Carnegie Hall Flute Master Class with Emmanuel Pahud: Samuel Zyman's Flute Sonata

[@dianal.1279]

OMG, when he plays!... This piece is so beautiful!

[@danielschmitt8525]

Such an honor to witness a Master class. Beyond words; thank you for the master and student.

[@carnegiehall]

Thank you for watching.

[@juhwang79]

Thank you so much Emmanuel Pahud!@..@

[@sweetnothings12]

I love these videos I myself am learning from these

[@susanhawthorne]

This is immensely helpful. Thank you!

[@Yolohipsteryolo]

05:20 - 05:26 ... wow

[@danielschmitt8525]

Really a blessing.

[@carnegiehall]

Thanks for listening.

[@meg3765]

She is well skilled! What she’s doing is not easy.

[@dimitriskaraganis]

fantastic compo! great performance!

[@leungyatchun9552]

Fun fact: Pahud didn’t know this piece before this masterclass! But he figured out a lot of details within a short period of time. :)

[@carnegiehall]

Thanks for the info.

[@MrChochulchang]

She is so skilled, yet Mr. Pahud's teachings are mostly elementary. Amazing...

[@juhwang79]

Wow! Very impressive!!!

[@orcite]

4D! Yes yes its huge master!

[@christainmartin9736]

Pahud was 4D before 4D was a thing!

[@kevynsalazar8561]

How does he get so soft and stay in tune.

[@absidyabsidy2727]

An absolute shitton of practice

[@dianal.1279]

It's the Wasabi point technique! He explained in another video.

[@한소연-u4r]

Wow....im truly impressed with his flute playing

[@pianoandmore-hx8il]

um its a her

[@ArtisticPhoenix]

***** lol. um.. it's a him. obviously it's Pahud being referred to. and he's bloody awesome.

[@cedarspeice6105]

If you're talking about the teacher it makes sense

[@micheiljay]

Just wow.

[@bambooflute5158]

Control can be achieved through increase and reducing lips to lips distance during blowing air without compromising the quality output. There quality of flute make sense. Efficiency of good quality flute helps.

[@huibert_geldrop48]

The good thing about Pahud’s approach is that he does not want you to focus on the lips - this makes them tense - but wants you your nose and throat, like a singer. The flute is a wind instrument, not a lip instrument.

[@fluierasdefag1800]

Pahud is like swiss watches.

[@absidyabsidy2727]

Precision of Swiss watches, richness of Swiss chocolate

[@dasteufelhund]

She really has that headjoint rolled in.

[@lejedidelingo]

+dasteufelhund yea it sounds "close"', not bright and full

[@dasteufelhund]

lejedidelingo It's interesting to hear Pahud plays with a more or less standard headjoint/embrouhcure hole position, than most rolled way in to recreate that timbre of Pahud's sound.

[@gcg8187]

ppl roll in to sound like pahud? maybe if they wanted to sound likr robison or buriakov, but I would expect someone to roll out to get that timbre.

[@dasteufelhund]

To a certain extent yes, it would. But players who lacked the flexilibility because they don't invest time on long tone will run into problem throughout registers playing with the hole rolled in as a fixed set up.

[@gcg8187]

@@dasteufelhund oh ok

[@johnsu3645]

hello, may i ask how i can get a full vision of this video? Tell me please...

[@RebeccaHua]

You can find it in the description under the video

[@pearlflute1]

For a whole collection of great Pahud master classes, go to www.playwithapro.com. REALLY GREAT. I listen to them again and again.

[@mzy98]

Si Pahud me escuchara tocar flauta, se suicidaría. Jajaja

[@carlosandresvalenciarivero3259]

Yazz Minn jajajaja

[@gravityfallscat4550]

wow your good

[@galbilee]

what is this piece!? its beautiful !!

[@absidyabsidy2727]

Zyman’s first flute sonata

[@ekmke96]

쥬희쌤♡

[@absidyabsidy2727]

Carnegie Hall, do you have Andreas Blau’s masterclass of the flute excerpt from the third movement of Symphonic Metamorphosis by Hindemith? I used to watch that video all the time, but I can’t find it on your channel anymore. Please let me know!

[@carnegiehall]

Andreas Blau's masterclass on "Symphonic Metamorphosis" by Hindemith is not on our channel. We apologize for any inconvenience.

[@absidyabsidy2727]

@@carnegiehall Do you know where I can find it? It used to be up on your channel, but it looks like it's a private video now, here's the link: kzbin.info/www/bejne/oHrMoI2Oq9ONn9k

[@carnegiehall]

Please send an email to [e-mail] to inquire about this video.

[@yishihara55527]

The performer probably requested that it be taken down.

[@carlosandresvalenciarivero3259]

ese man es el mejor

[@anayahcowart3991]

Carlos Valencia Hxhndjcjxx xnsmmsmd,d,s,sls

[@johnyi516]

wow I would have been pretty embarrassed in front of an audience like that

[@ArtisticPhoenix]

true.. but kudos to Juhee Kang for standing ground. if she felt embarrassed, she wouldn't have learned anything. we have to let go of our embarrassment and be open to mistakes.. it's a class after all, we're here to learn. :)

[@warriorscatsstudios]

That's the first thing we learned in my high school band

[@gcg8187]

I wouldn't. pahud's words would occur to me as "golden advice", rather than "condescending criticism". dude's legit!

[@olive4naito]

I know what you mean. Pahud is amazing, but because he is more blunt in his manner of speaking compared to other teachers in Master Class, I see a lot of students benefitting more from private or semi private lessons. I would personally be able to take his criticism and direction more constructively if I wasn't distracted by spectators. Obviously his critique and direction is not meant to be embarrassing in any way but it helps if you don't have 100 people watching it all go down. But then again these students are taking the class willingly so I'm in awe of the courage they have to have their flaws laid bare in front of a room full of people.

[@zangsax]

for Ayako Saito--room temp times 2 I have taught Physics at NYU and USC but ego is in check-unlike yours.

[@flutesgalaxy]

I realised Asians are so succesful in everything.

[@trumpetboss5483]

This is what i don't like about classical music that the individual feeling of a performer is very limited and always composer is the guru of the piece he has written. Then comes the teacher guru and all the individual feelings performer has had about the piece at the start are going out through the roof and are being replaced with other feelings of others which at,the end makes the piece impersonal and filtered I believe which can lead into stiffness listener won't enjoy. Performer need to follow all the laws and stay a humble servant to the boss composer and the master teacher.

[@fluierasdefag1800]

Yeah..some of them are like robots, and without individuality..they are like slaves for composers...ok..i joke...but that is their choice, and they are very hardworking.

[@gcg8187]

Good point

[@ccflute]

i have always thought that people who prefer subtle differences go for classical music and people who prefer dynamic contrast go for jazz or rock music. if is the genre chracteristic and ultimately a choice of preferance, you can't blame a jazz musician for using jazz chords, you can't blame a classical musician for performing classically. and some people want to enjoy some of both sides so they go for crossover(yup that's me😂)

[@4gnostic]

Ok, weirdest explainantion of intonation, hehe :)

[@大山まゆみ-b6b]

I'm

[@jorgemartin5093]

It sounds like Tango from Piazzolla. I dare to say Ziman stole his composing style

[@abalone317]

11:03 cue the overdramatic flute gesture.... Can we agree to stop with the theatrics and just play?

[@bennyharvey7430]

abalone317 we are entertainers so we exaggerate our motions so it reaches the audience. Can we agree that a musician thats stiff and unmoving is not very fun or interesting to watch.

[@fluierasdefag1800]

I wonder why this kids have golden flutes if they didnt master yet a lot of things?

[@abalone317]

Rich parents.

[@helenver3872]

Impressive, but there will come a time that we will admit to ourselves that this is not music, because music was ment to heal the body. This isn't