverb. i like to hear the remanent of dissonance linger into the clean consonance that follows it; i feel like it goes well with the formlessness our modern ears hear.

[@0cer0]

And whenever I hear (and see) this, it makes me think of Cortázar's short story "Clone"...

[@juanantoniomollaalbero]

Que maravilla, suena fenomenal.

[@abdielrogelio4314]

I guess Im randomly asking but does any of you know a way to get back into an instagram account..? I was stupid forgot my password. I would love any tricks you can give me

[@juanantoniomollaalbero]

@@abdielrogelio4314 xd

[@memphisblaze4002]

@Abdiel Rogelio instablaster ;)

[@osobucofaringeo4123]

La armonía de Gesualdo se adelantó 400 años a su época.

[@MsDomi09]

Magnifique !!! Quand allez-vous vous lancer à chanter l'Opéra des gueux ?? Ce serait génial !!

[@lorentzlossius771]

This is amazing, with an uncanny, almost reptilian quality to the harmonic colour and tone. But that’s Gesualdo for you.

[@alexanderblazik2991]

Conhratulaciones. Gracias.

[@stefflute]

Did anyone notice there is something wrong with the recording quality production?

[@fleurafricaine5740]

Tempo is completely 100% subjective

[@mitziriedel378]

Takhle má znít Gesualdo.

[@garudel]

Great interpretation of this very unusual music from the Renaissance. In my view the pace/tempo is too slow, but it may be simply a matter of taste.

In my opinion, the slow tempo gives more pathos to the text.

[@antiquusordo]

It is motet of Thomas Luis de Victoria?

[@michielschrey9814]

Gesualdo 😉

[@dbadagna]

Very nice! Better: if the major thirds above the root were narrowed slightly (to c. 386 cents) rather than singing them always as "piano thirds" (c. 400 cents), with their 7 beats per second. This is one of the aspects that made Renaissance and Baroque music distinctive, and, in a way, more beautiful than the music of today, but the singers need to have a cognizance of this before they can implement it in performance.

[@michielschrey9814]

Very intriguing and beautiful! Too bad the cameras caught so few moments when a singer was doing something interesting... always in the wrong place!

[@esaulr.775]

O cómo hacer irreconocible una joya del renacimiento.

[@sergiomunozpedrosa7441]

Irreconocible e innecesaria versión

[@estoicismos7012]

o bien: cómo hacer inteligible una obra maestra de difícil comprensión

[@petruczio]

Just another proof of the existance of God.

[@agw9856]

Beautiful, but this performance by Graindelavoix does not come close to the performance by the Hilliard Ensemble!

[@patrikmatyasek2892]

A group of Neandertalers' beautiful singing! Strange, surprising ...

[@0cer0]

These are just real men (and women). You don't see suchlike very often these days.

[@solcarzemog5232]

OMG, the voices and the interpretation are magnificent, but the director... I have rarely seen such a bad conducting technique in my life. It's unreadable, full of useless, parasite, harsh and ugly gestures. He gets away with it thanks to the professionalism of the singers.

[@sravanaastrid3749]

N'importe quoi !

[@chriscross4004]

After 30 years of professional singing I still would have a hard time getting used to this strange conducting style. Really bad.

[@angelchallandier8295]

!!!????

[@sravanaastrid3749]

N importe quoi